Juke Box Race Records #1s for 1945

I Wonder

The designation of black/soul/R&B music has changed over time—the Juke Box Race Records #1s for 1945 cover most of that year.

The Honeydripper, parts 1 and 2 – Joe Liggins and His Honeydrippers: “Little” Willie Jackson – Alto and Baritone, James Jackson – Tenor, Joe Liggins -Piano, Eddie Davis (Exclusive), written by Liggins – Bass (Exclusive records), 18 weeks at #1, starting on 9/18 through the end of the year. The tune was based around the traditional song “Shortnin’ Bread.” Hit cover versions were also made by Jimmie Lunceford (#2 R&B, 1945), Roosevelt Sykes (#3 R&B, 1945), and Cab Calloway (#3 R&B, 1946).

Who Through The Whiskey In The Well (DeLange-Brooks) Lucky Millinder & his Orchestra, vocal by Wynonie “Mr. Blues” Harris and Congregation (Decca), eight weeks at #1. I LOVE this song!

I Wonder – Roosevelt Sykes and his piano with electric guitar and traps (Bluebird/Victor), seven weeks at #1

Caldonia (F. Moore) Louis Jordan and his Tympany Five (Decca), seven weeks at #1

Tippin’ In (Bobby Smith) – Erskine Hawkins & his Orchestra (RCA Victor), six weeks at #1. Instrumental.

I Wonder–  Pvt. Cecil Gant (Gilt-Edge Records), written by Gilt, two weeks at #1. “This was the influential 1940s blues singer/pianist’s second recorded version of what became his signature ballad (the first was done for the Bronze label earlier in ’44). Label-billed as “The G.I. Sing-Sation,” he was serving in the army at the time.” This version charted first, followed immediately by the Sykes take.

Mop! Mop! – Louis Jordan And His Tympany Five (Claude DeMetruis-J. Mayo Williams)  (Decca) -one week at #1

Somebody’s Got To Go – (Haggart) – Cootie Williams & his Orchestra, vocal by Eddie Vinson, one week at #1. This was Billboard’s final Harlem Hit Parade title on February 10, 1945.

The 1945 #1 hits

Les Brown, Bing Crosby, Harry James

Here are the 1945 #1 hits, when World War II finally ended. Because there were multiple charts, there were 73 weeks of recordings. I recognize many songs, though I hadn’t been born yet. 

Rum and Coca-Cola – Andrews Sisters (Decca), 10 weeks at #1, gold record

Till The End Of Time – Perry Como, the orchestra conducted by Russell Case (Victor), 10 weeks at #1, gold record. Based on Chopin’s Polonaise.

Sentimental Journey – Les Brown and his orchestra with Doris Day (Columbia), nine weeks at #1. gold record

On The Atchison, Topeka and Santa Fe – Johnny Mercer and the Pied Pipers with Paul Weston and his orchestra (Capitol), eight weeks at #1. From the MGM picture Harvey Girls.

My Dreams Are Getting Better All The Time – Les Brown and his orchestra with Doris Day, (Columbia), seven weeks at #1, from In Society.

There! I Said It Again – Vaughn Monroe, his orchestra, and the Norton Sisters (Victor), six weeks at #1, gold record. The song went to #1, covered by Bobby Vinton, early in 1964; the next #1 was I Want To Hold Your Hand by some British Invasion group.

I Can’t Begin To Tell You – Bing Crosby with Carmen Cavallaro at the piano (Decca), six weeks at #1, gold record

A very goofy song

Chickery Chick – Swing and sway with Sammy Kaye with Nancy Norman, Billy Williams, and the Kaye Choir (Victor), four weeks at #1

It’s Been A Long, Long Time – Harry James and his orchestra with Kitty Kallen (Columbia),  three weeks at #1. Written by Sammy Kahn and Jule Styne

I’m Beginning To See The Light – Harry James and his orchestra with Kitty Kallen (Columbia),  2 weeks at #1—Co-written by Duke Ellington, James, and two others.

Ac-Cent-Tch-Ate The Positive – Johnny Mercer and The Pied Pipers, orchestra conducted by Paul Weston (Capitol), two weeks at #1. Written by Mercer-Harold Arlen, from the film Here Come The Waves

It’s Been A Long, Long Time – Bing Crosby with Les Paul and his trio (Decca), two weeks at #1. Written by Jule Styne-Sammy Cahn 

White Christmas – Bing Crosby with the Ken Darby Singers, orchestra conducted by John Scott Trotter (Decca),  two weeks at #1. This is the 1942 version which was #1 for 11 weeks that year and a week in 1946. After that, the 1947 version predominated in recordings and airplay.

Candy – Johnny Mercer with Jo Stafford, the Pied Pipers, and Paul Weston and his orchestra (Capitol)

Dream – The Pied Pipers with Paul Weston and his orchestra (Capitol). Written by Johnny Mercer

Ramblin' with Roger
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