Music Throwback: We Are the World

I didn’t buy the single which was #1 for four weeks on the pop charts and two weeks on the soul charts.

This being the birthdays of both Ray Charles (b. 1930) and Bruce Springsteen (b. 1949), the song We Are the World came to mind. Both singers had significant solos on the track.

Let’s back up. Back in 1983-1985, there was a terrible famine in Ethiopia. In reaction to the television reports, Bob Geldof (Boomtown Rats) and Midge Ure (Ultravox, Thin Lizzy) wrote Do They Know It’s Christmas? in 1984. “It was first recorded in a single day on 25 November 1984 by Band Aid, a supergroup put together by Geldof and Ure and consisting mainly of the biggest British and Irish musical acts at the time.” It was re-recorded three times: in 1989, 2004, and 2014 for various charities.

American singer Harry Belafonte thought that if a bunch of Brits could do this, what could Americans do? Initially thinking of a benefit concert, Belafonte was convinced by “Ken Kragen, who managed an impressive roster of talent, that they could raise more money and make a bigger impact with an original song; Belafonte agreed…”

From Rolling Stone: “‘Check your egos at the door’ read the sign on the front door of A&M Studios in Los Angeles on the night of January 28th, 1985. Producer Quincy Jones had placed it there because dozens of the nation’s biggest singers were walking through that door, and he had exactly one night to cut a record that would save lives by raising money to help alleviate a famine in Ethiopia.

“The result, USA for Africa’s We Are the World, was released… on March 7th, 1985, written by Michael Jackson and Lionel Richie. By all accounts, some people, especially the rockers, didn’t particularly like the song. But it was Springsteen who refused to undermine the process and kept that faction in check.

Here are the lyrics, with indicators of the soloists.

The success of the Band Aid and USA for Africa singles led to benefit concerts such as Live Aid, also in 1985 and the various Farm Aid concerts.

I didn’t buy the single which was #1 for four weeks on the pop charts and two weeks on the soul charts (and #76 on the country charts) and sold four million copies in the US alone. I bought the album, which also sold well, but was lightly regarded.
Listen to:

Do They Know It’s Christmas (1984) here or here

We Are the World here or here (long version)

Queen at Live Aid here

We are the World (2010), for Haiti here

The making of We Are the World here

The subconscious mind of Ask Roger Anything

I need you now to reach into your personal inner sanctums to Ask Roger Anything

Here the blogger writes obliquely around what actually happened. The blogger was given some information about himself. He thought some of it was valid, some not, but since he thought it didn’t really matter in the grander scheme of things, he was willing to let it go.

But the funny thing thing is that, in the middle of the night, a couple days later, the blogger’s subconscious recognized that a good portion of the information was BS and needed a response. And in due course, he wrote one.

That ever happen to you?

And the response was about 2000 words in the blogger’s head, but he wrote fewer than 1000. He couldn’t sleep through the night until he had finished it.

I guess you gotta listen to your subconscious.

So I need you now to reach into your personal inner sanctums to Ask Roger Anything. And you may ask truly anything. I promise to respond, generally within a month.

Now I always say that I will answer your questions to the best of my ability, which ebbs and flows. But maybe you’ll hit on something my subconscious wants to unleash, for good or ill. Who knows unless you ask? Obfuscation on my part, while always an option, hasn’t been all that necessary.

You can leave your questions below or on Facebook or Twitter; for the latter, my name is ersie. Always look for the duck. If you prefer to remain anonymous, that’s fine, but you need to SAY so; you should e-mail me at rogerogreen (AT) gmail (DOT) com, or send me an IM on FB and note that you want to remain unmentioned; otherwise, I’ll assume you want to be cited.

Stephen King turns 70

“If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it.”

Considering I’ve read almost nothing of the writings of Stephen King, and and have watched relatively few of the films based on his work, I nevertheless enjoy his observations about the world.

The first movie I ever saw based on a book of his was The Shining (1980), which I pretty much hated. And it’s because of what happens early on, when the Jack Nicholson character looks crazy pretty much as soon as he’s gotten the keys to the hotel. So the wave of blood in the hall isn’t even scary, it’s comical.

Stand by Me (1986), based on his novella The Body, I loved; a great coming-of-age story. Misery (1990) I Liked a lot, surprisingly given the sudden violence. The Green Mile (1999) I had some problems with, but enjoyed well enough.

The Shawshank Redemption (1994), based on the short story Rita Hayworth and Shawshank Redemption, is one of my favorite films, and that’s true for a lot of people. The fact it was a commercial dud before finding its audience somehow makes the movie more satisfying.

That’s it, out of over 200 writing credits. I saw a little of the remake of The Shining (1997), but not enough to count.

I’ve read various comic book adaptations of the work of Stephen King. None was rendered better than Creepshow by the late Berni Wrightson.

The ONLY book of his I ever read cover to cover was 11-22-63, and I read it in less than a month. I know this because I took the then-newish, 800+ page tome out on a 14-day checkout, and I renewed it only once. But I was not interested enough to watch the 2016 miniseries.

Still, I’m interested in what he thinks on a variety of topics. If I were to read another of his books, it would probably be On Writing: A Memoir of the Craft. Here are some nifty quotes from the book. Possibly my favorite: “If you write (or paint or dance or sculpt or sing, I suppose), someone will try to make you feel lousy about it.”

He also has some things to say about politics which I must admit dovetail with my worldview.

Happy birthday to the King of Horror.

September rambling #2: Len Wein

Congress’ most unapologetic feminist is the junior senator from my state

Share this post if you agree
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Newly-coined portmanteaux:
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Pirate music throwback: We Are Family

Rodgers and Edwards suggested that they write and produce a song for the label’s least established act

The family was going to the movies. I got out of the car and walked a little bit ahead, hoping unsuccessfully to to exchange an old Spectrum Theatre card to get into the entity run by Landmark. They stopped taking them at the end of 2016, alas!

But the Daughter said that I had to wait. She asked, “And do you know why?”

“No”

“Because” – and then she sang “We are family.”

I asked her how she knew it; she’d heard it from some schoolmates. Did she know who sang it? “Sly and the Family Stone?”

“Sister Sledge. But a good guess, actually.”

I’m reminded of the 1979 Pittsburgh Pirates baseball team, who used the song as the team’s theme song that season. It went to #2 pop and #1 r&b on the Billboard charts. It also went to #1 in Canada, and it was Top 6 in the UK, Italy, New Zealand, and Switzerland.

The Pirates had stars such as Willie Stargell, Dave Parker and Bill Madlock. They got to the World Series but were down three games to one in a seven-game series. Then I did something uncharacteristic: I bet a couple dollars on the Pirates in Game 5, which they won. I did likewise for Game 6, in which they were likewise successful. But I chickened out on Game 7, when they won the Series.

From the Wikipedia:

“We Are Family” was the first song that Nile Rodgers and Bernard Edwards wrote for any other act than their own band Chic… Atlantic Records President Jerry L. Greenberg wanted the pair to write and produce for other acts on the label, which Rodgers and Edwards considered far too big and established, e.g., The Rolling Stones, Bette Midler… The pair suggested that they write and produce a song for the label’s least established act, and that if they got them a hit record, then they could take the challenge of writing for a bigger act.

There’s a We Are Family Foundation, which “amplifies the world’s most influential, creative young people who are positively affecting our planet to power their work and ideas forward.”

Listen to We Are Family here or here or here (12″ version)

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