Roger O Green

The “joys” of home ownership, kitchen edition

There are also the ongoing issues, such as the oven that you have to set higher than you want.

For all the advantages of home ownership, it does have its downside. In December 2017, for instance, we paid our property tax a month early in anticipation of the new US tax bill, which make itemizing our taxes less advantageous in subsequent years. Or so I understand, because of these things, MEGO (my eyes glaze over).

Our hot water boiler died in December. It actually lasted over 14 years, which, I gather, is a good long time, a decade being the usual functionality, or so I’m told. And the furnace ($4000) was also replaced in 2017.

The pipes to our kitchen sink are near an exterior wall of the house. When it gets really cold, as it did for several days in the past month or so. Our contractor discovered: 1) there’s a small hole under the sink that goes directly OUTSIDE, and 2) there is a heating coil on the piping that burned out. And that was a good thing, apparently, because, it could have shorted and BURNED DOWN THE WHOLE HOUSE. Yikes – not MEGO.

The dishwater has ceased to work. Oh, it still turns on and off. But the dishes don’t get clean because the water doesn’t drain properly. Or really, at all. I used a ShopVac to suck out the excess water a couple times, hoping that it would solve the problem; it did not.

Fortunately, my primary job as a child was Washing the Dishes, by hand of course. I didn’t really mind either because we used to get graded at school on “health” or some such. The space under my fingernails was always dirty UNLESS I had recently washed the dishes. Ah, soapy water.

So those are the immediate problems. There are also the ongoing issues, such as the oven that you have to set higher than you want, 350 if you want 325, 450 if you want 400, but if you set it TOO high, it doesn’t make it above 300.

Or our freezer door that hasn’t closed properly since 2007, when one of my relatives (not my wife or daughter), while I was putting away something in the lower refrigerator section, decided to get something in the upper freezer section AT THE SAME TIME. I didn’t notice, so I stood up and my head and shoulders rammed into the freezer door, making the seal less precise.

When we first moved into the house in 2000, redoing the kitchen, especially the ugly and dysfunctional cabinets, was a goal. We got a new floor, and the aforementioned stove, dishwasher, and refrigerator have all been purchased since 2002.

There’s no money to buy them ALL again, let alone the redo because we didn’t win the lottery. (Oh, yeah, we didn’t PLAY the lottery.) The dishwasher will probably be replaced first since it’s most chronic.

So, to you new homeowners – you know who you are – THESE are the joys of being the landed gentry.

C is for Carol Kaye of the Wrecking Crew

It was good money for gigs that might be Henry Mancini in the morning, the Beach Boys in the afternoon, and Ray Charles at night.

Carol Kaye was the bass player on a lot of songs you’ve heard, even if you don’t know her name. She was part of a group of about 25 or 30 studio musicians from the Los Angeles area who played on records by artists ranging from Andy Williams to Frank Zappa. They were mostly men whose services were constantly in demand in the 1960s and early 1970s.

Only after the fact were they dubbed The Wrecking Crew. Most of them you’ve never heard of, though a few became successful recording artists in their own right.

For Christmas 2017, I received a massive book, which I’ve already finished, called The Sound Explosion by Ken Sharp (2015), from which I’ll introduce you to Carol Kaye. She’d been a professional jazz guitarist from the age of 14, in 1949. She, like several others, could see that the rock and roll revolution was eating into her live gigs, but offered opportunities for studio work.

She first worked with Sam Cooke, who she had never heard of at the time. Initially, she played guitar on a number of sessions from 1957 to 1965, but by 1963, she had “tired of playing fills and rock stuff. When the bass player didn’t show up for a date, someone elected me to lay Fender bass. I liked the bass role better and everybody liked my sounds and creativity and started hiring me. By 1964, I was the number one call on electric bass.

“Most early ’60s dates had no music… Your brought your own pencil to write your own chord charts with the licks and phrases you made up on the spot so you’d remember them for the take. we were fast because we were experienced musicians with great ears we developed from years of experience…”

The most famous story I know is that she took the boring bass line for The Beat Goes On by Sonny and Cher and created the iconic hook that defines the song.

Was it tiring? “Yes, you drank a lot of coffee.” But it was good money for gigs that might be Henry Mancini in the morning, the Beach Boys in the afternoon, and Ray Charles at night. “We were not interested in becoming stars. We were part of the process… to make people into stars.

“If I had time between my 2-5 PM date and my 8-11 PM date, I’d always make it home to North Hollywood. I’d check up on my three kids,help them with their homework, and eat dinner with them and our live-in nanny/housekeeper, and maybe take a quick 15-minute nap. Then I was back to Hollywood for date number three.”

She said there was no racial prejudice among the musicians, although she and others would push reluctant record producers to hire more blacks when they knew they were right for the part.

Here’s the massive list of her credits. She played bass on 3/4s of the classic Beach Boys album Pet Sounds. Just a handful of Some of her guitar credits:
La Bamba – Ritchie Valens
Summertime – Sam Cooke
Johnny Angel – Shelley Fabares
Unchained Melody AND You’ve Lost That Lovin’ Feeling – Righteous Brothers
The In Crowd – Dobie Gray
Surfin’ USA – the Beach Boys (electric rhythm guitar, Billy Strange on solo lead)

Here’s a 70-minute Carol Kaye: Session Legend Interview

For ABC Wednesday

Movie review: The Post (Spielberg)

Jason Robards is a better Ben Bradlee than Hanks

After the family got to see The Post at the Spectrum Theatre in Albany in January 2018, the Daughter asked, “What’s Watergate?” That’s because the end of the movie teases about yet another journalistic crusade for the Washington Post, running into federal governmental interference.

Except, the leads of the film realize, perhaps, more complicated. Editor Ben Bradlee (Tom Hanks) notes wistfully at one point that his close relationship with John F. Kennedy might have had him pulling a few punches.

Publisher Katherine Graham (Meryl Streep) is even more socially involved with the powerful. Her father, Eugene Meyer, had passed the paper down to her husband Philip Graham. When Philip committed suicide in August 1963, sordid matter only peripherally addressed in the film, Kay became titular head of the paper.

Quite telling is one scene in which the men start talking politics, and the women, including Kay, go off to chat about other things. She was good friends with former Secretary of Defense Robert McNamara (Bruce Greenwood), who supported her emotionally after Philip’s death.

The rival New York Times reported a blockbuster story about an extensive, confidential report written by Daniel Ellsberg (Matthew Rhys) about the United States’ failed policy in the war in Vietnam. Moreover, officials such as McNamara KNEW it was likely an unwinnable conflict. The federal government got a judge to enjoin the Times from publishing more stories.

When the Washington paper, thanks to some sleuthing by Ben Bagdikian (Bob Odenkirk), gets access to the reports dubbed the Pentagon Papers, is the DC paper bound by the Times’ legal constraints? And how will this affect the financial negotiations that Kay Graham is involved with?

The Post is a good solid film, directed by Steven Spielberg. It is unfair, though inevitable, to compare it with the Watergate-era film All the President’s Men, but one does. Jason Robards is a better Ben Bradlee than Hanks, which I have read Tom acknowledged. And it wasn’t as taut as Spotlight, the movie about the Catholic priest scandal in Boston.

Ultimately, the biggest arc takes place with Kay Graham, and a lot of that is Streep. I also loved Odenkirk.

Still, I got a little misty-eyed with joy when Meg Greenfield (Carrie Coon) reads Supreme Justice Hugo Black’s opinion in the case. The movie has seemed very current, hitting on both the attack on the media and the role of women in the workplace. A must-see for a political junkie like me.

Musical review: She Loves Me

I’m really surprised that I was totally unaware of She Loves Me, the musical that my wife, my daughter and I saw at Capital Rep in Albany on Christmas Eve. I recognized only one song, the title tune.

It was first performed on Broadway in 1963, with the late, legendary Barbara Cook in the lead role of Amalia and a guy named Daniel Massey, son of Raymond Massey of Dr. Kildare fame, as Georg. The lecherous Steven was played by Jack Cassidy, father of David and Shaun. There have been three revivals, most recently in 2016.

Moreover, the music was by Jerry Bock and the lyrics by Sheldon Harnick, the composers of my second-favorite musical ever, Fiddler on the Roof. She Loves Me is based on a 1937 play called Parfumerie by Hungarian writer Miklos Laszlo.

Before She Loves Me, there was the 1940 movie The Shop Around the Corner with Margaret Sullavan and James Stewart. Then was the movie In the Good Old Summertime (1949) with Judy Garland and Van Johnson, music by George Stoll and Robert Van Eps. The 1998 movie You’ve Got Mail, with Tom Hanks and Meg Ryan, mines the same basic plot.

And that is: guy meets gal, who pretty much dislike each other from the get-go, as she is hired to work in the perfume shop where he’s been working for a decade and a half. Yet they’ve been corresponding fervently through a lonely-hearts club.

The Cap Rep production featured a nifty set, terrific costumes, and great, often stylish songs that generally advance the plot.

Amalia is played by actress Julia Barrows. Independently, my wife and I decided that she reminded us a little of Cate Blanchett physically. In the story from the local paper, Barrows said she first saw She Loves Me at a performing arts high school that her older sister attended.

“I have always wanted to do this show,” she said. “It’s the musical that made me fall in love with theaterand say, ‘This is what I want to do with my life.'” And it showed.

Death Cafe: Albany – Tuesday, January 23, 2018

No agenda or specific therapy, but most people find it helpful to be able to speak about a range of death-related things that many around us find upsetting or otherwise taboo.

Death Cafe: Albany (NY), taking place on Tuesday, January 23 from 5:30-7 p.m. at the Pine Hills branch of the Albany Public Library, 517 Western Avenue, is based on the Death Cafe tradition started by Jon Underwood in England in 2011. It will be facilitated by Melissa White, a hospice volunteer and an experienced educator and researcher.

There’s no need for any particular background, just having a interest in talking about death. No agenda or specific therapy, but most people find it helpful to be able to speak about a range of death-related things that many around us find upsetting or otherwise taboo.

Strangers meet in a safe place to eat baked goods, drink hot beverages, and talk freely about the taboo that we all experience. Read more about it here.

As my friend Amy, who’s been a hospice worker for 10 years, wrote: “Don’t let the title scare you. I see the value and importance of being able to talk about, plan, and discuss your thoughts about the final chapter of your life. Just like birth, it is a natural process, and while it comes with sadness, it can be a peaceful, beautiful and reverent time.”