Music covers QUESTION

There was a 90-minute discussion on the Coverville podcast, episode 450, about cover music. Brian, the host, posed several questions of the panel of fellow podcasters of cover music. I listened to it some weeks ago, so not all the particulars are fresh in my mind. Still, here are a couple questions inspired by that podcast.

1. What IS a cover version? For instance (and this was on the show), is Eric Clapton doing Layla considered a cover of the Derek and the Dominoes version? The panel thought not.

2. How about when a songwriter writes the song, gives it to another artist, THEN records it? I believe Gene Pitney’s Hello Mary Lou, recorded by Ricky Nelson before Pitney recorded it, would qualify. Which one is the cover? I don’t know.

3. Or what if Ronnie Spector took a Ronettes song such as Be My Baby and sang background vocals on a more contemporary artist? I think that WOULD be a cover?

4. What makes a good cover song? Sometimes, but not always, a different point of view – a female singing what had been a song previously performed by a male – will help. It cannot be a slavish imitation of the original; what’s the point? Often the remake features faster or slower tempos, unusual instrumentation or other qualities.

5. What is the first cover song that you really enjoyed that you recognized as a cover? Motown folks were always covering each other, but mine was We Can Work It Out, Stevie Wonder’s cover of the Beatles’ tune.
ROG

The Mail Failed

Damn! I just realized that Jenna Bush is getting married tomorrow AND SHE FORGOT TO SEND MY INVITATION! I hear that Crawford, Texas is very nice this time of year.

Or, more likely to the Post Office lost it. And they have the nerve to raise the postal rates starting Monday, May 12 to 42 cents for the first ounce, 17 cents each for the next few ounces, and 27 cents for a postcard. I use so few stamps any more that I still have 37-cent and 39-cent stamps, plus one of those First Class stamps, the denomination of which I have no idea. Speaking of no idea, lots of people I’ve talked to seem unaware of the rate change. I wonder if the Post Office still has those “forever” stamps?

Oh, and Laura’s been multitasking so well this week, playing mother of the bride and working on foreign policy. To be fair, Myanmar has been her issue for a while, and the devastation there is awful. But why does she insist on calling the country Burma?

ROG

Copyright Orphans

Paul Rapp “is an intellectual-property lawyer with offices in Albany and Housatonic, Mass. He teaches art-and-entertainment law at Albany Law School, and regularly appears as part of the Copyright Forum on WAMC’s Vox Pop.” He writes a regular column on intellectual property rights.

His most recent column addresses the “Orphan Works” copyright and potential legislation regarding it. What is an orphan work? Paul cites Meredith L. Patterson’s Radio Free Meredith where she uses this example about “your parent’s wedding pictures from 1955. You want to publish them? Guess what? The copyrights are probably owned by the photographer! Who was who? And is now where? You don’t know? Uh-oh.” The proposed bill, H.R.5889, the Orphan Works Act of 2008, seeks to provide “limitation[s] on remedies in cases involving orphan works.”

Rapp wrote just before the actual legislation was introduced, but still got it right. “The legislation will…seek to rectify the problem of lingering, abandoned copyrights, to loosen this stranglehold of ghosts on our culture, by allowing the reuse of pre-existing materials in situations where after a reasonably diligent effort, no copyright owner has been located. If, after the work is re-published, a copyright owner shows up and says ‘that’s mine’, the copyright owner will be entitled to a reasonable licensing fee for the use, but won’t be able to stop the use.”

If this legislation had been enacted, the case about the use of the street artist’s picture for their business that one of my library colleagues wrote about last month would almost certainly have applied.

Rapp, BTW, is a/k/a Lee Harvety Blotto, drummer for the legendary Albany band, Blotto.ROG

Persnickety

Last Tuesday, I got a couple e-mails with similar problems. One was from a friend of mine promoting her daughter’s photography sessions. The deadline for contacting her for a Mother’s Day photo shoot was Monday, May 1. Of course, May 1 was not on a Monday this year, so I wrote back to the mother with this info, and she wrote: “You are correct. My daughter’s photography skill trump her day/date skills apparently….” Well, swell, but I STILL don’t know the correct information, and I was a bit put off, frankly, and was disinclined to pursue the issue further.

The second was a .jpeg attachment to an e-mail for a cultural event from a member of my church. There was all sorts of information about the organization, and what events would be taking place. It contained the location, but lacked a couple things: the date and the time. So, I wrote to that person, and she gave me the date and time, but I was so distracted by this fundamental error that when I was telling this story to my wife, I forgot what the benefit was for, so focused was I on the lacking information, especially when the sender seemed lackadaisical about fixing it.

I bring this up because I realize that sometimes, I’ve gone to some of your blogs and made suggestions about things that I thought needed to be changed. It tends to be, to my mind, substantial issues of fact, which, if left alone, might put the writer in a less than favorable light to other readers. I’m not talking about opinions here. Nor am I talking about typos (teh); in fact, I’ve totally given up even mentioning its/it’s errors. I am inclined, though, to correct misspellings of proper names, if only because someone Googling will be unlikely to find the page otherwise. And I almost always mention dead links within a post, primarily because I’d like to know that if it were happening with my post.

This is not to be a nudge. It is because I think that other people will take you less seriously with uncorrected errors. It’s also, I suppose, a librarian’s curse. I’ve made similar suggestions to governmental and association blogs.

A couple of non-Internet examples:
Some time ago, I was reading an article about the Beatles’ white album. The author said something like, “Only Paul McCartney could get away with the sentimentality of the closing tune Good Night.” Well, OK, except that I knew that it was John Lennon who actually penned the song. I totally dismissed whatever else that writer had to say because of that egregious error.

At a conference about ten years ago, the featured speaker was talking about waste in government, and he was focusing on studies paid for with federal funds. He noted that there was money spent for finding out why more people don’t ride their bikes to work. He proclaimed, “Everybody knows that; it’s because it rains!” Well, having ridden my bicycle to work and being reasonably knowledgeable on the topic, I knew it had as much to do with distance, safety, time, coming to work sweaty and other factors than just this simplistic response. And I was so furious that I just walked out of the meeting. Of course, there were several hundred people there, and I seriously doubt that anyone noticed, but I so didn’t want to be in the room with this dolt… Thing is, he may have had some legitimate points later on, but he lost me early on.

So, if I have corrected you in the past, and it has annoyed you, I’m sorry. I just want you to look good.

ROG

Vacation: the rendezvous and Yorktown

When we told our pastor that we were going to colonial Williamsburg for vacation, she said that we ought to look up her niece, a student at William & Mary, who could babysit Lydia. We all thought that was a swell idea. The day before we left, the pastor dropped off care packages for both her niece and for us; ours, at least, had homemade cookies.

But while we were en route, the niece e-mailed that she could NOT babysit after all because of mucho school work, but that she had recruited a friend who could. I could not access that message, though, and when we got to my in-laws’ timeshare in Williamsburg, called the niece who gave us the news. Well, after figuring out how. I brought my cell phone, but failed to bring the charger, left at work, so it was dead. The timeshare only allowed calls to the local (757) area code, and the niece had a cell phone from her home in Illinois. I didn’t have a calling card. Ultimately, I had to make a credit card call; that’ll be expensive, I’m sure.

We planned a rendezvous at the W&M campus; after all, we still had a package to deliver, AND we wanted Lydia to meet the niece’s friend. And so we set out, meeting at an old statue at the corner of the campus, having a lovely time, with Carol talking to the niece, and me conversing with the potential babysitter until it started to rain, and we retreated to their dorms and our car, respectively.

Somewhere along the way, we discovered that Busch Gardens Europe was closed except on the weekends. Actually, that’s not technically true. It WAS open for a week of school vacation. But that week off did not correspond to Carol’s week off.

So Monday, we went to the Colonial Williamsburg Visitor Center. This should be THE first place to go if you want to go to the historic sites, for it offers free buses to the “Historic Triangle” of Yorktown, Jamestown and colonial Williamsburg, as well as selling tickets to a variety of events. Apparently, this has been tremendously upgraded in the past five years, perhaps tied to the Jamestown quadricentennial last year.

There are two different Yorktown sites; the Yorktown Victory Center and the Yorktown Battlefield. Pretty much much randomly, we opted for the former, in part because there was a package deal for that and one of the Jamestown sites.

Always the great fear of these things is boring the four-year-old, and there were enough “museumy” things so that might occur. However, there was an African board game we came across, involving the moving of stones, and while I really didn’t understand the rules, we had a good enough time.

Then we came to the re-enactors who were “fighting” the British. We also got a demonstration of what gunpower sounded like. One of the actors came over to me, noted Lydia’s good view of things on my shoulders, but suggested that the startle capacity of the firing cannon suggested that Lydia have both feet on the ground. He was most pleasant about it, and probably correct.

We ate lunch out front, and Lydia seemed to enjoy playing on the placards that were in a circle in the front representing the 13 colonies, with Virginia conveniently planted in the middle.

We came to this outdoor stretch, where Lydia kept busy picking dandelions while we read the placards about the colonists’ growing dissatisfaction with the British crown. Poll the Americans in 1750, and it was likely that they were perfectly content to be British subjects. But over the next quarter century, with taxation without representation, the colonists got royally annoyed.

Then we walked into this building. Somehow, in white lettering against the dark carpet on the floor, one could read: “When in the Course of human events it becomes necessary for one people to dissolve the political bands which have connected them with another and to assume among the powers of the earth…” – just that part of the Declaration of Independence. Lydia thought the visual effect was rather neat, as did we all; Carol and I found it quite powerful. We started reflecting on the fact that allegiance to the status quo wasn’t what was considered patriotic, but quite the opposite. And I wondered how we got to the state of passivity many Americans are in now regarding the state of the Union. I’m still pondering this even as I write this.

Then we came to a few characters of the Revolution who “spoke” when the spotlight was on them. Two were black men, fighting on each side of the war, but for the same reason: personal freedom. The Tory ended up in Canada after the war, while the man fighting on the side of the colonists remained a slave in a “free” America.

After that, we took the bus back to the Visitor Center, then walked around colonial Williamsburg before going back to the timeshare.

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