Beatles cover music QUESTION

In my tradition of playing the music that I own, I have divvied up my Beatles music thusly:
In October, in honor of John’s birthday, I play the canon. In this case, the British CDs (including Magical Mystery Tour, which became adopted as such), plus the two Past Masters CDs of singles, B-sides, EPs cuts and oddities.
In February, in honor of George’s birthday, I play the American albums. George, visiting his sister Louise, was the first of the Beatles to visit the U.S.
In June, in honor of Paul’s birthday, I play the more recent items: Live at the BBC, the Anthology series, and Love, e.g.
In July, in honor of Ringo’s birthday I play Beatles covers. After all, Ringo’s All-Starr bands are known to cover the hits of the contributing musicians.

And I have LOTS of whole albums dedicated to Beatles covers. Some are of whole albums: Big Daddy doing Sgt. Pepper, a MOJO collection replicating Revolver, George Benson taking on Abbey Road. There are whole soundtracks: All This and World War II, I Am Sam, Across the Universe.

So what are your favorite Beatles covers? I am fond of these:

Come Together by Tina Turner; Aerosmith’s take is fine, but too close to the original
Eleanor Rigby by Aretha Franklin (she puts it in the first person); though the pure excess of both the Vanilla Fudge and Rare Earth versions always made me chuckle.
Got To Get You Into My Life by Earth, Wind and Fire; one of the only good things to come out of the Sgt. Pepper’s movie debacle.
In My Life by Judy Collins; though there are other fine versions, notably Johnny Cash’s.
We Can Work It Out by Stevie Wonder; I once bought an LP just for that song.
You Can’t Do that by Harry Nillson, which segues in other Beatle tunes in a most delightful way.

Special kudos to Joe Cocker, who made several Beatles’ tunes his own. but the one I’m currently most fond of is You’ve got to Hide your Love Away

And there undoubtedly others. The readers of Rolling Stone magazine pick their favorites.

What’s your least favorite Beatles covers?

There’s a whole slew of older artists of the Beatles era trying too hard to be hip and relevant but feeling like the lounge singer Bill Murray used to play on Saturday Night Live (or a slightly more current reference, the Sweeney Sisters).

Still my thumbs are down to two pop music legends of the 1960s. The Supremes doing A Hard Day’s Night, originally on an album I owned called A Bit of Liverpool. “It’s ben a hard (hard) day’s (day’s) night.” Disliked it on first hearing. the other is Elvis Presley doing an off-key and listless version of Hey Jude; just unpleasant to listen to. (Though not eligible for consideration, Mitch Miller’s version of Give Peace A Chance is a HOOT.)

ROG

Y is for Yes, Yoko


I’ve thinking about Yoko Ono a lot lately. Part of it is the fact that last month was the 40th anniversary of John Lennon & Yoko’s famous (or infamous, depending on your POV) bed-ins, the first at the Amsterdam Hilton, as people who have heard the Beatles’ single The Ballad of John and Yoko can tell you. A second bed-in was in Montreal, where Give Peace A Chance was recorded.

But as an ex pointed out to me a long time ago, before she knew Beatle John, there was Yoko Ono, the avant garde fluxus artist. I recently discovered a retrospective of her work took place between 2000 and 2004, called “Yes Yoko Ono”, including at MIT in 2001. Indeed, it was, famously, “yes” that attracted John to Yoko. In the mid-1960s, John went to an art gallery, climbed a ladder leading up to a small printed YES on the ceiling which one looks at through a magnifying glass; it was the positive message that drew him in.

The notion that she “broke up the Beatles” is no more true than Linda Eastman breaking up the Beatles when she married Paul McCartney; perhaps an element of truth amidst many, many other factors.

Yeah, sometimes she screams when she sings. Although the very first time I heard Remember Love, the GPAC B-side, it was more childlike in delivery. (Note: the video has visuals that may offend some.)

The blogger Samurai Frog quoted Any Major Dude with Half a Heart in noting that “Even after 28 years, her husband’s murder must be a horrible pain to bear, but Yoko Ono is marketing — exploiting — her widowhood a little too publicly and cynically, exemplified by that ‘John would say…’ shtick, as if Lennon was a sage-like Confucius rather than a complex man with some serious limitations. No matter how swell Yoko thought her husband was, it is nauseating. It perpetuates the false notion that Lennon had special insights into the human condition.”

And she can make artistic decisions that are disturbing to some. The Lennon items that are part of a new exhibit that launched a couple months ago at the Rock & Roll Hall of Fame Annex for John Lennon: The New York Years includes Lennon’s famous New York City T-shirt, his upright piano from his Dakota apartment, a posthumous 1981 Grammy Award for the couple’s album “Double Fantasy”, but also John’s bloodied clothes from December 8, 1980.

Not incidentally, her biggest commercial single, Walking on Thin Ice, came out after that tragic event. It and Kiss Kiss Kiss from Double Fantasy were also dance-hall favorites.

Still, the enmity Yoko brings on is quite remarkable in its vitriol. June Chua, writing about Yoko’s 70th birthday a few years back, noted: “In a Watch magazine article about her 1996 CD, Rising, the reviewer suggested John’s killer ‘could have saved us all a lot of grief by just aiming one foot to the right.’ The violence in this statement is reprehensible. Yoko watched the person she loved slaughtered in front of her. She had to hold his dying body as life drifted from him…Yoko didn’t fit the stereotype of rock star girlfriend/wife.”

Yoko and Olivia Harrison, the other Beatle widow, seem to be getting along well, at least in public settings such as the opening of the Cirque du Soleil performance of Love, which featured Beatles’ music.

Meanwhile, Yoko is still making music in her own name and offering scholarships in John’s.

Music namechecking Yoko:
Oh Yoko by John Lennon from the Imagine allbum
Dear Yoko by John Lennon from the Double Fantasy album
Be My Yoko Ono by Barenaked Ladies
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Allen Klein, former Beatles manager, died July 4. Link to picture of Allen, Yoko and John.

For ABC Wednesday

ROG

The Lydster, Part 63: The Songs


It’s been long been my philosophy that, as much as I love providing information for youse folk, a primary point of this blog is as a resource for myself. Things I think I’ll remember “forever” fade into oblivion.

With that in mind, I’m going to note the songs I sing to my daughter. Often, it’s the case that I’ll take an existing song and put new lyrics to it. If I do that, though, it has to be a song that she does not know. Once, I tried singing something to the “Wonder Pets” theme: “Lydia, Lydia, my favorite girl…” I was scolded, and told “THAT’S not how it goes.”

So, I take songs obscure to her. One of the first was this ditty:
“I love Lydia
I love Lydia,
‘Cause she is my daughter
Oh yeah
She is my daughter.”
This is to the tune of I Eat Cannibals by TOTAL Coelo. I didn’t even KNOW what the tune was at first, since I don’t even own it, I don’t think.

Another song I adapted Turn Down Day by The Cyrkle, a group best known for covering Paul Simon’s Red Rubber Ball. The words vary, but I usually start with the chorus, usually trying to prod the child out of bed:
It’s a day-care day
And it’s time to get some clothes
It’s a day-care day
Let’s get ready.

These tend to be the morning songs.

There are a slew of tuness to choose from when I sing to her at bedtime. Many are standard children’s songs, though she likes a variation on Twinkle, Twinkle about traffic lights which she taught me. “Sing A Song of Sixpence” is altered from “pecked off her nose” to “[kiss sound] kissed her nose”, at her instance, NOT me being overprotective.

The Car Song I learned from my father and I sing to her: “Mommy, won’t you take me for a ride in the car.” Be Kind to Your Parents was from from a record my sister Leslie and I had on red vinyl when we were kids; we sang it at my 50th birthday party.

But always, these are the last two. When she’s really tired, these are the ONLY two: A, You’re Adorable, which my mother sang to me – indeed the ONLY song I remember my mother ever singing to me, and for which I changed many of the lyrics, starting with J (“you’re so jolly”) because I couldn’t remember the original; and Good Night, the song from the Beatles’ white album, during which I turn on her night light, then slowly dim the overhead light.

Tomorrow, my take on yesterday’s news.

ROG

M is for Money

Happy U.S. Income Tax Day!

Every year in the United States, the Social Security Administration sends out Your Social Security Statement to help me plan for my “financial future”. It provides estimates of your Social Security benefits under current law.” But for me, it’s a personal history lesson.

The first year I worked, 1969, I made $529 at the Binghamton (NY) Public Library. I worked six months at IBM in 1971 and made the most I would make until 1978. $50 in 1976 – really? I can always tell when I went to college, or when I was unemployed or underemployed.

I also received my 401(k) statement this week. I started putting money in this account because we were all warned that Social Security wouldn’t be there. My employer and I each contributed about $1000 each this past quarter. I managed to lose that plus an additional $5800. So much for retiring.

Let’s talk about music instead. There are two great songs called Money that I own and that come to mind. The first was written Berry Gordy, founder of Motown Records, when challenged by someone who complained that all he wrote about was romance. “What else do you care about, Berry?” Well, there was money.

The original version of Money was recorded by future Songwriters’ Hall of Famer Barrett Strong, who later teamed with the late Norman Whitfield to write I Heard It Through the Grapevine (a hit for both Gladys Knight & the Pips and Marvin Gaye), War (Edwin Star’s hit), and a bunch of late 1960s/early 1970s classics for the Temptations, such as Too Busy Thinking About My Baby, Papa Was a Rolling Stone, Just My Imagination and Ball of Confusion.

Barrett Strong’s version of Money went to #2 on the Billboard R&B charts for six weeks, and to #23 on the pop charts early in 1960. It’s #288 on the Rolling Stone magazine’s list of greatest songs, and was covered by a Liverpudlian band of some note, the Beatles.

The other Money song is by the British band Pink Floyd, by that point consisting of David Gilmour, Roger Waters, Rick Wright and Nick Mason. It appeared on the 1973 album Dark Side of the Moon, and though it spent but one week at #1 in the U.S., it spent a total of 741 weeks on the U.S. album charts, selling more than 15 million copies.

For those unfamiliar, it has one potentially ‘naughty’ word.

I’m still collecting the state quarters. Right now, all I need is a Missouri quarter from the Denver mint; I even have both District of Columbia coins. But I haven’t seen the Puerto Rico quarter yet from either the Philadelphia or Denver mints and other territories will be released this year. (And yes, I know DC and Puerto Rico are not states, but their coins are a continuation of the same series.) Meanwhile, I’m still looking for Denver mint coins for two of my co-workers.


Certainly it was the juxtaposition of Marilyn Chambers as wholesome Ivory Snow mom with Marilyn Chambers as, er, an actress that helped fuel whatever commercial success she had. No, though my name is Green, I’ve never seen Behind the Green Door or any of her other work. She died this week.
***
And speaking of advertising, does Burger King REALLY think it’ll make money mixing SpongeBob Squarepants, Sir Mix-A-Lot, and “the TRUE (non-pirate) meaning of the word ‘booty'”, as my friend Fred put it in his April 13 post? And if the BK King is creepy in 30-second increments, he’s REALLY bizarre in the 2:30 segment Fred found.
***
OK, so what other song about money am I thinking of? The clues are in this post.

ROG

April Ramblin’

I briefly attended that vigil for Binghamton yesterday. Would have stayed longer but for the fact that it was cold, occasionally rainy, and I had the child, who has been sick recently, in tow. She may not have understood the point of the gathering, attended by about 45, including Albany’s mayor (who, not incidentally is, running for re-election), but I still wanted her to be there. That event, along with the story in question, probably prompted this response from me.

THE best television newsperson to come out of the Capital District of New York State, Ed Dague, is in chronic pain. Touching story. I met him at least twice, which I should write about sometime, I reckon.

Greg finds legislation he just can’t get behind.

Gordon touts Robert Johnson, as well he should.

They are remastering the whole Beatles catalog. Given the fact that I’ve already bought it all about thrice (US LP, UK LP, CD), do I want to buy this AGAIN? No, yet the Past Masters package sounds annoyingly intriguing.

Ken Levine talks about Point of View, one of my favorite episodes of M*A*S*H. Did the TV show House steal it? Didn’t see the House ep, but I have my doubts.

15 free downloads to pep up your old PC, which I haven’t tried yet, but I figure if I post it, it’ll remind me.

I’m getting fairly obsessed with getting the Denver mint state quarters. All I need are Hawaii, Washington state, Missouri and, most problematic, Pennsylvania, the eldest. Oh, and the District of Columbia; just got the Philly mint version this week. Haven’t seen the Puerto Rico quarter yet.

My good buddy Steve Bissette discusses, in great deal, including 27 8 by 10 color glossies, Saga of the Swamp Thing #20, the transitional first issue by Alan Moore, John Totleman, and himself that starts off the neat book I just received.
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6

Speaking of Swamp Thing, the co-creator of, and later Steve’s editor on, the title, coping as well as one can, given the circumstances, but there’s a movement afoot to replace the comics he wrote or edited and, to that end, for people to contribute to a Len Wein comics checklist. I always liked his work during my days of reading Marvel Comics.

So THAT’S what happened at the Albany Comic Show Sunday, before I got there.

ADD’s Eisner picks. I’ll take his word for it, since the only thing on the list I own is Mark Evanier’s Kirby book, though Coraline has been on back order for about a month.

Evanier tells A Story You Won’t Believe about Spike Jones.

I’m so pleased: Two weekends ago, we went to the in-laws for their 50th wedding anniversary. Last weekend was Lydia’s 5th birthday party at the State Museum. Next weekend is something else again. This coming weekend, Easter, the wife and her mother were trying to come up with a plan to get together. The final resolution – we’re all staying in our respective homes and resting; I mean we’ll go to church and all, but no travel. I for one am exhausted, and so is my wife, so this is a good thing.

Nik from Spatula Forum celebrates five years of blogging by talking about…

Arthur from AmeriNZ celebrates both his 100th blogpost and two years of podcasting.

ROG

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