Ramblin' with Roger

Oscars for 2014 films

I’m hoping to see all the Best Animated Short and/or Best Live Action Short nominees at The Spectrum in Albany before Oscar night.

“Everyone knows” that the only reasons that the Oscars matter is so 1) audiences can go to some obscure movie and complain, “THAT was Oscar-nominated?” or “THAT was an Oscar winner?” and 2) writers can put it in someone’s obituaries: “Oscar winner John Wayne…” The Academy Awards, hosted by Neil Patrick Harris, will take place on February 22.

As I’m still in movie season mode, which runs, approximately, from November to March when it’s colder, and the better movies tend to come out, I may still see a few more films before Oscar night, or shortly afterward.

I’m pleased that I managed to see the two Best Picture nominees that were released early in the year, Boyhood and The Grand Budapest Hotel. (I’m going to link to my reviews of the films I saw, on the first mention.)

Are there Oscar snubs? Should Jennifer Aniston have been nominated for Best Actress in Cake? Should The Lego Movie, which I liked, have been on the list of animated features? Perhaps. I do appreciate this breakdown of “The Whitest Oscar Nominees Since 1995” because he names names; THIS should have been chosen instead of THAT. I don’t necessarily AGREE with the analysis.

Wow, there are a number of Oscar-nominated films this season based on real events: American Sniper, Foxcatcher, The Imitation Game, Mr. Turner, Selma, The Theory of Everything, Unbroken, Wild.

Best Costume Design

#Milena Canonero, The Grand Budapest Hotel
Mark Bridges, Inherent Vice
#Colleen Atwood, Into the Woods
Anna B. Sheppard and Jane Clive, Maleficent
Jacqueline Durran, Mr. Turner

I’m rooting for Budapest, because these costumes defined the characters so well, though Into the Woods was worthy.

Best Documentary — Feature

Citizenfour
Finding Vivien Maier
Last Days of Vietnam
The Salt of the Earth
Virunga

Citizenfour, which is about Edward Snowden, played at Proctors in Schenectady for three days, but I didn’t catch it. Finding Vivian Meier is about this woman who took thousands of photos, discovered only after her death. I’ve seen a woman involved in The Last Days of Vietnam, a harrowing period, on The Daily Show. Wish I had seen these.

Best Visual Effects

Captain America: The Winter Soldier, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
Dawn of the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
Guardians of the Galaxy, Stephane Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
#Interstellar, Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
X-Men: Days of Future Past, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer

Interstellar was impressive, though the film itself was sometimes tedious. Sometimes they give this to the big box office champ, which would be Guardians of the Galaxy. AND it reviewed well overall.

Best Sound Editing

American Sniper, Alan Robert Murray, and Bub Asman
#Birdman, Martín Hernández and Aaron Glascock
The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas
#Interstellar, Richard King
Unbroken, Becky Sullivan and Andrew DeCristofaro

Best Sound Mixing

American Sniper, John Reitz, Gregg Rudloff, and Walt Martin
#Birdman, Jon Taylor, Frank A. Montaño and Thomas Varga
#Interstellar, Gary A. Rizzo, Gregg Landaker and Mark Weingarten
Unbroken, Jon Taylor, Frank A. Montaño and David Lee
#Whiplash, Craig Mann, Ben Wilkins and Thomas Curley

Four movies in common in these categories. For mixing, I’m rooting for the fifth, Whiplash, which had a sound in the music competitions that had a visceral impact. But Birdman was good too, and based on just the previews of American Sniper, I figure the competition will go to one of those two.

Best Animated Short

The Bigger Picture
The Dam Keeper
Feast
Me and My Moulton
A Single Life

Best Live Action Short
Aya
Boogaloo and Graham
Butter Lamp
Parvaneh
The Phone Call

Best Documentary—Short

Crisis Hotline: Veterans Press 1
Joanna
Our Curse
The Reaper
White Earth

I’m hoping to see all the Best Animated Short and/or Best Live Action Short nominees at The Spectrum in Albany before Oscar night, but I almost never see the documentaries anywhere, except, occasionally, online.

The best supporting players, in alpha order.

Best Production Design

#The Grand Budapest Hotel, Production Design: Adam Stockhausen; Set Decoration: Anna Pinnock
*The Imitation Game, Production Design: Maria Djurkovic; Set Decoration: Tatiana Macdonald
#Interstellar, Production Design: Nathan Crowley; Set Decoration: Gary Fettis
#Into the Woods, Production Design: Dennis Gassner; Set Decoration: Anna Pinnock
Mr. Turner, Production Design: Suzie Davies; Set Decoration: Charlotte Watts

I really thought Budapest was quite remarkable visually.

Best Film Editing

Joel Cox and Gary D. Roach, American Sniper
#Sandra Adair, Boyhood
#Barney Pilling, The Grand Budapest Hotel
*William Goldenberg, The Imitation Game
#Tom Cross, Whiplash

Putting together a coherent story that was filmed over twelve years will almost surely mean a win for Sandra Adair for Boyhood.

Best Animated Feature

#Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of Princess Kaguya

I liked Big Hero 6, but have no real info on the others.

Best Original Song

#“Everything Is Awesome” from The Lego Movie; Music and Lyric by Shawn Patterson
*“Glory” from Selma; Music and Lyric by John Stephens and Lonnie Lynn
“Grateful” from Beyond the Lights; Music and Lyric by Diane Warren
“I’m Not Gonna Miss You” from Glen Campbell…I’ll Be Me; Music and Lyric by Glen Campbell and Julian Raymond
#“Lost Stars” from Begin Again; Music and Lyric by Gregg Alexander and Danielle Brisebois

“Everything Is Awesome” is such a cheeky song. I thought the music from Begin Again was fine, and functional for the movie. Will the Academy voters throw a crumb to the fine song from Selma here? Or does it go to the dying Glen Campbell?

Best Original Score

#The Grand Budapest Hotel
*The Imitation Game
#Interstellar
Mr. Turner
#The Theory of Everything

Though I’m a music kind of guy, I don’t feel particularly savvy at comparing scores while watching a movie, because it becomes part of the texture of the whole. Maybe this is where Interstellar will win.

Best Makeup and Hairstyling

Bill Corso and Dennis Liddiard, Foxcatcher
#Frances Hannon and Mark Coulier, The Grand Budapest Hotel
Elizabeth Yianni-Georgiou and David White, Guardians of the Galaxy

From the preview, they managed to make Steve Carrell look REALLY creepy in Foxcatcher. Budapest is great, but, from the ads, so is Guardians, which I’m guessing will win.

Best Original Screenplay

#Birdman, Alejandro G. Iñárritu, Nicolás Giacobone, Alexander Dinelaris, Jr. & Armando Bo
#Boyhood, Richard Linklater
Foxcatcher, E. Max Frye and Dan Futterman
#The Grand Budapest Hotel, Wes Anderson & Hugo Guinness
Nightcrawler, Dan Gilroy

It could well be Boyhood, or Birdman, which I did not love, but which won the Golden Globes. But I’m rooting for Budapest, which was wacky fun.

Best Adapted Screenplay

American Sniper, Jason Hall
*The Imitation Game, Graham Moore
Inherent Vice, Paul Thomas Anderson
#The Theory of Everything, Anthony McCarten
#Whiplash, Damien Chazelle

I suspect American Sniper will win, but I’m rooting for Whiplash.

Best Foreign Language Film

Ida, Poland
Leviathan, Russia
Tangerines, Estonia
Timbuktu, Mauritania
Wild Tales, Argentina

There were years I’d get to see one or two of these, but not this time out. Does anyone out there have any opinion on these?

Best Cinematography

#Emmanuel Lubezki, Birdman
#Robert Yeoman, The Grand Budapest Hotel
Lukasz Zal and Ryszard Lenczewski, Ida
Dick Pope, Mr. Turner
Roger Deakins, Unbroken

I’m guessing Birdman, though Roger Deakins on unbroken is a name I actually recognize, so maybe that. Of course, I’m rooting for Budapest.

Best Supporting Actress

#Patricia Arquette, Boyhood
Laura Dern, Wild
*Keira Knightley, The Imitation Game
#Emma Stone, Birdman
#Meryl Streep, Into the Woods

Without Patricia Arquette’s steady presence, Boyhood doesn’t work. She won the Golden Globe over three of these four women, and she deserves the Oscar. My only knock is that it’s hardly a “supporting” performance.

Best Supporting Actor

Robert Duvall, The Judge
#Ethan Hawke, Boyhood
#Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
#J.K. Simmons, Whiplash

I’ll tell you a selfish truth: I was enjoying Whiplash being this little movie that no one heard of, but that I liked a lot. Then Simmons had to spoil it all by winning the Golden Globe against all four of these guys. He deserves to win the Oscar.

Best Actress

Marion Cotillard, Two Days One Night
#Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

Gone Girl played for a week at the nearby Madison Theatre, but I missed it. Jones was fine but didn’t feel like “best actress” material. I never heard of Two Days One Night. Still Alice, for which Julianne Moore won the Golden Globe, hasn’t even come to town yet. Hard to judge.

Best Actor

Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
*Benedict Cumberbatch, The Imitation Game
#Michael Keaton, Birdman
#Eddie Redmayne, The Theory of Everything

I suspect it’ll be Keaton, who won a Golden Globe for Comedy or Musical over Redmayne, who won it for Drama.

Best Director

#Alexandro G. Iñárritu, Birdman
#Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
#Wes Anderson, The Grand Budapest Hotel
*Morten Tyldum, The Imitation Game

I’m guessing this will be Boyhood’s director Linklater since he won the Golden Globes over the Birdman and Budapest. He’ll get a point for the vision thing.

Best Picture

American Sniper
#Birdman
#Boyhood
#The Grand Budapest Hotel
The Imitation Game
Selma
#The Theory of Everything
#Whiplash

If it were not very good, the fact that Boyhood took a dozen years to make wouldn’t have mattered. Had it been more conventionally made, with different actors as the boy, and makeup for the adults, it wouldn’t likely have had the same impact. But ever since I saw Boyhood, I was convinced it would win Best Picture. The way they vote, only in this category, is such that, if the voter thought Birdman or Selma or The Grand Budapest Hotel were the best films, but Boyhood was surely second or third on their ballots, it would win.
***
SamuraiFrog reviews Grand Budapest Hotel HERE. He reviews all the other Best Picture nominees, including his brilliant dissection of American Sniper, HERE.

At Central Casting, Hollywood’s Bit Players Need to Stand Out Before They Can Blend In.

The Human Seat Warmers

Blogger fix: making Arthur happy

No more reliving my typos and grammatical sins immortalised in filenames!”

Arthur posted an item one day last month on his AmeriNZ blog, which is on Blogspot/Blogger. Unfortunately, there was a typo in the title, a mistake he (and I) know intellectually (too/to), but sometimes the fingers aren’t so smart.

Someone pointed out the error, and while he, like I, appreciated the correction, I think it was very irritating to him. He replied: “Grrrrr. Fixed now, but it will forever remain in the file name and that fact will always annoy me. Of course.”

I don’t know exactly how he stores his files, but I did learn something a while back by trial and error. “Actually, I do believe you can change the file name by reverting the post to draft, then reposting,” I wrote.

This seemed to make him happy. “It worked!! OMG, OMG, OMG—no more reliving my typos and grammatical sins immortalised in file names. Where’s the “extra like” button on FB? Thanks! Now, could you fix our weather, too, please?”

Heck, if I could fix his Kiwi weather, I’d fix ours first.

Incidentally, since now that my main blog is in WordPress and my Times Union blog always has been, you might think this would not be an issue for me, but since my blogs for NY SBDC (work), the NYS data center (we are affiliates) and the Friends of the Albany Public Library (I’m president of the board) are all on Blogspot, I still operate with that service as well.

Since I’m in a techno-blogging mood, I want to suggest that when people get a URL they want to link to, either in a blog or especially an e-mail, they should look for ways to shorten it. I get Daily Kos in my Bloglovin feed, and a cartoon I looked at had a URL of http://www.dailykos.com/story/2014/12/16/1352285/-Cartoon-Bush-reflux?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+dailykos %2Findex+%28Daily+Kos%29.

The ways to shorten the URL are usually after a question mark (?) or hashtag (#) or ampersand (&). So if I delete everything in the above URL from the ? to the end, I get http://www.dailykos.com/story/2014/12/16/1352285/-Cartoon-Bush-reflux, which links equally well.

I am reminded of something Eleanor Roosevelt said about wanting to feel useful. Now and then, I do.

MOVIE REVIEW: Selma

Selma’s Bloody Sunday took place on my 12th birthday.

It seemed like the obvious thing to do. The Wife and I went to see the movie Selma on the Martin Luther King holiday, which also celebrates Confederate general Robert E. Lee in Arkansas Mississippi, and, notably, Alabama.

While The Wife dropped off the Daughter at the sitter’s, I waited for her, and for the massive crowd to see this film. And there was a stream of people coming in the Spectrum Theatre, to see… American Sniper, which, to be fair, had just opened, while Selma had opened the week before. Still, our theater was about 85% full.

You must understand that I recall these events extremely well. Bloody Sunday took place on my 12th birthday. I remember Andrew Young, Bayard Rustin, Ralph Abernathy, Hosea Williams, and others. I surely remember Sheriff Clark. When a guy named James Reeb comes on the screen, I say to myself, “He was a Unitarian minister from Boston.”

So here’s my review: it was great. Director Ava DuVernay was visionary in recreating the feel and look of the period. David Oyelowo didn’t so much look or sound like Martin Luther King Jr., as embodied his essence. The same can be said for Carmen Ejogo as
Coretta Scott King.

But I was having trouble writing this review, not because I didn’t know how I felt about the movie, but rather because I didn’t know what to make of the “controversy” around it. Specifically, it had to do with the role of President Lyndon B. Johnson, played extremely well by Tom Wilkinson. Even before we saw the film, an in-law had mentioned that “Selma, the film, is not exactly true.” After seeing the movie, all I can say is: claptrap.

It’s not that Selma should be impervious to being critiqued. It’s only that the criticism, which the ‘Selma’ director responded to, seems disproportionate to the total picture. Folks who well know the Alan Turing story found The Imitation Game enjoyable, even while recognizing that it’s far different than the actual events. Walt Disney didn’t actually go to London to pursue the “Mary Poppins” author, as it was portrayed in Saving Mr. Banks.

In the case of the film Selma, I believe not everything was factual – the reference to the Birmingham church bombing was in 1963, not as chronologically close to the 1965 Selma story as it might have appeared. But it showed a greater truth about a people being terrorized by racism.

Bill Moyers, who I admire greatly, thought the film was wrong in suggesting that LBJ was behind J. Edgar Hoover’s sending the “sex tape” to Coretta King. I had a chance to talk with a film critic, and we both thought the movie was far more ambiguous than that.

These two articles pretty much reflect my sentiment: It’s Critics of ‘Selma’ Who Are Distorting Civil Rights History and What’s really behind the “Selma” backlash.

I didn’t agree with this section of the article from Slate: “The film’s running time is a swift two hours; I wouldn’t have minded an extra 30 minutes to learn more about the rest of the civil rights pioneers (all real historical figures) who march arm-in-arm on the front lines with King.” The film, as it says at the end, is not a documentary. There are plenty of them already about this era.

This was an extraordinary piece of filmmaking, especially considering the movie doesn’t use the actual words from MLK’s speeches, for copyright reasons.

C is for Canajoharie’s Arkell Museum, featuring Beech-Nut

The over-a-century long relationship between Canajoharie and Beech Nut is captured at the Arkell Museum.

The food manufacturer Beech-Nut has roots going back to 1891, “to the Mohawk Valley town of Canajoharie, New York,” about an hour northwest of Albany. A number of men, including Bartlett Arkell, “founded The Imperial Packing Co. with the production of Beech-Nut ham.”

The company was incorporated as the Beech-Nut Packing Company in 1899. In 1900, the company’s sales were $200,000. Engineers from Beech-Nut patented the first vacuum jar with a design that included a gasket and top that could remain intact in transit and became a standard of the industry.

During the first 25 years of the 20th century, the company expanded its product line into peanut butter, jam, pork and beans, ketchup, chili sauce, mustard, spaghetti, macaroni, marmalade, caramel, fruit drops, mints, chewing gum, and coffee.

While the former Canajoharie plant was sold by Beech Nut in late 2013, the over-a-century long relationship is captured at the Arkell Museum, which my family visited in August 2014. Because we got a pass from the Albany Public Library, the museum stop was free. It is located in the building of the Canajoharie Library.

Check out just a piece of the Beech-Nut collection. Like many businesses in the first half of the 20th century, there was a circus motif with some of the advertising. In the 1930s Beech-Nut Gum and Candies toured the country with six miniature circuses housed in custom-built buses. “Illustrator Frederic Stanley created artwork which featured Rosie Rieffenach, Ringling Bros. and Barnum & Bailey bareback rider.”

Other name artists, including Norman Rockwell (graphic above), also contributed to the advertisements. He has captured a real phenomenon of the period, the Beech-Nut gum girls, who would give away sticks in order to entice folks to buy packs of gum.

The museum is well regarded as a hidden jewel. Read this 2008 Metroland article and this review from the Caldwell Gallery and this piece from the AIArchitect.

ABC Wednesday – Round 16

The Lydster, Part 130: Bonnie Deschane

The night before Bonnie’s death, The Daughter was crying, had trouble going to sleep,

About ten years ago, The Wife met this woman named Bonnie. She worked at a B&B just a block from our home and also was employed at a Bruegger’s Bagels.

She was looking to make some extra money and wanted to know if The Wife knew anyone looking for someone to do some house cleaning. Since we had had a new baby and were still in that always-tired state, my bride engaged her to come to our house once every week or two. Eventually, we all became friends.

Four or five years ago, she had a bout with, I believe, emphysema, and we visited her in the hospital. The good result of that event was that she quit smoking.

Bonnie called at least once a week, and we probably saw her at least twice a month, going out to eat at Friendly’s restaurant or some diner. She was a classic Luddite, and never did get to really do much with the computer.

She had a massive coronary “event” on January 13, and died the next day at the age of 68.

Bonnie was the first person The Daughter really knew who died. She had met my mother, but that was from a series of infrequent visits, many of which she no longer remembers. But she related to Bonnie quite well, appreciating how she would say “Good morning, Carol, Roger, and Lydia” when she left messages on our phone.

In fact, the night before Bonnie’s death, The Daughter was crying, had trouble going to sleep, and woke up about 4 a.m.

That makes THREE people I knew personally who had died in the first TWO WEEKS of 2015.