Author: Roger

I'm a librarian. I hear music, even when it's not being played. I used to work at a comic book store, and it still informs my life. I won once on JEOPARDY! - ditto.

Worst Day of the Year

Today is considered the worst day of the year in these parts of the Northern Hemisphere. Not only is it cold – and it has been cold over much of the country, it seems – but Seasonal Affective Disorder tends to kick in. Last week, for reasons largely outside my control, I only got to play racquetball Monday and Tuesday. But when I didn’t play on Friday, I thought I was going to lose it. I know that exercise is important in fighting SAD, so this was doubly frustrating.

For me, there is a reverse correlation between exercise and eating; the less I exercise, the more I eat, and usually the stuff on this list rather than this one.

The mantra THIS TOO SHALL PASS is only mildly satisfactory, but, fortunately, generally accurate.


ROG

ROG

Oscar picks – first pass

This is what I THINK will win, not necessarily who I WANT to win. I claim my right to change my mind before February 24, as I actually SEE more of these pictures. The only ones I’ve seen so far: Charlie Wilson’s War, The Savages, Juno and Sicko.

Performance by an actor in a leading role
George Clooney in “Michael Clayton” (Warner Bros.)
Daniel Day-Lewis in “There Will Be Blood” (Paramount Vantage and Miramax)
Johnny Depp in “Sweeney Todd The Demon Barber of Fleet Street”
(DreamWorks and Warner Bros., Distributed by DreamWorks/Paramount)
Tommy Lee Jones in “In the Valley of Elah” (Warner Independent)
Viggo Mortensen in “Eastern Promises” (Focus Features)

Daniel Day-Lewis, because he’s Daniel Day-Lewis. Second pick: Depp over Clooney.

Performance by an actor in a supporting role
Casey Affleck in “The Assassination of Jesse James by the Coward Robert Ford” (Warner Bros.)
Javier Bardem in “No Country for Old Men” (Miramax and Paramount Vantage)
Philip Seymour Hoffman in “Charlie Wilson’s War” (Universal)
Hal Holbrook in “Into the Wild” (Paramount Vantage and River Road Entertainment)
Tom Wilkinson in “Michael Clayton” (Warner Bros.)

Bardem. Hoffman might have won in another year for his body of work, or even Holbrook, who’s an octogenarian.

Performance by an actress in a leading role
Cate Blanchett in “Elizabeth: The Golden Age” (Universal)
Julie Christie in “Away from Her” (Lionsgate)
Marion Cotillard in “La Vie en Rose” (Picturehouse)
Laura Linney in “The Savages” (Fox Searchlight)
Ellen Page in “Juno” (Fox Searchlight)

Cotillard, if anyone saw the film, much more appealing than she looks in the film, and Oscar likes that; Christie otherwise.

Performance by an actress in a supporting role
Cate Blanchett in “I’m Not There” (The Weinstein Company)
Ruby Dee in “American Gangster” (Universal)
Saoirse Ronan in “Atonement” (Focus Features)
Amy Ryan in “Gone Baby Gone” (Miramax)
Tilda Swinton in “Michael Clayton” (Warner Bros.)

Blanchette, oddly nominated for Elizabeth, will win here over Ryan.

Best animated feature film of the year
“Persepolis” (Sony Pictures Classics) Marjane Satrapi and Vincent Paronnaud
“Ratatouille” (Walt Disney) Brad Bird
“Surf’s Up” (Sony Pictures Releasing) Ash Brannon and Chris Buck

In the order listed.

Achievement in directing
“The Diving Bell and the Butterfly” (Miramax/Pathé Renn) Julian Schnabel
“Juno” (Fox Searchlight) Jason Reitman
“Michael Clayton” (Warner Bros.) Tony Gilroy
“No Country for Old Men” (Miramax and Paramount Vantage) Joel Coen and Ethan Coen
“There Will Be Blood” (Paramount Vantage and Miramax) Paul Thomas Anderson

The Coens over PTA.

Best documentary feature
“No End in Sight” (Magnolia Pictures)
A Representational Pictures Production
Charles Ferguson and Audrey Marrs
“Operation Homecoming: Writing the Wartime Experience” (The Documentary Group)
A Documentary Group Production
Richard E. Robbins
“Sicko” (Lionsgate and The Weinstein Company)
A Dog Eat Dog Films Production
Michael Moore and Meghan O’Hara
“Taxi to the Dark Side” (THINKFilm)
An X-Ray Production
Alex Gibney and Eva Orner
“War/Dance” (THINKFilm)
A Shine Global and Fine Films Production
Andrea Nix Fine and Sean Fine

No End in Sight over Sicko. No more Moore.

Best motion picture of the year
“Atonement” (Focus Features)
A Working Title Production
Tim Bevan, Eric Fellner and Paul Webster, Producers
“Juno” (Fox Searchlight)
A Dancing Elk Pictures, LLC Production
Lianne Halfon, Mason Novick and Russell Smith, Producers
“Michael Clayton” (Warner Bros.)
A Clayton Productions, LLC Production
Sydney Pollack, Jennifer Fox and Kerry Orent, Producers
“No Country for Old Men” (Miramax and Paramount Vantage)
A Scott Rudin/Mike Zoss Production
Scott Rudin, Ethan Coen and Joel Coen, Producers
“There Will Be Blood” (Paramount Vantage and Miramax)
A JoAnne Sellar/Ghoulardi Film Company Production
JoAnne Sellar, Paul Thomas Anderson and Daniel Lupi, Producers

No Country over There Will Be Blood.

Adapted screenplay
“Atonement” (Focus Features)
Screenplay by Christopher Hampton
“Away from Her” (Lionsgate)
Written by Sarah Polley
“The Diving Bell and the Butterfly” (Miramax/Pathé Renn)
Screenplay by Ronald Harwood
“No Country for Old Men” (Miramax and Paramount Vantage)
Written for the screen by Joel Coen & Ethan Coen
“There Will Be Blood” (Paramount Vantage and Miramax)
Written for the screen by Paul Thomas Anderson

PTA over Coen – share the wealth. Or the upset special- Sarah Polley.

Original screenplay
“Juno” (Fox Searchlight)
Written by Diablo Cody
“Lars and the Real Girl” (MGM)
Written by Nancy Oliver
“Michael Clayton” (Warner Bros.)
Written by Tony Gilroy
“Ratatouille” (Walt Disney)
Screenplay by Brad Bird
Story by Jan Pinkava, Jim Capobianco, Brad Bird
“The Savages” (Fox Searchlight)
Written by Tamara Jenkins

This is the Michael Clayton consolation award.

How the mighty have fallen. Eddie Murphy, who was nominated for an Academy Award last year for Dreamgirls, is up for severall Razzies for Norbit. In fact, the conjecture was that the release of thwe noxious Norbit trailer early last year cost Eddie the Oscar.

i get these notices from the New York Times, usually once or twice a day. Yesterday was particularly busy:
Fed cuts prime 0.75% – not a shock.
Dow sinks anyway – not exactly a surprise after the European markets tanked the day before.
Fred Thompson drops out of the race; hardly “news” since his poor South Carolina showing.
Heath Ledger dead at the age of 28. What? Nominated two years ago as Best Actor for Brokeback Mountain. I first saw him in A Knight’s Tale, light fare, then in a much more intense role in Monster’s Ball. Sad for his two-year old daughter and the rest of his family.

ROG

ROG

More January Ramblin’

I should have written this yesterday, but I was in the midst of doing something (which will become evident), taped the end of the NFC championship game Sunday night, but neglected to account for it running long. The game had about two and a half minutes to go when the recording stopped I turned on ESPN’s Sports Center and saw all the important remaining plays, including those in overtime.
GO, GIANTS!! I suggested three weeks ago that the Giants playing New England tough then, when it “didn’t matter”, was a good idea, and now they have the chance to play them again, when it does. I worry, though, that the transition that NYG coach Tom Coughlin’s face will suffer going from -4F Green Bay – was he suffering frostbite? – to sunny Arizona will be a shock to his system.
***
Johnny Podres died. I got totally into that Boys of Summer storyline. The 1955 Brooklyn Dodgers, with Jackie Robinson, finally beat the hated New York Yankees, finally beat the hated Yankees, with Podres winning Game 3 and the decisive Game 7, for the only time before they moved to Los Angeles.

Allan Melvin died. He’s one of those guys who you would see on TV (I remember him from Phil Silvers, Dick van Dyke and All in the Family/Archie Bunker’s Place, plus a commercial) and you might say, “You know, THAT guy.” (By Archie Bunker’s Place, even I knew him by name. If you don’t, see what ME had to say.

Suzanne Pleshette died. That last episode of Newhart, in which she reappears as Emily Hartley, probably THE best TV ending of all time, I was watching, and yet I missed it. From IMDB
The final episode (“The Last Newhart” Episode: #8.24 – 21 May 1990) ran for 30 seconds longer than the typical episode. WRGB Channel 6 in Schenectady, NY was the only CBS affiliate to not get the message, and halfway through the concluding joke in the entire series, the control room cut to a local newscaster. As was typical at the time, he was to read teasers for that night’s 11 o’clock news but he was visibly surprised at his own face appearing on the monitor since he was watching the end of the episode as well. The station DID show it during the 11 pm news, but I didn’t watch that program, and I never saw the end until it was reprised some months later. Most of the early obits missed the fact that she had been married to Tom Poston, another Newhart cohort, until he died last year.

Richard Knerr died. Who was Richard Knerr? He was only the co-founder of Wham-O, that made the hula hoop (I had one, never that good at it), Slip ‘N Slide (I had one, loved it), and the Frisbee (STILL have one; most of the knockoffs aren’t aerodynamically as sound as the original). Part of my childhood has passed as well.

ROG

ROG

Privilege

From Tosy, I purloined this meme, which is meant to indicate how many advantages one has in starting adult life. It is, I understand, based on an exercise developed by Will Barratt, Meagan Cahill, Angie Carlen, Minnette Huck, Drew Lurker, Stacy Ploskonka at Illinois State University.

ITALICIZE WHICH APPLY TO YOU:

Father went to college
Father finished college
Mother went to college
Mother finished college
Have any relative who is an attorney, physician, or professor
Were the same or higher socio-economic class than your high school teachers
Had more than 50 books in your childhood home
Had more than 500 books in your childhood home probably
Were read children’s books by a parent – don’t recall that they did. I know I read a lot to myself in my room.
Had more than two kinds of lessons before you turned 18 – I remember only a year of piano
The people in the media who dress and talk like me are portrayed positively
Had a credit card with your name on it before you turned 18
Your parents (or a trust) paid for the majority of your college costs
Your parents (or a trust) paid for all of your college costs
Went to a private high school
Went to summer camp
Family vacations involved staying at hotels (Family vacations involved camping, which I hated, or visiting someone)
Your clothing was all bought new before you turned 18 – At least the vast majority. I WAS the first grandchild on both sides of the family.
There was original art in your house when you were a child Yes, several. Painted by my father, sometimes in frames, but more often, painted right on the walls.
You and your family lived in a single family house
Your parent(s) owned their own house(s) or apartment before you left home – They bought a house my first year in college
You had your own room as a child – Well, for the first couple years, maybe. After my second sister was born, my sisters shared a room, and my father built a couple walls into a room which became my “room”
You had a phone in your room before you turned 18
Participated in an SAT/ACT prep course
Had your own TV in your room in High School – not on your life.
Owned a mutual fund or IRA in High School or College
Flew anywhere on a commercial airline before you turned 16 – Actually, though, did fly from Binghamton to Albany on a 20-passenger plane when I was 16.
Went on a cruise with your family
Went on more than one cruise with your family
Your parents took you to museums and art galleries as you grew up – No, but I went on my own.
You were unaware of how much heating bills were for your family – Maybe not the exact dollar amounts, but I had a sense of them

There’s no rubric here, so make of it what you will.
***
Someone sent me this picture; I have no idea about the original source, but I find it most peculiar:

I think it must be dadaist. (As he anxiously awaits the fallout…)

ROG

ROG

Herschell Gordon Lewis

One thing watching the movie Juno took me right out of it for a minute. That was a reference to Herschell Gordon Lewis. I shan’t expand on that in terms of the movie.

Herschell Gordon Lewis is, more than anything, a businessman. He discovered that one way to make money is to make films filled with blood and/or sexual titillation that the major studios wouldn’t get caught dead doing back in the early 1960s. Read this particular description by Steve Bissette, who knows a WHOLE lot more than I do:
“BLOOD FEAST (1963) Notorious Herschell Gordon Lewis shocker dared to go where no major studio would, crudely carving out brains, tongues, limbs, and its unique niche as the first true ‘gore’ film. This widely-imitated breakthrough hit of the 1960s drive-in circuit was filmed in and around the beaches of Sarasota, Florida.”

I was working at FantaCo, primarily a comic book store, in 1983. Splatter Movies (1981), written by John McCarty, was, after we found a sales niche advertising in FANGORIA magazine every issue, became a huge success. So what do we do next? As I hope I made clear, it’s not my genre, so I haven’t a clue. But Tom Skulan, the owner, and John McCarty somehow team up with Daniel Krogh, cinematographer on Lewis’ The Wizard of Gore (1970), and decide to put out a book called The Amazing Herschell Gordon Lewis, and His World of Exploitation Films by Krogh, with McCarty.

The book premiered at the 1983 FantaCon, and HGL, as I referred to him, was making an appearance. What kind of man makes these kind of films? Well, as it turns out, the guy was very much a gentleman, sweet, soft-spoken, at least in that setting. He was a natty dresser. I didn’t spend a whole lot of time with him, but I did get him to sign my copy of the book, which read: “To my friend Roger”. Daniel Krogh signed it “TO ROGER OF FANTACO”. John McCarty, who I had gotten to know from Splatter Movies, wrote, “To Roger – Whose job I don’t envy”. That was in reference to the fact that my task, once the convention was over, was to ship hundreds and hundreds of these to the comic book distributors. Ultimately, we also sold directly to non-comic book shops and at retail. As FantaCo subsequently published scripts for 2000 Maniacs and Blood Feast, HGL dominated my life until I left FantaCo in 1988.

I started my new job as a librarian in 1992. Perusing the shelves of the SBDC Research Network, what should I see but a book on direct marketing by someone named Herschell Gordon Lewis! Could it be the same guy? It could, and it was – check out his bibliography and filmography, right on his own website. He doesn’t shy away from his past – or his present – there is a Blood Feast 2 listed for 2002.

So seeing the HGL reference in Juno brought it full circle for me.
ROG

ROG
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