Blog Mixed CD Review-Chris2

NAME: Chris Brown
BLOG NAME: LeftyBrown’s Corner 6/20 (2nd)
NAME OF CD: Under Cover, Disc Two
NUMBER OF CUTS: 16
RUNNING TIME: 68:26
COVER ART: Nicely typed
SONG LIST: His post of June 20
SUBSEQUENTLY REVIEWED BY: Gordon on October 6
GENERAL THOUGHTS: If I had heard this independent of the first disc, I’d say it was very good. And it really IS very good. It’s just that the sequencing of the first disc was SO outstanding, and it spoiled me; somehow the flow on this one wasn’t quite there for me as much. Three Leonard Cohen covers are cool, though.
THINGS I PARTICULARLY LOVED: The fact that he listed the original artists. Uptown Girl. Turning Japanese. I Got You Babe. The Nick Cave cut ends the CD well.
ON THE OTHER HAND: Somehow, the Dead’s Queen Jane drags on approximately too long.
OFFICE FRIENDLY: As far as I could tell. (Some guttural pieces are hard to suss.)
ONLY VAGUELY RELATED: I suppose this really is one humungous CD and that I should review the two discs as one entity. But I didn’t. So there.

Blog Mixed Bag CD Review-Chris1

In case you haven’t a clue what a Lefty Brown is.

NAME: Chris “Lefty” Brown
BLOG NAME: LeftyBrown’s Corner
NAME OF CD: Under Cover, Disc One
NUMBER OF CUTS: 19
RUNNING TIME: 76:05
COVER ART: Nicely typed
SONG LIST: His post of June 17
SUBSEQUENTLY REVIEWED BY: Gordon on October 6
GENERAL THOUGHTS: I love this album. I love the fact that the cover versions were intriguing. I love the fact that Chris does the linkages: cover of U2 to cover BY U2 to cover of U2, for example.
THINGS I PARTICULARLY LOVED: The fact that he listed the original artist. “One” by Warren Haynes (I was expecting JR Cash, who shows up later). The Duhks. FRED (yee-haw barbershop). The Stanford Marching Band!
ON THE OTHER HAND: What the heck is FRED? ‘splain, Lefty.
OFFICE FRIENDLY: Except for Rage Against the Machine
ONLY VAGUELY RELATED: When Otis Redding heard Aretha Franklin’s version of “Respect”, he reportedly said, “That girl stole that song from me.” Trent Reznor said the same thing about Johnny Cash re: Hurt. Well, not EXACTLY that, but: “…that song in particular came from a pretty private, personal place. So it seemed, well, like that’s my song… It was a big juxtaposition for me to hear it as someone else’s song now. It instantly became his song after that.”