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How terribly strange to be 70

Psalm 90:10

RogerGreenBirthdayCartoon490 How terribly strange to be 70. I’ve used that title twice before in this blog, and you can probably guess when in 2011: on October 13 and November 5.

Now, I’M three score and ten, which is old. Or at least oldish.

Psalm 90:10 in the King James Version reads, “The days of our years are threescore years and ten; and if by reason of strength they be fourscore years, yet is their strength labour and sorrow; for it is soon cut off, and we fly away.”

In case you don’t recognize the artist, the work was created by my friend Fred Hembeck in 2007. Fred gave me the original black and white piece, on which he indicated, “54 ROCKS!” He’s a full five weeks older than I am. I believe I’ll use this illustration every five years, just because.

The home church

Sister Leslie took the photo on her phone. It was when we visited Trinity A.M.E. Zion Church at the corner of Oak and Lydia Streets in Binghamton, NY, on October 9, 2022.

The room used to be the Sunday School room when I was a kid. My paternal grandmother, Agatha Helen (Walker) Green (1902-1964), taught me. Now, the room is used as a memorial to the Departed Loved Ones of the church.

On the wall, along with photos of Mrs. Armstrong (left of center), and Mr. Woodward, is my Grandma Green, more or less hovering over my head. I don’t THINK that was the photographer’s intent, but it’s a rather cool effect.

Not incidentally, the church – specifically, my father’s cousin Ruth – requested a picture of my parents for the wall. My sisters and I ought to work on that.

Anyway, it’s my birthday, divisible by five (and seven and two), no less, so that’s enough for today.

2023 Oscar-nominated shorts

An Ostrich Told Me the World Is Fake

On two days in mid-February, my wife and I saw some of the 2023 Oscar-nominated shorts at the Spectrum Theatre in Albany, NY. I found some of the films online, which I have linked to.

Live action

Ivalu – DENMARK/16 MINS/2022

Director: Anders Walter, Pipaluk K. Jørgensen

“Ivalu is gone. Her little sister,” Pipaluk, “is desperate to find her. Her father does not care. The vast Greenlandic nature holds secrets. Where is Ivalu?”

While it was a touching bit when Pipaluk would retrace the locales they used to hang out, it was an unsatisfactory conclusion.

Night Ride (Nattrikken) – NORWAY/15 MINS/2020

Director: Eirik Tveiten

“It is a cold night in December. As Ebba waits for the tram, an unexpected turn of events transforms the ride home into something she was not expecting.”

I liked this piece a lot, possibly my favorite in the category. It was pretty funny, held a degree of danger, and showed real humanity.

More Live Action

Le Pupille ITALY, USA/37 MINS/2022

Director: Alice Rohrwacher

“From… Academy Award® winning producer, Alfonso Cuarón is a tale of innocence, greed, and fantasy. [It] is about desires, pure and selfish, about freedom and devotion, and about the anarchy that is capable of flowering in the minds of girls within the confines of a strict religious boarding school at Christmas.”

As the longest of the pieces, the story is the most complex, taking place in World War II Italy. It is or was on Disney+. I enjoyed it.

The Red Suitcase -LUXEMBOURG/18 MINS/2022

Director: Cyrus Neshvad

“A young Iranian woman at a Luxembourg airport is in a life-changing situation.”

While totally believable, it was most frustrating because we wanted to know what happened next.

An Irish Goodbye – IRELAND/23 MINS/2022

Director: Tom Berkeley, Ross White

“On a farm in rural Northern Ireland, estranged brothers Turlough and Lorcan are forced to reunite following the untimely death of their mother.”

My wife’s favorite, and for a good reason, even though we couldn’t suss out bits of the dialogue. The family tension rang true. It won the BAFTA in this category.

Animated

An Ostrich Told Me the World Is Fake and I Think I Believe It -AUSTRALIA/11 MINS/2022

Director: Lachlan Pendragon

“When a young telemarketer is confronted by a mysterious talking ostrich, he learns that the universe is stop-motion animation. He must put aside his dwindling toaster sales and focus on convincing his colleagues of his terrifying discovery.”

This had a Truman Show/end of a Lego Movie vibe. BTW, the ostrich may be correct. I liked it a lot.

The Flying Sailor – CANADA/7 MINS/2022

Director: Amanda Forbis, Wendy Tilby

“In 1917, two ships collided in the Halifax Harbour, causing the largest accidental explosion in history. Among the tragic stories of the disaster is the remarkable account of a sailor who, blown skyward from the docks, flew a distance of two kilometres before landing uphill, naked and unharmed. The Flying Sailor is a contemplation of his journey.”

I wish I had known the above before I watched it for the first time. NOW it makes more sense.

More animation

Ice Merchants – PORTUGAL, UNITED KINGDOM, FRANCE/14 MINS/2022

Director: João Gonzalez

“Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.”

The comments helped me understand this better than I did on first watching.

The Boy, the Mole, the Fox and the Horse -UK/34 MINS/2022

Director: Peter Baynton, Charlie Mackesy

It “is a story of kindness, courage, and hope in traditional hand-drawn animation, following the unlikely friendship of the title characters as they journey in search of the boy’s home. Based on the book of the same name.”

I liked the traditional artwork. It’s strange, though; I can believe the talking animals, yet we both had trouble figuring out where the boy came from. How did he not freeze to death? I think this is streaming on Apple+.

Animation with a warning

My Year of Dicks -USA/25 MINS/2022

Director: Sara Gunnarsdóttir // Writer: Pamela Ribon

“An imaginative fifteen-year-old is stubbornly determined to lose her virginity despite the pathetic pickings in the outskirts of Houston in the early 90s. Created by Pamela Ribon from her critically-acclaimed memoir.”

Before it aired in the theater, there was a warning that the content may not be suitable for some. The last time I saw that message, it was some grossly bloody and inartful six minutes.

This was fun in five chapters, the first of which is here. My favorite part, though, was Chapter 5, when the protagonist asks her mom a personal question, and the mom makes the dad explain sex to the daughter. I found it extremely funny.

Documentaries

I didn’t see the docs in the theater, but I did view two on YouTube.

THE ELEPHANT WHISPERERS – Kartiki Gonsalves and Guneet Monga

HAULOUT– Evgenia Arbugaeva and Maxim Arbugaev

Ninety thousand walruses outside your door is a sure sign that the planet’s ecosystem is out of whack.

HOW DO YOU MEASURE A YEAR? –Jay Rosenblatt

THE MARTHA MITCHELL EFFECT – Anne Alvergue and Beth Levison

STRANGER AT THE GATE – Joshua Seftel and Conall Jones

I saw a brief piece about a “Veteran’s Return from the Brink of Terrorism” on CBS Sunday Morning. I found this to be a powerful telling of how hate can be turned around. A review of all of the short documentaries states this film “reads a little too optimistic for the current moment.” I have no idea what that means.

Penpals: Sunday Stealing

Mike Post

The Sunday Stealing prompt this week is Penpals, Part 1, which, for some reason, reminded me of Reasons To Be Cheerful, Part 3 by Ian Dury and The Blockheads.

1. What are your plans for March?

My birthday is this week, and my wife is taking me out to dinner. We’re meeting with our financial advisor. I’m seeing my cardiologist. We’re picking up our daughter from college and returning her a week later. I’m getting my teeth cleaned. We’re going to see a play. Plus the usual – choir rehearsal, church, ZOOM with my sisters, book reviews, and blogging.

2. Did you ever have or go to sleepovers as a kid?

Not that I can specifically recall. It’s possible.

3. Which books would you pick for a book binge?

Any number of the ones I’ve purchased but have not read. We Who Believe in Freedom- Alice Green. Caste – Isabel Wilkerson. The Mask Is Off – Dr. Mildred Smoth-Chang. I’ve got tons of them.

4. What features do you love most about your home?

The built-in bookcases in the room I am presently sitting in.

5. Favorite songs from tv, movies, and video games

I like story songs for TV themes, from The Beverly Hillbillies to Cheers. Mike Post created a lot of instrumental themes for shows I watched, such as The Rockford Files, Hill Street Blues, and Law and Order. I also liked the Earle Hagen themes such as The Dick Van Dyke Show and the Andy Griffith Show.

I have over 100 soundtracks, some from movies I’ve never seen. Often a song’s power comes from where it happens in the film; the first that came to mind was the title song from the movie Philadelphia by Neil Young, which plays near the end.

I have no idea about video game songs.

Games People Play

6. What group games do you like to play with others

Cards: pinochle, hearts, spades. Scrabble, Monopoly, Uno, Boggle, and probably others.

7. How often do you try something new?

Every day is something new.

8. What type of sushi is your favorite?

California rolls, I guess.

9. Do you prefer to relax or go on adventures during vacation?

I like to sightsee.

10. How do you prevent burnout?

Turn off my phone.

11. Which colors look best on you?

I look marvelous in everything, dahlink. Actually, I have no idea, but my wife often says, “That shirt looks nice on you,” and it can be a variety of shades.

12. Do you like brunch?

What’s not to like?

13. Trends you showed up late for

Just about everything. I am a late adapter to virtually every technological innovation. My first iPhone I got in 2020 or 2021. I seldom watch streaming services. My landline still exists.

14. What’s your favorite drink order?

My first drink was a Tom Collins. In general, I drink white wine if I’m consuming alcohol.

15. Which clothes or accessories make you feel most confident?

A hat keeps me warm in the winter and protects me from sunstroke the rest of the year.

1923: We Have No Bananas

Parade Of The Wooden Soldiers

There were 13 #1 songs in 1923, 100 years ago. Yes! We Have No Bananas was two of them. Frank Silver and Irving Cohn wrote the song for the 1922 Broadway revue Make It Snappy. Eddie Cantor sang it in the revue.

The Wikipedia page offers context. “Silver explained the origin of the song to Time Magazine: ‘I am an American, of Jewish ancestry, with a wife and a young son. About a year ago, my little orchestra was playing at a Long Island hotel. To and from the hotel, I was wont to stop at a fruit stand owned by a Greek, who began every sentence with ‘Yes.’ The jingle of his idiom haunted me and my friend Cohn. Finally, I wrote this verse, and Cohn fitted it with a tune.'”

In addition to those listed below, recordings by the Great White Way Orchestra with Billy Murray got to #3, Benny Krueger to #8, and Sam Lanin to #15 that same year.

It was later covered by Benny Goodman and his Orchestra, Spike Jones & His City Slickers, and at least five dozen other versions.

The tune also inspired a response song, “I’ve Got the Yes! We Have No Bananas Blues”, recorded by Cantor, which got to #2, and Belle Baker to #11, also in 1923.

Songs

Parade Of The Wooden Soldiers– Paul Whiteman, #1 for seven weeks, instrumental

Swingin’ Down The Lane – Isham Jones, #1 for six weeks, instrumental

That Old Gang Of Mine – Billy Murray and Ed Smalle, #1 for six weeks

Yes, we Have No Bananas – Billy Jones, #1 for five weeks, comedy

Down-Hearted Blues – Bessie Smith, #1 for four weeks, gold record

Toot, Toot, Tootsie! Goodbye – Al Jolson, #1 for four weeks

Carolina In The Morning – Van and Schenck, #1 for three weeks

Love Sends A Little Gift Of Roses – Carl Fenton, #1 for three weeks, instrumental

Dreamy Melody – Art Landry, #1 for three weeks, gold record, instrumental

Yes! We Have No Bananas – Ben Silvin with Irving Kaufman, #1 for two weeks, novelty

I’ll Build A Stairway To Paradise – Paul Whiteman, instrumental written by George Gershwin

Bambalina – Paul Whiteman, instrumental

Besides Bananas, three of these songs are very familiar to me: Wooden Soldiers, Tootsie, and Carolina.

2023 Oscar-nominated films

The Academy Awards are on Sunday, March 12

I’ve made a concerted effort to see as many 2023 Oscar-nominated films as possible, all at the cinema. I try to see them in the movie theater because I can “give in” to the film easier, without the distraction of the phones or the cleaning that needs to be done.

If I watched it, there’s an asterisk (*) before it. And if I reviewed it, I link to it. I’m not predicting anything here, only noting my rooting interests.

Indeed, I’ll not watch the awards show on Sunday, March 12, though I may record it to watch a few highlights.

Best Picture

*ALL QUIET ON THE WESTERN FRONT; Malte Grunert, Producer

*AVATAR: THE WAY OF WATER; James Cameron and Jon Landau, Producers

*THE BANSHEES OF INISHERIN; Graham Broadbent, Pete Czernin, and Martin McDonagh, Producers

*ELVIS; Baz Luhrmann, Catherine Martin, Gail Berman, Patrick McCormick, and Schuyler Weiss, Producers

*EVERYTHING EVERYWHERE ALL AT ONCE; Daniel Kwan, Daniel Scheinert, and Jonathan Wang, Producers

*THE FABELMANS; Kristie Macosko Krieger, Steven Spielberg and Tony Kushner, Producers

*TÁR; Todd Field, Alexandra Milchan, and Scott Lambert, Producers

TOP GUN: MAVERICK; Tom Cruise, Christopher McQuarrie, David Ellison, and Jerry Bruckheimer, Producers

TRIANGLE OF SADNESS; Erik Hemmendorff and Philippe Bober, Producers *WOMEN TALKING, Dede Gardner, Jeremy Kleiner, and Frances McDormand, Producers

I’m rooting for EEAAO, which I found, beneath its veneer of weird, told a compelling immigrant story. My second pick would be All Quiet On The Western Front. I also liked The Fabelmans, partly because of this spoiler-laden essay in Think Christian.

Avatar would be my last pick, which among other things, was trying to be too many movies at once. Triangle of Sadness was at my local theater again early in 2023, but life got in the way; it’s playing once next week, and I may go. Also the new Top Gun is returning, which I hope to see before Sunday, March 12.

Starring role

ACTOR IN A LEADING ROLE

*AUSTIN BUTLER, Elvis

*COLIN FARRELL, The Banshees of Inisherin

*BRENDAN FRASER, The Whale

PAUL MESCAL, Aftersun

*BILL NIGHY, Living

While Farrell played a convincing nice dolt, Butler embodied Elvis. But Fraser was excellent.

ACTRESS IN A LEADING ROLE

*CATE BLANCHETT, Tár

ANA DE ARMAS, Blonde

ANDREA RISEBOROUGH, To Leslie

*MICHELLE WILLIAMS, The Fabelmans

*MICHELLE YEOH, Everything Everywhere All at Once

I’m pulling for Michelle, either one, though Yeoh a little more. Blanchett is always excellent. BTW, I thought the investigation of Riseborough’s campaign was a nothing burger.

Conversely, the suggestion that Danielle Deadwyler (Till) and Viola Davis (The Woman King) were subjected to misogynoir is credible. In any case, Riseborough’s surprise nom almost certainly came at the expense of Deadwyler, which Riseborough does not discount.

Sustenation

ACTOR IN A SUPPORTING ROLE

*BRENDAN GLEESON, The Banshees of Inisherin

BRIAN TYREE HENRY, Causeway

*JUDD HIRSCH, The Fabelmans

*BARRY KEOGHAN, The Banshees of Inisherin

*KE HUY QUAN, Everything Everywhere All at Once

Supporting roles are so varied. Hirsch came in for filming a few days, but Gleeson shows up throughout. Yet Ke Huy Quan will, and should win.

ACTRESS IN A SUPPORTING ROLE

*ANGELA BASSETT, Black Panther: Wakanda Forever

*HONG CHAU, The Whale

*KERRY CONDON, The Banshees of Inisherin

*JAMIE LEE CURTIS, Everything Everywhere All at Once

*STEPHANIE HSU, Everything Everywhere All at Once

I saw all of the performances in this category! And I like them all. Bassett has… presence. Hong Chau was the window to the outside world. Condon was the glue that allowed for communication between the two men. This is Curtis’ first nomination after 40 years in the business. If I had to pick one, it would be Hsu, a worthy antagonist.

Scribes

WRITING (ADAPTED SCREENPLAY)

*ALL QUIET ON THE WESTERN FRONT, Screenplay – Edward Berger, Lesley Paterson & Ian Stokell

GLASS ONION: A KNIVES OUT MYSTERY, Written by Rian Johnson

*LIVING, Written by Kazuo Ishiguro

TOP GUN: MAVERICK, Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie; Story by Peter Craig and Justin Marks

*WOMEN TALKING, Screenplay by Sarah Polley

Women Talking, though I wish I’d seen the new Knives Out.

WRITING (ORIGINAL SCREENPLAY)

*THE BANSHEES OF INISHERIN, Written by Martin McDonagh

*EVERYTHING EVERYWHERE ALL AT ONCE, Written by Daniel Kwan & Daniel Scheinert

*THE FABELMANS, Written by Steven Spielberg & Tony Kushner

*TÁR, Written by Todd Field

TRIANGLE OF SADNESS, Written by Ruben Östlund

EEAAO by the Daniels, though TÁR was interesting.

Action!

DIRECTING

*THE BANSHEES OF INISHERIN, Martin McDonagh

*EVERYTHING EVERYWHERE ALL AT ONCE, Daniel Kwan and Daniel Scheinert

*THE FABELMANS, Steven Spielberg

*TÁR, Todd Field

TRIANGLE OF SADNESS, Ruben Östlund

Any of the ones I saw I’d consider, though I’m leaning slightly toward Field.

Other Categories

I saw only one of the animated features, Puss In Boots: The Last Wish, which I liked a lot.

Cinematography: I saw three of the five, ALL QUIET ON THE WESTERN FRONT, ELVIS, and TÁR. I thought the former’s war motif was most striking.

Of the three films I saw in the Costume Design category, EEAAO blew me away, though BLACK PANTHER: WAKANDA FOREVER was very impressive, and ELVIS wasn’t shabby.

For film editing, EEAAO doesn’t work without great skill in this area. ALL QUIET is the only International Film I saw, though THE QUIET GIRL is coming to the area. Makeup and hairstyling: THE WHALE is in a strong category; I did not see THE BATMAN.

Musical score: BANSHEES; I didn’t see BABYLON. Production design: the four I saw were all good, but the second AVATAR is mesmerizing; ditto for its Visual Effects. Sound: ALL QUIET.

I’ll deal with the shorts in a separate post. I have seen none of the documentary features.