Music Throwback Saturday: songs from the With the Beatles album

They became familiar with three-part harmonizing .

WithTheBeatlesHere’s another article about how the Beatles influenced many other artists; there are plenty more examples.

But they too were influenced by other musicians. I’m rereading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Fairly often, the members of the group are quoted as having been inspired by a piece for their own creations. I thought I’d put some of their songs up against the source material, with links to all.

She Loves You:

Paul got the initial idea of using ‘she’ and ‘you’, instead of the familiar ‘me’ and ‘you’, from Bobby Rydall’s then current British hit ‘Forget Him‘ in which the narrator told a girl to forget about a boy who doesn’t appear to truly love her. ‘Yeah yeah’ was frequently used as an aside in Fifties skiffle music, as well as by Cliff Richard in ‘We Say Yeah‘ (1962).

I’ll Get You:

One of the songs musical tricks, the shift from D to A minor to break the word ‘pretend’ was taken from Joan Baez’s version of the traditional song ‘All My Trials‘ (1960). There, the shift takes place underneath the words ‘don’t you cry’.

Hmm. I own that Baez song but never made the connection.

All I’ve Got To Do:

John appears to have used Smokey Robinson’s ‘You Can Depend on Me‘ as the model.

Little Child:

Paul remembered that part of the song’s melody was inspired by ‘Whistle My Love‘, a 1950s song by the British folk singer Elton Hayes and used in the Walt Disney film Robin Hood.

Hold Me Tight: It was influenced by the Shirelles, though no specific song is mentioned. Here’s their ‘Baby It’s You‘, which the Beatles covered.

I Wanna Be Your Man (first link):

It was meant to emulate the feel of the Shirelles’ song ‘Boys‘, which Ringo sang in concert. The dragged out ‘maaaan’ of the chorus was inspired by Benny Spellman’s song ‘Fortune Teller‘.

This Boy:

They became familiar with three-part harmonizing by singing Phil Spector’s ‘To Know Him Is To Love Him‘.

Note: Yes, the first two songs weren’t on With the Beatles, but appear in that chapter in Turner’s book.

April rambling #1: music for tax day

librarians_shout out

Silence or Violence: Logan, Suicide, and the Culture of Masculine Silence.

Preventing Bullying and Cyber-Bullying.

Last Week Tonight with John Oliver: Border Wall and Congressional Fundraising.

The Unabomber takes on the Internet.

The Tip That Led to Terrorist Abdelhamid Abaaoud’s Downfall Came From a Muslim Woman.

Ken Screven: And then I tossed a bourbon Manhattan in his face.

The Real Story Behind HBO’s ‘Confirmation’ From The NPR Reporter Who Broke The Story. Clarence Thomas, Anita Hill,and NPR’s Nina Totenberg.

Chip, Implanted in Brain, Helps Paralyzed Man Regain Control of Hand.

Facing life unarmed. “When I was born, everyone was expecting me to have arms.”

Within Our Gates (1920) – Oscar Micheaux Silent Film.

Arthur’s Outaversary.

Dustbury has been blogging 20 years, which, at 11 years, makes me a piker.

Sharp Little Pencil: Lost Word.

Now I Know: Voltaire’s Wager and The Revolt of the Dancing Grannies and They Blue It and The Birds that Sing for Their Supper.

You may have to be from upstate New York to appreciate this: This is a Halfmoon; This is a Black and White Cookie.

The Mystery of the Phantom Page Turner.

Can anything good come from an experiment involving whipped cream?

The funnies

Cartoon: The NYC pandering primary.

Frank Welker, will be honored with the Lifetime Achievement Award at the 43rd Annual Daytime Creative Arts Emmy(R) Awards on Friday, April 29th, 2016. He is the legendary performer of the voices of Scooby-Doo and many others.

Guinness Book of World Records certified famed Mad artist Al Jaffee’s run as a world record for “Longest Career as a Comics Artist.”

How Mickey Mouse Evades the Public Domain.

An Audience With the King. That would be Jack Kirby. Bob Kane does not fare so well.

Book review: A Spanish Comic Book Exposes Franco’s Orphanages.

Music

R.I.P, Merle Haggard and Steve Earle: The Other Side of Merle Haggard and Coverville 1121: A cover tribute to Merle Haggard and some A Cappellaville!

10 Priceless Songs About Taxes and Coverville 1120: A Tribute to Tax Day.

New Paul Simon Album ‘Stranger to Stranger’ Coming June 3rd. Simon & Garfunkel – Bridge Over Troubled Water – Madison Square Garden, NYC – 2009/10 29 or 30.

18 Ripping 1960S ROCK & ROLL Bands That Performed On TV Sitcoms And Dramas.

The History of John Lennon and Paul McCartney’s Only Post-Beatles Session.

The Muppets on the Ed Sullivan Show.

This is a REALLY annoying K-Chuck Radio, especially the Oz piece, which I gave up on. They made a disco song out of THAT?!?

Led Zeppelin’s Stairway to Heaven may be partly stolen, judge says.

The lawyers who beat​ the ‘Happy Birthday’ copyright are taking on ‘We Shall Overcome’.

The Black Keys Say They Regret Inducting Steve Miller Into Rock Hall of Fame.

David Kalish: My ode to how music has shaped me.

SamuraiFrog’s 12 albums.

George Martin

George Martin got Paul to agree to put a string quartet on the song Yesterday.

george-martinBeatles producer George Martin, who died this week at the age of 90, had been on my mind recently. The family went to not one, but two programs of Deconstructing the Beatles at the end of February.

One show was about the making of the album Rubber Soul, and the other concerning just three songs: Strawberry Fields Forever, Penny Lane, and A Day in the Life. Re: the latter, Scott Freiman described, among other things, how Martin and engineer Geoff Emerick meshed two disparate versions of John Lennon’s song Strawberry Fields together, by “speeding up the first version and slowing down the second.”

It was one of 10 Great Beatles Moments We Owe to George Martin, though there were undoubtedly more. “Martin served as expert and conspirator, taskmaster and mad scientist, friend and father figure throughout the band’s studio life. He shaped their songs in ways that are seldom appreciated but impossible to forget.”

When I was watching CBS News This Morning, some “expert” from Rolling Stone told that Strawberry Fields story but identified the song in question as Penny Lane. Maybe it was an 8 a.m. brain freeze; Penny Lane and Strawberry Fields WERE on the same single. But then CBS played a snippet of Penny Lane, which suggested that they were told in advance by the said expert to cue the song actually written by Paul.

The expert also said it was their songwriting prowess that appealed to Martin, when in fact it was their personalities that first convinced him that they would be successful, long before they showed any evidence of musical brilliance.

Earlier that morning, I heard National Public Radio identify George Martin as the Beatles manager – arrgh.

Paul McCartney described how George Martin got Paul to agree to put a string quartet on the song Yesterday. Later, in his solo career, Paul brought in his proposed songs for the Tug of War album, and Martin’s reaction was something like “that’s nice…where are the real songs?”, which took McCartney aback, but prompted him to write better material.

George Martin: the man who changed pop forever (with a little help from his friends)

Top 10 George Martin Non-Beatles Records

Brian Wilson and George Martin in studio at Brian’s home in LA playing with God Only Knows.

Coverville 1116.

Music Throwback Saturday: songs from The Beatles album Please Please Me

Musically, John admitted it was his attempt at “sort of Motown, black thing.”

PleasePleaseMeMy love for the Beatles is quite substantial, as most people who know me can tell. Here’s an article about how they influenced many other artists, and there are plenty more examples.

But they too were influenced by other musicians. I was reading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song.” Fairly often, the members of the group are quoted as having been inspired by a piece for their own creations. So I thought I’d put some of their songs, from the Please Please Me album, and related singles, up against the source material, with links to all.

I Saw Her Standing There”:

Paul explained…the bass riff was stolen from Chuck Berry’s 1961 song ‘I’m Talking About You’. “I played exactly the same notes and it fitted our number perfectly. Even now when I tell people about it, I find few of them believe me. Therefore, I maintain that a bass riff doesn’t have to be original.”

I’m listening for it, and I barely can hear it.

Misery:

The ‘la-la-la-la-la’ outro appears to allude to Pat Boone’s ‘Speedy Gonzalez’, a single that entered the British charts in July 1962 and didn’t leave until October.

Even as a kid, I HATED Speedy Gonzales as a terrible stereotype.

Please Please Me:

The song’s… chorus having been suggested by the 1932 Bing Crosby song ‘Please’, written by Leo Robin and Ralph Rainger, which starts off by playing with the homophones ‘pleas’ and ‘please’.

Love Me Do:

During 1962, the American star Bruce Channel had enjoyed a British hit with ‘Hey Baby’ which featured a harmonica solo by Nashville session musician Delbert McClinton. When [John] met McClinton in June 1962…he asked him how he played it.

McClinton, who I was unfamiliar with until the late 1970s, tells his version of the story.

Do You Want To Know A Secret?:

[John’s] mother used to sing to him…’Wanna know a secret? Promise not to tell? We are standing by a wishing well’ (‘I’m Wishing’, words and music by Larry Morey and Frank Churchill)… from Walt Disney’s 1937 film Snow White and the Seven Dwarfs. George later revealed that the musical inspiration… came from ‘I Really Love You’, a 1961 hit for the Stereos.

George later covered I Really Love You.

There’s a Place:

Paul claimed the title was derived from the West Side Story song There’s a Place for Us (i.e., Somewhere) from 1957. Musically, John admitted it was his attempt at “sort of Motown, black thing.”

The Beatles, of course, covered several Motown songs, such as You’ve Really Got a Hold on Me, Money, and Please Mr. Postman.

Ask Me Why:

Reminiscent of Smokey Robinson and the Miracles’ 1961 song What’s So Good about Goodbye.

And, of course, Motown covered many Beatles tunes.
***
Bonus Beatles music: In Spite Of All The Danger

Happy birthday to Beatles fan Fred Hembeck.

Money or mitigating mistakes?

Would I have to relive parts of my twenties? OH, God, please, NO.

bluepillOne finds these on Facebook all the time. Would you rather have this large sum of money, or do something that would be perceived as nobler?

I look at these options, and the choice was surprisingly easy; I’d take the cash. This does not come from either greed or shallowness. Rather it is from the recognition that the mistakes I made – and to quote Sinatra, “I’ve made a few” – are what makes me, ME. This is NOT to say that there aren’t choices I’ve regretted, only that undoing them would mean I would presumably unlearn the lesson of my errors.

To play the scenario out, there’s no guarantee that fixing the mistakes would lead to a good result. I was struck by the fact, in the Stephen King novel 11/22/63, that the protagonist has to make several different attempts going back in time to try to thwart the assassination of President John F. Kennedy. More prosaically, there’s an irritating newish Disney show called Best Friends Whenever, about time-traveling teens, and they too find going back to fix things not so easy.

Would I have to relive parts of my twenties? OH, God, please, NO.

Sometimes mistakes are good. I was giving a presentation at the Friends of the Albany Public book review on The Gospel According to the Beatles. Some of the group’s greatest creativity came from “mistakes,” such as the line “two-foot small” in You’ve Got to Hide Your Love Away, instead of “two-foot-tall.” Moreover, there is a philosophy that one should embrace errors as part of the serendipity of life. Many inventions were “mistakes,” someone trying to make something else.

Hey, maybe the mistake was not saving enough for retirement, or for The Daughter’s college fund. Taking the money would SOLVE the error.

Online, someone fretted that having lots of money would be too likely to change his life, a legitimate concern, giving the history of some lottery winners. I wrote:
Think of the things
You can do with that money
Choose any charity
Give to the poor
This reference to Caiaphas singing in Jesus Christ Superstar – Damned For All Time/ Blood Money – was totally lost on the participants, alas.

But what say YOU?

Ramblin' with Roger
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