Posts Tagged ‘black culture’

Staple-SingersA major competitor of Motown serving up black music in the United States in the 1960s and early 1970s was STAX Records, which I wrote about extensively HERE.

One of the great groups on the label was The Staple Singers, “an American gospel, soul and R&B singing group. Roebuck “Pops” Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), Yvonne (b. 1936), and Mavis (b. 1939)… While the family surname is ‘Staples’, the group used the singular form for its name, ‘The Staple Singers’.”

They had appeared on other labels before joining STAX, releasing songs such as For What It’s Worth [LISTEN], a cover of the Buffalo Springfield hit, that went to #66 in 1967 on Epic Records.
Read the rest of this entry »

NBC News did a very interesting thing last month: it rebroadcast the August 25, 1963 episode of the news panel program Meet the Press, 50 years after the original broadcat. You can read the transcript at the site as well. The guests were Roy Wilkins, head of the NAACP, and Martin Luther King, Jr., head of the Southern Christian Leadership Conference. They were speaking three days before the massive March on Washington.

What I found fascinating is that there are two overriding themes in the questioning. One comes in the first question Read the rest of this entry »

When I was growing up, as often as not, we got our gas from the Esso station. Esso (“S-O”) “is derived from the initials of the pre-1911 Standard Oil.” I didn’t remember this, but I read that it became the focus of so “much litigation and regulatory restriction in the United States [that in] 1972, it was largely replaced in the U.S. by the Exxon brand… while Esso remained widely used elsewhere.” Ironic, since the Exxon brand name has been forever tainted by the Exxon Valdez oil spill, not to mention purposefully manufacturing uncertainty on climate change.

Whereas Esso had quite a positive image, at least with many people of my father’s generation. For there was a time in the United States Read the rest of this entry »

That first week of the London Olympics 2012, when I wasn’t watching, the primary storyline apparently was about Gabby Douglas’ great accomplishments in the Olympics. And her hair. Yawn.

As long as I’ve been alive, how black girls and women wear their hair has been “an issue” with someone. Processed or natural – “proves” how “black” someone really was, at least when I was growing up. Dyed or not – hey, do they “want to be white”?

In large part, I’m less upset by it Read the rest of this entry »

Much of this info is from Rotten Tomatoes:

Oscar Micheaux (January 2, 1884 – March 25, 1951) was the first major African-American feature filmmaker, the most successful African-American filmmaker of the first half of the twentieth century and the most prominent producer of race films. He directed the first black film Read the rest of this entry »

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