SOLD OUT Part 1 by John Hebert


This is the recollection of John Hebert, FantaCo customer, who became John Hebert, FantaCo artist. It’s always…interesting…to read about yourself with details that you’ve long forgotten.

Let’s see, where to begin, well, how about at THE BEGINNING!?! I’d been trying to break into comics for quite awhile, even managing to get to the point where I was being coached in art from the legendary Mike Zeck- he of Punisher, Captain America and Secret Wars fame due to his growing up in Florida with my life drawing teacher which brings us to the gist of this. I was just about to graduate from The Junior College of Albany with my Associates in Graphic Design, but had no idea where to go from there with no “bites” in big time comics, I, like so many others just graduated or about to graduate feared the onset of the phrase “Would you like fries with that?” but the fickle finger of fate was, as so often in my life, about to beckon out of nowhere.

It was a hot Friday afternoon in May of 1986, and I was on my way to JCA for graduation practice and, for once, I was running EARLY. With time to kill, I decided to slip into FantaCo – the legendary Albany, NY comic shop (and sometimes publishing house) which had been supplying me with my weekly dose of mind-decay for several years and pick up that weeks new comics (that way, I’d have something to read while the windbags were prattling on at grad practice). Anyway, I popped in, grabbed my books and waited patiently in line at the counter whilst one Roger Green rang up customers ahead of me. When it was my turn at the register and the customary greetings had been exchanged, Roger spake the words that legends would be formed from (at least in my mind at the time).

“Hi Raj,” I smiled, “How’s it goin’?”

“Say, John, are you still drawing?” Roger asked, casually looking up over his glasses while bagging the latest Jerry Ordway opus.

“Yep, sure am, in fact I’m just about to graduate from art school on Sunday, why do you ask?”

Well, we’re about to start publishing again.”, he said, continuing to bag my books, “… and we might just be in search of an artist.”

Oh, man, this couldn’t have come at a better time! I immediately went into a long babbling, run-on sentence detailing how I’d been taken under the wing of Mike Zeck, how I was really getting good and how I’d be delighted to grab my ever-present portfolio from the car. I tossed cash on the counter, grabbed my bag o’ funnybooks and darted for the door without waiting for my change and ignoring Roger’s statements that it could wait. I got out to the steaming sidewalk of Central Ave. and was halfway to the car when it hit me-

“The Car!?!?!” Dammit, for once in my life, I wasn’t driving MY car, but that of my grandmother while my beloved, trusty Camaro (which I’ve owned TWENTY FIVE YEARS as of the day after this writing) sat, with my portfolio nestled in its undersized, yet cushy back seat, in my garage in Wynantskill. Why did I for once, heed my mother’s request to give my grandmother’s Chevette a “good run and a gas up”?!? I stalked back into the store, hastily explaining my tale of woe to Roger who told me that it would be just fine for me to return on Monday, but I was having NONE of it. Criminals may be a cowardly and superstitious lot, but wanna-be comic arteests are a driven and obsessive lot. I promised I’d be back “in a few” with my portfolio and dashed out the door.

It usually takes around 25 minutes to a half hour to make it from FantaCo’s then-location to Stately Hebert Manor in scenic North Greenbush, but that day despite the valiant little Chevy’s seemingly anemic 4 cylinder motor, I made it in just over 15 minutes (POSSIBLY bending a speed limit or 3), ran into the house, grabbed my keys, jumped into “Trigger The Wonder Camaro”, cranked it over(“Atomic batteries to power, turbines to speed…”) and jetted back to Albany in even less time (POSSIBLY fracturing even more speed limits but I fail to recall). Squealing my tires,I slid into a parking spot right in front of FantaCo, vaulting from the driver’s seat, grabbing my battered portfolio and charging into the store, loudly proclaiming that I had returned as Roger stood behind the counter, holding up one index finger for me to wait as 3 oily haired people who looked as though they’d spent way too much time in the basement of some science building stared on blankly.

It seemed to take forever as Roger rang up his customers, at least long enough for me to memorize all of the cast list on the “Dawn Of The Dead” poster on the west wall and the eclectic contents of the display counter while a green latex Yoda mask stared benignly from within.

Finally, Roger beckoned me over to the counter and I threw the ‘port up on the scratched glass top and he began to flip through it, closely studying the fruits of my labors, leaving me to fidget and hum. Roger mmm’ed and aaahhh’ed over the Batman and Squadron Supreme pages as I chewed the inside of my cheek raw. By the time he looked up, smiling, I had become sure that one of the tiny glass coffins with “Genuine Transylvanian Dracula Grave Soil” had moved on its own within the case and that the aforementioned Yoda mask had winked at me.

Roger told me that FantaCo was, indeed about to begin publishing some comics once more after a self-imposed hiatus and that an illustrator was needed. He told me that he liked what he was seeing and that as far as he was concerned, I was “it” but that I’d have to wait to talk to Tom (Skulan) the following week as he was on vacation. Great, the carrot was dangled and I had all weekend to sweat it out, but Roger again told me that there shouldn’t be a problem as my work had progressed significantly since he’d last seen it and that I was indeed “getting good”. I thanked him, vowed to return on Monday and fled to grad practice on cloud nine. Within an hour, I’d told everybody and anybody at grad practice that it looked as though I’d snared my first comic project to the point where I’d been shushed back to the stone age by the rehearsal Nazis, but I didn’t care. “It” was happening, and I could tell be the amount of well-wishers,sycophants and out and out suck-ups who were surrounding me, seething with envy and trying to “hitch their wagon to me”- even those who never had anything to do with comics were asking me to get them work. It felt good – too good. After practice FINALLY ended, I popped the T-tops off of the Camaro and drove rather quickly to my then-girlfriend’s house to share the big news as I couldn’t get a hold of her since I’d spoken to Roger and there were no car phones at that point outside of Banacek reruns. I walked into her house to find her sitting on the front stairs and when she asked what was new I said “Oh, nothing much, I just got hired to do my FIRST COMIC BOOK!!!!” Her eyes lit up, she dove off the stairs into my arms and proclaimed; “Now, we can get MARRIED!!!!”

I was in real trouble but hadn’t figured it out yet.

To be continued…………

John’s bio – written by John: John Hebert has been many things…or he’s been CALLED many things. He was a semi successful comic book artist drawing such title as X-Men Adventures, Punisher, Nomad and Deathlok for Marvel as well as Jonny Quest, Wild Wild West and Mars Attacks for various other publishers. After leaving comics, he went on to become a firefighter, EMT, and fingerprint examiner which he remains to this day as a supervisor at the NY State Division Of Criminal Justice Services, helping to keep our streets safe-by keeping himself off of them as much as possible. Born in the far away land known as Wynantskill, NY, he now makes his home in Albany where he dabbles in politics, tending his car collection and pushing the envelope in pretty much whatever he does. The self proclaimed “Hunter S. Thompson of comic book art” has recently begun a return to comics after a lengthy exile, excitedly taking on some Captain Action assignments for Moonstone Publishing as well as a super top secret project involving a character with a red cape and a name that begins with “S” and ends with “N”. He can be reached at Hawkeyepierced@yahoo.com

This series will be continued approximately once a week.

ROG

I is for Indian

As every American fifth-grader knew when I was growing up, the aboriginal people of the Americas were called Indians because the Europeans who headed west to get east thought that they had reached Asia, probably the East Indies (Indonesia, et al), but it is THIS place that’s involved in the current discussion:

There developed real confusion when saying Indian whether one meant someone from the Asian subcontinent or from the Americas.

Subsequently, there was a movement by some Americans to use the term Native American instead of American Indian as more “sensitive” to the first Americans. Yet there were and are many entities that still use the term Indian, from the American Indian Movement to the Bureau of Indian Affairs, part of the US Department of the Interior to the new Museum of the American Indian, pictured above, which incidentally is staging an exhibition of Native American comic art.

So what do the people involved feel? Seems from this article that there is really no consensus:

A 1995 Census Bureau Survey of preferences for racial and ethnic terminology (there is no more recent survey) indicated that 49% of Native people preferred being called American Indian, 37% preferred Native American, 3.6% preferred “some other term,” and 5% had no preference. As The American Heritage Guide to English Usage points out, “the issue has never been particularly divisive between Indians and non-Indians.

Further:
In the end, the term you choose to use (as an Indian or non-Indian) is your own personal choice…The recommended method is to refer to a person by their tribe, if that information is known…[W]henever possible an Indian would prefer to be called a Cherokee or a Lakota or whichever tribe they belong to.

The 2010 Census is coming up and the Bureau will be using “American Indian or Alaska Native” as the designation for native peoples, just as it did in 2000. At least one of the reasons may lie in this true story I heard from someone who works at the Bureau. Census forms are tested periodically. In some neighborhoods with large immigrant populations, Census was finding an anomaly; a large number of people were checked as Native American, often inconsistently within a family structure. It soon became evident that the new arrivals were checking their country of origin for themselves, but their children who were born here they designated as Native American. The children WERE native to America.


Still, I am still quite uncomfortable referring to the Major League Baseball team in Cleveland or the National Football League team in suburban Washington, DC by their respective nicknames. It just feels wrong to me. At least the NFL team doesn’t have that dopey grinning logo, Chief Wahoo, which reminds me very much of the caricatures of black people in old minstrel shows.

For those of you not into sports or from the United States, the topic of sports nicknames “honoring” Indians at the high school, college or professional level has been an ongoing debate, as you can see, for instance, in this article.


ROG

Corn beef

Roger O’Green here. It’s not just because my last name is Green, and my middle initial is O, that I’ve always related to St. Patrick’s Day. It’s the Irish potato famine story of the 1840s that brought so many Irish to the United States which has always resonated with me. Indeed, it was a black man and and Irishwoman whose marriage in the 1870s formed the foundation of one of my favorite books, The Sweeter the Juice.

More to the point, there is a daguerreotype of a woman, some ancestor of my maternal grandmother, who we believe to be Irish, still in my mother’s possession. So when I’m doing the wearin’ of the green, I come by it (faintly) naturally.

I was walking past a bar/restaurant in Albany yesterday and there was a handwritten sign describing a “corn beef and cabbage” dinner. Oh, where is that guy Jeff Deck when I really need him? He would have corrected the sign to “corned beef”.

Here’s my favorite corned beef story, which happened ten years ago this week, but which I wrote about a mere three years ago. ROG

Roger needs

Google your name and the word “needs” in quotes (“Roger needs”) and see what you get. List the first 7 entries. In my case, several were the same and one I kinda edited to make it a sentence. But the point is the fun, right?

Roger needs a new JBoat.
Roger needs Rafa.
Roger needs help!!! some would agree with that.
Roger needs a coach.
Roger needs to be with a family who has a large yard.
Roger Needs Facebook.
Roger needs to finally realize, although he knows how to get a woman’s attention, he needs lessons from his own nephew.

Lots of references to Roger Rabbit, someone called Roger Needs, the movie Roger Dodger, and especially Roger Federer.
***
What Kind of Information Technology User are You?
I’m a Connector
The Connectors’ collection of information technology is used for a mix of one-to-one and one-to-many communication. They very much like how ICTs keep them in touch with family and friends and they like how ICTs let them work in community groups to which they belong. They are participants in cyberspace – many blog or have their own web pages – but not at the rate of Omnivores. They are not as sure-footed in their dealings with ICTs as Omnivores. Connectors suspect their gadgets could do more for them, and some need help in getting new technology to function properly.
[The last part is DEFINITELY true.]

ROG

Swampy


Almost every year, I go out and buy something for me for my birthday. Usually it’s been music, or occasionally a book. But I’ve been going to my old buddy Steve Bissette’s webpage, and he’s been selling some artwork. The above piece was in my price range, spoke to me visually and had a caption that made me laugh. It’s been a long time since I actually purchased artwork, probably 25 years ago or more.

Steve, along with writer Alan Moore and inker John Totleben, created a tremendous run of the comic Swamp Thing in the mid-1980s. I got to know Steve a little when he’d truck over from Vermont to work on various FantaCo horror-related publications. As I’ve mentioned before, we reconnected in part recently both through his compiling the history of FantaCo publications and our collective efforts – mostly successful – trying to get the writer of the FantaCo Wikipedia post to fix up some egregious errors.

I then went back to the site to buy the 16-page promotional “Sweeney Todd Penny Dreadful” by Neil Gaiman and Michael Zulli, edited by Steve, as well as The Comics Journal #185 (March 1996) with a full-color dinosaur-collage Tyrant cover by Steve plus a 50-page interview with Mr. Bissette. Yes, I’ve read the W-H-O-L-E thing.

In each package, he threw in something else. In the first, it was a couple Mars Attacks! mini-comics. As a FantaCo employee, I took MA! writer Mario Bruni to Madison, WI in 1988 to the gathering put on by Capital City Distribution, a then formidable comic book distributor, now defunct, to market the product. I must have had the issues at one point, but certainly lost track of them over time. Somehow, Steve, sensitive Piscean fellow that he is, sussed out that I likely didn’t have copies for myself.

Suddenly on a Bissette kick, I went here and ordered SAGA OF THE SWAMP THING BOOK ONE HARDCOVER w/exclusive signed P2P bookplate, collecting SAGA OF THE SWAMP THING #20-27. I LOVED those stories, but I must say the bookplate by Steve makes it almost worth the price of admission all by itself.

Anyway, I thought Steve’s natal day was today. Alas, the Intersnet deceived me, as it was yesterday. Regardless, thanks, my friend, for everything, and a (belated) HAPPY BIRTHDAY to YOU!

ROG

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