Ramblin' with Roger

Meal Blessing QUESTION

We now sing grace to the Nestles chocolate commercial.

With families getting together for the holidays, I was wondering:
Does your family do a blessing for the holiday meal? Is it a corporate blessing (i.e., rote) or is it free form? Is there a designated pray-er?

It’s interesting that even in my more…secular days, there was always a blessing at Thanksgiving and usually at Christmas. One girlfriend always evoked the memory of John F. Kennedy, who died around Thanksgiving in 1963.

When my wife’s family is together, the designee is usually my mother-in-law. When the Greens are together, it’s usually my sister Leslie. But in other situations, it’s devolved to me. I remember that at a work function in 2002 in New York City, there was a clergyperson who was supposed to offer the invocation, but he didn’t show, and I got pressed into service.

Growing up, the corporate prayer at daily dinner was:
Heavenly Parent, thank you for this food we’re about to receive for the nourishment of our bodies. In Christ’s name, Amen.
But somewhere in the mid-1960s, my father changed Christ’s to His, trying to respect other faiths.

My wife’s family’s corporate prayer is:
Bless this food to our use, and us to thy service, and keep us ever mindful of the needs of others. Amen.

Our corporate prayer was:
God is great, God is good. Let us thank you for our food.

However, recently, the Daughter discovered this one, which we now use:
A-B-C-D-E-F-G. Thank you, Lord, for feeding me. Amen.
However, she did it to the tune of the Alphabet Song, which wouldn’t do. Instead, we now sing it to the Nestles chocolate commercial.

I remember Bob Feller.

I saw only a handful of Blake Edward films, “10”, one of the “Pink Panther” comedies, and collaboration with his wife, Julie Andrews, “Victor/Victoria,” but sad to see him pass.

Steve Bissette Tackles the Hate Movies

The late Gail Fisher, who is best know for playing Peggy Fair on the detective series Mannix, starred in The New Girl, and it also featured Edward Asner.

Not only is my good buddy Steve Bissette a great comic book artist, he is a cultural historian. First, he linked to a booklet created by Steve Canyon artist Milton Caniff on How to Spot Someone of Japanese Descent, but the terminology used was less appropriate.

Then he put together a series on posts on what he calls Hate Movies:

1. The horrific anti-Japanese propaganda “documentaries” during and after WW2, and well into the early 1960s

2. The 1960s exploitation movies that played upon racist fears of miscegenation, black-and-white sexual relations, and so on (from which I purloined the image to the left).
Discussion of movie titles such as I Passed for White and My Baby Is Black.

3. How to Deal with Racial Conflict Head-On & Fail at the Boxoffice, Whatever Your Race – the harder to summarize, confrontational race conflict dramas of the 1960s.
Features a six-minute clip of a pre-Star Trek William Shatner in the title role as The Intruder, plus a discussion of the film by Shatner and director Roger Corman. Also a discussion of actor Sidney Poitier and writer LeRoi Jones/Amiri Baraka.

3 APPENDIX. What Happened to The Intruder?
Mike Ripps’ versions of Bayou aka Poor White Trash (trailer) and Roger Corman’s The Intruder under the title Shame (the whole thing).

4. Turning Up the Heat: Bill, Juan, & Leroi, Then & Today Or, What Do You Call Angry Anti-Hate Hate Movies? Whatever You Call Them, Don’t Call Them Late for Supper!
LeRoi Jones’s Dutchman (1966), which will feature in the next eight segments. The Negro Handbook and the Negro Motorist Green Book; and is there anti-white xenophobia? Also featuring FOX News and the firing of Juan Williams from NPR.

The series was briefly interrupted as explained HERE.

5. Subversion on the Subway. LeRoi Jones/Amiri Imamu Baraka’s Dutchman and Jones’ wife Hettie Jones.

6. Lula’s Roots: Little Sisters, Passing Pinkies, Poor White Trash. Antecedents of Dutchman’s Lulu in such diverse fare as D.W. Griffith’s Birth of a Nation (1915), Fritz Lang and Thea Von Harbou’s Metropolis (1927), Elia Kazan’s Pinky (1949), Douglas Sirk’s Imitation of Life (1959), Robert Mulligan’s To Kill a Mockingbird (1962), and Norman Jewison’s In the Heat of the Night (1967).
I was most fascinated by “Lewis Freeman’s government-produced educational short film The New Girl (1959), produced for the President’s Committee on Government Contracts, created by Republican President Dwight D. Eisenhower in August, 1953 and …chaired by none other than Vice-President Richard M. Nixon.” The late Gail Fisher, who is best know for playing more-than-just-a-secretary Peggy Fair on the detective series Mannix, starred, and it also featured Edward Asner. Steve linked to it, but I thought I would as well:
PART 1 and PART 2.

7. On a Downtown Train…Cashing Out Clay. More on Dutchman, plus Amiri Imamu poetry.

8. From Lula to Lulu: Making Manhattan in London – Underground, Overseas. Dutchman and the Beatles films link; Black Like Me; To Sir With Love; and an episode of The Outer Limits.

9. Bring Out Your Dead…”The Jones Boys”: Carrying Clay. Clay, the black male character in Dutchman, as he relates to the music of Charles Mingus, and the assassinations of Malcolm X, Martin Luther King and Fred Hampton.

10. Going Continental: Continental Divides. The distribution of Dutchman by Walter Reade/Sterling, which also was responsible for Lord of the Flies, Black Like Me, Ghidrah, Night of the Living Dead, Dr. Who and the Daleks, and Slaves.

11. Dutchman: Contemporaries, Ripples & Shockwaves. Masculin, Féminin; The Brig; Marat/Sade; very early Brian DePalma films such as Hi, Mom!; Be Black; and Paradise Now, which Steve rightly suggests is an antecedent to to the Broadway musical Hair.

12. Uncle Toms, Watermelon Men, Sweet Sweetback & Mandingos. “Being a potpourri of images, quotes, and links that relate to, summarize and/or surround the essay installments I’ve posted to date…” Including the “blaxplotation” films of the early 1970s, such as Watermelon Man (1970). the brutal Fight For Your Life (1977), and the pivotal Melvin van Peebles work, Sweet Sweetback’s Baadasssss Song (1971).

EPILOGUE: White Trash, Blaxploitation, Hate Movies & Continental Blues. Or; Final Look at What I Was Talking About All Month
A summary, but mentions a Leadbelly movie I need to know more about.

It’s fair to say that there is a LOT of material here, and the blogposts are a first draft of a project Steve is working on. As he then noted, the postings “prompted deeper research into some venues, and I’m expanding and considerably revising a print version of this essay for publication later this year in one of my collected editions of my fanzine/magazine/online writings on genre films.” Also, at the end of each segment, he writes, “Please note: I do not condone or share the views expressed in the archival images presented in this serialized essay at Myrant. I share them here for historical, educational, and entertainment purposes only.”

I’m Walkin’, Renee

Officer Bobby Hill on Hill Street Blues should not to be confused with the kid on the animated program King of the Hill.

Walk Away Renee was clearly the biggest hit for a New York City band called The Left Banke. The lead singer is named Steve Martin, but it’s not the noted comedian. The song reached #5 on the Billboard charts in 1966, made the Rock & Roll Hall of Fame list and is #220 on the Rolling Stone top 500 list. Listen to it HERE.

It was covered by the legendary Motown group The Four Tops, with the great lead singer Levi Stubbs. The recording went to #14 on the pop charts and #15 on the rhythm & blues charts. Listen to it HERE.

When I worked at FantaCo in the 1980s, my boss Tom and I were big fans of the then-current cop drama Hill Street Blues. At one point, Officer Bobby Hill (Michael Warren, pictured) – not to be confused with the kid on the animated program King of the Hill – mentioned liking Walk Away Renee, and said that it came out in 1968. We theorized that this was not an error on the part of the writers, but that Bobby listened to the black radio stations in his youth and was familiar only with the Four Tops version, not the original.
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Love this parody of the New Titan Titans #1 in MAD magazine #507, but I wonder how many of the MAD readers know the 30-year-old comic cover well enough to truly appreciate the takeoff.

Beatles Island Songs, 163-154

Some Beatles fans have fantasized about what the next Beatles album might have sounded like, had the band not broken up in 1970; or if they’d taken a break, then gotten back together.

JEOPARDY! Answer du jour – SPORTS STARS: Born in 1980, this [former] world champion figure skater was named for a Beatles hit. The question is below.

The rules of engagement

163 I’m a Loser from Beatles for Sale (UK), Beatles ’65 (US). Another downer from the Beatlemania period.
162 Something from Abbey Road. A nice, though overplayed song. But I was always a bit peevish about the way Harrison stole the first line from James Taylor when he was signed by Apple.
161 Little Child from With the Beatles (UK), Meet the Beatles (US). Nice little early tune. At some level, the earliest songs, with few exceptions, will fare less well than the middle period work. I didn’t buy Meet the Beatles album until about when Revolver came out, and as I recall, it came from my record club in STEREO when I had a mono player. At the time, these things just did not mix. Eventually, I said, the heck with it and played it anyway, to no discernible harm.
160 Ob-La-Di, Ob-La-Da from the white album. Another Macca dance hall song. Fun enough.
159 Only a Northern Song from Yellow Submarine. My favorite thing about this Harrisong is the title, referring to the company that published Beatles’ songs.
158 Not a Second Time from With the Beatles (UK), Meet the Beatles (US). Really like the bottom of this Lennon song.
157 Honey Don’t from Beatles for Sale (US), Beatles ’65. A nice Ringo vocal on this Carl Perkins song.
156 Cry Baby Cry from the white album. A moody Lennon tune.
155 Anna (Go to Him) from Please Please Me (UK), Introducing the Beatles./The Early Beatles. A nice Lennon cover of the Arthur Alexander song.
154 No Reply from Beatles for Sale (UK), Beatles ’65 (US). Yet another downer. I had a discussion of misheard lyrics re this song with my father at the time.

Some Beatles fans have fantasized about what the next Beatles album might have sounded like, had the band not broken up in 1970; or if they’d taken a break, then gotten back together. I was never one for such idle speculation but here’s one take and here’s another.

Dick Cavett interviews John and Yoko in 1971.
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JEOPARDY Question: Who is Michelle Kwan? (My wife’s all-time favorite skater.)

V is for Victor and Voice

I wonder if she knew about REAL kitsch, and a REALLY big dog.

The story of Nipper is rather interesting, involving struggling artist Francis Barraud, and his by-then deceased dog, which had previously belonged to his brother. The painting was originally called “Dog looking at and listening to a Phonograph”; only later would it be dubbed “His Master’s VOICE”. Through a series of transactions, as described here, Nipper became the trademark of the VICTOR Talking Machine Company. The original 1900 trademark is shown below.

Ultimately, the logo was on a wealth of RCA Victor records. RCA Victor put out an 80th anniversary series of albums in 1997. The earliest album represented a period when “Victor was the leading jazz label.” But I associate RCA V with classical music, often played by the RCA Victor Symphony Orchestra. RCA Victor was always a technological pioneer, experimenting with 33 1/3 RPM as far back as 1934, and introducing the 45 RPM in 1949.

When a Long Island photographer recently described a local Nipper as “a big kitschy dog”, I wonder if she knew about REAL kitsch and a REALLY big dog:

From Wikipedia: “A huge, four-ton Nipper can be seen on the roof of the old RTA (former RCA distributor) building on Broadway in Albany, New York.” It is likely the largest extant Nipper in the world, though the Baltimore Nipper DOES include “a gramophone for Nipper to listen to.” More details about Albany’s Nipper, a local landmark that I see every weekday on my way to work, can be found here.

Local musician Greg Haymes, a/k/a Sarge Blotto from the legendary Albany band Blotto, has a blog with Sara Ayers called Nippertown, where they run down the current happenings in and around New York State’s capital city. And guess what appears in the logo?

ABC Wednesday – Round 7