Roger O Green

The Emmaus/RISSE (probable) arson

“The need in Albany is clear: Refugee families need long-term mentoring and education as they build new lives after experiences of trauma, dislocation, and relocation.”

It’s human nature, I suppose, to be more strongly affected by tragedies that are close to home. I’m a former United Methodist, and I know the building at 240 West Lawrence Street in Albany, which was once a parsonage for the Emmaus United Methodist Church; I once helped the pastor move in one July 4. I’ve attended the church occasionally at Emmaus, and knew a subsequent pastor rather well, including attending her first service at the church, also, ss it turns out, on an Independence Day.

The first bit of news I read this week was this from AlbanySNN, the school notification site:

The after-school tutoring program at Emmaus United Methodist Church on Morris Street is cancelled until further notice due to a Tuesday morning fire at the program’s nearby administrative offices.

The tutoring program is operated by Refugee and Immigrant Support Services of Emmaus, or RISSE, whose West Lawrence Street headquarters were badly damaged in the fire.

We will keep you posted on the status of the tutoring program.

Then The Wife calls me with more disturbing details about the fire, which was only five blocks from our home:

Police are trying to determine if slashed tires found on two vans owned by Refugee and Immigrant Support Services of Emmaus on West Lawrence Street are linked to an early morning fire that gutted office and instructional space used by the group, firefighters said…

RISSE, which helps immigrants and refugees adapted to life in the United States, is based in the nearby Emmaus United Methodist Church.

The only thing I can think to do, in order to fight off my deep disappointment over this probable arson is to contribute to RISSE. Read about the good work the organization has done:

The need in Albany is clear: Refugee families need long-term mentoring and education as they build new lives after experiences of trauma, dislocation, and relocation. About 400 refugees arrive annually in New York’s capital area. While government-sponsored organizations provide initial intervention, community-based support for the longer-term is critical.

This is not a rich organization. It is affiliated with a financially poor congregation, which nevertheless is doing great things. Please consider making contributions yourselves.

40 Years Ago: Giving Up (for the nonce)

I remember wandering through the Campus Center on December 4, 1974, the day the drop-course forms were approved, with such a sense of release, that this unmanageable burden had been lifted.

Almost a year ago, I read this in Mark Evanier’s blog:

One of those folks who didn’t want me to post their name wrote…

Your comment intrigued me. Don’t you think there’s a value in not giving up? My folks taught me there was no such thing as a lost cause. My father used to say, “A man who won’t be defeated can’t be defeated.” If you believe in something enough, whether it’s a political cause or a dream you have, shouldn’t you pursue it with every breath you have left in you? If you give up on something, doesn’t that mean you never really believed in it in the first place?

Sounds like Man of La Mancha.

Mark replied: “I have found that for me, it’s healthier to be realistic about what you can and cannot accomplish and to cut your losses on the latter.” I totally agree with that, but had I been asked, I would have just quoted The Gambler by Kenny Rogers, as I often do: “You got to know when to hold them, know when to fold them.”

Every December 4, I remember the tremendous relief I experienced when I was able to drop two college courses in 1974. The Okie, to whom I was married, was moving from New Paltz to Philadelphia for unstated reasons at the end of November. I couldn’t afford to live in our apartment on my own, and I had to move elsewhere, as it turned out, for a month. Unsurprisingly, I had difficulty concentrating on my classwork.

But I knew it was past the mid-semester point when I could drop courses without academic penalty. Someone in the dean’s office said the only exception was if I could get a note from a doctor or psychologist or another professional stating that I was having physical or emotional distress.

As a member of the student government, I had had opportunities to talk to the campus minister, Paul Walley, not about my situation, but general campus issues. Still, I went to see him, asking if he could sign the form waiving the drop-course deadline. And, to my great relief, he did.

I dumped the courses and ended up getting A’s and B’s in the remaining three. I remember wandering through the Campus Center on the evening of December 4, the day the drop-course forms were approved – there was some party going on – with such a sense of release, that this unmanageable burden had been lifted, that I cried with happiness. (Heck, I cry just thinking about it, four decades later.)

Sometimes, you just have to give up.

The Vivaldi Gloria, part of First Friday at First Presbyterian

First Presbyterian First Friday: Concert at 6:00 pm, Gallery open from 5:30-8:30 pm

Each First Friday at First Presbyterian Church, 362 State Street in Albany, is an “Experience of Visual and Musical Art.”

Friday, December 5, listen to Antonio Vivaldi’s Gloria, featuring Deborah Rocco, soprano; Carla Fisk, soprano; Fiona McKinney, alto; and First Presbyterian Church Chancel Choir, with Michael Lister, director and Nancy Frank, organ.

Also: Music for the Season from the First Presbyterian Church Handbell Choir, Jack Holmes, director.

In the gallery: INSPIRED BY ALBANY’S WASHINGTON PARK
Group exhibition of paintings, photographs, mixed media, and prints by a wonderful selection of local artists.
A unique opportunity to find some great handmade holiday gifts.

Featured artists include:
Laura McCarthy, Keven Kuhne, Ray Henrikson, Ward Capeci, Gail Hinchen, Dan Gibbs, Diana Bangert-Drowns, Grace White, Tim Dumas, Duane Barker, Dorothea Osborn, David Hinchen, Helen vonBorstel

Concert at 6:00 pm
Gallery open from 5:30-8:30 pm
***
(Not incidentally, I’ll be singing in this concert.)

MOVIE REVIEW: Big Hero 6

Stay to the end of the credits of Big Hero 6 because… well, just do it.

A couple of weeks ago, The Wife and the Daughter went to the Colonie Center mall, near Albany, to see the movie Big Hero 6 in 3-D; I had a choir rehearsal. They both liked it a lot, though The Daughter said it was a little sad.

They went out of town to visit my in-laws the day after Thanksgiving, and as it turned out, the local second-run theater, the Madison, had started showing the movie in 2D, which was fine with me. I hadn’t been to the venue since it had been refurbished several weeks ago.

Hiro (voiced by Ryan Potter) is a techno-geek who graduated high school at age 13 but has little direction beyond hustling people in illegal bot (robot) competitions. His older brother, Tadashi (Daniel Henney), realized that Hiro needed focus, and brings him to a competition at Tadashi’s college. But after a tragic fire, Hiro is morose.

His brother had invented an inflatable medical robot named Baymax (Scott Adsit). The robot wanders off, and Hiro discovers that someone has stolen the technology he created and is using it for nefarious purposes. Hiro and his brother’s school friends use their creativity and intellect to turn themselves and Baymax into superheroes in order to identify and stop the villain.

First off, I LOVE the setting of San Francokyo, the locale that has blended the two cities in fun and creative ways. The animation was quite fine. The voice actors, which also included Damon Wayans Jr., James Cromwell, Alan Tudyk, Abraham Benrubi, and Maya Rudolph as Aunt Cass were solid.

I enjoyed the storyline, though most of the heroes in Big Hero 6 aren’t always particularly as well defined as they could be. And if the story mentioned how the boys were orphaned when Hiro was three, I missed it.

On the plus side, there are difficult lessons that Hiro has to learn about justice and forgiveness, and Baymax (who I kept hearing as Betamax) helps him learn them through the compassionate programming that Tadeshi encoded. Hiro also gets support from his brother’s friends, who become his friends.

My buddy Greg Burgas wrote this on Facebook, and I think it’s correct: “At the heart of Big Hero 6 is the need for young people to process complicated emotions in a positive way, which seems to me far more mature and interesting than a lot of kids’ movies.” But I didn’t think it was just a kids’ movie. There’s a great action scene when the heroes use their powers and just get in each others’ way, which seems logical for people with skills they are just developing.

I read one negative review that said that the movie wasn’t funny. I thought good chunks of it were LOL hilarious, especially when it involved Baymax. Another thumbs-down review wondered where the audience was for this movie, thinking it was too intense for small kids and too boring for adults. I know The Daughter would likely have been frightened by it when she was five, but at ten, she was fine. Her mother, who is an adult, and her father, who purports to be one, were seldom restless.

Someone pointed out that, in the midst of some faux comic books the heroes were reading was one very real comic book, one I once owned. Marvel Premiere #32 featuring Monark Starstalker was written and drawn by Howard Chaykin back in 1976. This was a very obscure item, even in the day, and I’m curious why it was chosen.

Stay to the end of the credits, because… well, just do it.

There was a short before the movie, The Feast, “The story of one man’s love life is seen through the eyes of his best friend and dog, Winston, and revealed bite by bite through the meals they share.” It was cute, but I might have enjoyed it more if the hipster film buffs who had been blathering about DeNiro and other actors had SHUT UP when the Steamboat Willie intro came on. There was little dialogue in The Feast early, but their yakking was still distracting.

U is for Underground Railroad History Project

This being the sesquicentennial of the American Civil War, I figure I should note one of the treasures of the Albany, NY area: the Underground Railroad History Project of the Capital Region. In case you are unaware, the Underground Railroad was the “effort–sometimes spontaneous, sometimes highly organized–to assist persons held in bondage in North America to escape from slavery.” See also information from the PBS site and History.com.

The UGRR History Project started when Mary Liz, an elementary school teacher was interested to see if there was any UGRR history in the Albany area. Most of the experts told her no. Yet she and her husband Paul , who works for a community loan fund, were dissatisfied with the answer, and kept digging for more.

Eventually, they found enough historically significant sites to give walking tours in Albany. The non-profit organization they helped form has held a well-regarded conference on the topic for a dozen years.

Most significantly, they discovered a residence of Stephen and Harriet Myers, “point people in Albany regarding the Underground Railroad in the 1850s, which their organization has helped rebuild. Here’s the Wikipedia page about the structure.

In October, Paul and Mary Liz Stewart bicycled 730 miles across New York State on the Erie Canalway National Heritage Corridor Trail. They brought attention to the important role the Erie Canal played in the Underground Railroad movement and raised funds for Underground Railroad History Project.

ABC Wednesday, Round 15

S	M	T	W	T	F	S
			1	2	3	4
5	6	7	8	9	10	11
12	13	14	15	16	17	18
19	20	21	22	23	24	25
26	27	28	29	30