It’s Not A Liberal or Conservative Issue

It is my general feeling that amending the United States Constitution is something that should not be suggested lightly. There’s a whole slew of proposed amendments that never really went anywhere.

Still, I’m mulling over this e-mail I got from Uthaclena which reads in part: “As you are undoubtedly aware, the Supreme Court recently decided that Corporations are Persons who are entitled to spend as much money on ‘free speech’ to effect elections as they like. I believe that most Americans, be they Liberal or Conservative, Democrat, Republican, Libertarian, Green, or Independent, thinks that this is ludicrous. The ruling legitimizes the business of BUYING elections, which is already a grave threat to our democracy. This is an issue that should unite us despite the partisan contention of the last decade.”

Well, yes. When I commented on the court case initially, my view was what it was, one commenter suggested, because I was liberal. I AM a liberal, but the issue was that the Court seemed to cede power from the people to the corporate state. It seemed radical. People complain about the “activist” court when some “progressive” ruling down. Well, this was the height of judicial activism. Along with the Griswold decision to essentially allow eminent domain for “economic” reasons, this court has put the people last.

So I’m feeling inclined to support such a measure.

“Maryland Congresswoman Donna Edwards and Congressman John Conyers Jr. of Michigan, have co-sponsored a bill to send a Constitutional Amendment to the States for ratification that would allow corporation’s influence to be limited. The proposal reads:

111TH CONGRESS, 2D SESSION
H. J. RES. ___
Proposing an amendment to the Constitution of the United States permitting Congress and the States to regulate the expenditure of funds by corporations engaging in political speech.

IN THE HOUSE OF REPRESENTATIVES
Ms. EDWARDS of Maryland (for herself and Mr. CONYERS) introduced the following joint resolution; which was referred to the Committee on __________________

JOINT RESOLUTION
Proposing an amendment to the Constitution of the United States permitting Congress and the States to regulate the expenditure of funds by corporations engaging in political speech.
Resolved by the Senate and House of Representatives of the United States of America in Congress assembled (two-thirds of each House concurring therein), That the following article is proposed as an amendment to the Constitution of the United States, which shall be valid to all intents and purposes as part of the Constitution when ratified by the legislatures of three-fourths of the several States within seven years after the date of its submission for ratification:

‘ARTICLE—
‘SECTION 1. The sovereign right of the people to govern being essential to a free democracy, Congress and the States may regulate the expenditure of funds for political speech by any corporation, limited liability company, or other corporate entity.
‘SECTION 2. Nothing contained in this Article shall be construed to abridge the freedom of the press.’.

You can voice your support of Representative Edwards here.

But more importantly, contact YOUR OWN Congressional Representative and ask them to support this resolution so that it can move forward. If you are uncertain who your representative is or how to contact them, use the locator.

The source article can be read here.

(WARNING! Leftie blog!! ;-)”

ROG

Valentines QUESTION


Valentine’s Day – love it or hate it?

Well, I don’t hate it anymore. But I’m still less than enamored by it than I might be. I still feel more affinity for the heartbreak songs than the “true love” tunes. Even as a kid, I related to songs of love lost.

Later it was the revenge songs such as Del Shannon’s Hats Off To Larry or the Johnny Mercer song I Wanna Be Around.

My favorite Valentine’s day song is titled Valentine’s Day, by Steve earle. Can’t find a version by the singer/songwriter, except on lala.com, though there are cover versions on YouTube and last.fm such as this one.

I come to you with empty hands
I guess I just forgot again
I only got my love to send
On Valentine’s Day
I ain’t got a card to sign
Roses have been hard to find
I only hope that you’ll be mine
On Valentine’s Day
I know that I swore that I wouldn’t forget
I wrote it all down: I lost it I guess
There’s so much I want to say
But all the words just slip away

The way you love me every day
Is Valentine’s Day

If I could I would deliver to you
Diamonds and gold; it’s the least I can do
So if you’ll take my IOU
I could make it up to you
Until then I hope my heart will do
For Valentine’s Day

How do you feel about Valentine’s Day, and what’s your favorite song for the occasion, if any?

ROG

MOVIE REVIEW: It’s Complicated


I am fascinated how much certain people loathed this movie, sight unseen. Back on Christmas Day, Ken Levine (cited recently in this blog for his sagacity re: Up in The Air) listed several well-known bad movies he’d see before he’d see It’s Complicated, including HOWARD THE DUCK, CATWOMAN, and STAYING ALIVE. I’ve seen that same antipathy elsewhere. what is it about this Meryl Streep-Alec Baldwin rom-com that has engendered such vitriol without actually being viewed?

My wife for one was wary about seeing it because of the mixed reviews (57% positive on Rotten Tomatoes), but a couple weekends ago, we went to see it and enjoyed it. Now, I’m not saying it’s high art or that it’s not pretty lightweight; also, it was too long by about 15 minutes with one too many subplots. But our expectations were so dampened that it turned out to be more than a passable experience.

Streep and Baldwin had chemistry that made the fairly absurd scenario almost believable. The real surprise was John Krasinski as the fiance of one of the daughters of the Streep and Baldwin characters; he was not just another variation of Jim on the NBC sitcom The Office, which his characters in movies usually feel like. And the scene near the end with Baldwin, Streep and Steve Martin did make me laugh. Indeed, we chuckled throughout the movie,. though not constantly. There’s also a poignant scene earlier with Streep that I could definitely relate to.

There were some problems. One, not the movie’s fault but the trailer’s, is that Streep’s very best line in some dialogue with some friends appears in the trailer and so when actually delivered in the movie is not as funny as it might have been. Stoned adults are far less funny this century than last. The trophy wife of the Baldwin character (Lake Bell) seemed unnecessarily unsympathetic. And the three adult children of the Streep/Baldwin marriage were rather pathetic.

So, partly because I’ve had my own complicated relationships, I deem it one of your basic 2 1/2 out of 4 stars, B- movie. We both enjoyed it enough to recommend it, despite its flaws.
ROG

What a Jerk

I wasn’t going to bother talking about this, but Rose actually changed my mind.

January 21, I get a virtual greeting card signed by a nickname (I’ll call it SP), starting off Hi ROGUE. The card itself was basically giving me the finger. Two days later, another virtual card from SP using another greeting card company with a similar message.

Then I get a NICE comment on my blog from SP. I am confused.

Soon I discovered that the e-mail belonged to particular person. Ah HA! Except that there is a notice on the blog of SP saying that she is no longer using that e-mail, which led me to the conclusion that, somehow, her e-mail had been hijacked.

January 30, another e-mail, allegedly from SP but from a different e-mail address, from that second virtual card vendor. A card with this lovely sentiment: SINCE YOU FOLLOW THAT B**** [name}’S BLOG {url] LIKE A DOG AND SINCE I AM A B**** THIS IS THE MESSAGE I WANT TO TELL YOU.STOP DOING IT RIGHT NOW!! IF YOU CANT UNDERSTAND TELL ME. WILL TELL YOU THIS ON YOUR UGLY FACE DIRECTLY AS I AM SOMEONE PATHETIC,RABID,ECCENTRIC,THOUGHTLESS,TYRANNICAL,YUCKY

Now I don’t know this person named in this message at all. BUT when I write to this second person, she DOES know the real SP, is good friends with SP, and doubts the real SP would send such unpleasantness her way, or mine.

So all I know about the writer of the e-mails are these facts:

He or she is a coward, hiding under a wall of anonymity.
He or she is apparently a thief, stealing someone else’s identity.
He or she is unimaginative, needing some website to convey feelings. At least the third message has content, demented as it is.

I’m really at a loss as to why I’M getting these messages.
Am I supposed to cry? I might have when I was 12 or 13; I was very sensitive then. Am I supposed to get angry? I might have even 20 years ago, but what’s the point of getting angry with a coward?
Am I supposed to feel a sense of contrition? Well I might, if I had a REAL idea what I’m supposed to feel badly about.
Am I supposed to feel pity? As Charlie Brown said to Lucy Van Pelt, “That’s it!”
Or to quote another pop culture reference, “I pity the fool.”

ROG

So Now The Oscar Season Begins

Being a movie fan, I try to see as many of the nominated films as possible before Oscar night, which this year is back in the month of March, where it belongs. March 7, to be precise, which happens to be my birthday.

I am shocked, really, that, in what I consider a paucity of movie viewing on my part, I managed to see six of the ten nominees for Best Picture, and at the cinema:

*SAW IT

“Avatar”
*“The Blind Side”
*“District 9″
*“An Education”
“The Hurt Locker”
“Inglourious Basterds”
“Precious: Based on the Novel ‘Push’ by Sapphire”
*“A Serious Man”
*“Up”
*“Up in the Air”
Of course, I haven’t seen the behemoth that is Avatar yet, and I was accused of losing my geek cred this week. I didn’t know I HAD geek cred; in any case, I’ll probably see it in the next four weeks. Precious I actually had a chance to see, but passed, in favor of The Blind Side; I’ll still try to see it. But the two war movies will be harder to come by.
I’m really curious how the instant runoff voting will affect this race. A lot of early backlash against Avatar.

Best Direction
“Avatar” — James Cameron
“The Hurt Locker” — Kathryn Bigelow
“Inglourious Basterds” — Quentin Tarantino
“Precious: Based on the Novel ‘Push’ by Sapphire” — Lee Daniels
*Up in the Air” — Jason Reitman
If there had only been five nominations for Best Picture, would these have been the five? We’ll never know, but, based on the other nominations, I tend to think so.
Right now, I’m guessing The Hurt Locker for both Best Pic and Director. Bigelow vs. ex-husband Cameron? A Hollywood dream.

Actor in a Leading Role
Jeff Bridges in “Crazy Heart”
*George Clooney in “Up in the Air”
*Colin Firth in “A Single Man”
Morgan Freeman in “Invictus”
Jeremy Renner in “The Hurt Locker”
Crazy Heart just started playing here, so I can see that, but Invictus is gone. Will it be available on DVD this month? Doubtful.

Actress in a Leading Role
*Sandra Bullock in “The Blind Side”
Helen Mirren in “The Last Station”
*Carey Mulligan in “An Education”
Gabourey Sidibe in “Precious: Based on the Novel ‘Push’ by Sapphire”
*Meryl Streep in “Julie & Julia”
I had to ask about The Last Station, which I totally missed hearing about. Turns out, it won’t make it to Albany’s Spectrum Theatre until February 26. Still have a chance.

Actor in a Supporting Role
Matt Damon in “Invictus”
Woody Harrelson in “The Messenger”
Christopher Plummer in “The Last Station”
Stanley Tucci in “The Lovely Bones”
Christoph Waltz in “Inglourious Basterds”
Just wasn’t up for seeing The Lovely Bones. But The Messenger is playing currently.

Actress in a Supporting Role
Penélope Cruz in “Nine”
*Vera Farmiga in “Up in the Air”
Maggie Gyllenhaal in “Crazy Heart”
*Anna Kendrick in “Up in the Air”
Mo’Nique in “Precious: Based on the Novel ‘Push’ by Sapphire”
Nine is leaving Thursday; wanted to see for Cruz and Sophia Loren, but ain’t gonna happen soon.

Writing (Adapted Screenplay)
*“District 9” — Written by Neill Blomkamp and Terri Tatchell
*“An Education” — Screenplay by Nick Hornby
“In the Loop” — Screenplay by Jesse Armstrong, Simon Blackwell, Armando Iannucci, Tony Roche
“Precious: Based on the Novel ‘Push’ by Sapphire” — Screenplay by Geoffrey Fletcher
*“Up in the Air” — Screenplay by Jason Reitman and Sheldon Turner
Totally forgot about In The Loop. Did that play here?

Writing (Original Screenplay)
“The Hurt Locker” — Written by Mark Boal
“Inglourious Basterds” — Written by Quentin Tarantino
“The Messenger” — Written by Alessandro Camon & Oren Moverman
*“A Serious Man” — Written by Joel Coen & Ethan Coen
*“Up” — Screenplay by Bob Peterson, Pete Docter, Story by Pete Docter, Bob Peterson, Tom McCarthy
Love the fact that the animated story got a nod.

Animated Feature Film
“Coraline”
“Fantastic Mr. Fox”
*“The Princess and the Frog”
“The Secret of Kells”
*“Up”
Logic would suggest Up should win here and lose in the Best Picture. But it could theoretically get shut out of both.

Art Direction
“Avatar” — Art Direction: Rick Carter and Robert Stromberg; Set Decoration: Kim Sinclair
“The Imaginarium of Doctor Parnassus” — Art Direction: Dave Warren and Anastasia Masaro; Set Decoration: Caroline Smith
“Nine” — Art Direction: John Myhre; Set Decoration: Gordon Sim
“Sherlock Holmes” — Art Direction: Sarah Greenwood; Set Decoration: Katie Spencer
“The Young Victoria” — Art Direction: Patrice Vermette; Set Decoration: Maggie Gray
I’m less concerned about seeing the movies for the techie awards; a good thing, too.

Cinematography
“Avatar” — Mauro Fiore
“Harry Potter and the Half-Blood Prince” — Bruno Delbonnel
“The Hurt Locker” — Barry Ackroyd
“Inglourious Basterds” — Robert Richardson
“The White Ribbon” — Christian Berger

Costume Design
“Bright Star” — Janet Patterson
“Coco before Chanel” — Catherine Leterrier
“The Imaginarium of Doctor Parnassus” — Monique Prudhomme
“Nine” — Colleen Atwood
“The Young Victoria” — Sandy Powell

Documentary (Feature)
“Burma VJ”
“The Cove”
“Food, Inc.”
“The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers”
“Which Way Home”
Will the popular Food, Inc. win, or will the Academy work hard to avoid the popular, as they’ve done in the past? My wife DID see Food, Inc. and recommends it.

Documentary (Short Subject)
“China’s Unnatural Disaster: The Tears of Sichuan Province”
“The Last Campaign of Governor Booth Gardner”
“The Last Truck: Closing of a GM Plant”
“Music by Prudence”
“Rabbit à la Berlin”

Film Editing
“Avatar” — Stephen Rivkin, John Refoua and James Cameron
*“District 9” — Julian Clarke
“The Hurt Locker” — Bob Murawski and Chris Innis
“Inglourious Basterds” — Sally Menke
“Precious: Based on the Novel ‘Push’ by Sapphire” — Joe Klotz

Foreign Language Film
“Ajami” — Israel
“El Secreto de Sus Ojos” — Argentina
“The Milk of Sorrow” — Peru
“Un Prophète” — France
“The White Ribbon” — Germany
The White Ribbon comes to Albany February 19.

Makeup
“Il Divo” — Aldo Signoretti and Vittorio Sodano
“Star Trek” — Barney Burman, Mindy Hall and Joel Harlow
“The Young Victoria” — Jon Henry Gordon and Jenny Shircore

Music (Original Score)
“Avatar” — James Horner
“Fantastic Mr. Fox” — Alexandre Desplat
“The Hurt Locker” — Marco Beltrami and Buck Sanders
“Sherlock Holmes” — Hans Zimmer
*“Up” — Michael Giacchino

Music (Original Song)
*“Almost There” from “The Princess and the Frog” Music and Lyric by Randy Newman
*“Down in New Orleans” from “The Princess and the Frog” Music and Lyric by Randy Newman
“Loin de Paname” from “Paris 36” Music by Reinhardt Wagner Lyric by Frank Thomas
“Take It All” from “Nine” Music and Lyric by Maury Yeston
“The Weary Kind (Theme from Crazy Heart)” from “Crazy Heart” Music and Lyric by Ryan Bingham and T Bone Burnett
Of the two, I’d pick Almost There; more anthemic.

Short Film (Animated)
“French Roast” Fabrice O. Joubert
“Granny O’Grimm’s Sleeping Beauty” Nicky Phelan and Darragh O’Connell
“The Lady and the Reaper (La Dama y la Muerte)” Javier Recio Gracia
“Logorama” Nicolas Schmerkin
“A Matter of Loaf and Death” Nick Park

Short Film (Live Action)
“The Door” — Juanita Wilson and James Flynn
“Instead of Abracadabra” — Patrik Eklund and Mathias Fjellström
“Kavi” — Gregg Helvey
“Miracle Fish” — Luke Doolan and Drew Bailey
“The New Tenants” — Joachim Back and Tivi Magnusson

Sound Editing
“Avatar” — Christopher Boyes and Gwendolyn Yates Whittle
“The Hurt Locker” — Paul N.J. Ottosson
“Inglourious Basterds” — Wylie Stateman
“Star Trek” — Mark Stoeckinger and Alan Rankin
*“Up” — Michael Silvers and Tom Myers

Sound Mixing
“Avatar” — Christopher Boyes, Gary Summers, Andy Nelson and Tony Johnson
“The Hurt Locker” — Paul N.J. Ottosson and Ray Beckett
“Inglourious Basterds” — Michael Minkler, Tony Lamberti and Mark Ulano
“Star Trek” — Anna Behlmer, Andy Nelson and Peter J. Devlin
“Transformers: Revenge of the Fallen” — Greg P. Russell, Gary Summers and Geoffrey Patterson
Thank goodness Transformers was nominated for SOMETHING, he smirked.

Visual Effects
“Avatar” — Joe Letteri, Stephen Rosenbaum, Richard Baneham and Andrew R. Jones
*“District 9” — Dan Kaufman, Peter Muyzers, Robert Habros and Matt Aitken
“Star Trek” — Roger Guyett, Russell Earl, Paul Kavanagh and Burt Dalton

So, the realistic goal is to see Avatar, Crazy Heart, and when it comes out, The Last Station by March 7. Maybe The Messenger, Precious (if it’s around) and anything I can find out on DVD.

ROG

Ramblin' with Roger
Social media & sharing icons powered by UltimatelySocial