Broadway Archives - Ramblin' with Roger

Broadway: Buena Vista Social Club

Tony winner Natalie Venetia Belcon

My wife and I were in Times Square on August 6 to see if we could get discounted tickets from TKTS. On Wednesdays, the entity opens at 11 a.m. But by the time we arrived at 10:40 a.m., there were at least 150 people in line. Alas. So we expected to be there for a while.

But then one of the employees told us to get out of line. What did we do wrong? Nothing, as it turned out. We were put at the BEGINNING of the line because my wife’s husband was using a cane! They officially promote folks in the military and folks who saw a Broadway show in the previous week.

However, no tickets were available for the Buena Vista Social Club matinee, so we spent the time on another task. (See a subsequent post.)

We got to the Gerald Schoenfeld Theatre on 45th Street at about 6:30 for the 7 pm show. I really wanted to see this show because I had seen a movie in 1999 or 2000. Wim Wenders directed the film about Cuban music, “featuring the musicians who recorded the 1997 album Buena Vista Social Club,” produced by Ry Cooder, which I subsequently acquired and loved.

“Buena Vista Social Club was a musical ensemble primarily made up of Cuban musicians, formed in 1996. They named the group after the members’ club of the same name in Havana’s Buenavista quarter, a popular music venue in the 1940s. To showcase the popular styles of the time, such as son, bolero and danzón, they recruited a dozen veteran musicians, some of whom had been retired for many years.”

The story of the musical picks up the thread of the above narrative, specifically how the 1959 revolution impacted the music scene and the musicians’ lives.

Force of nature

Natalie Venetia Belcon played Omara, who had stopped singing six years earlier. Would she be swayed by an enthusiastic young man, a record producer, to return to the recording studio with a bunch of her old musical colleagues? Or would her painful past sideline her?

“Hailed as a ‘jaw-dropping, soul-stirring must-see’ (The Washington Post), the Tony® and GRAMMY® Award-winning BUENA VISTA SOCIAL CLUB is a journey through music and memory into the beating heart of Havana. A world-class company brings the story of the iconic album to thrilling life in this tale of big dreams, second chances, and music that needs no translation.”

The show won five Tonys, including for Ms. Belcon, and was nominated for six more. Following the narrative between 1959 and 1996 was surprisingly easy.

Honestly, the plot threads in the second act were resolved relatively quickly. But it mattered little, because the opening 20 minutes or so of that act became an extraordinary concert, featuring an unbelievable guitarist, David Oquendo.

My wife said it may have been the best show she had ever seen. She may be correct. A touring show will start on September 12 in Buffalo.

Check out the CBS Sunday Morning story from 2025. Oh, it was announced that no photography was allowed DURING the show; this was taken just BEFORE the show. I understand the set was a great replica of the Havana Club.

Theater: Parade; Maybe Happy Ending

from Atlanta to Seoul

By happenstance, I saw two theatrical productions in three days, Parade and Many Happy Ending.

In February 2024, Proctors Theatre in Schenectady held an event to announce the 2024-25 Broadway schedule for Proctors and Cap Rep in Albany.

When they discussed the musical Parade, which would start its tour at Proctors, an older gentleman on a screen said essentially that it was a sad and depressing story, but it was good. That could not be the “sell” the Proctors’ folks wanted to hear.

The musical won the 2023 Tony Award® for Best Revival of a Musical and was nominated for a Grammy Award® for Best Musical Theater Album.

Katherine Kiessling of the Times Union wrote, “The heart of the show is assigned to Leo and his wife Lucille, played by Max Chernin and Talia Suskauer. The pair is charged with embracing the Franks’ rough edges—his aloofness and her initial desires to cling to her privileged life and flee the hardships of her husband’s trial—and eliciting empathy.”

They are a Jewish couple in the nineteen-teens Atlanta. He’s from Brooklyn, but she’s a native of Georgia. He runs a pencil-making factory. A young female employee is killed, and Leo is suspected.

Variety asked about the 2023 revival: “Will audiences take to a disturbing but captivating musical that deals with racism, antisemitism, and injustice?” Newspapers superimposed on the stage area ensure the audience knows the outcome before the production begins.

It’s very well done and important. While having a downer of an arc, it’s not all depressing, and it was worthwhile. My wife and I attended the January 11 program. It will be touring throughout the country through September 7.

Made in Korea

Two days later, my daughter and I were in Manhattan working on a project. We contacted one of my nieces and her Significant Other. They secured four rush tickets for Maybe Happy Endings at the Belasco Theatre for January 13. The show opened on November 12.

“Inside a one-room apartment in the heart of Seoul, Oliver (Darren Criss, probably best known from Glee) lives a happily quiet life, listening to jazz records and caring for his favorite plant…

“When his fellow Helper-Bot neighbor Claire (Helen J. Shen) asks to borrow his charger, what starts as an awkward encounter leads to a unique friendship, a surprising adventure, and maybe even…love?”

The Will Aronson and Hue Park musical reminds us that “love is never obsolete.” It was delightful, not just because of the storyline, dialogue (“She’s a 5” was particularly funny), songs, and performances, which included lounge singer Gil Brentley (Dez Duron) and James and others (Marcus Choi).

Maybe Happy Ending uses specially made video projections, plus a fantastic physical space. “The musical exists in the relatively constrained spaces of the Helperbot retirement home, but there are also a series of flashbacks to Oliver’s time working with James in his house and Claire’s time working for her owner. Then, when the two robots eventually leave their apartments, there’s an entirely new landscape and horizon to contend with. And all of this takes place in a single unbroken act…”

Technology

Laffrey’s solution was to create a “machine that moved us through this world.” He used a “giant mechanism that encompasses the whole stage and fills it with moving pieces. For most of the show, the audience’s view is comprised of one or two boxes, one for each of the robot’s rooms—those boxes can slide horizontally, meaning there’s occasionally a single room and, more often, two side-by-side. The stage also has a central turntable, upon which some sets (James’ house, for instance) rotate.

“Simultaneously, Laffrey designed four huge black panels trimmed with neon. These panels, which are positioned in front of the stage where a curtain would be, slide up and down and side-to-side in order to act like a camera lens’s iris, opening wide to show the whole stage or narrowing to focus on a single piece of action. It’s a tool that occasionally makes the musical feel more like cinema than theater—the audience is seemingly viewing the play through a giant lens.”

A Korean-language version of Maybe Happy Ending opened in Seoul in 2016, and its English-language premiere was in Atlanta the following year. The show was very enjoyable, though sitting in the fourth row of the balcony, I had difficulty seeing some limited action in front of the stage.

Denzel Washington is 70

Suppose you were to look at the cover of season 1 of the St. Elsewhere DVD. In that case, you might think that Denzel Washington was the big star of the 1982-1988 NBC medical drama about “the lives and work of the staff of St. Eligius Hospital, an old and disrespected Boston teaching hospital.” This would not be correct; it was more of an ensemble cast.

This worked to Denzel’s advantage. Because he wasn’t in every scene, he got to go out and make movies. The only one I saw in that period was Cry Freedom (1987), in which he played the South African patriot Stephen Biko. Even though the story was mostly about his friend, journalist Donald Woods (Kevin Kline), attempting to investigate Biko’s death, Denzel is compelling. He was the NAACP Image Award winner as Outstanding Lead Actor in a Motion Picture. I bought the soundtrack: The Funeral (September 25, 1987).

Glory (1989) – His Oscar and Golden Globe-winning performance in a supporting role. The James Horner soundtrack, which I own, can be listened to here. It won a Grammy.

Mississippi Masala 1991. NAACP Image Award as Outstanding Lead Actor in a Motion Picture

Formerly Malcolm Little

Malcolm X (1992) -He was nominated for Best Actor in a Leading Role. But he won various other awards. I have this soundtrack too. Listen to Someday We’ll All Be Free – Aretha Franklin.

The Pelican Brief (1993) – Denzel was nominated for an MTV award as Most Desirable Male

Philadelphia (1993) – Tom Hanks said working with Washington on the movie was like “going to film school.” Hanks said he learned more about acting by watching Denzel than anyone else. I have this soundtrack as well. Here’s the final scene with the Neil Young title song.

Crimson Tide (1995) Denzel won another NAACP Image Award as Outstanding Lead Actor in a Motion Picture.

Devil in a Blue Dress (1996) – I saw this at Page Hall at the SUNY Albany downtown campus. Walter Mosley, author of the book and co-writer of the script, was supposed to be present but he could not make it.

The Preacher’s Wife (1996)—with Whitney Houston. I’m sure I saw this on TV, but I don’t particularly recall it.

The Hurricane (1999), in which he plays boxer Rubin Carter. He won the Golden Globe for Best Performance by an Actor in a Motion Picture – Drama but lost the Best Actor Oscar. Once again, he won the NAACP Image Award as Outstanding Actor in a Motion Picture

Remember The Titans (2000) – not only did Denzel win the Image Award again, but the film was deemed Outstanding Motion Picture. This I saw on TV as well, but I remember it quite well.

Best Actor Oscar

I did not see Training Day (2001), for which he won the Oscar for Best Actor in a Leading Role, the first black man to do so since Sidney Poitier did so for Lilies of the Field. Denzel was also the winner of the Golden Globe for Best Performance by an Actor in a Motion Picture – Drama and the NAACP Image Award as Outstanding Actor in a Motion Picture

I did see the following films:

Manchurian Candidate (2004) – I STILL need to see the original

Unstoppable (2010) – in case you don’t remember this one: “With an unmanned, half-mile-long freight train barreling toward a city, a veteran engineer and a young conductor race against the clock to prevent a catastrophe.” It’s entertaining.

Flight (2012) Denzel was nominated for an Oscar for Best Performance by an Actor in a Leading Role, as well as other awards

August Wilson

Fences (2016) – the film was nominated for four Academy Awards, including Best Picture (Todd, Black, Scott Rudin, and Denzel); Best Performance by an Actor in a Leading Role (Denzel); and Best Adapted Screenplay (August Wilson, posthumously). Viola Davis won for Best Performance by an Actress in a Supporting Role

Denzel played the same role on Broadway for about two and half months in 2010. It was nominated for seven Tonys and won three: Best Revival of a Play (Produced by Carole Shorenstein Hays and Scott Rudin), Best Actor in a Play (Denzel Washington), and Best Actress in a Play (Viola Davis).

Fences was one of six Broadway productions in which he appeared. He will be in Othello in 2025.

Denzel is committed to producing all ten of August Wilson’s plays for film. He’s already produced Ma Rainey’s Black Bottom (2020) and The Piano Lesson (2024).

His life

Of course, he’s more than his performances. Check out this 2017 interview.

Here are a couple of paragraphs from Wikipedia:. “On June 25, 1983, Washington married Pauletta Pearson, whom he met on the set of his first screen work, the television film Wilma. They have four children: John David (born July 28, 1984), also an actor and a former football player; Katia (born November 27, 1986), who graduated from Yale University with a Bachelor of Arts in 2010; and twins Olivia and Malcolm (born April 10, 1991). Malcolm graduated from the University of Pennsylvania with a degree in film studies, and Olivia played a role in Lee Daniels’s film The Butler. Malcolm made his directorial debut with The Piano Lesson, with Denzel producing and John David starring in it. In 1995, Washington and his wife renewed their wedding vows in South Africa with Desmond Tutu officiating…

“Washington has served as the national spokesman for Boys & Girls Clubs of America since 1993 and has appeared in public service announcements and awareness campaigns for the organization. In addition, he has served as a board member for Boys & Girls Clubs of America since 1995. Due to his philanthropic work with the Boys & Girls Club, PS 17X, a New York City Elementary School decided to officially name their school after Washington.”

In 2022, he received the Presidential Medal of Freedom. 2024 also marks ten years of Denzel’s sobriety. He was baptized just this month and was given a minister’s license by the church.

S. Epatha Merkerson is 70

Isaac Hawkins Hall

The actor S. Epatha Merkerson played Lieutenant Anita Van Buren in 390 episodes of the long-running procedural Law and Order, from 1993 to 2010. I thought she was very credible in playing someone who had to deal with some added burdens in the workplace. She talked about the wigs she wore for the show.

I got the sense that Alex Trebek was a big fan of hers when she appeared on Celebrity JEOPARDY in 1999.

But she’s done a lot more. Epatha was nominated for two Tony Awards. She was up for Best Actress In A Play in 2008 for Come Back, Little Sheba, and Best Featured Actress In A Play in 1990 for The Piano Lesson.

I did not know that she was Reba in 16 episodes of Pee-wee’s Playhouse, primarily because I never watched the show. Currently, she plays Sharon Goodwin on Chicago Med, a program I’ve watched exactly once.

Georgetown

What I did see her in was the Freedom Tales episode of Finding Your Roots with Henry Louis Gates, Jr., which first aired on February 5, 2019. It reran early in 2022.

One of the most significant findings was that an ancestor of Epatha, Patrick Hawkins, was one of 272 people enslaved by the Jesuit priests of what is now Georgetown University who were sold to two planters in Louisiana in 1838. Money was tight for the educational institution. There’s a pretty good Wikipedia page on the subject.

WETA, the PBS station in DC hosted a screening and discussion of the episode. here’s a five-minute clip. Also, read Sister Melannie Svoboda’s blog.

“Despite her success, Merkerson recounted how she had ‘always wanted to know’ where her family came from. When she asked her grandmother to tell her about their ancestors, her grandmother responded, ‘It’s painful. You don’t need to hear any of this.'” This is not an unusual response.

“The ‘inventory’ compiled by the Jesuits for the sale listed the name of every slave. On the list were five of Patrick Hawkins’ relatives, his wife Letty, his son Peter, and his father Isaac. Georgetown recently renamed the Former Jesuit Residence after Isaac Hawkins following student protests over its original name that honored one of the Jesuits involved in the sale.

“Brought to tears, Merkerson responded, ‘They have names…they have names. They’re not just faceless people.'”

Reunion

At the end of the episode, S. Epatha Merkerson attended a reunion of the GU272 Descendants Association. “GU272 is dedicated to preserving the memory, commemorating the lives, and restoring the honor of the GU272 enslaved people sold by the Maryland Province Jesuits in 1838 and those who were enslaved before, during, and after the sale by the Society of Jesus. As Descendants, we commit to reconciling our ancestors’ enslavement, reconnecting families, and renewing ties lost.”

Epatha said on the Finding Your Roots episode that maybe she’ll be able to take courses at Georgetown. Implicit was that she should be able to take them for free.

Angela Lansbury: stage, screen, TV icon

The Manchurian Candidate

When I was crashing at my parents’ house in Charlotte, NC, in the spring of 1977, I went to the downtown library to watch the 1944 version of the movie Gaslight. It starred Charles Boyer, Ingrid Bergman, and Joseph Cotten. In her film debut, 19-year-old Angela Lansbury, as the young maid Nancy, received a best-supporting actress Oscar nomination. (Some folks did not know the meaning of gaslighting in 2013.)

In 2018, my family went to the cinema to see Mary Poppins Returns. In her antepenultimate film, she had a cameo at the end as the Balloon Lady. Her final film appearance was Glass Onion: A Knives Out Mystery, in which she played Angela Lansbury.

Her greatest film role was as the mother of a would-be assassin in The Manchurian Candidate (1962). Casey Seiler of the Albany Times Union newspaper says she was “absolutely perfect” in “one of the few paranoid political thrillers that haven’t been outstripped by reality.” Here are just three minutes.

One of my favorite parts, though, is her voicing Mrs. Potts in Beauty and the Beast (1991). Here’s Tale As Old As Time.

She received an honorary Oscar in 2013 for her career as “an entertainment icon who has created some of cinema’s most memorable characters, inspiring generations of actors.”

Cabot Cove, Maine

Of course, the performer was best known as Jessica Fletcher, novelist and an amateur sleuth in Murder, She Wrote. She appeared for a dozen seasons (1984-1996) plus four TV movies between 1997 and 2003. She received an Emmy nomination for best actress in a drama series for every season, yet never won.

As The Hollywood Reporter noted, the program was “a huge ratings hit on Sunday nights following 60 Minutes. Both CBS shows appealed to intelligent, older viewers, and Lansbury was the rare woman in the history of television to carry her own series… ‘Nobody in this town watches Murder, She Wrote,’ Lansbury, referring to the TV industry, said in 1991. ‘Only the public watches.’

“The show was ranked in the top 13 in the Nielsen ratings (and as high as No. 4) on Sundays in its first 11 seasons but plummeted to No. 58 when CBS moved it to Thursdays in 1995-96 against NBC’s then-powerful lineup. The series finale, quite appropriately, was titled ‘Death by Demographics.'”

LA Times quotes her: “What appealed to me about Jessica Fletcher is that I could do what I do best and [play someone I have had] little chance to play — a sincere, down-to-earth woman. Mostly, I’ve played very spectacular bitches. Jessica has extreme sincerity, compassion, extraordinary intuition. I’m not like her. My imagination runs riot. I’m not a pragmatist. Jessica is.”

I freely admit to watching the program regularly. Maybe, as one critic noted, it was an opportunity to try to solve the crime with, or maybe before, the author.

Theater!

As the Los Angeles Times noted, “It was her deep roots in the theater, and the many Tony Awards that followed that won the hearts of theatergoers and critics, who were often rhapsodic in their praise…

“Critic Rex Reed declared that she brought ‘the Broadway stage about as close to an MGM musical as the Broadway stage is likely to get,’ according to the 1996 biography ‘Angela Lansbury.’

“Her charismatic performance as the eccentric title character in a 1966 production of Mame vaulted her to Broadway superstardom and resulted in the first of her four Tonys for best actress in a musical.

“At 83, she tied the record for most Tony Awards won for acting when she received a fifth for portraying a medium in the 2009 revival of ‘Blithe Spirit. (Audra McDonald set a new record in 2014 when she won her sixth.)”

I saw the TV movie Sweeney Todd: The Demon Barber of Fleet Street in 1982, which was quite compelling. Her Broadway performances were undoubtedly even greater.

Here are Hollywood notables paying tribute to Angela Lansbury, plus A Critic’s Appreciation by David Rooney.