Officially, it reached 86F that day, though the bank clock we saw read 87, around 30C.
This relatively early Easter reminded me that back on March 30, 1986, it was Easter Sunday. It was also the wedding day of my friend Miriam Isaacs; she was Jewish, and evidently unaware of this Christian tradition. An hour and a half before the wedding, I called for a taxi for my then-girlfriend and me. The dispatcher said it’d be there in 15 minutes. Continue reading “Easter taxi?”
Frankly, I think retailers are crazy to maintain these “senior” discounts.
I find it mildly amusing that when someone gets to be 60, i.e. a sexagenarian, some oung people seem to get all weirded out that people so OLD are still HAVING sex. Of course, the baby boomers never want to be getting older. “Sixty is the new forty,” and all that. Back in the 1970s, there was an episode of the Mary Tyler Moore Show Continue reading “SEX-AGE-narian”
I continue to be moved by its chordal structure of Bach’s Toccata and Fugue.
From last.fm, copied verbatim in the Wikipedia: “The Toccata and Fugue in D minor, BWV 565, is a piece of organ music composed by Johann Sebastian Bach sometime between 1703 and 1707. The attribution of the piece to Bach has been challenged since the early 1980s by a number of scholars, and remains a controversial topic.”
There were two obvious candidates for a single from Sacred Songs, the first two songs on the album.
My old blogging buddy Johnny Bacardi was on Facebook, and I could see that he was on Spotify, one of those online music channels. He was listening to a song called ‘North Star’ by Robert Fripp [LISTEN], a founder of my favorite “progressive rock” band, King Crimson. The vocal, though, was, unmistakably, by Daryl Hall of the very successful singing duo Hall & Oates.
This got me to wonder what the relationship was between that song and the Daryl Hall solo album Sacred Songs, produced by Fripp, an LP which I own and love.