Tag: review

Movie review: Manchester by the Sea

Writer/director Kenneth Lonergan had the same roles in one of my favorite films of the past 20 years, You Can Count On Me.

Manchester by the Sea is a very good movie, but the story is sad, though not unrelentingly so. Occasionally, it’s even mildly funny.

Lee Chandler (the excellent Casey Affleck) is a maintenance man in the Boston area, working on four apartment buildings with difficult tenants. He gets word that his brother Joe (Kyle Chandler) is having trouble with his heart, again, and Lee rushes up to the hospital to see him. Too late.

Much to his surprise, Lee finds out that his older brother has made him the sole guardian of Joe’s son Patrick (Lucas Hedges). He’s required to return to the title locale to care for his 16-year-old nephew. In doing so, ghosts of his past while growing up in the community, especially his ex-wife Randi (Michelle Williams), come to the fore. Lee and Patrick negotiate their relationship without Joe, the common thread.

The saddest part of the film takes place while one of the two most heart-wrenching pieces of music in the entire classical canon is playing.

Grief is a peculiar thing. Often, others want you to “get over it” sooner than you are able to do so, and that is, for me, the underlying theme of the film. When the movie ended, a pair of women who were sitting behind us at the Spectrum expressed disappointment that the end wasn’t more tidily happy. I thought it was much like life IS.

The most impressive element of the filmmaking is that the story goes back and forth in time, and I’m almost always aware of when we are in the narrative, no small feat. Kudos to writer/director Kenneth Lonergan, who had the same roles in one of my favorite films of the past 20 years, You Can Count On Me (2000). The acting was excellent throughout, although Matthew Broderick, in a small role as Patrick’s mom’s finance, always looks like Matthew Broderick to me.

I should note that, according to IMBD, Manchester by the Sea contains at least 125 profanities, with the f-bomb quite popular. The film is a bit more popular with the critics (97% positive on Rotten Tomatoes) than with fans (85% positive). At 135 minutes, it IS a long movie, but the guy in my row who checked his device at least thrice had me wanting to seize it from his hand and smash it to the floor, but I didn’t.

Movie review: Loving, directed by Jeff Nichols

“On January 6, 1959, the Lovings pled guilty to ‘cohabiting as man and wife, against the peace and dignity of the Commonwealth.'”

Part of the general complaints from the 11% of the critics who did not like the new movie Loving was that it wasn’t exciting enough. The Wife and I saw it at the Spectrum in Albany, and we thought it was wonderfully understated.

This is based on a true story of a couple, a white man named Richard Loving (Joel Edgerton) and a black woman named Mildred Jeter (Ruth Negga) who had the audacity to fall in love in late 1950s Virginia. Mildred gets pregnant, so Richard does the honorable thing and proposes marriage.

But that wasn’t an option in the Dominion State in 1958, which had passed the Racial Integrity Act of 1924, making marriage between whites and non-whites a crime, so they go to Washington, DC to get hitched. They settle back in the small town of Central Point, VA. Based on an anonymous tip, the local police break into their domicile – a terrifying moment in the film – and find the Lovings sleeping in their bed. Mildred pointed out the framed marriage certificate on the bedroom wall, but they were told the certificate was not valid in the Commonwealth.

“On January 6, 1959, the Lovings pled guilty to ‘cohabiting as man and wife, against the peace and dignity of the Commonwealth.’ They were sentenced to one year in prison, with the sentence suspended on condition that the couple leaves Virginia and not return together for at least 25 years,” an apparently generous offer worked out by a local attorney. “After their conviction, the couple moved to the District of Columbia.”

Frustrated by being away from their extended families, and not happy with urban life, Mildred Loving wrote a letter to US Attorney General Robert F. Kennedy. RFK referred her letter to the American Civil Liberties Union (ACLU) and young, inexperienced attorney Bernard S. Cohen, who, eventually, with fellow lawyer Philip J. Hirschkop, filed a motion on behalf of the Lovings in the Virginia trial court to “vacate the criminal judgments and set aside the Lovings’ sentences on the grounds that the Virginia miscegenation statutes ran counter to the Fourteenth Amendment’s Equal Protection Clause.”

This is a slow legal process, and the taciturn Richard is uncomfortable with the need to get publicity for the case, while Mildred appreciated its strategic importance. The tension might have split up a lesser couple. When the case was to be argued before the Supreme Court, the lawyers asked Richard what he’d want to say to the justices. Richard: “Tell them I love my wife.”

I had written about this case here, specifically Loving Day, on June 12, 1967, the date Loving v. Virginia overturned the laws not only in their case but in 14 other states.

Unfortunately, “Richard Loving died aged 41 in 1975 when a drunk driver struck his car in Caroline County, Virginia. Mildred Loving lost her right eye in the same accident. She died of pneumonia on May 2, 2008, in Milford, Virginia, aged 68. The couple had three children: Donald, Peggy, and Sidney.” Peggy was involved in the making of the movie.

As I suggested, there is tension in this film, but it’s subtle, such a brick around the LIFE magazine article they appear in. This was a mostly quiet, but extremely effective film for which Edgerton and Negga rightly received Golden Globe nominations.

Movie Review: Arrival

When the movie was over, I got into some banter with two total strangers about its meaning and message.

arrival_movie_posterI went to see the movie Arrival at the Spectrum Theatre in Albany alone; I’ve discovered that there are lots of people who won’t do that. A few days later, the Wife did the same thing.

Going in, I knew it was some sort of science fiction drama. Odd-looking spacecraft show up at 12 different locations around the globe, including in, or more correctly, over Montana. The military guy (Forest Whitaker) calls on an expert linguist Louise Banks (Amy Adams) to try to figure out what they want. Louise works with theoretical physicist Ian Donnelly (Jeremy Renner) and their teams to try to communicate with these alien beings.

But this takes time. People around the world are nervous. In a nod to the know-nothing media, we see some yahoo on the TV bashing the “do-nothing” government for failing to act promptly against this potential threat, yammering, though he has no idea what he’s talking about.

I liked this film enough to try to be relatively vague about it, lest I spoil it. Interesting that on Rotten Tomatoes, the critics like it a bit more (93%) than the fans (83%). It is generally a cerebral film. And when the movie was over, I got into some banter with two total strangers about its meaning and message, and whether the Louise character should have taken a certain actions, a conversation that I really enjoyed.

As a teacher of English as a New Language, the Wife really enjoyed the struggle to try to understand the language – if it IS a language – of the visitors. I was disappointed in not hearing why Portuguese is so different from other Romance languages.

The director of the film is Denis Villeneuve, who has a well-regarded body of work, but this the first film of his I have seen. I suspect Amy Adams will be nominated for an Oscar this season, if not for Arrival, then for the gritty-looking Nocturnal Animals.

Book review: Apocrypha Now

Yes, Solomon WAS rather sexist, now that they mention it.

apocryphanow_cvrOnce again, I find myself reviewing a follow-up book. Apocrypha Now is a sequel of sorts to God is Disappointed in You, also by Mark Russell, with illustrations by New Yorker cartoonist Shannon Wheeler.

While the earlier book is a retelling of the King James Version of the Bible, Apocrypha Now is the “Cliff Notes” version of the extra-Biblical writings. Part One is the Midrash, a collection of “texts that flesh out the story of the Jews in the Old Testament.”

If you’ve perused Genesis – and I’ve read it a LOT, in attempts to read the Bible straight through – some of the stories will be familiar: creation, Cain and Abel, Noah, Abraham, but with details that scripture left out. While the stories are often funny, and occasionally salty, some of them compare favorably with the dry, sometimes obtuse source text.

One story, near the end of the Laws of Moses, could be a sermon, as is. It’s about God’s forgiveness and Apology Day, what is now called Yom Kippur. “I thought the climax of my relationship with the human race was going to be giving you the law. But it wasn’t. It was forgiving you for breaking it.”

Yes, Solomon WAS rather sexist, now that they mention it.

The next section contains stories of the Apocrypha, those books in the Catholic Bible that were not included in the King James Version, books such as Maccabees, a warrior group. I’ve actually read these, and the presentation in Apocrypha Now is pretty accurate.

The last section contains alternate Gospels, ones that didn’t make the cut. I happen to own Lost Books of the Bible by William Hone. I read two chapters contained there and compared those with the Russell writings, and they are quite in sync.

In the Infancy Gospels, little five-year-old Jesus is a bit of a jerk, not knowing how to rein in this enormous power he has discovered. Over time, Jesus develops his humanity. The other story is The Acts of Paul and Thecla, the latter a woman who went to great lengths to follow Paul, despite the obstacles. This is a stirring tale in either version, but more readable as distilled by Russell.

Throughout the book, Shannon Wheeler created full stories, which are entertaining. The drawings he created as an accompaniment to Russell’s stories were also nice, if nonessential.

The feedback on Good Reads to Apocrypha Now was mostly positive. The gold-edged pages with a purple ribbon place marker, with the words of Jesus in classic Bible-red, really added to my experience.

I’m sure a few will find these books sacrilegious. As a Christian, I found Apocrypha Now entertainingly funny, and occasionally inspirational.

This was originally published for Trouble with Comics.

MOVIE REVIEW: Sully

I got a great deal of enjoyment about the memes on Facebook about Tom Hanks in movies, that you wouldn’t want to travel with him.

sullyThe movie Sully should not have worked. There’s a major event, which you almost certainly know about because they wouldn’t have made the film otherwise. You KNOW it has a positive outcome. The picture shows the event TWICE. And yet the audience is on pins and needles, both times, including me.

This is fine film making by director Clint Eastwood about airline pilot Chesley “Sully” Sullenberger (Tom Hanks) and his co-pilot Jeff Skiles (Aaron Eckhart), where experience outweighs the machines. It is what happens when one man simply does his job every day in a professional manner. The one odd thing – and maybe this really happened – is that Sully’s dealing with his wife Lorrie are all on the phone, so one doesn’t get a real strong feel for her character.

The Wife and I saw Sully at the Spectrum Theatre in Albany last month and were happy to spend the 90 minutes. And I LOVED seeing the real people at the end, including many of the passengers.

Unfortunately, I read a lot of reviews before I saw the film. A few of those folks thought that the National Transportation Safety Board members were somehow persecuting Sully for his arguably risky maneuver. Whether it actually happened that way – movies based on real life are not supposed to be documentaries – I thought the questions from the NTSB folks were quite reasonable, in an attempt to learn for future situations. If they were a little too “villainous”, it served the story.

I got a great deal of enjoyment about the memes on Facebook about Tom Hanks in movies, that you wouldn’t want to travel with him, lest one be captured by Somali pirates (Captain Phillips), get stuck talking with a volleyball (Cast Away), get stuck in an airport (The Terminal), or get stuck in space (Apollo 13).

Ramblin' with Roger
Social media & sharing icons powered by UltimatelySocial