Some yahoo wrote The Rare Case Against Creator-Owned Comics, citing the Steve Bissette article as “proof” of his premise.
Vernon Supreme for President. Just one of about four dozen candidates on the New Hampshire ballot.
From here: “When Steve Jobs died…, deification from the media and inconsolable consumers made gripes about Apple’s use of sweatshops seem like the cynical mumblings of contrarians. The problem is that there’s plenty of documentation and reporting that supports the criticism.” See also this: “Mike Daisey was a self-described ‘worshipper in the cult of Mac.’ Then he saw some photos from a new iPhone, taken by workers at the factory where it was made. Mike wondered: Who makes all my crap? He traveled to China to find out.”
Rich Kids For Romney.
Continue reading “January Rambling: sweatshops, Steve Bissette and singing”
At least I usually get to see Fred twice a year at the comic book show in Albany.
It’s interesting to me that, in the past year, the one guy who most influenced me in blogging, comic book artist/scribe Fred Hembeck, has seemingly left the blogosphere. He hasn’t posted a thing since April 10, 2011. He started FredSez on January 1, 2003, and for a several years wrote almost every day, an inspirational pace. But the output slackened in the last couple years before he stopped altogether. Hasn’t used his Twitter account very much anymore.
Seems that his chosen medium Continue reading “Hembeck is 59”
Recycle Congress in 2012.
From JEOPARDY! episode which aired on 11/11/11.
A large group of families that are related, it’s from the Gaelic for “family”. Answer below.
Here’s something someone e-mailed me, with some modifications, about collective nouns:
We are all familiar with a
Herd of cows (also the term, not necessarily exclusively, for Continue reading “C is for Collective Nouns”
Christopher Plummer, who is an old guy pivotal to the movie, as opposed to Von Sydow, who is an old guy, who has less dialogue than Jean Dujardin
I tend to think of movie years from Academy Awards night to Academy Awards night, not so much because I’m an Oscars fan – though I am – but because some of the movies that get nominated don’t even make it to small markets such as Albany, NY until January or even February. Yeah, I know the Oscar nominations were very conservative this year, for the most part.
*means I have actually seen it
*Extremely Loud & Incredibly Close
*Midnight in Paris
The Tree of Life
Saw 6 out of 9, so far, 3 in the last couple weeks. War Horse is still playing, so maybe I’ll still see it. I’d love to watch Moneyball, which is available on DVD.
WILL WIN: The Artist, which I liked. It’s a film about film. I mean, so is Hugo, but not as directly.
WANT TO WIN: Midnight in Paris, or The Descendants
PLEASE! NOT: Extremely Loud & Incredibly Close
Demian Bichir, A Better Life
*George Clooney, The Descendants
*Jean Dujardin, The Artist
Gary Oldman, Tinker Tailor Soldier Spy
Brad Pitt, Moneyball
WANT TO WIN Continue reading “Oscar Picks, First Pass”
“Much of what is irritating, precious and tiresome about the movie recedes and drops away, while all the movie’s virtues, which are considerable, rise to consciousness. There are good things here – just be prepared to blast for them.”
While my wife was at a Tupperware party last weekend, I walked to the Madison Theatre in Albany to see Extremely Loud and Incredibly Close. While ostensibly starring Tom Hanks and Sandra Bullock, the real lead is young Thomas Horn, as a quirky nine-year-old who starts a quixotic quest all over “New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.”
I was a couple minutes late, and the film (actually the previews) didn’t actually begin until the moment I walked in the room. Eventually three others also saw the film that showing.
The good news is that the flashback relationship between the boy and his father is compelling. Continue reading “MOVIE REVIEW: Extremely Loud and Incredibly Close”