Covering Bobby Z

Musing about the May birthdays of musicians, particularly musicians whose work I own, I noticed that any number of them covered Bob Dylan songs. Not a surprise there; Dylan’s put out over 40 albums.

What WAS a little surprising was that I couldn’t find the May birthday songs I own on YouTube; I’ve just started to expect it.

I first looked for the pair of songs from Pete Seeger’s We Shall Overcome album, a live 1963 recording. Pete did A Hard Rain’s Gonna Fall and Who Killed Davey Moore; nope. Instead, here’s Paths of Victory

Then I sought out Poor Immigrant by Judy Collins from my beloved Who Knows Where The Time Goes album; no such luck. Here’s Judy singing Like a Rolling Stone

Frankie Valli and the Four Seasons perform the amazingly goofy Don’t Think Twice, It’s All Right, which simply must be heard to be believed. Not there. I foiund, though, the Jersey Boys doing Queen Jane Approximately

I DID discover live versions of a couple songs: Stevie Wonder performing Blowin’ the Wind

Not found on the Billy Joel YouTube channel, but otherwise available is his version of To Make You Feel My Love

Finally, some Dylan doing Dylan; I couldn’t find Seeger doing Davey Moore, but here’s a version by Bob himself.

Happy birthday, Bob.
ROG

The Lydster, Part 60: Lydia is Five


Gordon also asked: “How’s the Lydster?”

Well, her birthday is today. I wrote a letter to our Bradley birth instructor this week indicating how important that childhood education was for us. (The birth story, BTW, is here.)

We’re planning her birthday party. This will be her first one that wasn’t ice cream and cake with the family. Meanwhile, she’s been to LOTS of fancier gigs of her friends. It’s not a matter of competition, but on the other hand, this one at least, we thought we’d do something at the local museum.

The invitations have turned out to ber more of a chore than we thought. She wants to invite her old friends from day care, some of whom we have no contact info. Meanwhile, she’s decided that she doesn’t want to invite a couple of her new friends because they recently took her stuffed animal without permission. Her mother suggested that she just not bring the stuffed animal; I say that she’s got to speak up when that happens and complain to them and, if necessary, to her teachers. Someone told me kids don’t hold a grudge; I’m not convinced that’s true with mine.

I was tentatively pleased about the news on the peanut butter allergy front. It’d be nice if, one day, she had one less allergy, since it’s about time for the daily sprays to deal with her pollen allergies.

There’s a working dog on our bus every morning. She’s gone from making sure that I’m between her and the canine to hurrying past it; this is progress.

There’s an open house in Albany for kids entering kindergarten this weekend, with registration starting on Monday. Someone suggested that this will make life easier; I’m not convinced. Since we live in walking distance of her school, I’m still not sure how I get her to school and get to work on time. (And by “on time” I’d settle for within a half hour, as opposed to 2.5 hours.) The buses run infrequently to Corporate (frickin’) Woods, and kindergarten starts late – 8:45 a.m. Don’t know how other parents who both work outside the home deal with this stuff.

Lydia is either going to take her first train ride or first plane ride this year; I haven’t decided.

Any specific questions?

ROG

Swampy


Almost every year, I go out and buy something for me for my birthday. Usually it’s been music, or occasionally a book. But I’ve been going to my old buddy Steve Bissette’s webpage, and he’s been selling some artwork. The above piece was in my price range, spoke to me visually and had a caption that made me laugh. It’s been a long time since I actually purchased artwork, probably 25 years ago or more.

Steve, along with writer Alan Moore and inker John Totleben, created a tremendous run of the comic Swamp Thing in the mid-1980s. I got to know Steve a little when he’d truck over from Vermont to work on various FantaCo horror-related publications. As I’ve mentioned before, we reconnected in part recently both through his compiling the history of FantaCo publications and our collective efforts – mostly successful – trying to get the writer of the FantaCo Wikipedia post to fix up some egregious errors.

I then went back to the site to buy the 16-page promotional “Sweeney Todd Penny Dreadful” by Neil Gaiman and Michael Zulli, edited by Steve, as well as The Comics Journal #185 (March 1996) with a full-color dinosaur-collage Tyrant cover by Steve plus a 50-page interview with Mr. Bissette. Yes, I’ve read the W-H-O-L-E thing.

In each package, he threw in something else. In the first, it was a couple Mars Attacks! mini-comics. As a FantaCo employee, I took MA! writer Mario Bruni to Madison, WI in 1988 to the gathering put on by Capital City Distribution, a then formidable comic book distributor, now defunct, to market the product. I must have had the issues at one point, but certainly lost track of them over time. Somehow, Steve, sensitive Piscean fellow that he is, sussed out that I likely didn’t have copies for myself.

Suddenly on a Bissette kick, I went here and ordered SAGA OF THE SWAMP THING BOOK ONE HARDCOVER w/exclusive signed P2P bookplate, collecting SAGA OF THE SWAMP THING #20-27. I LOVED those stories, but I must say the bookplate by Steve makes it almost worth the price of admission all by itself.

Anyway, I thought Steve’s natal day was today. Alas, the Intersnet deceived me, as it was yesterday. Regardless, thanks, my friend, for everything, and a (belated) HAPPY BIRTHDAY to YOU!

ROG

Fair use

If you follow the comic book blogs, there’s been a war of words over whether the demise of Scans Daily, which showed some comic book pages and commented on them, is a defeat for the comic book consumer or a victory for the comic book creator. (You can read about it lots of places – I’m picking the narrative by Gordon because his narrative is short, concise, not vitriolic – and because today is his birthday.)

All of the articles I’ve seen make use of the term “fair use”. I’ve copied the copyright page brochure on fair use, which I’m going to use in its entirety without concern, because it’s a federal government website and stuff produced by the federal government, with rare exceptions, cannot be copyrighted. The Boston Globe famously published the Declaration of Independence on July 4 a few years back and slapped on a (c) Boston Globe; nice try, that.

But, first, here’s the core paragraph:
The distinction between “fair use” and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission.

“Not easily defined.” That means that, short of taking a recent book, pulling off the cover, and re-covering it as one’s own, it just ain’t that easy.

One of the rights accorded to the owner of the copyright is the right to reproduce or to authorize others to reproduce the work in copies or phonorecords. This right is subject to certain limitations found in sections 107 through 118 of the Copyright Act (title 17, U. S. Code). One of the more important limitations is the doctrine of “fair use.” Although fair use was not mentioned in the previous copyright law, the doctrine has developed through a substantial number of court decisions over the years. This doctrine has been codified in section 107 of the copyright law.

Section 107 contains a list of the various purposes for which the reproduction of a particular work may be considered “fair,” such as criticism, which is what Scans Daily was claiming to do, comment, news reporting, teaching, scholarship, and research. Section 107 also sets out four factors to be considered in determining whether or not a particular use is fair:
1. the purpose and character of the use, including whether such use is of commercial nature or is for nonprofit educational purposes;

In other words, if I use your copyrighted item, will I be profiting from it financially?
2. the nature of the copyrighted work;
Here’s an example. If I find a photograph of a cover of a record album and use it, there’s enough law out there that says that I’m PROBABLY safe. That is UNLESS that photo is “transformative” and captures the album cover in a new and artistic way.
3. amount and substantiality of the portion used in relation to the copyrighted work as a whole;
As librarians, we struggle with this all the time. A couple of pages is OK; a whole chapter? Well, how many chapters ARE there?
and
4. the effect of the use upon the potential market for or value of the copyrighted work.

In other words, if I use your copyrighted item, will you be suffering from it financially? It seems that the courts have leaned heavily on this fourth point in determining whether it’s “fair use”.

The distinction between “fair use” and infringement may be unclear and not easily defined. There is no specific number of words, lines, or notes that may safely be taken without permission. Acknowledging the source of the copyrighted material does not substitute for obtaining permission.
In my first year doing this blog, I did a series of pieces about a book by Sid Jacobson and Ernie Colon in which comic strips were done with a supposed African-American perspective. It was difficult to explain without showing specific examples. So I ended up actually showing about one panel in four. I felt a bit easier about this because, as far as I can ascertain, the book is out of print; certainly, I’ve never seen it on Amazon. Did I make the “right” decision concerning copyright? I dunno.

The 1961 Report of the Register of Copyrights on the General Revision of the U.S. Copyright Law cites examples of activities that courts have regarded as fair use: “quotation of excerpts in a review or criticism for purposes of illustration or comment; quotation of short passages in a scholarly or technical work, for illustration or clarification of the author’s observations; use in a parody of some of the content of the work parodied;
Parody, the stock in trade of MAD magazine, e.g., is a huge one, not previously mentioned.
summary of an address or article, with brief quotations, in a news report; reproduction by a library of a portion of a work to replace part of a damaged copy;
As a matter of fact, our library HAS done this, rarely.
reproduction by a teacher or student of a small part of a work to illustrate a lesson;
Elsewhere in copyright law, there’s the mention of “spontaneity”. Let’s say you’re a teacher and you happen across an article in a magazine you thought would illustrate the lesson plan. You might make the case for making 20 copies of the article. Say, though, it’s next semester; deciding to copy that same article would hardly be considered spontaneous.
reproduction of a work in legislative or judicial proceedings or reports; incidental and fortuitous reproduction, in a newsreel or broadcast, of a work located in the scene of an event being reported.”

Copyright protects the particular way an author has expressed himself; it does not extend to any ideas, systems, or factual information conveyed in the work.
So a second book on the same historical event as the first is not in violation of copyright unless the second book substantially lifts the WORDS used to describe the event.

The safest course is always to get permission from the copyright owner before using copyrighted material. The Copyright Office cannot give this permission.
I was surprised to get in a discussion with a librarian about the AP copyright infringement case over Obama’s image. She thought Shepard Fairey should have sought permission from the AP to use the picture. I, having worked with artists, tend to see the work as transformative, tend to side with Fairey. (She also thinks Fairey is arrogant, which is probably true, but irrelevant.) I suspect it would be less of an issue had Fairey not been making lots of money from the image.

When it is impracticable to obtain permission, use of copyrighted material should be avoided unless the doctrine of “fair use” would clearly apply to the situation.
Except that this document has already stated that when fair use would “clearly apply” does not exist.
The Copyright Office can neither determine if a certain use may be considered “fair” nor advise on possible copyright violations. If there is any doubt, it is advisable to consult an attorney.
Thus keeping attorneys employed for another generation.

ROG

Hembeck is 56


It’s no great secret that my good friend Fred Hembeck was instrumental in getting me to start blogging. I had contributed a couple things to him that he used in his blog, and that inspired me to do my own.

In recent months, though, Fred’s blogging output had begun to slacken appreciably. Part of that was due to the work involved in preparing for his still-available book, but also, he’d seemed to have just lost a little of his blogging mojo.

Until…

Fred discovered a revolutionary new technology that has re-energized his blog in the last month and a half. It’s called:

YouTube

As Fred himself said, “Okay, I’ll admit it–regarding YouTube, I’m way, WAAAAY behind the curve. But only because I knew what would happen if I allowed myself to do more than peak into the occasional video embedded over on another blog.

I knew I’d become obsessed.”

And obsessed he has become. But an obsessed Fred Hembeck is a Fred Hembeck who’s exciting to read. If you haven’t been been by Fred Sez, or haven’t been there lately, check it out.

WARNING: You may spend more time there watching his YouTube links than you planned.

Oh, and happy birthday, effendi – you’re older than I am for five weeks!
ROG

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