F is for February

Amethyst, the February birthstone

Generally, when I do one of these ABC Wednesday things, I want to convey info that either I don’t think the reader knows, information *I* don’t know (or have forgotten), or possibly both. So what about February conveys that? certainly not Valentine’s Day. Black History Month is too broad. So after even more filtering, I came up with these questions.

What, or who, is February named for? I know that September-December are designated by the 7th through 10th prefixes. July and August are named for the Caesars Julius and Augustus. January, March, May and June come from various Roman and Greek gods, Janus, Mars, Maia, and Juno, respectively. April has something to do with the word open, possibly the same root as Oster/Easter, and/or for a variation on the goddess Aphrodite.

But what of February? The Wikipedia notes: February was named after the Latin term februum, which means purification, via the purification ritual Februa held on February 15 in the old Roman calendar.

OK. So why is it poor February that gets to be 28 days some years and 29 on others? This is something I used to know: February used to be the last month, and so would be the month that would be lengthened or shortened to make the calendar work out. “January and February were the last two months to be added to the Roman calendar, since the Romans originally considered winter a monthless period.”

Did you know that the year 1900 was not a leap year and that 2100, 2200 and 2300 will NOT be leap years?
“In the Gregorian calendar, the calendar used by most modern countries, the following three criteria determine which years will be leap years:
1. Every year that is evenly divisible by four is a leap year;
2. of those years, if it can be evenly divided by 100, it is NOT a leap year, unless
3. the year is evenly divisible by 400. Then it is a leap year.”
So, all of you who will be around in the year 2100, remember that. Expect many misprinted calendars and confused computers.

Why the heck is February so often mispronounced Febuary? The answer: “Although the variant pronunciation (fĕb’yū-ĕr’ē) is often censured because it doesn’t reflect the spelling of the word, it is quite common in educated speech and is generally considered acceptable. [It IS?] The loss of the first r in this pronunciation can be accounted for by the phonological process known as dissimilation, by which similar sounds in a word tend to become less similar. In the case of February, the loss of the first r is also owing to the influence of January, which has only one r.” Other examples given: “beserk” for berserk, “supprise” for surprise, “paticular” for particular, and “govenor” for governor. But they left out the most important examples: “libary” for library, and “libarian” for librarian.

A pop song about when “the music died”, of course, is American Pie, which has this lovely couplet:
“But February made me shiver With every paper I’d deliver.”

Here’s the poem February by Margaret Atwood, which ends: “Get rid of death. Celebrate increase. Make it be spring.” Amen to THAT!

ROG

February Ramblin’

cartoon from www.weblogcartoons.com

Cartoon by Dave Walker. Find more cartoons you can freely re-use on your blog at We Blog Cartoons.

Roger Ebert’s Last Words, con’t, commenting on the Esquire article (linked) and photo of him. “Resentment is allowing someone to live rent-free in a room in your head.”

How the Somaly Mam Foundation is trying to help end human trafficking

Wayne John tells about the time when a Burger King employee threw a double cheeseburger at him. Lousy aim, too.

Gordon reveals Dymowski and DeNiro – together.

Lady Gaga or Johnny Weir? “Can you tell the difference between the pop princess’ outrageous outfits and the Olympic skating star’s flamboyant costumes without seeing their poker faces?” You Olympics watchers who see figure skating only once every four years have no idea…

Springsteen covers.

And SamuraiFrog has three recent pieces worthy of mention, about Kermit the Frog and friend,Christina Hendricks – no, I’ve never seen Mad Men, either – and a particular Super Bowl ad which also annoyed me. (Should note that, on the latter two pieces, his language is coarser than mine.)

This next section is graphic.

Western New York Legacy web site, www.wnylegacy.org, is freely available online, and contains thousands of digital images, documents, letters, maps, books, slides, and other items reflecting the rich cultural heritage of Western New York

Print & Photographs (P&P) online catalog: Some photos copyright free (and some not).

Rose DesRochers – World Outside my Window: Free Cartoons for Your Blog, two examples of which appear in this very post.



Courtesy of Past Expiry Cartoon



ROG

Movie music QUESTION

It’s no secret that my favorite movie music is from West Side Story. I’m also quite fond of Fiddler on the Roof. But it occurred to me: these are Broadway musicals adapted for the screen. What do I like the best that’s MOVIE music?

Difficult question. But, excluding the Beatles – I’ve recently seen again A Hard Day’s Night and Help! – here are some examples:

This is the famous Germans bomb Pearl Harbor speech by John Belushi from Animal House. But try to listen to it without the dramatic music of Elmer Bernstein, and I think it falls flat. In fact, throughout the film, Bernstein, who’s probably best known for the score for The Magnificent Seven (a/k/a the Marlboro theme), has all sorts of flourishes in this movie, giving the dopiest action a counterpoint.

Quality of Mercy by Michelle Shocked from Dead Man Walking. I THINK this was written for the film (though this performance is not), as opposed to what the compilers of the music of, say, Easy Rider, called “found music”, existing songs put on a soundtrack.

Forrest Gump, BTW, is the worst example of that trend; it’s not that the songs are bad, only that they’re obvious. California Dreamin’ by the Mamas & the Papas, Mrs. Robinson by Simon & Garfunkel, For What It’s worth by Buffalo Springfield, and Get Together by the Youngbloods? I mean, I already own all of those songs; not everyone does, but some Time-Life collection might have been a better venue.

Ridin’ the Rails by k.d. lang and Take 6 from Dick Tracy, a movie I never saw. I’m a sucker for trains, and songs about trains.

The Funeral from Cry Freedom. This is a bit of a cheat. The bulk of the song is the anthem Nkosi Sikeleli Africa (God Bless Africa). But it is the most stirring version I know, taking place after South African activist Stephen Biko’s death. (It starts at 2:25 on the video.)

But the movie music I have the greatest, perhaps irrational attachment for, is from the film The Night They Raided Minsky’s, which I saw with my friend Carol and her friend Judy when I was 15 in 1968. I had a mad crush, unstated, for Judy. The film was rated M, a precursor for PG. Because I have the soundtrack, I can admit that though I haven’t seen the film in 40 years, I know this song, and others in the movie, by heart:
TAKE TEN TERRIFIC GIRLS (But Only Nine Costumes)
I have a secret recipe
Concocted with much skill
And once you’ve tried my special dish
You’ll never get your fill

Take ten terrific girls
But only nine costumes
And you’re cooking up something grand

Mix in some amber lights
And elegant scenery
Then stir in a fine jazz band

Then add some funny men
And pepper with laughter
It’s tart and tasty I know

Then serve it piping hot
And what have you got?
A burlesque show!
Music: Charles Strouse Lyrics: Lee Adams

What movie music moves YOU?

ROG

Theater Review: Spring Awakening

Lust. Domestic violence. Sex. Abortion. Questioning authority. Suicide. Rape. All of these are elements of the book Spring Awakening, written by German writer Frank Wedekind in the early ’90s. The 1890s. This may explain why the book was banned in Germany and in English-speaking countries for decades.

Most, though not all, of those same elements, plus a large dollop of indie-rock written by Steven Sater and Duncan Sheik, appear in the 2007 Tony winner for Best Musical, Spring Awakening, playing at Proctors Theatre in Schenectady February 16-21.

The wife’s Valentine’s Day present for us was a pair of tickets to the opening night this past Tuesday. Really, all we knew of the show was what we saw on the Tonys, and that was almost three years ago.

So we got a babysitter and hoofed it over a few blocks to Central Avenue in Albany to catch the bus to Schenectady. We had gotten 5.3″ of snow that day, the most the city had received in 2010. For the record, CDTA got us there (and back) quite adequately, thank you.

Before the show begins, I am awed by the set. There is no curtain so it’s just there. You can see snippets of it in the Tony performance, but it hardly does it justice. Bleachers are both stage left (two rows) and stage right (three rows) and people are already sitting out there when the principles come onto the stage to sit with them. So the excellent, eclectic band is likewise on the stage from the beginning, everything from keyboards and drums to a cello? But it works.

As for the technical aspects of the performance, I was also wowed by the choreography. Not just dance per se, but how the players moved about the stage, passing off or getting microphones. The lighting was also first rate.

The first three songs advanced the story quite well, high energy and great entertainment value. Yet the core action at the end of the first act, which involved a couple of the aforementioned elements felt, for want of a better word, stagy.

Somehow, the second act redeemed it for us, with the best song in show, the tune that got the biggest audience reaction, and the one that my dear wife says we all feel now and then, Totally F***ed (I’m serious here: NSFW or for sensitive ears, big time.)

If you see it, and you should, then it will help to know that two people play all the adult roles; in the production we saw, both actors appeared in various episodes of the Law & Order franchise, which is no surprise. Spring Awakening is ultimately “a cross-generational phenomenon that continues to transcend age and cultural barriers,” as the promos suggest, and I am thinking that a greater knowledge of the plot will help the novice theater goer appreciate it more.

Something I didn’t know until recently: Lea Michele, who plays the annoying but talented Rachel on the TV show Glee, was the lead in the Broadway production of Spring Awakening.

And now the musical will become a movie. Not sure just how that’ll play. I can’t really imagine it, but then I couldn’t fathom MAS*H being a weekly television series, either.

A review of the Wednesday’s performance suggested a small-than-expected crowd. We felt the same way about Tuesday’s performance, but I had attributed the smallish crowd to the weather. I theorize that, despite its awards, it’s pretty much an unknown commodity, relatively speaking; I mean, it’s not South Pacific.

ROG

Smokey is 70!


If William “Smokey” Robinson was known just for the songs he performed, he would be a memorable artist. But the fact that he has written over 400 songs, according to ASCAP, and probably hundreds more and is a producer as well, then you have a musical force.

The first song released by his group the Miracles was Got A Job, a response song to Get a Job by by the Silhouettes, written by Smokey, Berry Gordy and Roquel Davis.

Here are just a other few songs written or co-written by Smokey. The group listed usually is NOT the only artist who’s performed the tune:

You’ve Really Got A Hold On Me- the Beatles; also performed by the Miracles
My Girl-the Temptations
My Guy -Mary Wells; anyone who could write My Girl AND My Guy is the consummate songwriter
No More Tearstained Makeup – Martha & the Vandellas; a relatively obscure song with one of my favorite lines: No sponge has the power To absorb the shower Of what pancake and powder couldn’t cover
Who’s Loving You – Jackson 5ive. From the 1st J5 album, a cover of the Miracles tune. Isn’t Michael preturnaturally experienced in love in this tune?
Ain’t That Peculiar – Marvin Gaye
Tears of a Clown -the (English) Beat. But it was from the Miracles’ version that I first heard of Pagliachi, which led me to find out that the reference was to a Leoncavallo opera.
Don’t Mess with Bill – Marvellettes
The Hunter Gets Captured by the Game-Grace Jones, covering the Marvelettes’ tune
Get Ready -Rare Earth, a song I first heard from the Temptations
No More Water In The Well – the Temptations, with a relatively rare Paul Williams lead vocal, from arguably my favorite Temps LP, With A Lot O’ Soul, 1967.
Still Water (Peace) – Four Tops
Floy Joy – the Supremes

I suppose I should do a couple more Smokey songs. I pick the oft-covered Tracks of My Tears and I Second That Emotion.

So, happy 70th birthday to Rock and Roll Hall of Fame and Songwriters’ Hall of Fame inductee, as well as 2006 Kennedy Center honoree, Smokey Robinson!

1993 photo of Smokey from LIFE magazine, for non-commercial use

ROG

Ramblin' with Roger
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