Rock Hall QUESTION

I saw the film Afterglow on Presidents Day weekend of 1998, and Somewhere by Tom Waits was particularly affecting.


“Neil Diamond and Alice Cooper are among the musicians who will be inducted into the Rock and Roll Hall of Fame in 2011. Tom Waits, Darlene Love, and Dr. John will also join the class of 2011… Other honorees will include Jac Holzman, Leon Russell, and Art Rupe.”

Those nominees who were not chosen for induction this year were Bon Jovi, the Beastie Boys, LL Cool J. Laura Nyro, Joe Tex, Chic, Donovan, J. Geils Band, Donna Summer, and Chuck Willis.

And I remember in the early days of the Rock Hall, which I visited in May of 1998 – they had tributes to recently deceased Carls, Wilson, and Perkins – that I was actually excited who got in. And now it’s, “Meh.”

Whereas I still care about the Baseball Hall of Fame, and to a lesser degree, the Football Hall of Fame. (I need to get to Canton someday.)

Maybe it’s because the notion of “merit” in the rock hall seems even fuzzier; it’s not strictly commercial appeal, for certain. One can argue the inclusion or exclusion of sports figures in their respective halls. But the music selections seem more arbitrary.

What do you think? And what is your favorite song by the inductees, if any? Here are mine:
Alice Cooper-School’s Out
Neil Diamond- Thank the Lord for the Night Time
Dr. John- Right Place, Wrong Time
Darlene Love- Christmas (Baby, Please Come Home)
Leon Russell- Roll Over, Beethoven
Tom Waits- Somewhere [From West Side Story], used as the outro to the 1997 movie Afterglow; I saw that film on Presidents Day weekend of 1998, and the song was particularly affecting.

Anniversary

“I may be a headache, but never a bore.”


My parents were married on March 12, 1950, in Binghamton, NY. I always found that very convenient to remember; I would often say that I was their early third-anniversary present.

When their 50th anniversary was coming up – in 2000 (easy math!) – my sisters and I were trying to plan a surprise party at my parents’ church in Charlotte, NC. The only trouble was that there was an occasional conflict with the date, which was a Sunday. It turns out that my father was ALSO planning a surprise anniversary party at the church, for my mother. Once we were apprised of that fact, we gave up trying to surprise them both and concentrated on her.

So my sister flew in from San Diego, and my parents-in-law, my wife and I drove down from upstate New York, staying at a local hotel. My father did most of the decorations of the room at the church. my father needed to rest more often than he did just months before when he was primarily in charge of decorating the church for Carol’s and my wedding in May of 1999.

The family did meet before that Sunday morning; I suspect my mother figured something was up even before that. But we managed to keep her away from the decorated room.


During the service itself, much to my surprise, and definitely to my mother’s, there was a renewal of my parents’ wedding vows. (Whether my father knew, I was never able to ascertain.) I’m positive that when the pastor brought her up and ask her whether she’d marry him all over again, she did think about it for a few seconds before saying, “Yes.” Undoubtedly, what ran through her mind is a quote she attributed to my father, which I heard him say once or twice, but which she repeated regularly: “I may be a headache, but never a bore.”

After the church service, we had a lovely party, and we kids DID manage to surprise both of them with a video of some still photos, put together with music. Interestingly, we never got a family photo taken, as we had in 1995 and in 1990, maybe because the process was too fraught with drama – a tale for another time. In any case, that was my parents’ last anniversary together – until now, if you believe in an afterlife – because my father died on August 10 of that year from prostate cancer.

This is what their joint headstone reads:
Leslie Harold Green
9-26-1926 8-10-2000
(Military Info…)
Les
Renaissance Man

Gertrude Elizabeth Green
11-17-1927 2-2-2011
Trudy
Wind Beneath Our Wings

Black History Month

As an introit, they did a staggeringly magnificent staggering arrangement of Don McLean’s Babylon.

Back in December (or maybe mid-November), I had called a meeting for people at my church interested in working on Black History Month to come to a meeting; no one came. So decided just to do it (largely) myself.

One of the pastors had recommended this series A History of Racism in the United States from an entity called the Thoughtful Christian way back in May of last year, and it looked OK to jumpstart a discussion.

The Adult Education Committee, which I’m on, decided to try an experiment with two different offerings in January. On January 30, it would be my BHM part 1 v. the last piece of a study of the gospel of Mark. People wanted to do both, but ultimately, Mark won out and I had three or four people. My ego wasn’t affected, of course. Of course, it wasn’t. My ego wasn’t affected. Yeah, right. Still, it was an interesting discussion.

It was fortunate that February 6 would be a joint FOCUS service, albeit at our church, so there would be no adult ed programming. So, since I knew I’d be going down to Charlotte, I asked someone, Annette from the choir by name, to get some folks to bring in some artifacts for a display, and she/they did.

February 13, I was scheduled to lead class #2 about racism. I had come back from Charlotte only a couple of days before and the wife, the daughter, and I were still all EXHAUSTED. Somehow, did adult ed while Lydia did Sunday school, then we all went out to eat.

I had secured the speaker for February 20, who sent me an URGENT message that I needed to meet with him the Thursday before that Sunday at 6 pm. So I did, and he decided he wanted me to “interview” him for the Adult Ed class he was leading.

The drag was that, since I was with him on Thursday evening, I couldn’t be at choir that night. Thursday evening has a particular ritual that I’ve been enjoying of late. I take the bus from work to downtown, buy and eat a gyro, go to the library and look at the books for sale, then go on one of the computers and work on my blog for an hour, the only practically guaranteed blogging window I have each week. Then I go to choir. Interrupting the ritual, while ultimately useful, and arguably necessary – face-to-face DOES work better than e-mail – it really, as they used to say “harshed my mellow.”

The morning of the 20th, the speaker, Donald Hyman, was great in the sermon at the 8:30 service, the 9:30 bit on Fredrick Douglass, and again at the 10:45 service’s sermon, which was somewhat different.

There is this presentation of something called the kente cloth each year, and there had been folks lobbying me that a certain older member of the congregation gets one as well. I don’t generally pick the person, but I might have forwarded these e-mails to the folks who do, had I not been…distracted by the month’s events. The cloths were presented to Donald and to the choir director, Michael Lister.

Now, because I missed both Thursday night rehearsal AND Sunday morning rehearsal, I couldn’t sing in the choir; just didn’t know the music. It’s always strange for me to be in the congregation when the choir is singing. As an introit, they did a staggeringly magnificent arrangement of Don McLean’s Babylon, which I had talked about with Michael before I went to Charlotte. It’s based on Psalm 137, one of Donald’s suggested texts; the music was one of the most beautiful things I had ever heard in my life. Later, the choir did a version of Wade in the Water, with a guest soloist from the College of Saint Rose; Donald said the group compared favorably with the Fisk Jubilee Singers; I had the strong sense that most of the congregation didn’t know who the Fisk Jubilee Singers are. The offertory was some song I did not know. But it had lyrics about “my mother going home to glory” and I sobbed.

February 25, I had ordered a cake, and folks, including my wife, cooked. Again I led Adult Education. I also sang, and I was fine until the recessional, which was Lift Every Voice and Sing. It must be that I associate it with my home church, or maybe it’s the part about ancestors, and I have no direct living forebearers. In any case, my voice cracked. Afterward, I just wept uncontrollably.

Since Lent is so late this year, on March 6, I led the fourth segment of the workshop.

This particular BHM was PARTICULARLY draining. And I’m not going even get into the conversations about race and racism, except to say this: I’m now convinced more than ever that the discussion about race in America is NOT finished.

Book Review: Where Did Our Love Go?

Georgia slave owner Jim Gordy had a son named Berry (b. 1854) by his slave Esther Johnson.


One of the strategic things I did on my train ride to Charlotte (and back) is that I did not bring any electronic items – no headphones and music, no laptop, except, necessarily, my cellphone. What I did bring were three books.

The first one I read, actually by the time I reached Washington, DC, was Where Did Our Love Go? – The Rise and Fall of the Motown Sound by Nelson George, which I purchased at a library sale. I should say that I’m a big fan of George, who has written about American black music (r&b, soul, hip hop, rap) for a number of years. Back when I had a subscription to Billboard magazine, he was a writer there. I even supported his recent Kickstarter project, Brooklyn Boheme: Fort Greene/Clinton Hill Artists Documentary.

The fact that the book was a tad disappointing may not be George’s fault. The reason I wasn’t as engaged as I might have been is that I had heard most of the narrative – about Berry Gordy writing music for Jackie Wilson, utilizing his family in the business, future stars serving as office workers or, in the case of Marvin Gaye, as a session drummer, the power of the songwriters to lay the same tracks on several artists, the ultimate push for more autonomy by Gaye and Stevie Wonder, and Gordy’s special relation with Diana Ross – before, quite possibly in articles written by Nelson George. So it wasn’t new, though it was complete and well written.

What WAS new for me was the ancestry of Berry Gordy. Georgia slave owner Jim Gordy had a son named Berry (b. 1854) by his slave Esther Johnson. Berry married Lucy Hellum, a woman of black and Indian heritage, who conceived 23 times; nine children survived, including another Berry, born in 1888. He married teacher Bertha Ida Fuller, and in 1929, they had Berry, one of the youngest of their seven children. These first two chapters about race in America were largely new to me, and, therefore, quite fascinating.

The book I recommend to people who know less about Motown than I do, which, immodestly, I suggest is most people.

Beatles Island Songs 53-44

When the Beatles held the top five songs on the Billboard charts on April 4, 1964, Can’t Buy Me Love was #1, the third Beatles #1 in a row, after I Want To Hold Your Hand and She Loves You.


JEOPARDY! answers (questions at the end)

TV HISTORY $600: The British invaded this show in 1964 as the Beatles appeared on Feb. 9 & the Rolling Stones on Oct. 25
DON’T QUIT YOUR DAY JOB $400: He quit as the Beatles’ bass player to become a painter in 1961
POP MUSIC $200: Feedback was first used in pop music in this Beatles song.
20th CENTURY HISTORY $200: A book by Jim O’Donnell chronicles July 6, 1957, the day these 2 Beatles first met
’60s ROCK $100: Bob Dylan & Dion were the only 2 other rock singers on the cover of this 1967 Beatles album
***
John Lennon and Jesus, 4 March 1966

Beatles Sons: Their musical histories and careers(Can you name the five Beatles sons?)
***
The rules of engagement

53 It’s Only Love from Help! (UK), Rubber Soul (US). This Lennon piece is the first song on the second side of the US Rubber Soul album, and I always hear it as such.  The repackaging by the American producers caused so much confusion among US listeners that, years later, there were two box sets of four CDs each of the Capitol Records the way we Americans first heard them; Rubber Soul was the last disc on the latter collection.
52 Magical Mystery Tour from Magical Mystery Tour. The McCartney song serves the same function as the title song to Sgt. Pepper; it’s ranked higher because it’s more realized as a song, rather than a snippet. Also appreciate the changing beat.
51 We Can Work It Out from A-side of single (UK), Yesterday and Today (US). The optimistic McCartney juxtaposed with the more plaintive Lennon middle 8 (“life is very short”). Great Stevie Wonder cover of this, BTW.
50 I’m Looking Through You from Rubber Soul. I always liked Ringo on the organ of this McCartney song.
49 I Saw Her Standing There from Please Please Me (UK), Introducing the Beatles/Meet the Beatles. The count in, the handclaps. McCartney, with Lennon.
48 Can’t Buy Me Love from A Hard Day’s Night (UK, US), Hey Jude album (US). When the Beatles held the top five songs on the Billboard charts on April 4, 1964, this McCartney classic was #1, the third Beatles #1 in a row, after I Want To Hold Your Hand and She Loves You.
47 Penny Lane from Magical Mystery Tour. I remember watching the videos for this McCartney song and Strawberry Fields Forever on a show called Where The Action Is, one of those Dick Clark shows on ABC. When it was rebroadcast, inexplicably at 8 a.m., I (cough) realized that (cough) I just wasn’t (cough, cough) feeling well enough to go to school that day.
46 Strawberry Fields Forever from Magical Mystery Tour. This Lennon song and Penny Lane were among the first prepared for the Sgt. Pepper album, but it was nowhere near ready, so the recordings became a Double A-side single. This was one of the songs that fueled the Paul is dead craze, when John says, “cranberry sauce,” but was heard as “I buried Paul.”
45 Nowhere Man from Rubber Soul (UK), Yesterday and Today (US). A most personally relatable Lennon song at the time.
44 When I’m Sixty-Four from Sgt. Pepper’s Lonely Hearts Club Band. Yet another McCartney saloon tune, perhaps his earliest one, written when he was a teen, but the best realized. When Macca actually turned 64 in June of 2006, it was fodder in all the papers.

JEOPARDY! questions:
What was The Ed Sullivan Show?
Who was Stuart Sutcliffe?
What was “I Feel Fine”?
Who were John Lennon & Paul McCartney?
What was Sgt. Pepper’s Lonely Hearts Club Band?

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