The Top 100 Canadian Albums, part 2

had a roommate named Mark in the early 1980s who was in desperate need of money. So I bought about 50 albums off him at $2 a pop; at least five of them were Bruce Cockburn LPs.


Continuing with the book The Top 100 Canadian Albums by Bob Mersereau. Not only did I own a fair number of these albums, but many of them also played a significant part in my life, often in a relationship with my significant other (S.O.) at the time.

41.Not Fragile, Bachman-Turner Overdrive (1974)
42.The Best of the Guess Who, The Guess Who (1971) – One of the very few singles – i.e, 45s – I ever bought was Laughing b/w Undun. And then I really got into the group when it started with his heavier sound. And they endeared me forever when the group was invited to sing at the Nixon White House, but requested, apparently by Pat Nixon, not to sing American Woman. But the most intriguing song on the album was one I did not know previously, Hang On to Your Life whose lyrics end with stark spoken text from Psalm 22:
They gaped upon me with their mouths, as a ravening and a roaring lion.
I am poured out like water, and all my bones are out of joint:
my heart is like wax; it is melted in the midst of my bowels.
My strength is dried up like a potsherd, and my tongue cleaveth to my
jaws; and thou hast brought me into the dust of death.

Didn’t quite know what to make of it, but, in my period of questioning my whole belief system at the time, it was quite significant to me.
43.Let it Die, Feist (2004)
44.The Last Waltz, The Band (1978) – Always made me a little sad, this soundtrack of the end of the band. Though they would re-form in part, it was never the same.
45.Night Train, Oscar Peterson Trio (1963) – my father was really into Oscar Peterson, a black jazz pianist. I never knew he was Canadian until I read the book.
46.Down at the Khyber, Joel Plaskett Emergency (2001)
47.Harvest Moon, Neil Young (1992) – The title track was “our song” for the S.O. and me. Remember dancing around the living room to the video. Still makes me cry. And there are other great songs here, such From Hank to Hendrix and One of These Days. Actually, I enjoy this album more than Harvest.
48.Cuts Like a Knife, Bryan Adams (1983)
49.L’Heptade, Harmonium (1976)
50.Teenage Head, Teenage Head (1979)
51.High Class in Borrowed Shoes, Max Webster (1977)
52.Hejira, Joni Mitchell (1976) – Joni getting all jazzy. I was still with her, too, but it didn’t sound like her old stuff, and her fan base was peeved.
53.Bach: The Goldberg Variations, Glenn Gould (1955 and 1982) – I got this only about a decade ago, after I was told, “You MUST own this record.” So I do. But I’m not all that familiar with the 1982 iteration, except what I know from a recent PBS-TV special about Gould’s life.
54.Fogarty’s Cove, Stan Rogers (1977)
55.Wheatfield Soul, The Guess Who (1968) – #2 on the coolest title list.
56.Si on avait besoin d’une cinquième saison, Harmonium (1974)- the author notes that a lot of the French-language albums appeared on the list between #101 and #125.
57.Dancing in the Dragon’s Jaws, Bruce Cockburn (1979) – I had a roommate named Mark in the early 1980s who was in desperate need of money. So I bought about 50 albums off him at $2 a pop; at least five of them were Bruce Cockburn LPs. As the author of the book noted, 13 different Cockburn albums got votes, but this is the only one that reached the top 100. It probably made it because it has the hit, Wondering Where the Lions Are. #9 on the coolest title list.
58.Frantic City, Teenage Head (1980)
59.Hymns of the 49th Parallel, k.d. lang (2004) – A wonderful concept: lang performing the songs of her fellow Canadians, including Neil Young, Leonard Cohen, Joni Mitchell, and Bruce Cockburn. Here’s Cohen’s Hallelujah.
60.Hot Shots, Trooper (1979)
61.Robbie Robertson, Robbie Robertson (1987) – My good friend in the record business told me this story. She was trying to promote this album to a radio station manager. She says, “It’s Robbie Robertson from The Band, you know The Last Waltz.” No recognition. “Used to back Dylan.” He’d heard of Dylan, but it was still a tough sell. The problem was that he was only about 24 and only knew the music that came out the previous 8-10 years. Very sad commentary on the state of commercial radio at the time. Great album, especially American Roulette.
62.The Trinity Session, Cowboy Junkies (1988) – A well-crafted mix of new and cover songs, such as Lou Reed’s Sweet Jane. I do have to be in the mood to listen to it; otherwise, it’ll put me to sleep.
63.Ron Sexsmith, Ron Sexsmith (1995)
64.Nothingface, Voivod (1989)
65.Come on Over, Shania Twain (1997)
66.Everything I Long For, Hayden (1995)
67.Outskirts, Blue Rodeo (1987)
68.Joyful Rebellion, k-os (2004)
69.Sit Down Young Stranger/If You Could Read My Mind, Gordon Lightfoot (1970)
70.Love Junk, Pursuit of Happiness (1988)
71.Jaune, Jean-Pierre Ferland (1970)
72.Somewhere Outside, The Ugly Ducklings (1966)
73.Electric Jewels, April Wine (1973)
74.Sundown, Gordon Lightfoot (1973) – when some of my friends got rid of their vinyl, they offered them up to me. This is one of them.
75.Left and Leaving, The Weakerthans (2000)
76.Clumsy, Our Lady Peace (1997)
77.Harmonium, Harmonium (1974)
78.Share the Land, The Guess Who (1970)
79.Greatest Hits, Ian & Sylvia (1970)
80.Steppenwolf, Steppenwolf (1968) – First and best Steppenwolf album. Not only does it have Born to Be Wild and The Pusher, but it also contains my favorite political rant, The Ostrich. I discussed this album more fully here.
81.Ladies of the Canyon, Joni Mitchell (1970) – When I was preparing to be in a production of Boys in the Band in Binghamton in 1975, I went to a party with most of the cast. Someone played Side 1 of the LP, and when it was over, another cast member declared it to be “boring,” an assessment I did not share; I mean it has the beautiful For Free on it. Still, I think playing side 2 first might have been more strategic, since it included, in order, Big Yellow Taxi, Woodstock, and The Circle Game.
82.Bud the Spud and Other Favourites, Stompin’ Tom Connors (1969)
83.Shine a Light, The Constantines (2003)
84.Shakespeare My Butt, The Lowest of the Low (1991) – #2 on funniest album title list.
85.Clayton Park, Thrush Hermit (1999)
86.Smeared, Sloan (1992)
87.Living Under June, Jann Arden (1994)
88.The Hissing of Summer Lawns, Joni Mitchell (1975) – This was the transitional album between the commercial Court and Spark and the jazzy Hejira. I was visiting my friend Jon and his S.O. Debby. She was a big fan of Joni but was very disappointed in this album. I said, “Well, then give it to me. I like it.” I think my enthusiasm for her made her keep it to give it another chance. The first song, In France They Kiss on Main Street, might have fit on the previous album. But the next song, The Jungle Line, heavy with African drums – here’s just a snippet – would definitely not. #4 on the coolest album title list.
89.Bad Manors, Crowbar (1971)
90.Official Music, King Biscuit Boy with Crowbar (1970)
91.Lightfoot!, Gordon Lightfoot (1966)
92.Mad Mad World, Tom Cochrane (1991)
93.Rufus Wainwright, Rufus Wainwright (1998)
94.Face to the Gale, Ron Hynes (1997)
95.Hobo’s Taunt, Willie P. Bennett (1977)
96.Cowboyography, Ian Tyson (1986) – #1 on coolest album title list.
97.Favourite Colours, The Sadies (2004)
98.The Way I Feel, Gordon Lightfoot (1967)
99.A Farewell to Kings, Rush (1977)
100.We Were Born in a Flame, Sam Roberts (2004)

 

The Lydster, Part 86: Homework

I wrote a letter to the teacher pointing out the ambiguities, and hoping the students wouldn’t be marked as wrong when when grading the assignment.

As I’ve noted, I tend to be the one who works on the homework with the Daughter. She even had an assignment during the week off from school for Passover/Easter. Only 7 of the 24 students actually did the assignment, and Lydia was the ONLY one to color it, as requested, albeit on a Monday morning she was returning to class.

On the weekly homework, there are 10 spelling words to copy plus a bonus word. She’s quite good at this; I don’t think she’s gotten worse than a 95 on her weekly test. The homework also includes writing sentences and some math.

Occasionally, I find the exercises with the graphics to be a bit obtuse, but never more so than earlier this month.
The exercise:

“When y is at the end of a word, it can stand for the long sound of I as in dry, or the long sound of e, as in pony. Say each picture name. Circle long E or long I to show the sound of y in each picture name.”
You may not be able to see the graphic clearly, but I was having difficulty discerning what was being asked for:
2. city or sky?
5. cry or baby?
6. why (that’s a REALLY subtle concept for a first grader)
8. sunny or sky?
9. shy or boy (shy is REALLY subtle here)
10. heavy? (pry is the answer, again not a concept my daughter knew)
15. cloudy or sky?


And the next page
4. sleepy or yawn?
So I wrote a letter to the teacher pointing out the ambiguities and hoping the students wouldn’t be marked as wrong when grading the assignment.

That very evening, I got a note back from the teacher, in which she, working 1-to-1 with another student on the homework “realized the difficulty and confusion with this worksheet page.” She promised to remove the assignment for next year’s homework, and that the Daughter wouldn’t be penalized for any errors.

I think it’s very comforting that her teacher, who I’ve met with a couple of times, was so responsive.

I got nothing. Well, except…

Interview of me in Monday’s (Albany, NY) Times Union

I’m just getting back in town from our annual work conference. The Internet connection was not the fastest in te world, let’s just say.

But hey, you can read this interview of me in Monday’s (Albany, NY) Times-Union. Or you can read my intro to last week’s ABC Wednesday blog.

Somebody asked me about whether I had any insight re: last week’s “end of the world” pronouncement. The answer is no. But I am totally mystifed why this particular blowhard got such play; I just don’t get it. At least the December 2012 Mayan thing, I’d been hearing about for a while; the coverage of this one caught me by surprise, given his previous (lack of) success with such projections. I never mentioned the recent declaration in this, or any other blog, previously because I had nothing to add.

That said, I appreciated the insight of a buddy of mine, who e-mailed, “In a twisted sort of way, the Rapture flap reminds me of this episode of The Twilight Zone. “

(Photos courtesy of the TU)

Bob Dylan is 70

Feel as though I should come up with a list of my Top 10 Dylan songs done by Dylan himself. This is harder than it might seem because, often, someone else’s version tops his, in my mind.


A couple books (that I have not read) have come out about Bob Dylan recently, Sean Wilentz’s “Bob Dylan in America,” and “Bob Dylan by Greil Marcus, Writings 1968-2010” by Greil Marcus. Dylan will turn 70 today, which also, I read in Jon Friedman’s Media Web column for MarketWatch.com, marks “the 50th anniversary of his arrival in New York City’s Greenwich Village folk scene. He was a star when John F. Kennedy was our president.”

I’ve been writing a bit about him already this year, from a reinterpretation of his lyrics to cover versions of his songs.

But I feel as though I should come up with a list of my Top 10 Dylan songs done by Dylan himself. This is harder than it might seem because, often, someone else’s version tops his, in my mind. I actually like his “Blowin’ in the Wind”, but it’ll always be a Peter, Paul and Mary song; ditto the Byrds’ “Mr. Tambourine Man,” Willie Nelson doing “What Was It You Wanted”, even Joan Baez’s “Simple Twist of Fate”, and any number of others.

Links to the best videos I could find:
10. The Groom’s Still Waiting At The Altar – obviously from Bob’s overtly Christian period, I think I liked it as much because of its relative rarity – it was a non-album B-side of a single before it showed up in collections and the CD version of Shot of Love – as for that fascinating “church as bride” imagery. Not a great recording, I know.
9. Subterranean Homesick Blues – and I might like this more for the classic flashcard video than the song itself.
8. Hurricane – Bob was political from his early days, but this return to that issue, specifically addressing the trumped-up murder charges against Ruben ‘Hurricane’ Carter moved me.
7. Ballad Of A Thin Man – I’ll be honest: when I first heard Yer Blues on the Beatles’ white album, I had NO idea about the reference to “Dylan’s Mr. Jones”. Finally hearing it gave me a greater appreciation.
6. Summer Days – as I have noted, the Love and Theft album came out on September 11, 2001, but though I’d pre-ordered and purchased it, I didn’t listen to it until several days later. And when I did, it gave me such joy. No song more than this one.
5. Stuck Inside A Mobile With A Memphis Blues Again – I was initially attracted to the sheer length of the title, as well as the song’s merits. Couldn’t find a decent version online; this is the 2:22 intro from the movie about Dylan, “I Am Not There”
4. Highway 61 Revisited – if only for the dialogue between God and Abraham, it’d be worth it. This is a cartoon video someone put together.
3. Like A Rolling Stone – it’s anthemic. Love the Al Kooper organ.
2. I Want You – the very first Dylan song I ever owned, not from a Dylan album or single but from a Columbia compilation album The Best of ’66.
1. Rainy Day Women No. 12 & 35 – from that Salvation Army intro to “everybody must get stoned”. Can’t resist.
***
The entire Highway 61 Revisited album.

S is for Songs from the classics

This swing version of the Lizst rhapsody was a major influence on several aspiring arrangers, including Billy Strayhorn and Billy May.


When I was 11 or 12, I took piano lessons for a little over a year. I wasn’t very good, though I did practice. I will say that it was useful for singing. My piano teacher was Mrs. Hamlin, the organist at my church at the time, who was like family; her parents were my godparents, and her sister’s son was my parents’ godson.

One day, I was laboriously trying to play the Bach Minuet in G, which, incidentally, I had danced to in second grade. Mrs. Hamlin said, “It’s like A Lover’s Concerto by the Toys.” At that very moment, I had no idea what she was talking about, though, of course, now I do.

Actually, I first owned A Lover’s Concerto as a cover version by the Supremes on their I Hear A Symphony album, which also contained their version of Stranger in Paradise from the 1953 musical Kismet, which poached Alexander Borodin’s Polovtsian Dances from Prince Igor.

As it turns out, there are a LOT of pop songs that are based on classical music. Some are very obvious, such as Nut Rocker by B. Bumble and the Stingers, based on Tchaikovsky’s “March of the Wooden Soldiers” from The Nutcracker, or a couple songs from the Saturday Night Fever soundtrack, A Fifth of Beethoven by Walter Murphy, and Night on Disco Mountain by David Shire, the latter based on Mussorgsky.

Others may be more subtle. The J. S. Bach piece O Sacred Head, Now Wounded could be the musical inspiration for American Tune by Paul Simon.

Here’s a lengthy list of songs from the classics, which, of course, are in the public domain, and, as such, are not subject to copyright restrictions. This list is slightly shorter but is more in-depth. There are a half dozen songs here, but there are samples of each version.

The one example I found on no list was The Hungarian Rhapsody #2 by Liszt (heard here) which “was also the basis for a popular song, ‘Ebony Rhapsody’ by Sam Coslow and Arthur Johnston, introduced in the 1934 film Murder at the Vanities. In the film, it was played by Duke Ellington and his Orchestra, who also recorded it. This swing version of the rhapsody was a major influence on several aspiring arrangers, including Billy Strayhorn (who later became Duke Ellington’s composing partner) and Billy May (who later recorded ‘Ebony Rhapsody’ with Nat King Cole).

ABC Wednesday – Round 8

Ramblin' with Roger
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