The Sunday Funnies: The Black Comic Book Pt. 4

More on The Colored Negro Black Comic Book by Sid Jacobson and Ernie Colon.

Note: in the comic strip tradition all the words in the strip are in capitals, but for readability, I’ve deigned to write in standard English. Also the words that are in bold in the strip are in red in this text.

“Raisins”, a 4-page takeoff on “Peanuts”

Page l:
(A kid who looks like Charlie Brown makes one-handed catch off batter. Another kid and Snoopy in background. Ball hits glove: Boff!

Page 2, Panel 1:
(Kid catches sinking liner.) Ball hits glove: Biff!
Page 2, Panel 2:
(Kid leaves his feet to make another grab.) Ball hits glove: Waff!

Page 3, Panel 1:
Lucy in catcher’s gear walks to kid.
Kid: ?
Page 3, Panel 2:
Lucy (gear to the side) starts pulling off mask.
Kid: !

Page 4:

I tried not to show the punch lines in these tales, but this one pretty much required it.

Of course, this tackles the old (but ongoing) conversation about the supposed superior talents of black athletes. I think it’s funny because of Charlie Brown’s reputation as a less than stellar player, thus the juxtaposition is even sharper.

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“Black Jack”, a 4 page response to “Prince Valiant”

Page 1

Page 2, Panel 1
Scene: Busy- with people on horses, wounded on the ground.
Narrative: The crows watcheth in perspirement as the Black Jack destroyeth 7 of the greatest swordsmen, 125 of the greatest lancers and 4 of the greatest stick-ball players on the block.
Page 2, Panel 2
Scene: Men in shock, or stabbed, or clubbed. Sweetpea (from “Popeye”) looking on in disbelief.
Narrative: Like one, the women throw flowers, their veils and lo, their very selves at the feet of the conquering hero – one, in fact, throweth her husband.

Page 3:
Scene: Montage of folks. Below that, graffiti: BJ +KA (within a heart); EC SJ; Gawain wears panty-hose
Narrative: “Sh!: sayeth a mighty count – “‘Tis the Black Jack!” A gasp graspeth the crowd, the word hitteth them like a blackjack!

Page 4:
Scene: About a dozen attractive women, and a drooling Olive Oyl(?!) from “Popeye” surround the hero. In the left of the picture, a man in a turban, with an N on it.
Narrative: As the most noble and beauteous women in the land carry the Black Jack off on their shoulders, the men feel crushedeth by the utter humiliation – It taketh the wise and noble, Noble the Wise to sayeth: “At least he isn’t Jewith.”
Next week, =Sammy Davith – the one-eyed Jack!”

What can I say? Dopey schtick “comedy” that probably wasn’t funny then.

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“Big Eboner”, a 4 page response to “Li’l Abner”

Page 1:
Enober runs past two dull-looking yokels, with Daisy in hot pursuit.
Daisy: Ya-hoo!!

Page 2:

Page 3:
(You see the feet of the yokels, obviously knocked over by Daisy)
Daisy: Out o’ mah way! Yo’ is mahn, mahn, mahn!

Page 4:
With Daisy and Eboner in silhoutte in the background, she’s chasing with hearts over her head; yokels are sitting in a creek.
One yokel: Yo’ notice how them black @*O#*!# run after the blondest, most-beautifullest, white-skinned female they can find!!

Clearly, the issue of racial intermixing has been highly charged in this country for generations. If it is modestly less charged in the past three and a half decades, it still is an issue for people, black and white, believe me.

One Question: What is fact and what is truth?


I was watching CBS Sunday Morning this weekend and saw Rosanne Cash being interviewed. She was talking about her new, acclaimed album, Black Cadillac, that I really want to get. The interviewer, Russ Mitchell, indicated that it must have been a difficult album to write and record. She indicated that it was easier because the words rhymed, which somehow put them more at arm’s length. She indicated that the record, inspired by the deaths of her mother, Vivian, her father Johnny, and her stepmother, June Carter, wasn’t about them, but was a reflection of what she felt about them. “If I say, Russ, this is how I felt about…” that would have been tough for her. She made the distinction between what is fact (i.e., factually accurate) and what is truth (the essence.)

So, that’s my question: in works of art, when does it matter that it is fact versus that it’s truth? Should James Frey be chastized because some of the facts aren’t accurate, if there is “truth” in A Million Little Pieces?
How about biopics? Surely, characters are blended, timelines altered. When does it matter? Some believe that Denzel Washington lost an Oscar for The Hurricane because of factual errors in the script. The basketball film Glory Road has been Disneyfied; the team didn’t get all of its black playerrs in one season, nor did Texas western win in coach Haskins’ first season, in my view, unnecessary distortions of the story.
For documentaries, does one stage events because they’re “emotionally true”, as I heard happened in Grizzly Man?
Historical biographies: one doesn’t know the real dialogue. I remember this distinctly from reading and especially watching Roots.

I’d love your feedback: when does truth trump facts in the arts?
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And speaking of facts and the arts, didn’t ABC News erred Wednesday? They were reporting on how the Oscar nominations had incited the Christian right, and mentioned Brokeback Mountain (and considered, even by the Christian right, to be well-made, which, a representative said, was the problem), Capote, and Transamerica. The first two are “gay-themed”, but I thought Transamerica (which I haven’t seen yet) was about gender identification.

D-Man


I started working at the NYS SBDC in October 1992. In the spring of 1993, we had a couple interns. One was a guy I’d met at library school. In the fall of 1993, he started working full-time as a librarian.
For four years, we shared an office together. This meant, among other things, finding music that was mutually acceptable. I learned what he disliked. We ended up broadening each other’s musical repertoire. I’m not sure who first brought in Lyle Lovett, but I’m fairly sure that I turned him on to post-“Pet Sounds” Beach Boys.
We went through organizational ups and downs, and we’re still there, the 2nd and 3rd (or 4th) longest-tenured folks in the organization.
Today marks D-Man’s 40th birthday. I know he doesn’t know why it’s worth such a big fuss. Sorry, guy, but it is. Oh, yeah, congrats on the engagement.

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And happy belated birthday, JD. Oops.

The Super Bowled


A few years ago, my female friend DD invited Carol and me over to her house. Don’t know why; she never showed any interest in football before, but OK, she asked, we went. She talked across me during the game to Carol. Not about football, or even how dumb they thought football was, or the commercials, but about what they would likely have talked about anyway. Most bizarre.

I’m rooting for the Steelers on Sunday, and it’s because of the 3 B’s: the Bus, Ben, and Bill. The Bus is running back Jerome Bettis, coming back to his hometown of Detroit for probably his last season. Ben is quarterback Roethlisberger, second year quarterback who practically promised the Bus this opportunity when the Steelers were eliminated from the playoffs last season by the Patriots. But mostly I like head coach Bill Cowher who has managed to outlast some seven or eight dozen coaches since being hired a decade and a half ago, a tribute to Steeler management as much as to Cowher.

I have nothing againt the Seahawks. They were the team I figured would win the NFC, and the team I rooted for in that conference once the Giants got shellacked (a function of a too mouthy DE). In fact, I don’t really KNOW the Seahawks. Their coach, Mike Holmgren, is the person I know most well, and only because of his success with the Packers. Yes, I know running back Shaun Alexander was MVP, but he got relatively little press before this season.

So, I think Seattle will win, but I’m rooting for the east coast team.

TV Shorts


Friend Fred is saving up episodes of “24”. Fred, avoid the TV Guide letters on page 17 of next week’s issue. On the other hand, the Chloe story on page 44 gives little away.
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My best to the ABC News co-anchor, Bob Woodruff, and cameraman Doug Vogt, who were injured in Iraq this past weekend. ABC News was my broadcast of choice, so seeing co-anchor Elizabeth Vargas in on Sunday, scrapping the planned reports in favor of stories about IEDs, med evacs and about Bob and Doug, referring to them by first name, was very touching. I found out at church that Woodruff’s wife used to attend the church I’m attending now some years ago, a fact that I had not known.
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Cheers to FOX for showing the last four episodes of “Arrested Development”.
Jeers to FOX for running them a week from Friday, head to head with opening ceremonies of the Winter Olympics. All I can say is: Thank goodness for the DVR. I probably won’t watch the opening ceremonies, but someone in my household probably will.

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EDIT Fred HAS seen the first 4 episodes of “24”, so he knows that X and Y have died. Good.
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The reply button to the previous post for today isn’t working, and I don’t know why. If you want to post responses on THIS post to THAT piece, assuming it doesn’t magically rectify itself, feel free.

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