Ramblin' with Roger

The Twilight Man: Rod Serling and the Birth of TV

time well spent

I made my semiannual trek to my local comic book emporium, Earthworld Comics, this fall. On the shelf was a graphic novel The Twilight Man: Rod Serling and the Birth of Television by someone named Koren Shadmi. I perused it for about ten seconds and decided to buy.

The book, of course, is about the creator of the legendary television program the Twilight Zone. In my book collection is The Twilight Zone Companion, an episode guide. I only have two DVD sets of complete television series; one is The Twilight Zone.

And there is that time I met the Man. (I’ve mentioned that, right?)

I found The Twilight Man to be thoroughly reached. The book had about three dozen items in the bibliography. The art was quite decent. I read the 170-odd pages in a couple of hours, and it was time well spent. There were bits of Serling’s biography I did not know or had forgotten about.

Speaking ill of the dead?

From a three-star review in Amazon: “A lot of the information presented seemed very personal and came across as a bit off-putting knowing that this was written by someone after the person in question was already dead. I would hope much of this type of information came from interviews or people who knew Rod..”

Yes, there is nothing in The Twilight Man that was out of character or inconsistent with the books and articles that I had previously read. If you can find it, check out Rod Serling: The Dreams and Nightmares of Life in the Twilight Zone – a biography by Joel Engel.

About THAT book, I wrote: “The subject of the book was unable to be content with his life, believe his success, [or] be happy with his first writing critic, his wife Carol.” The Shadmi book shows Serling with those same insecurities.

I was motivated to buy The Twilight Man because 2019 is the 60th anniversary of the first broadcast of Twilight Zone. Christmas Day would also have been Rod’s 95th birthday, though he didn’t get anywhere near reaching it.

Videos

Tell It To Groucho with Rod Serling (April 2, 1962). Rod plugs an Italian singer, leaves, but then returns

I’ve Got A Secret – 1972

Jack Benny Program – TWILIGHT ZONE LOST EPISODE –

Y is for the Yukon Territory

Sergeant Preston

Yukon Surely, my early understanding of the Yukon in Canada came from watching Sergeant Preston of the Yukon, the 1955-1958 primetime television program on CBS. I probably saw it as a Saturday rerun.

Tim Brooks and Earle Marsh explained that Preston “cut a splendid figure in his smart red uniform (even in black-and-white!), his broad-brimmed hat, and his pencil-thin mustache.” The Mountie was played by Dick Simmons.

I gathered that the territory was much like the Old West, except colder. It was “where thieves and scoundrels preyed upon the gold miners and settlers who had come to open the wilderness.”

As Brittanica notes, it is “an area of rugged mountains and high plateaus. It is bounded by the Northwest Territories to the east, by British Columbia to the south, and by the U.S. state of Alaska to the west, and it extends northward above the Arctic Circle to the Beaufort Sea.”

Tourism

I was looking at the tourism page Travel Yukon. “Rich living-history, stunningly unique geography and more epic scenes than a Hollywood blockbuster.” One could, if one were not me, go on the Yukon Arctic Ultra. It is “a mountain biking, cross-country skiing and running race that follows the trail of the Yukon Quest from Whitehorse to either Braeburn (100-mile racers), Pelly Farm (300-mile racers) or Dawson City (430-mile racers).” In northern Canada.

The BreakOut West Showcase Festival is more my speed. Music! It “features a multi-genre line-up of over 50 of western Canada’s best emerging and established artists showcasing at multiple venues throughout the host city.” In October 2019, it was in Yellowknife. The event appears to rotate among the western provinces and territories.

From the Wikipedia: “Yukon was split from the Northwest Territories in 1898 and was originally named the Yukon Territory. The federal government’s Yukon Act, which received royal assent on March 27, 2002, established Yukon as the territory’s official name, though Yukon Territory is also still popular in usage and Canada Post continues to use the territory’s internationally approved postal abbreviation of YT. Though officially bilingual (English and French), the government also recognizes First Nations languages.”

Yowza! Another ABC Wednesday post

Mary Elizabeth “Sissy” Spacek turns 70

Recommended: In the Bedroom; The Straight Story

Although I never saw either Carrie or Coal Miner’s Daughter, I’ve seen Sissy Spacek in a slew of movies, so many that I had to look them up on IMDB.

Three Women (1976). Robert Altman film about three women in a western desert town. It was creepy, as I recall.

Missing (1982). It was a Costa-Gavras (Z) political drama in a South American country on the precipice of a military coup. American activist Charles Horman (John Shea) suddenly disappears. Spacek plays his wife Beth, who can find no information from either the new rulers or from the American consulate. Her father-in-law Ed Horman (Jack Lemmon) joins Beth in the search, despite their political differences. A real thriller.

Crimes of the Heart (1986). “Three sisters from a rather dysfunctional family in the South are gathered together for a birthday. One can’t seem to stay in a relationship for long, one was just released on bond for shooting her senator husband, and the other is an aspiring actress.” Well-acted but stagey, if memory serves.

The Nineties

The Long Walk Home (1990). The Mongomery (AL) bus boycott of 1955/1956 was “a decided inconvenience for Miriam Thompson (Sissy Spacek), a well-to-do white woman. Now, Miriam must drive to the black section of town to pick up her maid Odessa Cotter (Whoopi Goldberg) and bring her to work.” I recall it as pretty good, albeit sober.

JFK (1991). Spacek played the wife of the crusading district attorney wife of the Louisiana district attorney Jim Garrison (Kevin Costner), who is skeptical that Lee Harvey Oswald and Jack Ruby each acted alone. Liz Garrison served as a sounding board, I believe.

If These Walls Could Talk (1996 TV movie). An anthology “about three disparate women coping with unexpected pregnancies.” Spacek is in the middle section in 1974 “when Barbara, who already has four kids, tackles another one. A pretty good, if overly earnest, film.

The Straight Story (1999). A G-rated David Lynch film about “a trip made by 73-year-old Alvin Straight (Richard Farnsworth in his final role) from Laurens, Iowa, to Mt. Zion, Wis., in 1994 while riding a lawnmower. The man undertook his strange journey to mend his relationship with his ill, estranged, 75-year-old brother Lyle (Harry Dean Stanton). Spacek plays Alvin’s daughter Rose. This was REALLY good and quite touching.

21st Century

In the Bedroom (2001). “A New England couple’s college-aged son dates an older woman who has two small children and an unwelcome ex-husband.” This is Spacek’s best performance among the ones on this list. “Quietly wrenching…”

Tuck Everlasting. I’m fairly certain I saw it, but the details of the book adaptation are failing me.

North Country. I recall that Charlize Theron was quite good as “Lori Jenson, who took a job at a Minnesota iron mine in 1975. She and other female miners endured harassment from male co-workers.” But I’m not remembering Spacek.

Get Low (2009). I saw the movie. Fortunately, I wrote about it, and the details are refreshed.

The Help (2011). She played the old woman pushing back against her daughter’s bigotry.

Sissy Spacek turns 70 on Christmas Day 2019.

Robin and Maurice Gibb would have been 70

The working title for the film was Saturday Night

Bee Gees 1977 — Barry, Robin, Maurice Gibb, 1977

Robin and Maurice Gibb, fraternal twin brothers and 2/3s of the BeeGees, would have been 70 on December 22.

Maurice “died unexpectedly on 12 January 2003, at age 53, from a heart attack, while awaiting emergency surgery to repair a strangulated intestine.” Robin had contracted pneumonia, went in and out of a coma, and “died on 20 May 2012 of liver and kidney failure” at age 64.

This leaves Barry as the only brother Gibb remaining, as I noted here. What more can I say about these guys beyond what I’ve already written?

I’ve always liked this anecdote: “When Bee Gees manager Robert Stigwood was producing a movie about a New York disco scene, the working title for the film at that time was Saturday Night. Stigwood asked the group to write a song using that name as a title, but the Bee Gees disliked it.

“They had already written a song called ‘Night Fever’, so the group convinced Stigwood to use that and change the film to Saturday Night Fever… The string intro of ‘Night Fever’ was inspired by ‘Theme from A Summer Place’ by Percy Faith…”

While their disco-era music was fine, I always felt their earlier stuff is still somewhat overlooked. They never received a Grammy or An American Music Award before 1978. They did make it into the Rock and Roll Hall of Fame in 1997, based on the whole body of their work.

LISTEN

I decided to fill this, in part, with some BeeGees covers. Coverville has a necessarily incomplete list. Chart action is from US Billboard charts; some of these songs were bigger hits in the UK and elsewhere.

Bee Gees Medley – Perpetuum Jazzile, which popped up on that “next song” feature on YouTube
How Can You Mend a Broken Heart – Al Green
More Than a Woman – Tavares, from the Saturday Night Fever soundtrack, #33 pop, #36 RB in 1978
To Love Somebody – Roberta Flack

BeeGees songs from SNF I had not previously linked to:

How Deep Is Your Love
Night Fever, #1 pop for eight weeks, #8 RB in 1978
More Than a Woman

Songs from the first BeeGees greatest hits album that I had not previously linked to

Holiday, #16 in 1967
I Started a Joke, #6 in 1969
First of May, #37 in 1969
Massachusetts, #11 in 1967
Every Christian Lion Hearted Man Will Show You
Tomorrow, Tomorrow – #54 in 1969; only on the CD, replacing Spicks and Specks

Peachy version of Ask Roger Anything

Pseudonyms also work

peach A few years ago, my church had a gathering for people experiencing the Christmas blues. I didn’t go, but I understand it wasn’t well-attended, so it fell by the wayside. I never believed it was from a lack of need.

There is surely a market. I think a lot of people feel OBLIGATED to act peachy-keen about the holidays.

They may be financially underwater or stressed about getting the perfect gift. Loneliness is often a factor at this time of year, ironically. Grief and estrangement are huge during the holidays. I have to actively work against the melancholy, myself.

Let me tell you what makes me feel just a little peachier at this time of year. It’s when I use my solstice powers to request that you Ask Roger Anything. If you do so, I am obliged to answer, generally within four weeks.

A wide variety

You could ask about impeachment or peach melba or the book James and the Giant Peach, though I have, in fact, never read it. The Allman Brothers album Eat a Peach or the duo Peaches and Herb or songs referencing the fruit. Or a different fruit. Or even vegetables.

Think of this as a method of social interaction that could alleviate your stress and mine. If you’d rather, vent that frustration over family gatherings, as you bite your lip not saying the wrong thing. Or saying it. You could share it here.

Per usual, you can leave any of your questions and/or suggestions, in the comments section of this blog or on Facebook or Twitter; for the latter, my name is ersie. Always look for the duck.

If you prefer to remain anonymous, that’s ducky, but you need to state that specifically. E-mail me at rogerogreen (AT) gmail (DOT) com, or send me an IM on FB and note that you want to be unnamed; otherwise, I’ll assume you want to share your identity. Pseudonyms also work.