Tag: review

Movie review: Collective [Romania]

medical establishment

CollectiveThe International Feature Film Oscar nominee Collective, representing Romania, is an intriguing docudrama. It’s in no small part because the viewer thinks the story is going to be about one thing, but there continues to be much more to the narrative.

The title comes from Bucharest’s Colectiv nightclub. A 2015 fire there killed 64 people. But the majority of them died well after the conflagration. Why is that?

A group of reporters from, of all things, a sports daily newspaper, keep finding bits of the story, led by Catalin Tolontan and Mirela Nega. These are dogged investigators who might put Woodward and Bernstein to shame. Think of the movie Spotlight or other investigative films, without the Hollywood lighting and mood music.

The newspaper initially reveals one villain, a medical supplier. Did the company director know about the discrepancies in the product line? But this turns out to be merely the tip of the iceberg.

Knight to the rescue?

It is at that point that director Alexander Nanau pivots, rightly so, I believe. He then focuses on the personable new minister of health Vlad Voiculescu, a former activist after his predecessor suddenly resigned. Vlad’s job is to initiate a whole redo of Romania’s corrupt and inept medical establishment. Naturally, he experiences pushback from the systems, plural: medical, bureaucratic, and political.

Near the end, Vlad notes the lack of interest in hospital reform from Romania’s doctors, while the public grows frustrated with how slowly change is coming. He notes, “It’s like we are living in separate worlds.”

A minor, but compelling storyline involved the recuperation of burn survivor Tedy Ursuleanu and her nifty new mechanical hand.

Critic Roger Moore notes, “One can’t watch the… documentary… without feeling as if the film is a snapshot of America’s future.” This detailed review in Indiewire tells a lot more than I’m sharing here. 99% of the critics and 88% of the general audience applauded this movie.

Despite the many setbacks experienced by the protagonists, Collective shows the value of truth, and the importance of a free press addressing countervailing forces. The movie’s pacing is slow, especially early on, but it’s worthwhile overall. I saw it on Hulu. It is in Romanian, with subtitles.

Movie on TV review: Sneakers

Test driver Tetrault

Sneakers.Gallery-1When the movie Sneakers came out in 1992, I had intended to watch it at the cinema, and for a specific reason. Yet I did not.

But when my daughter was flicking through the channels when we were on vacation at the end of June, there it was. We were introduced to the team led by Robert Redford as Martin Bishop. His company tests the security of banks and other businesses.

His colleagues include Crease (Sidney Poitier), the ex-CIA man with anger issues; Mother (Dan Aykroyd), the conspiracy theory nut who, two decades later, would probably spewing his nonsense on Twitter; Emory (David Strathairn), who’s blind but hears extraordinarily well; and Carl (River Phoenix), a brilliant hacker.

Martin is approached by two NSA guys to steal a newly invented computer decoder. He eventually susses out that his new clients aren’t who they say they are. He ends up asking his ex, Liz (Mary McDonnell) for help.

In many ways, this is a traditional caper movie in the Dirty Dozen/Mission Impossible/Ocean’s 11 traditions. But, in hindsight, it has the veneer of a sociological study about how the world changed – or didn’t – after the Soviet Union broke up.

Before its time?

The movie received 79% positive reviews on Rotten Tomatoes. I do agree with most critics that River Phoenix was underused in the film.

The most interesting negative review is this one from 2001. “But this MacGuffin… it could shut down the Federal Reserve, Air Traffic Control, the National Power Grid. Oh, the power! The sweet, warm, delicious power! With this thing I could, dare I say it, rule the world!

“Gack. How 1992. How so early post-Cold War. Here I am worried about cloned supersheep herding humans for food, and Sneakers wants to get me upset over a few crashed airplanes.”

And that is precisely the type of terrorism that we’re worried about in the past decade or so. Because the technology has nearly caught up with the imagination of the script.

I enjoyed Sneakers and I found it surprisingly relevant. My daughter was occasionally confused because it was tricky figuring out who the good guys were. The final scene, featuring a well-known actor, was played for laughs. The film also stars Ben Kingsley as Cosmo, Martin’s former colleague; Timothy Busfield; and Stephen Tobolowsky.

But the reason I always wanted to see Sneakers is that the late Ernie Tetrault, a long-time anchor of WRGB-TV, Channel 6 in Schenectady, NY played the news anchor; he performed the role credibly.

Movie review: Summer of Soul

(…Or, When the Revolution Could Not Be Televised)

Summer of SoulIn the summer of 1969, there was a massively successful music festival in New York State. No, I’m not talking about Woodstock.

The documentary Summer of Soul recounts the Harlem Cultural Festival, which took place on six weekends, drawing about 300,000 people. It had big-name artists such as Stevie Wonder, B.B. King, the Chambers Brothers, and David Ruffin, recently of The Temptations, wearing a too-warm suit. The festival film was directed by the late Hal Tulchin, but the reels sat in a vault for nearly half a century.

Questlove (Ahmir-Khalib Thompson) of the band The Roots learned about the footage. He edited down over 50 hours of film that tells the story about not only the festival but the context in which it took place, a year after MLK’s death and, in the case of one show, during the Apollo 11 moon landing.

These are extraordinary performances. Gladys Knight and the Pips reminding us about how well the late choreographer Cholly Atkins trained Motown acts. The 5th Dimension, tired of some folks finding their sound “too white”, letting Billy Davis Jr. “go to church” on Let The Sunshine In. Sly and the Family Stone confused the crowd initially with their mixed-race/mixed gender/funkily garbed presentation as they performed Higher, which they later performed at Woodstock.

More artists

The concert also features Mongo Santamaria, the Edwin Hawkins Singers, the Staple Singers, Abbey Lincoln and Max Roach, and even the salty Moms Mabley, among many others.

Two highlights: Nina Simone, looking as she often does like a black goddess that she was, performing an early version of the anthem I Wish I Knew How It Would Feel to Be Free. And Mahalia Jackson asking Mavis Staples for assistance singing Precious Lord.

But perhaps the most fascinating parts of Summer of Soul are the interviews with some of the people who attended the festival. Clips from the event made them feel as though they weren’t crazy. This remarkable thing really did happen. It was as wonderful as they re-remembered it, even though the concerts seemed to have been forgotten by the world.

See the film, subtitled (…Or, When the Revolution Could Not Be Televised), if you can in a movie theater. My wife and I caught it at the Spectrum Theatre in Albany. It is also available presently on Hulu.

Rita Moreno: Just A Girl Who Decided To Go For It

West Side Story, The Electric Company, The Ritz, The Muppet Show

Rita-Poster.Just a girlRita Moreno: Just A Girl Who Decided To Go For It is the documentary my wife and I saw at the Spectrum Theatre in Albany recently. The IMBD summary reads, “A look at the life and work of Rita Moreno from her humble beginnings in Puerto Rico to her success on Broadway and in Hollywood.” It’s a bit more complicated than that.

For she loved growing up in her homeland. Hollywood, conversely was quite a bit more treacherous. It was stressful often being the primary breadwinner when you’re a teenager. She endured some abusive treatment during her career, from her bizarre pairing with Marlon Brando to assault from studio executives and a business manager of hers.

While she loved her small role in Singin’ In the Rain, she was often given the generically ethnic roles of Asian/Native American/whatever. At least she could use the same accent because the directors apparently couldn’t tell the difference, or care. Even her signature role as Anita in West Side Story she was unsure she should take.

When she won the Oscar, she gave a far too short acceptance. “I can’t believe it! Good Lord! I’ll leave you with that.” In the film, the older and wiser Rita mocks her younger self. For a time afterward, she largely stayed away from movies, choosing to focus on TV guest spots and stage appearances.

EGOT

The ’70s were good to Rita. In 1972 she received a Grammy Award for Best Children’s Album for The Electric Company. “Hey, you guys!” “In 1975 she won the Tony Award for Best Featured Actress in a Play for The Ritz. She won her Primetime Emmy Awards in 1977, and 1978 for her performances in The Muppet Show and The Rockford Files, respectively.”

The movie featured, as these things do, other performers speaking about her. A number of them Latinas such as Eva Longoria and Gloria Estefan, plus co-stars such as George Chakiris (WSS) and Morgan Freeman (Electric Company), and were fine. She was an inspiration to them all.

But the highlights of the film were Rita talking about Rita, warts and all. One of the few negative reviews on Rotten Tomatoes says the movie “reiterates many… anecdotes, but it doesn’t tell us much that Moreno hasn’t divulged already in her 2013 memoir or in countless interviews over the years.”

For one thing, I didn’t read her book. For another, she seems to become more self-aware as she gets older. She looks great, but she’s fine letting the viewer know it takes wigs, makeup, and help to look that good. (She was 87 at a point in the film; she’s 90 now.)

She was involved in the remake of One Day at a Time, which ended in 2020. She’s going to appear in the reimagined West Side Story, directed by Steven Spielberg. It took her a good long while to get comfortable in her own skin, but surely she’s a wonderful raconteur of her own life.

Movie review: In The Heights

Washington Heights, NYC

In The Heights
(Left Center-Right Center) ANTHONY RAMOS as Usnavi and MELISSA BARRERA as Vanessa in Warner Bros. Pictures’ “IN THE HEIGHTS,” a Warner Bros. Pictures release.

My Father’s Day present was my wife taking herself, our daughter, and me to the new movie In The Heights. After church, someone had noted that it’s airing on HBO Max or whatever. Goodness, no thanks. I’ve seen too many films on the small screen in the past year.

We walked to the Madison Theatre. Not only is it our neighborhood cinema, but it had been closed for months because of the pandemic, though it did offer takeout food.

Will this be a private showing? We were the first three people in the theater. There was a party of four that came in during the many previews for films not in my queue, mong them Quiet Place II, F9, the Hitman’s Wife’s Bodyguard, and the new Top Gun.

We all enjoyed the story of a bodega owner named Usnavi (Anthony Ramos from Hamilton) telling a tale about the folks in his Washington Heights, New York City neighborhood. Nina (Leslie Grace) is home for the summer after her first year at Stanford, the pride of the neighborhood, especially her father Kevin (Jimmy Smits). His cab company employes her old beau Benny (Corey Hawkins).

Usnavi is assisted at the store by his cousin Sonny (Gregory Diaz IV). The proprietor has ad a long-standing, but unstated crush on the artistic Vanessa (Melissa Barrera). Meanwhile, Abuela Claudia (Olga Merediz) is a cross between the mayor of Washington Heights and everyone’s mother.

There are lots of good tunes, most largely unfamiliar to me; the Abuela song was quite touching. Some impressive dancing is taking place, especially 96,000, in and around a swimming pool, which had to be a technological challenge

I’ll allow that at 2:24, it’s about 15 minutes too long, even with some of the songs from the  Tony-winning score left out. This is a regular sin of musicals, in my experience. Still, I was never bored.

Bust

This begs the question, then. Why has In The Heights been a commercial failure thus far? After a mediocre opening, the box office dropped some 67% in its second weekend. The reviews were good; on Rotten Tomatoes, the critics were 96% positive and were 95% of audiences.

Is it because some of it was in Spanish? I didn’t find it a barrier myself since most of the film is in English. But potential viewers may have worried nonetheless. Did the color controversy, mentioned by Ken Levine in paragraph seven, have anything to keep people not only home but off HBO Max? I don’t know.

I’m recommending In The Heights, in the theater, if you can see it there. Lots of funny Hamilton touches. Phone music featuring You’ll Be Back. Christopher Jackson (George Washington) as the ice cream truck driver competing with the ices seller (Lin-Manuel Miranda, who of course, co-wrote In the Heights and Hamilton.) And wait until the very end.

Ramblin' with Roger
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