Posts Tagged ‘black culture’
When we were investigating some aspects of black history this year at church, I was intrigued by the fact that, for a time in the mid-17th century, slavery based on race wasn’t really codified in the United States. There were white indentured servants and black slaves, but the former were often given ever-changing terms of servitude, making them functionally little better off than slaves.
In the 1670s, Bacon’s Rebellion “demonstrated that poor whites and poor blacks could be united in a cause. This was a great fear of the ruling class — what would prevent the poor from uniting to fight them? This fear hastened the transition to racial slavery.”
Every week, or usually more often, writer Ken Levine, whose television credits include MASH, and importantly for this context, CHEERS, answers question from his readers. From Charles H. Bryan:
“I was thinking today, a little, about THE COSBY SHOW of the 80s. I think if you mention the show to someone who was watching TV then, they’ll say they liked it and think well of it, but it won’t pop up on a list without the prompt. I think people more likely remember SEINFELD, or FRIENDS, or CHEERS as being part of NBC Thursday. I think more people would recall the Keatons than the Huxtables. Do you think THE COSBY SHOW gets the discussion that it should?”
THE COSBY SHOW was one of the most influential television programs in the history of the medium. Read the rest of this entry »
A major competitor of Motown serving up black music in the United States in the 1960s and early 1970s was STAX Records, which I wrote about extensively HERE.
One of the great groups on the label was The Staple Singers, “an American gospel, soul and R&B singing group. Roebuck “Pops” Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), Yvonne (b. 1936), and Mavis (b. 1939)… While the family surname is ‘Staples’, the group used the singular form for its name, ‘The Staple Singers’.”
They had appeared on other labels before joining STAX, releasing songs such as For What It’s Worth [LISTEN], a cover of the Buffalo Springfield hit, that went to #66 in 1967 on Epic Records.
Read the rest of this entry »
NBC News did a very interesting thing last month: it rebroadcast the August 25, 1963 episode of the news panel program Meet the Press, 50 years after the original broadcat. You can read the transcript at the site as well. The guests were Roy Wilkins, head of the NAACP, and Martin Luther King, Jr., head of the Southern Christian Leadership Conference. They were speaking three days before the massive March on Washington.
What I found fascinating is that there are two overriding themes in the questioning. One comes in the first question Read the rest of this entry »
When I was growing up, as often as not, we got our gas from the Esso station. Esso (“S-O”) “is derived from the initials of the pre-1911 Standard Oil.” I didn’t remember this, but I read that it became the focus of so “much litigation and regulatory restriction in the United States [that in] 1972, it was largely replaced in the U.S. by the Exxon brand… while Esso remained widely used elsewhere.” Ironic, since the Exxon brand name has been forever tainted by the Exxon Valdez oil spill, not to mention purposefully manufacturing uncertainty on climate change.
Whereas Esso had quite a positive image, at least with many people of my father’s generation. For there was a time in the United States Read the rest of this entry »