Music Throwback Saturday: Strawberry Letter #23

The Brothers Johnson’s rendition of Strawberry Letter #23 hit the Hot 100 and peaked at number five.

shuggieotisFor a birthday some years back, I was given this CD of songs by Shuggie Otis, born Johnny Alexander Veliotes, Jr. on November 30, 1953, son of the really cool musician, rhythm and blues pioneer Johnny Otis. The album featured his song Strawberry Letter #23.

From Wikipedia:

“George Johnson of the Brothers Johnson was dating one of Otis’ cousins when he came across the album Freedom Flight.

“The group recorded ‘Strawberry Letter 23’ for their 1977 album Right on Time, which was produced by Quincy Jones, and the album went platinum. They recorded the song in a funkier, more dance-oriented vein than the original Otis version.
brothersjohnson
“Their rendition hit the Hot 100 and peaked at number five and reached number one on the Soul Singles chart in 1977.

“Studio guitar player Lee Ritenour recreated Otis’ original guitar solo for the Brothers Johnson cover.”

Here’s the Shuggie Otis original version.

Here’s the Brothers Johnson cover version, which I have on vinyl.

Very trippy lyrics:

Red magic satin playing near
Rainbows and waterfalls run through my mind
Purple shower, bells and tea
Orange birds and river cousins dressed in green
Blue flower echo from a cherry cloud
Feel sunshine sparkle pink and blue
louisjohnson
Strawberry Letter #23 by the Brothers Johnson has been sampled several times, including by Beyonce, and covered by Kevin Campbell and others.

Michael Jackson used bassist Louis Johnson on his Off the Wall and Thriller albums.

Before that, The Brothers Johnson sang on this 1976 Lesley Gore number Sometimes, from her Love Me By Name album, produced, like her early hits, and Michael’s albums, by Quincy Jones. (Hat tip to Dustbury.)

Sadly, Louis Johnson passed away at the age of 60 on May 21, 2015.

MOVIE REVIEW: Danny Collins

I’m always happy to see Bobby Cannavale NOT playing a mobster or thug.

Danny_Collins_Official_PosterI pretty much HAD to see the movie Danny Collins, which is based, sort of, on a message John Lennon sent to a budding musician named Steve Tilston, interviewed in a magazine back in 1971. Lennon saw the piece and sent a letter to the Tilston, care of the magazine, inviting Steve to call John, complete with his phone number. But the young musician never saw the letter until years later.

That actually happened, and it is the jumping-off point of this fictional piece of an aging musician (Al Pacino), who stays on the road, performing the same songs he wrote three decades ago, essentially selling out, and he needs to “self-medicate” to get through it all. His friend/manager Frank (Christopher Plummer) gives him the present of the aforementioned letter, and suddenly his too-young girlfriend, and excesses in his lifestyle, seem lacking.

He essentially moves into a New Jersey hotel room, tries to woo the hotel manager (Annette Bening, who reminded me of an older version of Annie Hall), and fix up a pair of hotel employees (Melissa Benoist, Josh Peck). Mostly, he tries to make things right by Tom (Bobby Cannavale) and his family (Jennifer Garner, young Giselle Eisenberg), though Tom, for good reason, wants nothing to do with Danny.

The Wife and I saw this at the Spectrum Theatre on our anniversary, and we liked it quite a lot. I think nearly ALL the reviews, positive (78%) and negative, are largely true. The cast makes the mushy journey about self-discovery palatable. The narrative isn’t particularly surprising, though it has a few twists, yet the story by writer/director Dan Fogelman was charming, engaging, and probably a bit schmaltzy. The John Lennon songs that made up most of the soundtrack, were overly familiar to me, but might be revelatory for someone not so seeped into his music.

I’m always happy to see Bobby Cannavale NOT playing a mobster or thug, but just a guy trying to get by.

As usual, I must complain about people leaving the moment the credits start, as they miss the REAL guy (Tilston) talking about, belatedly, getting the Lennon letter.

Oh, two last things: apparently, Michael Caine was originally cast as Danny’s manager, before being replaced by Plummer; Caine’s name still shows up in some cast listings. The original name of the film was to be Imagine, based on the Lennon song; I’m glad it was changed.

The rambling, largely unfocused, sanity report

mailboxI have noted that this past winter was tough. The cold. Attending four funerals in the first ten weeks of 2015. One of my library buds leaving work at the end of January. Black History Month stuff. Friends of the Library stuff.

Plus the family sickness chain. The last week in February – the Daughter, the week before her church play. By March 1, she was better, but I felt awful. Yet I had an adult education class to teach, scripture to read during the service, and needed to attend that aforementioned play.

I said, OUT LOUD, that day, “If I didn’t have all these things to do, I would have stayed home.”

So you would think I’d have listened to myself and stayed home the next day; I did not. But I felt so miserable, I left as soon as I could, which was two hours later because the buses out of Corporate frickin’ Woods run infrequently in the middle of the day, then I stayed in bed the next couple days.

Why on earth did I go to work? Because we were shorthanded at work. One of the librarians was on maternity leave for December, January, and most of February, which, I rush to note, is a good thing.

The weekend of my birthday, March 7, I was better, but my Wife was definitely becoming ill. Then the next week, the Daughter.

The week after that, my lungs felt as though they were underwater. I went to the doctor’s and got some meds, but the situation was slow to clear.

I went for a massage several days later, and she pressed my back; the noise from my lungs sounded like the special effects sounds of a horror movie. It was actually quite entertaining to listen to – I wish I had recorded it! – aside from the fact that it was emanating from me. I missed choir for three weeks during Lent – my favorite time of the church year – during which both the Wife and the Daughter got sick AGAIN.

I missed seven workdays in March, five of them sick days, two vacation (one of which involved going to the fourth funeral). Plus, in April, some weird thing was wrong with the Daughter’s foot.

But now it’s May. It’s warm (or hot, or occasionally a bit cool.) We can ride our bikes. Everything is both hunk AND dory. Well, almost. There’s the live bat we found in the house, the first in several years. And the noisy neighbors: after telling them to keep it quiet at 11:30 Sunday nights, I called the cops on them a few hours later when their volume returned.

Work still is a slog. Trying to get done with four librarians what we did with five is difficult.

Almost the whole staff statewide attended the annual training meeting in mid-April, where the librarians talk about things we can do for our colleagues. Every year, this has inevitably meant a spike in the number of questions that come into the library, and it was true again, especially the last three days of April. We had traditionally offered a week’s turnaround time, but we didn’t finish the April questions until May 13.

There’s a part of me that says that I oughtn’t to take time off. But a greater part says that I NEED to. I have a couple of weeks of vacation, and close to six months of unused sick time.

Here’s something that is more than a rumor: we may be moving out of Corporate (frickin’) Woods by the end of the year. One unit on our floor, affiliated with SUNY Albany, is moving in September to a building near Stuyvesant Plaza, which is also close to the campus.

A woman from another unit on our floor, affiliated with SUNY Central, as are we, says that her group is moving somewhere downtown, once parking issues are resolved. I assume the same will be true for us as well, though we’ve heard nothing official.

If we were in downtown Albany again, which we left in May 2006, I would be SO thrilled. Access to restaurants, stores, the post office, my bank. I could attend events, such as the weekly talks of the Friends of the APL. Plus, there’s a Farmers Market every Thursday for at least half the year. In other words, there’s a THERE there.

In the winter, I could take one bus to work, and one bus home, rather than two each way. I’d have the flexibility to take one of at least three buses that would get me home, and I’d get there sooner. Plus both my dentist and my eye doctor are downtown, so when I need an appointment, it’d be a quarter day off, rather than a half-day.

In fact, the ONLY downside is that I’d have to go to Corporate (frickin’) Woods every 28 days for my allergy shots, but I could still get to work by 10:15 if I take the usual two buses to CfW that I take now.

Well, there IS one thing I’d miss if we move downtown. There is always a cadre of new folks coming out to CfW , having difficulty navigating the buses. Having the need to be useful, I’ve helped more than a few people out.

Recently, one of these twentysomethings was texting his 10-year-old nephew and was puzzled by a question he received: “When is a door not a door?” Heck, I knew that, straight off. My daughter would know it. I was glad to help.

You do know the answer, right? “What is ajar?”

Can you defend public libraries and oppose file sharing?

Falkvinge doesn’t seem to understand how libraries work.

filesThe always entertaining Alan David Doane wrote on Facebook this month: “I’m curious what my favourite librarian, Roger Green, makes of this argument.” Rick Falkvinge stated that one cannot defend public libraries and oppose file-sharing because “they are one and the same phenomenon. One is just vastly more efficient.”

I’ll have a caveat that I shared this with several librarians, and none of them were 100% sure exactly what he meant by file sharing. I’m assuming he’s talking bit torrent. The exact model of what this theoretically might look like in a library setting is a little fuzzy to me.

Still, if I am understanding the argument correctly, the real problem is that he’s wrong, in three specific ways, one of philosophy, and two on the facts.

Overrated

Falkvinge’s implication through the piece is that “efficiency” is an incontrovertible good; this is incorrect. Generally, checks and balances have an important place in processes, especially when it comes to government. The argument in favor of the renewal of aspects of the USA PATRIOT Act stems largely on the fact that it would be more “efficient” to have all that phone metadata, for which the government can select those presumed terrorists, rather than doing this process more on a case-by-case basis. I’m rooting for inefficiency, thank you.

I’m a Presbyterian, and they are, most likely, some of the most inefficient people on the planet. When they make a decision, it’s been hashed out within an inch of its life. But all sides know their voices have been heard.

Purchase

More to the point, though, Falkvinge doesn’t seem to understand how libraries work. Libraries BUY books – one of their primary expenditures – and then LOAN them to other people, exposing them to people who might not have been aware of them. Moreover, authors receive MONEY because libraries purchase works, and an individual copy is generally read, one person at a time (SO inefficient!), by many people.

Not incidentally, in the main, it costs librarians more money to have digital copies of books than print copies. Indeed, in many of the contracts that libraries have with electronic publishers, the library doesn’t even OWN the book. So it can’t sell it, like it can for a book it no longer needs. The library is essentially leasing e-books until a certain date, or until a couple dozen readers check it out.

Thievery

File sharing is essentially a manufacturing process, reproducing products that NO ONE is purchasing. NO money is going into the pockets of the creators. Borrowing from my friend Steve Bissette, file sharing “is thievery and impoverishes creators/authors by reproducing work sans payment. There is no ‘loan’ in file sharing: it is a transfer of property, in a material form (here, place this file on YOUR computer). It proliferates [and, I would add, encourages] copying sans payment – VERY different from public libraries.”

As for the panicked 1850s book publishers Falkvinge mentioned: one can take almost ANY technology or innovation, and there will be arguments that the old way was going to be supplanted by the new. Still, showing movies on television did not eliminate movie theaters in the 1950s. It made movie makers more likely to make films that could not be experienced at home. I used to make mixed tapes, recording an assemblage of songs on cassette tape, and the music industry swore it’d ruin them, but it didn’t. (You can argue amongst yourselves what DID wreck the music industry, and threaten theatrical movies, but it wasn’t your local library.)

Libraries are good

Moreover, the article seems to suggest that the ONLY thing libraries DO is loan books and other material. The library is so much more. The staff answer reference questions, provide guidance for computer users, assist with Internet access to those who do not have it – oh, just read this article. There are plenty of reasons to support your public library.

Librarians are, by training and practice, sensitive to issues of copyright and fair use. Such restraint does not seem to be in the DNA of file sharers, who seem to believe more is always better.

It’s likely that your local library is on the front lines against government surveillance. I cannot speak to whether file sharers are in the fight or not.

I think the argument that file sharing is anything like what libraries do is BOGUS.

Pete Townshend is 70

‘A little! That’s good. Love is universal. Limitless.’

townshend_pete_best_of_pete_townshendAs I’ve noted, I really enjoyed the Pete Townshend autobiography, Who I Am. It was a warts-and-all look at his family and other relationships, his music, and especially his not-always-appropriate behavior.

I’d previously noted my favorite songs by the Who. Here’s just a few Townshend solo songs, mostly from two albums, though I own at least eight of them, mostly on vinyl.

6. Give Blood, from White City – A Novel. As a long-time blood donor, I approve of the title, though that’s not what it’s about. In fact, the song’s construction was quite peculiar. From my second-favorite Townsend album.

5. Heart to Hang Onto, from Rough Mix. This is from the album Pete did with Ronnie Lane in 1976. During the recording of it, Lane was diagnosed with multiple sclerosis; he suffering from the disease for 21 years, before dying in 1997 at the age of 51.

4. Empty Glass, from Empty Glass. Back in the days when my friend Fred Hembeck was living in Rensselaer County, across the river from Albany County, I once took a bus to visit him. On the way there, I walked by some department store, and went inside, for some reason. (I THINK it was raining.) I found the Empty Glass album as a cutout. (If you’ve never seen a cutout album, it has a slit into the cardboard in the upper right corner.) In any case, I LOVED that album, and still do.

3. A Little Is Enough, from Empty Glass (#72 in US Billboard). Townsend himself prefers this song to the larger hit from this album (see below). Pete tells this story: “Meher Baba’s secretary Adi Irani made a visit to London around this time, I tried to get his advice. ‘My wife doesn’t love me anymore,’ I said. ‘What should I do?’ ‘She doesn’t love you at all?’ he wobbled his head as he spoke. ‘She said she loved me a little.’ ‘Ah!’ Adi clapped his hands and smiled. ‘A little! That’s good. Love is universal. Limitless. So even a little is enough.'”

2. Face the Face, from White City (#26 in the US). This is a loud, bodacious song, especially the percussion near the beginning, with a big band feel. Townshend’s daughter Emma Townshend sings some parts.

1. Let My Love Open the Door, from Empty Glass (#46 in the UK, #9 US). I got annoyed with Townshend for being such a scold with his public for thinking this was a romantic love song. He claimed that was a spiritual treatise, and that “Jesus sings” on the track. Incidentally, there was a remake of this song – the E cola mix – and like most of these musical makeovers, I think it’s a lesser effort, though it’s twice as long.

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