Author: Roger

I'm a librarian. I hear music, even when it's not being played. I used to work at a comic book store, and it still informs my life. I won once on JEOPARDY! - ditto.

February rambling: snollygoster!

Super Bowl Opening Night; Sheila E., Morris Day, with the niece Rebecca Jade

The Framingham, Massachusetts Public Library rocks!

The US has been downgraded from a “full democracy” to a “flawed democracy”

John Oliver: America is a ‘beautiful mess of contradictions’

What I Saw Treating the Victims From Parkland Should Change the Debate on Guns

Gun Control Advocates Look to Connecticut

Does the Exploding Federal Deficit Matter?

Our nation’s theological leaders should be torchbearers for morality, not enablers of ethical decay

Bombshell Exposé; the Affairs and the Coverup

‘Did he “call for bipartisanship”? Of course, he did, the way a carny barker calls for suckers

Satire: Military Refuses to Participate in His Parade, Citing Bone Spurs, plus a real response from a retired army general

Snollygoster: One, especially a politician, who is guided by personal advantage rather than by consistent, respectable principles

Lawsplainer: “Fruit of The Poisonous Tree” And The Special Counsel Investigation

The Sound and the Fury: Inside the Mystery of the Havana Embassy

Gun Reform: Speaking Truth to BS, Practicing Civility, and Affecting Change

CAN YOU SAY…HERO? Fred Rogers has been doing the same small good thing for a very long time… (from Nov 1998)

They slayed Tony the Tiger: Chile’s war on obesity took cartoon icons off junk food boxes and added black warning labels. Could it be a model?

The Science Of Why SWEARING Physically Reduces Pain

“If you torture the data long enough, it will confess to anything”

What Can’t a Billion Dollars Buy?

in-flight magazine on Norwegian Air


THE PHILADELPHIA EAGLES WON THE SUPER BOWL!!!!!!!

Winners Of The 69th Annual George Polk Awards In Journalism

My wife and I saw The Bodyguard at Proctors and liked it a whole lot more than this reviewer

RIP for John Mahoney

Steve Gerber, 10 years gone

Marty Allen, R.I.P.

Film Theory: The Tide Pod Challenge – EXPOSED! (selected by The Daughter)

The SORRY! state of board games

Hangry in the OED

The Things That Come to Those Who Wait: A sociocultural history of the line

The Bronze Medal Which Took Fifty Years to Win and The Wrong Richard at the Wrong Time and What History Smells Like and A Penny Earned and Coming Alive at a Snail’s Pace and The Day Care Fine that Backfired and The Man Who Owned Google for a Minute and The Island with No Garbage

“if you torture the data long enough, it will confess to anything”

MUSIC

Super Bowl Opening Night; Sheila E., Morris Day (the niece Rebecca Jade in the very first shot) or here (official version; loads slower)

David Byrne teamed up with Choir! Choir! Choir! to cover Bowie’s ‘Heroes’

Tchaikovsky’s Romeo and Juliet Fantasy Overture

With or Without You – April Meservy

The late composer Johann Johannsson

Puedes Sentir El Amor/Can You Feel The Love Tonight – Adrienne Walker (Nala) and Agustin Arguello (Simba)

The Manhattan Transfer returns!!

Picture Show – John Prine with Tom Petty

Coverville: 1204: Cover Stories for Sarah McLachlan and Lucinda Williams and 1205: Celebrating the music of Neil Diamond, Paul Simon and Elton John and 1206: The Un-Valentine’s Day Episode and 1207: George Harrison for (what would have been) his 75th birthday!

Karl Goldmark’s Sakuntala Overture

Mozart’s Sinfonia concertante

Mardi Gras In New Orleans – DIRTY DOZEN BRASS BAND

This is Getting Old – Young@Heart Chorus (E*TRADE ad during the Super Bowl)

Quincy Jones in conversation

Academy Award nominations for 2017

I wish The Florida Project had gotten more love

Life being what it is, I’ve only seen six of the nine Best Picture nominations so far. That won’t keep me from picking who will, and should, win. I’ll limit this to the major categories.

Worse, I have watched ZERO of the five animated feature flicks, though I wanted to see the inevitable winner, Coco, and Loving Vincent, which looked fascinating in previews.

Links to my reviews at first mention:

Best Picture:

Call Me by Your Name (pictured)
*Darkest Hour
Dunkirk
Get Out – getting buzz after Writers’ Guild award
*Lady Bird – with ranked voting, and some people hating Shape of Water and/or Three Billboards, this, or Get Out, could actually win
*Phantom Thread
*The Post
*The Shape of Water
*Three Billboards Outside Ebbing, Missouri – my personal favorite

Lead Actor:

Timothée Chalamet, Call Me by Your Name
*Daniel Day-Lewis, Phantom Thread
Daniel Kaluuya, Get Out
*Gary Oldman, Darkest Hour – will win, and probably should
Denzel Washington, Roman J. Israel, Esq.

Lead Actress: I’ve seen then all!

*Sally Hawkins, The Shape of Water
*Frances McDormand, Three Billboards Outside Ebbing, Missouri – my pick, and will likely win
*Margot Robbie, I, Tonya
*Saoirse Ronan, Lady Bird
*Meryl Streep, The Post

Supporting Actor:

*Willem Dafoe, The Florida Project – wish this film had gotten more love
*Woody Harrelson, Three Billboards Outside Ebbing, Missouri
*Richard Jenkins, The Shape of Water – my favorite performance in that film
Christopher Plummer, All the Money in the World – best replacement actor at the last minute, standing in for Kevin Spacey
*Sam Rockwell, Three Billboards Outside Ebbing, Missouri – he’s deserving of the win he’ll likely get

Supporting Actress:

Mary J. Blige, Mudbound
*Allison Janney, I, Tonya – will and should win
*Lesley Manville, Phantom Thread – she was very good
*Laurie Metcalf, Lady Bird – so was she
*Octavia Spencer, The Shape of Water

Director:

Dunkirk, Christopher Nolan
Get Out, Jordan Peele
*Lady Bird, Greta Gerwig – I’m rooting for the first-time director
*Phantom Thread, Paul Thomas Anderson
*The Shape of Water, Guillermo del Toro – won the Director’s Guild award, which makes him a virtual lock

Adapted Screenplay:

Call Me by Your Name, James Ivory – it’s the only Best Picture nominee in the lineup, and Ivory is 89
The Disaster Artist, Scott Neustadter, and Michael H. Weber
Logan, Scott Frank and James Mangold, and Michael Green
Molly’s Game, Aaron Sorkin
Mudbound, Virgil Williams and Dee Rees – if it isn’t Ivory…
.
Original Screenplay:

*The Big Sick, Emily V. Gordon and Kumail Nanjiani – I was rather fond of this
Get Out, Jordan Peele – I’m picking the one film I didn’t see to win
*Lady Bird, Greta Gerwig
*The Shape of Water, Guillermo del Toro, Vanessa Taylor – suffers from a recent plagiarism allegation
*Three Billboards Outside Ebbing, Missouri, Martin McDonagh
***
Did the Oscars Blow Its Big Bet?

Bess Flowers – She appeared in 5 Oscar-winning films and appeared in 23 Oscar-nominated films. She worked with all the best directors. Plus a lot more movies, TV and commercials. And 25 Three Stooges shorts.

Movie Theaters Are Dying Because They Mostly Suck

Sure to be In memorium: John Gavin, Actor in ‘Psycho’ and ‘Spartacus,’ Dies at 86

Movie review: I, Tonya [as in Harding]

We thought that Margot Robbie captured the essence of Tonya Harding,

Some movies are more difficult to review than others, and I, Tonya is one of them. On one hand, it is a humorous film, making good use of the of the fourth wall to tell a story, or stories – it embraces its differing points of view – about what is referred to as The Incident, the injuring of skater Nancy Kerrigan by people around Tonya Harding.

On the other hand, it’s a lot about the abuse Tonya (Oscar-nominee Margo Robbie) withstands, first at the hands of her never satisfied mother LaVona Fay Golden (probable Oscar winner Alison Janney), then by her husband Jeff Gillooly (Sebastian Stan) in their odd love/hate relationship.

As someone who watched a LOT more figure skating in the day than he really cared about, I know it was also about how the girl from the proverbial wrong side of the tracks in Portland, OR never having the right “look”. Her skating was athletic – she was the first American woman to complete a triple axel in competition – but she lacked the grace, the elan that the skating community wanted to show.

I asked my local expert, my wife, what she thought of Robbie’s portrayal of Harding. She thought, and I concurred, that she captured the essence of Tonya, though she wasn’t as sinewy as the skater. We agreed, though, that the folks playing Tonya’s mom and husband, and especially Gilhooey’s lunkhead friend Shawn (Paul Walter Hauser), were spot on.

I continue to be amused by the fact that some people get up from the theater as soon as the credits begin rolling, even when those credits are paired with clips of the real people – Tonya, Jeff, LaVona, Shawn. Shawn really DID think he was a world-class international spy.

I liked the film because Tonya eventually overcame what was essentially a rigged system to become one of the best skaters in the world. She was turned into a national joke – the film Tonya points to a real David Letterman Top Ten – because of a ridiculous and ineptly executed plan not of her design. She was banned from participating in the only thing to do what she knew how to do, yet she survived.

I, Tonya speaks of the curse of celebrity, with the swarm of reporters camped outside her door for a time. A television infotainment reporter (Bobby Cannavale) admits how the medium sensationalized that narrative until the Next Big Thing came along.

And, as noted, I did love the storytelling device of the film. Tonya talks about all the specific difficult things she went through to train for the 1994 Olympics, and her coach Diane Rawlinson (Julianne Nicholson) looks into the camera and says, “And she did!” I laughed aloud through much of the dark comedy.

My wife, who wanted to see the film more than I, enjoyed it less, because of all that Tonya went through, starting at age of four. Of course, we saw this at the Spectrum Theatre in Albany.

Connective tissue on Groundhog Day

This is Smalbany, so SURELY they would have met each other by now.

On February 2, my friend Mark, who I’ve known since 1971, when I met him in at college, wrote: “I was at a concert recently and met a woman named Judy. She has friend-requested me [on Facebook], saying she knows Roger Green. I think you’ve mentioned her over the years.”

And evidently, I mentioned him to Judy, who I’ve only known since 1977, when I met her in that same college town. Judy’s also met other friends of mine, somehow, and realized they both knew me.

That evening, I went to First Friday at my church. The singer, Carla, who sang beautifully, BTW, has known a woman I’ve known through the library foundation for years. My activist friends Lynne and Dan were there, who I’ve known since the early 1980s. So was my activist friend Darby, who I’ve known since the late 1980s.

This is Smalbany, so SURELY they would have met each other by now. They knew other people in common besides me. But no, they had never crossed paths. So I introduced them.

And because it’s been on my mind a LOT lately, we discussed genealogy. Darby, Dan, and I all have misidentified ancestors in our family trees. As I’ve noted, mine involves my father’s biological father.

My second cousin Lisa called me that day. We’re working on a project that I’ll describe soon. She’s been doing genealogy of her family for years, and of course, there is some crossover.

To that end, she’s pretty much ordered me to do one of those DNA tests that Ancestry and others sell. Lisa had done hers and it pretty much disproved a family myth in her lines. But maybe some of the other lines in my past will tell a different story.

I related much of this to my wife just before we went to bed. She said, “You have an interesting life.” I guess I do.

Movie review: Phantom Thread

When my wife and I saw Phantom Thread at the Spectrum Theatre in Albany one Saturday afternoon in February, I was not quite sure what the title meant. Was it the secret messages that he sewn into each piece of apparel he makes? Maybe.

Or perhaps it’s the emotional push and pull of the three primary characters. Reynolds Woodcock (Daniel Day-Lewis) is a renowned dressmaker in 1950s London. The confirmed bachelor decides that his current girlfriend needs to be sent away because her capacity to inspire him has diminished.

Then he meets a somewhat awkward young woman Alma (Vicky Krieps) who he attempts to mold based on his needs. Buttering toast never sounded so loud. But she is more strong-willed than she appears at first.

His sister Cyril (Lesley Manville), my favorite character, is his majordomo; almost everything runs through her, which was confusing/frustrating to Alma for a time.

The relationship between Reynolds and Alma operates on two speeds, great love and irritated indifference on his part, the latter tied to his fastidious creative process. Alma understands the latter but obviously prefers the former and does what she needs to foment it. It is, let’s say, a dysfunction romance.

The movie looks marvelous, with great use of color. Reynolds looks great, even when he ought not, and Alma is transformed. I liked it well enough to recommend, though it is at 130 minutes, a little slow, especially in the beginning. Its R rating is for the occasional F-word.

Phantom Thread is Paul Thomas Anderson’s eighth movie, and his second collaboration with Daniel Day-Lewis, the first being There Will Be Blood (2007), which I did not see. I have seen Andersen’s Punch-Drunk Love (2002) and Boogie Nights (1997).

Whether or not this turns out to be Daniel Day-Lewis’ last film, he’s deserving of the Oscar nod here, though he will not win. I discovered that I saw him in several films – Gandhi (1984), A Room With a View (1985), and My Beautiful Laundrette (1985) – before I really knew his name.

I watched his breakout role in My Left Foot (1989) for which he would win an Oscar. It’s likely I saw The Age of Innocence (1992) and In the Name of the Father (1993) at the Spectrum, but I never saw him again until Lincoln (2012).

Ramblin' with Roger
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