Clarence Devan Williams: grandfather

I don’t remember my maternal grandfather

I’ve seldom mentioned my maternal grandfather, Clarence Devan Williams. It’s because I don’t remember him. He died in July 1958 in Owego, Tioga County, about 20 miles from Binghamton, Broome County, at the age of about 71.

From what I knew, he was the son of Margaret, or Marguerite (1865-1931) and Charles Williams, who was a year older or a year younger, depending on which Census you check.

Clarence had a brother Charles Nathaniel Williams (1885–1923) who was about two years his senior, and they both reportedly played Negro Leagues baseball somewhere.

In 1900, they lived on 103 Paige Street in Owego.

But there’s a record in the New York, Census of Inmates in Almshouses and Poorhouses, 1830-1920 suggesting that a Clarence Williams was the “illegitimate child of Mary Williams – December 20, 1887.”

Someone suggested in a note in Ancestry.com that Clarence might have been adopted. Presumably Mary was the sister of the elder Charles.

Clarence was a laborer at some point in his early twenties. I have no idea how he met Gertrude Williams in Binghamton, but they apparently got married in 1927 and had two children. One was my mother, born in 1927, and the other was a female child who died in early 1929.

The family lore suggested that Gertrude’s mother somehow drove Clarence away. But Lillian Holland died in 1938, yet he mostly stayed away.

There’s a guy, a black male, named Clarence Nat Williams, who had a 1942 draft registration card, though he was 55. If it’s the same guy – by then he was living in Deposit, Broome County, with a Charles Williams. Did he take his brother’s middle name as a tribute?

This was just a quick and dirty search in Ancestry for less than an hour, and it was like falling into a wormhole. I acknowledge that some of my assumptions may be wrong.

This is why I need to retire, in order to track these and other familial mysteries down. I have a feeling it’s going to take awhile, especially since I have no contact with the Williams tribe, and, of course, I can’t ask my mother.

Maybe sometime I’ll go to Evergreen Cemetery in Owego. I don’t believe I’ve ever been to the grave site of Clarence Devan Williams, unless my mom took me there when I was very young.

Singer Lionel Richie turns 70

He has sold over 90 million records worldwide

Lionel RichieLionel Richie grew up on the campus of Tuskegee Institute where his grandfather worked. He attended the Alabama school on a tennis scholarship.

I knew him initially as a member of the soul group the Commodores. Early on, their songs were quite danceable. But eventually, Richie wrote and sang more sometimes syrupy ballads. It was probably inevitable that he’d become a solo artist in 1982, and he became even more commercially successful.

“Over the course of his musical career, Richie has sold over 90 million records worldwide, making him one of the world’s best-selling artists of all time. He has won four Grammy Awards including Song of the Year in 1985 for ‘We Are the World’ which he co-wrote with Michael Jackson…”

He composed “Lady” for Kenny Rogers, which hit #1 pop and CW in 1980 and he wrote and produced “Missing You” for Diana Ross (#10 Pop, #1 RB) in 1984.

“In 2016, Richie received the Songwriters Hall of Fame’s highest honor, the Johnny Mercer Award.” He received one of the Kennedy Center Honors in 2017, which he threatened to boycott if the White House resident attended.

I haven’t watched American Idol for over a dozen years. Yet I’m oddly pleased that he has been one of the judges for the past couple seasons. He is still touring; his “epic 33-date Hello Tour across North America” started May 10th and runs through August.”

Lionel Richie turns 70 on June 20.

Commodores

Brick House – #5 pop, #4 RB in 1977
Easy – #4 pop, #1 RB in 1977
Three Times A Lady – #1 pop AND RB for two weeks in 1978

Solo

Endless Love, with Diana Ross – #1 for nine weeks pop, #1 for seven weeks RB in 1981
All Night Long – #1 for four weeks pop, #1 for seven weeks RB in 1983
Hello – #1 for two weeks pop, #1 for three weeks RB in 1984
Say You, Say Me – #1 for four weeks pop, #1 for two weeks RB in 1985, won the Oscar for Best Song, from the movie White Nights
Dancing on the Ceiling – #2 for two weeks pop, #6 RB in 1986

Plus

We Are The World – USA for Africa, #1 for four weeks pop, #1 for two weeks RB in 1985, sold over four million copies in the US

TD Ameritrade TV Commercial, ‘All Evening Long’

His official website

(RB – soul/rhythm and blues; CW – country; stats from US Billboard charts)

More susceptible to falsehood than to truth

Anything can be corrupted, polluted or discredited

truthI receive Quotable Notes daily. One from March: “Man’s mind is so formed that it is far more susceptible to falsehood than to truth.” –Desiderius Erasmus (1469-1536), a Dutch humanist who was the greatest scholar of the northern Renaissance. I don’t know that “the first editor of the New Testament” is correct. But it WOULD appear so.

For the past couple years, in order not to write about him ALL THE TIME, I’ve posted on this date some links about a person who has described himself, more than once as a “an extremely stable genius”.

This has turned out to be an extremely difficult task. It’s not that there’s a dearth of examples of unsettling behavior but rather a plethora of them.

He feels compelled to comment about his claimed expertise in all subjects in some way, even when it comes to offering advice about something for which he is completely unqualified. He offered unsolicited advice on the best way to fight the Notre Dame Cathedral fire. It was met by derision and laughter because the weight of dropped water on a rooftop fire would have collapsed the structure and made things much worse.

He prevaricates brazenly, having lied or misled the American people more than 10,000 times.

He berates senior officials constantly. It’s remarkable how many times his aides ignored his dodgy or possibly illegal requests. He is tired of hearing “You Can’t Do That.” We should all be afraid.

Back in March, his 32 tweets were noteworthy, from a Saturday Night Live rerun he groused about to several attacks on the late John McCain.

He “railed against Shep Smith and other Fox hosts he doesn’t like; called on the network to defend Tucker Carlson and Jeanine Pirro, two hosts he does like.” He’s since dissed Chris Wallace, and the network in general for allowing Democratic presidential candidates Bernie Sanders and Pete Buttigieg on the platform.

Nation of Change noted: “No one has yet assessed the full disaster from stripping the office of dignity and competence, plus shredding prestige overseas. When ‘anything goes,’ even changes weekly, then anything can be corrupted, polluted or discredited.”

Frank S. Robinson says he has plan-free fact-free anal sphincter foreign policy. He CLEARLY has no idea how tariffs work.

Robert Reich wrote that, as a result of the tax cuts, “business is booming for connoisseurs of private planes. That’s because the tax law allows businesses to deduct the full cost of buying a plane in the first year of purchase… Some wealthy individuals have even created shell businesses to utilize the deductions.” His golf habit has cost American taxpayers $100 million.

Most Americans believe he has made race relations worse. He again targets transgender people – this time in new proposal to rescind Obama-era healthcare protections.

I could go on, and on, but it’s exhausting. He says he would listen if foreigners offered dirt on opponents; he feels no responsibility to protect the integrity of our democracy.

Should he be impeached? Probably, and for all these reasons. Even Justin Amash, a Republican, finds his actions “inherently corrupt.”

That said, as awful as I find him, he can win re-election in 2020. And THAT depresses the hell out of me.


A fugue

The Book of Mormon, more theater

Think the Tonys for the under-20 crowd

Book of MormonMy family goes to the theater quite often. Capital Rep in downtown Albany is a “287-seat professional regional theatre [which] operates under regulations dictated by Actors’ Equity Association.” It’ll be moving four blocks away later this year.

Proctors Theatre in downtown Schenectady is an old old vaudeville venue with about 2600 seats. I have an odd attachment to the place, because when the powers that be decided to renovate the building back in 1978, I worked there on the second floor for the Schenectady Arts Council for several months.

Besides being a reminder for ME of what I’ve seen, i’m hoping to drop some information for you, in case you come across these shows.

Miss Bennet: Christmas at Pemberley, Cap Rep, December 23: “A sequel to Jane Austen’s Pride and Prejudice set two years after the novel ends, MISS BENNET continues the story, only this time with bookish middle-sister Mary as its unlikely heroine.”

If it is a seasonal trifle, it is a very good one, with a lovely assortment of classical music pieces interspersed, played by the actors. There will be a half dozen productions in 2019 in the US and Canada, and it’s worth seeing if it comes to your area.

School of Rock, Proctors, February 10. I never saw the movie with Jack Black. The three of us liked the musical a lot, especially that narrative that you have to really LISTEN to your kids. It was on Broadway for about three years, and has been touring since September 2017, alas, ending in San Jose, CA this week.

High School Musical Theatre Awards, Proctors, May 11. Think the Tonys for the under-20 crowd. Our family had its rooting interests.

Sweet Charity from Albany High School got four nominations, getting one, for the orchestra. Beauty and the Beast from Catskill High School, and starring one of my nieces, got one nomination but did not win. Still, the other talent onstage was tremendous and the ceremony was very much worthwhile.

The Book of Mormon, Proctors, May 15. Back story: last time this show played in the area, in 2014, our daughter was sick in the hospital. Since my wife had stayed with our daughter the night before, I suggested that I should stay at the hospital so she could see the performance.

My wife went; she didn’t like it, finding it too coarse. This time, I went by myself, ON OUR ANNIVERSARY, no less. I thought it was quite funny and said a lot about stereotypes, religious imperialism, and the power of myth. The tour is continuing at least through August 2020.

WNBF-TV: one channel, four networks

I seem to recall the ABC show Lawrence Welk on Saturday night at 6 or 6:30; it nationally aired at 9 pm that night.

When I went to college in New Paltz in 1971, most of my classmates were from New York City or Long Island. They were shocked that we in upstate Binghamton did not have the array of television stations they had.

In fact, when WNBF-TV, channel 12, signed-on December 1, 1949 it “carried programs from all four American television networks at the time -CBS, DuMont, NBC, and ABC.

DuMont collapsed in 1956. The first new UHF station arrived in Binghamton on November 1, 1957 with WINR-TV, channel 40, an NBC affiliate. So when I was a kid, Channel 12 had both CBS and ABC shows.

Here are TV listings from Wednesday, Nov. 11, 1959. Left-hand column is WNBF-TV 12, right-hand is WINR-TV 40. The listings start at 6:00 pm and every line usually represents 15 minutes.

WNBF WINR TV Listings

Bourbon Street Beat was an ABC show, airing most places on Monday, 8:30-9:30. GE Theater was a CBS show, airing in NYC Sunday a 9 pm. Tightrope was pegged by CBS for Tuesday at 9 pm. At least I’ve Got a Secret was a CBS show on at the right time.

Similar listings of the next day, Thursday, Nov. 12, 1959. (Ch. 12 on left, Ch. 40 on right).

WNBF WINR TV 1959

The Donna Reed Show, The Real McCoys, and Pat Boone were Thursday night ABC shows in 1959 at the same time slots as indicated; the Real McCoys became a CBS show near the end of its run. I wonder if The Betty Hutton Show, Johnny Ringo, and Dick Powell’s Zane Grey Theater showed up in another time slot.

While the Wikipedia said Channel 40 also carried ABC shows, these listings were consistent with the national NBC lineup. Except one: The Lawless Years was bumped for a syndicated show called Colonel Flack.

I seem to recall the ABC show Lawrence Welk on Saturday night at 6 or 6:30; it nationally aired at 9 pm that night. Did Channel 12 record to broadcast a week later? How did this work?

I remember that other ABC shows, Maverick, The Rifleman, Ozzie and Harriet, and 77 Sunset Strip were on when I was a kid. Did they preempt the CBS shows? Were they on in time slots before prime time, or on Saturday or Sunday afternoons? Sports didn’t dominate the schedule then. Or maybe even at 11:30 pm.

Here’s a video of the Thursday night lineup in the fall of 1959.

I realize this sounds pretty obsessive, and it is. Next time I’m in Binghamton, I want to look at some microfilm showing the rosters of shows on Channel 12 in September 1962, then in November 1962, when WBJA, Channel 34, became the official ABC affiliate. Not incidentally, all of the call letters have changed, some more than once.

I’d be just as curious about the same phenomenon in Albany/Schenectady if I had grown up there. In fact, one of the very first blog posts I wrote was about the Plattsburgh, NY/Burlington, VT television market in 2005.

I used for the season’s daily charts The Complete Directory to Prime Time Network and Cable TV Shows by Tim Brooks and Earle Marsh (2007).

Thanks to folks on a couple Facebook lists, especially Keith Nelson, who provided the graphics. I also greatly appreciated the kind words people said about McKinley Green, my grandfather, who was a custodian at WNBF for many years.

Social media & sharing icons powered by UltimatelySocial