Best Movies of the Century (NYT)

Man of Constant Sorrow

Dan at Now I Know pointed to The Best Movies of the Century, According to the New York Times, and even provided a gift link.

“Between streaming services and superhero blockbusters, the way we watch and think about movies has changed dramatically over the past 25 years. But through that period of upheaval, which films have truly stood the test of time?

“To find out, we embarked on an ambitious new project, polling more than 500 filmmakers, stars, and influential film fans to vote for the 10 best movies (however they chose to define that) released since Jan. 1, 2000. In collaboration with The Upshot, we compiled their responses to create a list of the 100 best movies of the 21st century.”

First off, I did a list like this from a BBC list in 2016, and while there are some similarities, there were significant divergences as well.

Second, I’m not litigating the fact that 2000 is in the 20th century, not the 21st.  The BBC used the same criterion.

If I saw it and wrote about it, I will link to that post.

I will note movies I have NOT seen this way:

DK—I don’t know this film and have never heard of it before, except if it was listed in previous lists.

WS- I’m familiar with the film and would have seen it, but it fell through the cracks, usually during the Oscar rush to see movies in December through February.

FF – There was a fear factor that it would be too violent or otherwise upsetting to watch.

We begin

100 Superbad, Greg Mottola, 2007. WS – maybe it was the marketing that made it feel too frivolous

99 Memories of Murder, Bong Joon Ho, 2005. DK

98 Grizzly Man, Werner Herzog, 2005. WS

97 Gravity, Alfonso Cuarón, 2013. I liked it.

96 Black Panther, Ryan Coogler, 2018. Not only did I love it when I saw it, but I adored it even more when I learned about Afrofuturism

95 The Worst Person In The World, Joachim Trier, 2021. I liked. And she isn’t.

94 Minority Report, Steven Spielberg, 2002. WS

93 Michael Clayton, Tony Gilroy, 2007. WS

92 Gladiator, Ridley Scott, 2000. I just wasn’t that interested.

91 Fish Tank, Andrea Arnold, 2010. DK

90 Frances Ha, Noah Baumbach, 2013. WS

89 Interstellar, Christopher Nolan, 2014. I wrote: ” I thought the third hour was better paced and more interesting than the second, which could have used a 10-minute edit. Bottom line: I’m glad I saw it, I wouldn’t watch it again, and I’m unsure whether to recommend it.”

88 The Gleaners & I, Agnès Varda, 2001. DK. BTW, #99 on the BBC list

Tolkien

87 The Lord of the Rings: The Fellowship of the Ring, Peter Jackson, 2001. I wrote, “I’ve watched…only the first Lord of the Rings movie, and the first Pirates of the Caribbean movie; call me an incompletist.” They were fine, but not enough to see the sequels. At the time (2012), I had only seen one Harry Potter movie, but since then, I’d seen them all. 

86 Past Lives, Celine Song, 2023. I liked it

85 Anchorman: The Legend of Ron Burgundy, Adam McKay, 2004. WS. I think at the time, I wrote it off as silly, based on the trailers.

84 Melancholia, Lars von Trier, 2011. WS. I was disappointed to miss the story about a rogue planet about to collide with Earth, and how that affects people

83 Inside Llewyn Davis, Ethan Coen and Joel Coen, 2013. I got the soundtrack before I saw the movie, which I liked in part.

82 The Act of Killing, Joshua Oppenheimer and Anonymous, 2013. WS/FF. It is fascinating and scary to see the “incredible capacity of the human mind to compartmentalize and rationalize monstrous acts of cruelty toward other people.”

81 Black Swan, Darren Aronofsky, 2010. WS – Given my wife’s interest in dance, I don’t know how we missed this.

80 Volver, Pedro Almodóvar, 2006. It was good; “Almodovar tends to luxuriate over certain parts of the female body on occasion…”

79 The Tree of Life, Terrence Malick, 2011. WS, though I was grasping at what it was supposed to be: it “tries to wrap its arms around all of creation”?

78 Aftersun, Charlotte Wells, 2022. WS

Weird stuff

77 Everything Everywhere All At Once, Daniel Kwan and Daniel Scheinert, 2022. I’m convinced this is MUCH better in the cinema.

76 O Brother, Where Art Thou?, Ethan Coen and Joel Coen, 2000. WS. I have, and LOVE the soundtrack. I did see a chunk of this movie on broadcast television, but not enough to say I WATCHED it. The scene with Man Of Constant Sorrow is a hoot.

75 Amour, Michael Haneke, 2012. Excellent, but somewhat depressing look at aging.

74 The Florida Project, Sean Baker, 2017. Excellent. NOT Disney World.

73 Ratatouille, Brad Bird, 2007. Rodent making food should not work, yet it does.

72 Carol, Todd Haynes, 2015. A good girl-meets-girl in 1950s NYC film.

71 Ocean’s Eleven, Steven Soderbergh, 2001. It just didn’t catch my interest, although I eventually saw Ocean’s Eight and now want to know its origin.

70 Let the Right One In, Tomas Alfredson, 2008. DK

69 Under the Skin, Jonathan Glazer, 2014. DK and it’s a ScarJo film.

Why I go to the movies

68 The Hurt Locker, Kathryn Bigelow, 2009. I wrote here about how I had the Netflix DVD for four months and never watched it.

67 Tár, Todd Field, 2022. Good, but very internal.

66 Spotlight, Tom McCarthy, 2015. Journalism! Those were the days.

65 Oppenheimer, Christopher Nolan, 2023

64 Gone Girl, David Fincher, 2014. I DID see this on broadcast TV. It was pretty good.

63 Little Miss Sunshine, Jonathan Dayton and Valerie Faris, 2006. I liked it a lot.

62 Memento, Christopher Nolan, 2001. WS

61 Kill Bill: Vol. 1, Quentin Tarantino, 2003. FF: ” Never before have shootings, stabbings, beatings, beheadings, disembowelings, amputations, mutilations, gougings, slicings, choppings, and bitings been so much campy fun.” Doesn’t sound like fun.

I’ve got blisters on my fingers!

60 Whiplash, Damien Chazelle, 2014. Good but exhausting.

59 Toni Erdmann, Maren Ade, 2016. DK

58 Uncut Gems, Benny Safdie and Josh Safdie, 2019. WS

57 Best in Show, Christopher Guest, 2000. I love the Christopher Guest films.

56 Punch-Drunk Love, Paul Thomas Anderson, 2002. I recall liking it. It’s shocking since it stars Adam Sandler.

55 Inception, Christopher Nolan, 2010. WS

54 Pan’s Labyrinth, Guillermo del Toro, 2006. WS/FF – I was on the fence.

53 Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan, Larry Charles, 2006. I just wasn’t into it. Yet I saw the sequel.

52 The Favourite, Yorgos Lanthimos, 2018. “My wife mused that it was a movie for which we were somehow not privy to the code. “

51 12 Years a Slave, Steve McQueen, 2013. FF. Several people told me I should watch this movie. It was an important film, and Solomon Northup lived in my metro area. Nope.

Okay, this is long enough. I’ll finish it next week.

A month to have four Tuesdays or five?

roughly 1/3

Kelly wondered in a post featuring “Manuel de Falla’s wonderfully sensual, exotic, and fiery ballet El amor brujo.” Come to think of it, I’m not sure if it’s more frequent for a month to have four Tuesdays or five…

Because he asked: Every year generally has FOUR months out of twelve with five Tuesdays, and I surmise, any other day of the week. In the case of Tuesdays, the only exceptions are years beginning on a Tuesday, or leap years starting on a Monday, which will have FIVE months with five Tuesdays.

That was pretty easy to calculate on the World Almanac perpetual calendar. 

Still, to try to find a quicker answer, I Googled it, and, irritatingly, got an AI response.
“For 2022 [Why 2022? I don’t know.] Months with four Tuesdays were more frequent than months with five Tuesdays. 
Here’s why:
  • All months have at least four Tuesdays. This is because a month has between 28 and 31 days, and 28 divided by 7 (the number of days in a week) is 4. [Well, duh]
  • Months with 5 Tuesdays are less common. For a month to have five Tuesdays, it needs to have 31 days and start on a Tuesday. Alternatively, a month with 30 days can have five Tuesdays if it starts on a Tuesday.
  • In 2022, only two months had five Tuesdays: April and July.
  • The remaining 10 months of 2022 had four Tuesdays. 
Is AI imperfect?
NO, NO, NO! And on several counts. 2022 did not have April and July start on a Tuesday; 2025 does! Okay, it was a “typo.” 

However, a month can also have five Tuesdays if it begins on a Sunday with 31 days, on a Monday with 30 or 31 days, or on a Tuesday with 29 days.

This digital response upset me, frankly, because I can imagine someone Googling an answer and accepting the results without thinking.

Here are the non-leap year possible calendars:

January 1 is a Sunday. The five-Tuesday months are January (which, of course, begins on Sunday), May (which begins on Monday), August (which begins on Tuesday), and October (which begins on Sunday). 2006, 2017, 2023, 2034

January 1 is a Monday. The five-Tuesday months are January (Monday), May (Tuesday), July (Sunday), and October (Monday). 2001, 2007, 2018, 2029

January 1 is a Tuesday. The five-Tuesday months are January (Tuesday), April (Monday), July (Monday), October (Tuesday), and December (Sunday). 2002, 2013, 2019, 2030

January 1 is a Wednesday. The five-Tuesday months are April (Tuesday), July (Tuesday), September (Monday), and December (Monday). 2003, 2014, 2025, 2031

January 1 is a Thursday. The five-Tuesday months are March (Sunday), June (Monday), September (Tues), and November (Sunday). 2009, 2015, 2026

January 1 is a Friday. The five-Tuesday months are March (Monday), June (Tuesday), August (Sunday), and November (Monday). 2010, 2021, 2027

January 1 is a Saturday. The five-Tuesday months are March (Tuesday), May (Sunday), August (Monday), and November (Tuesday). 2005, 2011, 2022, 2033

You can figure out the leap years yourselves. I will note that the five-Tuesday February was last in 2000 and will happen again in 2028.  

The Rolling Stones – Ruby Tuesday

The Moody Blues – Tuesday Afternoon

Movie review: The Life Of Chuck

based on a Stephen King novella

The description of the movie  The Life of Chuck on IMDb: “A life-affirming, genre-bending story based on Stephen King’s novella about three chapters in the life of an ordinary man named Charles Krantz.” The movie starts with Act Three, and the characters in the film wonder, Who IS this guy, Chuck?

One gets a sense of Chuck as portrayed by four actors: Tom Hiddleston, Jacob Tremblay, Benjamin Pajak, and Cody Flanagan. It also stars Chiwetel Ejiofor, Carl Lumbly, Mark Hamill, and Mia Sara as his grandparents, and Karen Gillan as perhaps his last dance partner, who also gave fine performances. 

All that said, I don’t know how to review it without wrecking it utterly. One fan reviewer: “I want to leave my critique relatively vague as I believe the hook of the film works best going in without knowing much.” I did like it a lot. 

Here’s a meh (5/10) fan review on IMDb that actually gets to the crux:  “If you like movies that make you think about life, that make you contemplate existence, you will very much enjoy this. I personally don’t normally go for movies like that… but I would say The Life of Chuck is about as good as they come.”

Untidy

Diane Cameron, whom I know, wrote on Facebook: “Now, if you are the kind of person who needs to know what a work of art means, or what a poem means, or have a satisfying tidy feeling after a movie, skip ‘Chuck’. It will make you crazy. But if you like questions more than answers, and fabulous actors and some great dancing, and maybe to chew on a movie for a few days, then ‘Chuck’ is your next movie.” I’ll buy that. 

Another reviewer wrote, “I left the film feeling a mix of joy and melancholy and appreciated the artistry that brought me there.” This is also true.

 On Rotten Tomatoes, it received an 82% positive rating from critics and an 88% positive rating from fans. Mick LaSalle wrote, “The movie is maudlin and pessimistic and features a mildly sardonic voiceover narration by Nick Offerman that only serves to distance us from the action.” Well, no, on every count.

Ruth Maramis, by contrast, noted: “This poignant existential drama doesn’t just spoon-feed you everything but leaves room for interpretation as we connect its profound themes to our own experiences. Great seeing Hiddleston flaunt his killer dance moves.” Yeah, that.

See it if you’re not looking for tidiness. My wife and I saw The Life Of Chuck at the Spectrum 8 in Albany on the evening of June 27; the theater was 3/4 full. 

Sunday Stealing is F.A.B. again

Ringo, Linda, Carlos, Alison, and Mick

Welcome to Sunday Stealing.

Here we will steal all types of questions from every corner of the blogosphere. Our promise to you is that we will work hard to find the most interesting and intelligent questions. Cheers to all of us thieves!

Since it’s the 4th of July weekend, we’re going to keep this simple. We stole this from a blogger named Idzie, who called this the F.A.B. (film, audio, book) meme, so we’re F.A.B. again.

Movies

F. Film: What movie or TV show are you watching?

On Monday, my wife and I visited the Spectrum Theatre in Albany to see the comedy Caddyshack. Neither of us had ever seen it before, but we heard that it was very popular in 1980 when it came out. We were mostly unimpressed. Chevy Chase’s character was somewhat interesting, and Rodney Dangerfield was funny for a while, but Bill Murray seemed to be in another movie. I had to start looking at why so many find the film beloved.

The Wikipedia post was helpful: “The film was met with underwhelming reviews in its original release, with criticism towards the disorganized plot, though Dangerfield’s, Chase’s, and Murray’s comic performances were well received. Roger Ebert gave the film two-and-a-half stars out of four and wrote, ‘Caddyshack feels more like a movie that was written rather loosely, so that when shooting began, there was freedom—too much freedom—for it to wander off in all directions in search of comic inspiration.'” If you’ve ever talked with a person who’s stoned, you’re not, and they think everything is hysterical? That may be this movie.

Harold Ramis, a first-time film director, noted that “In the DVD documentary, TV Guide had originally given the film two stars (out of four) when it began showing on cable television in the early 1980s, but over time, the rating had gone up to three stars.” Maybe it’s better with repeated viewing.

Music

A. Audio: What are you listening to?

This being July, some of the birthdays are those of Ringo Starr, Linda Ronstadt, Carlos Santana, Alison Krauss, Mick Jagger, and Jim Stewart. So I’ll play Linda, Santana, and the Rolling Stones. Who’s Jim Stewart? He co-founded the legendary STAX Records with his sister Estelle Axton. I also play a lot of compilations of Beatles covers, and I have many of them.

Photograph – Ringo Starr

Telling Me Lies -The Trio (Ronstadt, Dolly Parton, Emmylou Harris)

Black Magic Woman/Gypsy Queen – Santana

Maybe – Alison Krauss

I Am Waiting – The Rolling Stones

Green Onions – Booker T. and the MG’s

You Can’t Do That – Harry Nilsson

Text

B. Book: What are you reading?

My friend Fred Hembeck wrote so kindly about former Marvel editor-in-chief Jim Shooter, who died recently at age 73, regarding Fred’s participation in the Fantastic Four Roast and Fred Hembeck Destroys the Marvel Universe, I thought I’d read the book The Marvel Universe According to Hembeck.

Please come back next week.

#1 Pop Hits of 1965

Beatles 4; Supremes 3; Stones, Byrds, Hermits 2 each

The #1 Pop Hits of 1965, formally the #1 hits on the Top 100, were right up my sonic alley. In the present tense, I own at least 19 of these 25 songs.

(I Can’t Get No) Satisfaction—The Rolling Stones (London), four weeks at #1, gold record. It may be the first time I heard the word “hook” in relation to music.

Yesterday – The Beatles (Capitol), four weeks at #1, gold record. I have a few dozen covers of this song.

Turn! Turn! Turn! (To Everything There Is A Season) -The Byrds (Columbia),  three weeks at #1

Mrs. Brown You’ve Got A Lovely Daughter – Herman’s Hermits (MGM),  three weeks at #1, gold record

I Got You Babe – Sonny and Cher (Atco), three weeks at #1, gold record

Help! – The Beatles (Capitol), three weeks at #1, gold record

I Can’t Help Myself (Sugar Pe, Honey Bunch) – The Four Tops (Motown), two weeks at #1

You’ve Lost That Lovin’ Feelin’ – The Righteous Brothers (Philles), two weeks at #1

Downtown – Petula Clark (Warner), two weeks at #1, gold record

This Diamond Ring – Gary Lewis and the Playboys (Liberty), two weeks at #1,  gold record. Jerry Lewis’ kid. 

Stop! In The Name Of Love – The Supremes (Motown), two weeks at #1

Help Me, Rhonda – The Beach Boys (Capitol), two weeks at #1

Get Off My Cloud – The Rolling Stones (London), two weeks at #1

I Hear A Symphony – The Supremes (Motown), two weeks at #1

I’m Telling You Now – Freddie and The Dreamers (Tower), two weeks at #1

Eight Days A Week – The Beatles (Capitol),  two weeks at #1, gold record

A single week at #1

My Girl – The Temptations (Gordy), platinum record. I still love the fact that Smokey wrote both My Guy (Mary Wells) and My Girl

Hang On Sloopy – The McCoys (Bang). Looking for a video, I came across this version; an album cut? It has an extra verse. 

Mr. Tambourine Man – The Byrds (Columbia)

Eve Of Destruction  – Barry McGuire (Dunhill)

Over And Over – The Dave Clark Five (Epic)

Ticket To Ride – The Beatles (Capitol)

I’m Henry VIII, I Am – Herman’s Hermits (MGM), gold record

Game Of Love – Wayne Fontana and the Mindbenders (Fontana). The lead vocal Fontana’s real name was Glyn Ellis

Back In My Arms – The Supremes (Motown)

Ramblin' with Roger
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