Avoiding conflict

I was always a GOOD kid. I had anger, but it was quite suppressed growing up.

Dan Van Riper, the Albany Weblog guy, first wrote to Ask Roger Anything:
Roger, I… I’m sorry, I can’t think of anything to ask. I really want to but… I can’t. Why not?

Because my life’s an open book? Because you’re having dental work done?

But then he came back and asked:
Wait, I just thought of a question. It’s actually been in the back of my head for some time. You’ve said more than once that you don’t like conflict between people, that when it happens you tend to shy away from it. I know several people who are like that. My question is, why? Do you have any idea where that comes from? Or is that too personal?

To answer the last, easiest, question, no, it’s not too personal.

I suppose I need to define the terms. My daughter’s favorite Beatles song is “We Can Work It Out,” which features the line: “Life is very short, and there’s no time for fussing and fighting, my friend.”

Watching the Sunday morning news shows, or Bill O’Reilly, or the like, I realize I would not do very well. People are rapidly throwing around facts and pseudo-facts, often yelling over each other. It would create in me too much agita to think clearly. Later, I’d have some treppenwitz moments, thinking of what I SHOULD have said.

I’ll state my positions – say on this blog – and I’m sure there are people who like them, and people who don’t, and that’s fine. People – you or others – will have a reasonable response. Maybe we’ll change each other’s minds or maybe we won’t, but it’s OK because it seems to be done with a level of mutual respect.

Whereas on the Times Union blogs, or national newspaper websites, the conflict tends to escalate, with one side trying to out-shout the other. No one will be convinced of the position of the other, so what’s the point, really? I’ve posted some things on the TU site, where I made my initial observation, then others blithely go off in directions I hadn’t intended. I let them, but after a while, I get bored with it all. It seems futile.

Then there’s the uncertainty thing, the sign of a good humanities student. I certainly don’t pretend that I know all the answers – others may think so, but it’s not true – and I put forth the possibility, in SOME topics, that I could be at least partially mistaken. I don’t have the need to badger others about those things.

I’m an old political science major, but political arguing I find demoralizing. Often, “victory” is seen as stopping government, or a corporate entity under its jurisdiction, from doing what it ought not to have been doing in the first place.

None of this, though, is the REAL answer. The REAL answer is how I was raised. My mother was great with the aphorisms such as “You get more bees with honey than vinegar.” My father’s message is that the angry young black man thing doesn’t work well in a primarily white society.

I was always a GOOD kid. I had anger, but it was quite suppressed growing up. I expelled a LOT of it in my twenties, no small portion of it at my rather controlling father. And once I let it go, a lot of it was just gone. I just don’t get as angry as I used to; sad, frustrated, even occasionally in despair about the world The Daughter is going to inherit – pollution, global warming creating ecological catastrophes, economic and cultural inequality, to name a few. But anger just doesn’t work for me, most of the time.

In fact, anger makes me feel out of control. It’s been known to give me a raging headache. I’ve been told I look like a crazy person (crazier person?).

Interestingly, then, it means that the rate times I REALLY get angry, it’s usually more effective. If I’m a known hothead, then its effectiveness is compromised.

The value of the humanities

A demand for saving art, keeping music, teaching civics in the schools is not asking for favors, Justice Souter proclaimed. Rather, it is vital for the stability, even the very survival of the United States, which is hampered by a voting citizenry that is grossly unaware about how the government of the country is supposed to work.

Last month, I attended a lecture by former US Supreme Court Justice David Souter about the importance of the humanities. There was an article in the Times Union that was factually accurate. Still, I’m going to muse on what I got out of the talk.

Justice Souter assumed everyone in the room was his ally in the fight to save the arts, music, civics, and the like, so it was not his intention to persuade those of us who were already convinced of its efficacy. Instead, he spoke of poetry and its fundamental importance. Noting the famous poem, The Road Not Taken by Robert Frost, Souter said he got to see the poet recite without reading it; Souter did the same with this audience. The justice said that the cursory reading of the poem would suggest that we ought to take “the road less traveled by.” Yet, a study of the poem, its context, its history, would reveal that it was meant ironically, as it was a parody of an indecisive friend who always was uncomfortable with whatever choice he made.

Justice Souter’s observation is that our best thinking may in fact take us to the wrong conclusion. This sounds like an influence of one of his heroes, and predecessors on the Supreme Court, Learned Hand, who wrote in 1951: “‘I beseech ye in the bowels of Christ, think that ye may be mistaken.’ I should like to have that written over the portals of every church, every school, and every courthouse, and, may I say, of every legislative body in the United States. I should like to have every court begin, ‘I beseech ye in the bowels of Christ, I think we may be mistaken.'” Hand is quoting Oliver Cromwell’s letter of August 1650 to the general assembly of the Church of Scotland. Moreover, that lack of certainty, Souter opined, is a good thing.

A book that has had a profound effect on Justice Souter is The Education of Henry Adams, something he has read thrice through already, and hopes for another read. It’s about, among other things, the constant need for an education that adapts to a changing world, which most certainly would include the humanities.

A demand for saving art, keeping music, teaching civics in the schools is not asking for favors, Justice Souter proclaimed. Rather, it is vital for the stability, even the very survival of the United States, which is hampered by a voting citizenry that is grossly unaware of how the government of the country is supposed to work.

In the question and answer period, Souter acknowledged his own limitations. He could not answer the question – OK, my question – about whether the instant Internet news cycle was interfering with rational thought because he’s not on the Internet, and doesn’t even have e-mail, though his secretary does. He’s also a man who would not miss the music post-Bach. This may mean that, in the Henry Adams context, he is the imperfect messenger, but aren’t we all?

I found the talk to be personally engaging, and more inspiring than I would have assumed from the plain-spoken man from New England.
***
The week I wrote this, Berowne used this in his weekly quiz.

O is for Oklahoma

Oklahoma USA is a little gem about a lonely spinster who avoids the harsh realities of post-war Britain by losing herself in Hollywood movies like “Oklahoma.”

JEOPARDY! category EVERYTHING’S OK
*This nickname for Oklahomans stems from those who jumped the homesteading starting gun in 1889
*It’s Oklahoma’s leading crop & is especially big in the north, near the Kansas border
*Tahlequah, Oklahoma is the tribal capital of this Native American nation
*This humorist & native son lends his name to Oklahoma City’s main airport
*The National Weather Service’s storm prediction center is in this city, also home to the University of Oklahoma
And here’s a Daily Double I got right when I was on the show:
PUT ‘EM IN ORDER: Oklahoma statehood, California statehood, Nebraska statehood
(Answers at the end)

I’ve long had an almost irrational affection for Oklahoma. Maybe it’s because, when I put together my states of the Union jigsaw puzzle when I was a kid, the piece for the state looked like a deformed saucepan. Or maybe it’s that odd history of being Indian Territory for a long period that fascinated me.

I have referred to my first wife, who I married in college, as the Okie because she was born in Durant. I had a difficult time connecting with her father until he realized that I was on the OK side when the University of Oklahoma or Oklahoma State played teams from Texas, and ESPECIALLY the Longhorns of Texas.

I’ve been to Oklahoma only once, in 1995, to speak with the state Small Business Development Center program and explain the reference services NYS SBDC was then providing for other SBDCs.

There was a woman I knew who worked for an SBDC in Oklahoma City. Her building was right across the street from the Murrah Building, which was blown up on April 19, 1995, killing 168 people. She suffered severe injuries from flying glass and other items that acted as shrapnel. She wrote a very moving story about her recovery the following year, which I published in a newsletter; I need to find that again.

The tornadoes in Oklahoma, especially those in 1999 and 2013, saddened me greatly.

Here’s a song about Oklahoma from a British band, the Kinks, Oklahoma U.S.A. [LISTEN] from the Muswell Hillbillies album. Oklahoma USA is a little gem about a lonely spinster who avoids the harsh realities of post-war Britain by losing herself in Hollywood movies like “Oklahoma.” “It namechecks Rita Hayworth or Doris Day, Errol Flynn (‘But in her dreams, she is far away/ In Oklahoma U.S.A./ With Shirley Jones and Gordon MacRae’).”

And speaking of Jones and MacRae, here’s the title song to certain Richard Rodgers/Oscar Hammerstein II musical [LISTEN].

Finally, here’s Oklahoma Hills by Jack Guthrie [LISTEN], written by his famous cousin, Woody Guthrie, both Guthries coming from the state.

ANSWERS to JEOPARDY!
Sooners
wheat
the Cherokee
Will Rogers (more on him soon)
Norman
California statehood, Nebraska statehood, Oklahoma statehood (not until 1907, which I actually knew because of the musical)


ABC Wednesday – Round 13

I want the NEW Paul McCartney

Hint to Wife: NEW by MACCA is #1 on my Christmas list,

My friend Karen, who I’ve only known since we were in kindergarten, wrote this article for our sixth-grade newsletter in which she was the winner of a contest to fly to England and see the Beatles in person. Back in 1980, her record company put out John & Yoko’s Double Fantasy album, but that was an arm’s-length situation.

Now, her current record company is putting out the new album by Paul McCartney, NEW, and while he’s in the New York City area, she’s spending time with him. This means she was THERE when Macca surprised a Queens high school with an auditorium rock show, plus Q&A on John Lennon’s birthday; she described it as a most satisfying experience. The day before, when she was with him doing interviews for nearly five hours, was another highlight.

I’m guessing she was present when Sir Paul surprised the Late Night with Jimmy Fallon audience by sticking around to perform seven more songs in a mini-concert.

I’m so very happy for my good friend, who has turned me onto new music for decades. I have only a soupçon of jealousy.

I haven’t gotten the new album, NEW, yet. (Richie has already ordered it.) I’m very pleased it’s gotten a good review in Entertainment Weekly and an even more interesting one in The New Yorker, plus others.

Hint to Wife: this is #1 on my Christmas list, even ahead of Beatles at the BBC, Volume 2. Get the deluxe edition, please!

Paul’s YouTube channel

Ranking the 21 Best Paul McCartney Deep Tracks. Some of these I had never heard.
***
Misheard lyrics of ‘Let ‘Em In’.

Reflecting on the movie “12 Angry Men”

We ought to have the trial anyway, even though “everybody knows” he or she is guilty.

Have you seen the 1957 movie, 12 Angry Men? I highly recommend it. It was nominated for three Oscars: Best Picture, produced by Henry Fonda and Reginald Rose; Best Director, Sidney Lumet; and Best Writing, Screenplay Based on Material from Another Medium, Reginald Rose.

The Golden Globes nominated the film, the director, lead actor Fonda, and supporting actor Lee J.Cobb. “A dissenting juror in a murder trial [played by Fonda] slowly manages to convince the others that the case is not as obviously clear as it seemed in court.”

Had a chance to watch it again this summer. I was doing apheresis at the blood bank which takes two hours, and this DVD, which I got for free about eight years ago by mailing some coupons from a Cheerios box, fit the bill at 95 minutes.

I was struck again by the racial/class issues. The defendant, who we see only at the very beginning of the film, with the judge’s charge to the jury, is young (18), Hispanic, and from a troubled neighborhood. The jury seems to think the case is a slam dunk, and quickly votes 11-1 to send the young man to his death. But as the Fonda character talks, he gets a second supporter. Immediately one juror thinks it’s the juror from the slums (played by Jack Klugman), but it’s not.

This film also starred Martin Balsam, John Fiedler, E.G. Marshall (who I know best from the 1960s lawyer show The Defenders, which also had a huge impact on me), Edward Binns , Joseph Sweeney, Ed Begley, George Voskovec (whose character has the best speech about the obligations of a jury) and Robert Webber.

The Fonda character, and his eventual allies, make observations about the inconsistencies in the testimonies, something a decent defense lawyer might have done. The young man, though, apparently had a court-appointed attorney who was going through the motions.

The film has always informed me or reinforced in me, several issues. 1) People with means generally have better legal representation than poorer folk. 2) We ought to have the trial anyway, even though “everybody knows” he or she is guilty. 3) Because of 1) in particular, I’ve long opposed the death penalty. 4) Because of 2), I wish we had more of a limit on pretrial and trial scuttlebutt.

Incidentally, there was a TV movie of 12 Angry Men in 1997, with a cast including recent Tony winner Courtney B. Vance; Ossie Davis; George C. Scott in the Cobb role; Armin Mueller-Stahl; Dorian Harewood in the Klugman role; the late James Gandolfini; Tony Danza; Jack Lemmon in the Fonda role; Hume Cronyn; Mykelti Williamson; Edward James Olmos; and William Petersen. I feel I should check it out soon, now that the original is fresh in my mind.

Ramblin' with Roger
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