The Lydster, Part 138: Dining in public with an infant

I have an odd fascination with that story about the mom whose encounter with an angry Maine diner owner went viral.

Without rehashing the whole thing, I was taken by this sentence in the mom’s version: “When the food came, my daughter was still fussing.” After extensive observation, I’ve discovered that parents have very different criteria for what constitutes “fussing,” and moreover, whether to stay or go.

I’ve decided that there are two types of parents of children `who are under two years old: those who don’t think other people would mind a little bit of adorable noise because ADORABLE, and those who are mortified by their child’s disruption. Maybe it’s because we became parents relatively late, but the Wife, and especially I, are most assuredly in the latter category.

The first time The Wife and I decided to go out to dinner after the Daughter was born was when she was six months old, give or take a couple weeks. She had been nursed before we went to a nice Vietnamese restaurant in Albany. She seemed fine in one of those car seat carriers.

Very soon after we were seated, the Daughter began wailing. Maybe it sounded like wailing to us because the stone floor was very echoey, but as it didn’t seem to stop, even as we took turns holding her. We left, leaving an enormous tip for a couple cups of tea.

Seems we went somewhere else to eat – McDonald’s? – and she was cheerful.

I told The Daughter this story about herself fairly recently. She felt badly about it, which was NOT the intent.

We avoided taking a transcontinental trip to Washington state when she was two, because she didn’t travel always well in the car, where we could control the environment. Surely, I didn’t want us to be those parents all the passengers glowered at for hours.

Les Green, painter

Les Green.bridge
My sister Marcia posted this on Facebook a few months ago:

Though the Binghamton memorial bridge is similar, the story behind the Green family painting of a bridge goes as follows: a young married couple with 3 children, saw a painting/print in a store window. Not having extra income, that talented renaissance father/husband/man made the canvas by hand and painted this painting for his lovely wife. Dad always worked in acrylic paints, as it dried much faster and was easier to work with and cheaper than oils.

See his signature trees at the Roberson event. He also had this bridge painting on display and always joked that if he ever sold it, that he would be in for a Divorce. I am sure that our father could have been inspired by the Binghamton memorial bridge, as he kind of had a “things for bridges…and roller coasters.
Les Green.painting.newsp

The bridge painting was in my parents’ bedroom when I grew up. It is now at my sister Marcia’s house in North Carolina.

Les Green – Dad – would have been 89 tomorrow.

Music Throwback Saturday: I Don’t Need No Doctor

It’s quite likely that I heard the Humble Pie version before I heard the Charles iteration,

ashford-and-simpsonAs is my custom, I was playing a bunch of the music of Ray Charles, in honor of his birthday on September 23. (It was also Bruce Springsteen’s birthday that same day.)

One of the songs on a greatest hits album was I Don’t Need No Doctor, written by the great Nick Ashford and Valerie Simpson, with Jo Armstead. But I remembered a very different version in my LP collection.

Humble Pie was “an English rock band… during 1969. They are known as one of the… first supergroups… The original band lineup featured lead vocalist and guitarist Steve Marriott from the Small Faces, vocalist and guitarist Peter Frampton from The Herd, former Spooky Tooth bassist Greg Ridley and a seventeen-year-old drummer, Jerry Shirley.

“In 1971 Humble Pie released… a live album recorded at the Fillmore East in New York entitled Performance Rockin’ the Fillmore. The live album reached No. 21 on the US Billboard 200 and was certified gold by the RIAA… But Frampton left the band by the time the album was released and went on to enjoy success as a solo artist.”

It’s quite likely that I heard the Humble Pie version on college radio, or some other FM radio hit before I heard the Charles iteration when I was listening primarily to Top 40 back in my hometown, since Ray’s take didn’t chart high enough.

There are several more versions of the song – The Sonics, The Chocolate Watch Band, New Riders of the Purple Sage, metal bands W.A.S.P. and Great White, The Nomads, Styx, John Scofield, John Mayer, and jazz singer Roseanna Vitro, among others.

I Don’t Need No Doctor:
Ray Charles, #72 US pop, 45 R&B, 1966
Humble Pie, #73 US pop, 1971 (Billboard Hot 100)

The dread disease of Ask Roger Anything

You folks have, made it necessary for me to reflect on some uncomfortable issues, and that is not a bad thing.

I no longer know where I got the idea of doing Ask Roger Anything. Maybe from Jaquandor, maybe someone else. Perhaps it was from one of those “How to make your blog interesting” articles, back before blogging, as I’ve read countless places, was declared dead.

I DO know that I’ve seen variations by Arthur and Gordon and Eddie and even the illustrious SamuraiFrog, and they claim they got the idea from me, which is probably true.

So I feel a certain obligation when they do their own variations of the game, and I always come up with one or two or five questions for them to respond to. And I try to plug their efforts.

It’s time for you all to Ask Roger Anything. I must say, it DOES work for me, when you participate. I end up answering questions that I simply would not have anticipated. You folks have, more than occasionally, made it necessary for me to reflect on some uncomfortable issues, and that is not a bad thing.

Per usual, you ask it, I answer it. I get to obfuscate, but not to lie outright. You can ask your questions here or my email – rogerogreen(AT)gmail(DOT)com, or my Facebook (Roger Green, the one with the duck) or Twitter (ersie, the one with the duck). I’ll use your name UNLESS you indicate that I ought not.

K is for Kinky Boots

Kinky Boots will be performed in 2016 in Melbourne, Australia.

kinky boots.tourBack in June, The Wife and I saw the touring company production of the musical Kinky Boots at Proctors Theatre in nearby Schenectady, NY.

The book was written by actor, playwright, and voice actor Harvey Fierstein, based on the Miramax motion picture written by Geoff Deane and Tim Firth. Music and lyrics were by Cyndi Lauper, probably best known for the song Girls Just Want To Have Fun.

What I wanted to know: how did I NOT know about the movie version? OH, it came out in 2005, when the Daughter was one, and her parents were still in a sleep-deprived fog.

As for the storyline, it was quite compelling. “A drag queen comes to the rescue of a man who, after inheriting his father’s shoe factory, needs to diversify his product if he wants to keep the business afloat.” That drag queen suggests moving from those conservative shoe styles that were no longer selling to something a bit more daring. This was not necessarily an easy sell for some of the long-tenured factory workers, who, in fact, might be out of jobs altogether without the diversification. But, as a business librarian, it was easy to see the value of this strategy.

The musical I enjoyed quite a bit, though I was unfamiliar with any of the songs. Much of the audience seemed to know when the showstopper songs were going to come up.

In addition to Broadway and the US tour, the show is running in London, England; Toronto, Ontario, Canada; and the show will be performed in 2016 in Melbourne, Australia.
***
Raise You Up – finale

Billy Porter is (still) the star of Kinky Boots, the long-running hit on Broadway. At the performance on June 26, 2015, he made a touching curtain speech.

A Final JEOPARDY! answer.

abc 17 (1)
ABC Wednesday – Round 17

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