Please don’t sue me, Mr. Faulkner!

The court interpreted the inclusion of the paraphrased quote in Midnight in Paris as actually helping Faulkner and the market value of Requiem if it had any effect at all.

From 1949; per Wikipedia description, image is in the public domain

I missed this initially, but a few months ago, a federal judge in Mississippi nixed a lawsuit brought by the heirs of William Faulkner. In dispute was the claim that “Woody Allen’s 2011 film ‘Midnight in Paris’ [had] improperly used one of William Faulkner’s most famous lines.” The librarian in me was pleased with the outcome but ticked that the suit was filed in the first place.

“The past is never dead. It’s not even past,” Faulkner wrote in the book, ‘Requiem for a Nun.’ “In the movie, actor Owen Wilson, says: ‘The past is not dead. Actually, it’s not even past. You know who said that? Faulkner. And he was right. I met him too. I ran into him at a dinner party.'”

Read the judge’s ruling. The Faulkner heirs claimed violation of copyright law but SONY Pictures, the defendant, claimed the Fair Use provision in the law, and, “alternatively, argued that the use of a quote was non-infringing under the de minimis doctrine (essentially a taking too small to rise to the level of infringement).”

Factor 1: Purpose and Character. These were considered quite different media and intent (comic film v. serious book).

Factor 2: Nature of the Copyrighted Work. While the book is subject to copyright protection, the movie was “transformative,” i.e., significantly altered from the original.

Factor 3: Substantiality of the Portion Used in Relation to the Copyrighted Work as a Whole. “At issue, in this case, is whether a single line from a full-length novel singly paraphrased and attributed to the original author in a full-length Hollywood film can be considered a copyright infringement. In this case, it cannot.”

Factor 4: Effect of the Use Upon the Potential Market for or Value of the Copyrighted Work. “[The court] interpreted the inclusion of the paraphrased quote in Midnight as actually helping Faulkner and ‘the market value of Requiem if it had any effect at all.’ The court also stated ‘how Hollywood’s flattering and artful use of literary allusion is a point of litigation, not celebration, is beyond this court’s comprehension.'”

The lawyer for the Faulkner literary estate, Lee Caplin, had also argued something called The Lanham Act, suggesting that the dialogue could confuse viewers “as to a perceived affiliation, connection or association” between Faulkner and Sony; the judge rejected this as well.

Caplin groused that the ruling “‘is problematic for authors throughout the United States” and “it’s going to be damaging to creative people everywhere.” If anything, had the ruling gone the other way, THAT would have created a chilling effect on everyone who might use a soupçon of copyrighted material.

Tales from the attic

There are at least a half dozen boxes of file folders filled with something called “letters.” These are pieces of correspondence that people used to write with something called a “pen.”

This is possibly not true of some people, but I like being able to actually be able to FIND specific things in the attic. I don’t have patience rummaging through a dozen and half boxes.

So the area has been a source of frustration for the last three years. First, everything got put into one half of the attic, while the other part was being insulated by spray foam insulation contractors in Houston – First Defense Insulation. Then my wife wanted to paint the insulated half; while I still find that step unnecessary, it does look better. Six weeks of being able to at least get to stuff.

Then the other half had to be insulated, so all the stuff was jammed into the painted half. This process was interrupted by the need to get the roof replaced, a legit issue. But then the room remained undone, month after month, while the contractor dealt with a series of other people’s needs, some of their emergencies. But once it hit a year, I got irritated and asked him if he wanted us to find someone else. (I hardly dealt with him; he was my wife’s contractor for a number of years, and I was loath to interfere.) Once he did return to the room, we discovered the floor needed to be reinforced, and that’s actually a nice addition.

Finally, a full attic, accessible! Well, if you call the narrowest steps around a bend I’ve ever experienced “accessible.” A project for the future.

I care to get to things upstairs because I have two bookcases up there with books. Couldn’t reach them for too long a time; now I can! And now I must put more books in the attic since the shelving in the office is jam-packed.

There are at least a half dozen boxes of file folders filled with something called “letters.” These are pieces of correspondence that people used to write with something called a “pen”, or occasionally written using a device known as a “typewriter.” Based on something I read a long time ago, there are even copies of a few letters I wrote back; I used “carbon paper” when I typed or, usually, hand-printed, because my cursive tended to smear the copy.

I did discover some things I knew were up there but couldn’t get my hands on, such as a bunch of Beatles mono box CDs that got put in a box while painting; a bunch of FantaCo publications, helpful because I’m one of two guys indexing them; my stash of TV Guide season previews; the one box of comic magazines I inadvertently failed to sell when I dumped my collection in 1994, with Deadly Hands of Kung Fu, Rampaging Hulk, and Savage Sword of Conan; plus the comics I was buying but had all but stopped reading in 1992 and 1993.

While I got rid of some old bank statements. I kept wedding and funeral programs and the like because it’s the only way I can remember whether a particular event took place in 2005 or 2007.

Oh, and I’d give these away to people, even shipping them within the US (because that international postage has gotten outrageous): I have a cache of green and white buttons that have “Choose Peace” imprinted, vintage the period just before the Iraq war. I also have about five dozen copies of “And don’t call me a racist!” A treasury of quotes on the past, present, and future of the color line in America / Selected and arranged by Ella Mazel.

The process of sorting involved schlepping boxes downstairs because the attic is too hot after about 10 a.m. One Sunday, I was carrying a particularly large box from the second to the first floor when I dropped it. It broke open, sending a cascade of paper products down the stairs like a waterfall; it was, at the moment, actually quite impressive.

What Your Reading Rules Reveal About Your Personality

Maybe I like my fiction with pictures and my non-fiction without.

OK, is that a pretentious title, or what? My “personality”? My preferences, maybe.

Anyway, the meme comes from Jeanette at Book Riot. Then Jaquandor did it, and added questions (after #5). SamuraiFrog did it, and added #9.

1. Always stop at the end of a chapter. Always.

Well, I’m not hung up on that.

Certainly, I want to have a good jumping-off point, so I’ll see if there’s a natural section break.

2. Use specific bookmarks.

Oh, goodness, no. Whatever I find that’s thin enough I’ll use. A ruler, a bus schedule, the envelope from a bill, a Post-It note. It’s not that I don’t OWN bookmarks; it’s that I’m not organized enough to FIND them when I want them.

2a. No dog-earing, bending, or folding of pages.

I HATE dog-eared books; I find them inherently ugly. As a page (clerk) at the Binghamton Public Library many years ago, I noticed how people would do that, and it rather ticked me off.

2b. Weirdly enough, spine-breaking is fine, just don’t get too crazy with it.

And I REALLY hate that! I’ve had books come apart in my hand in two or three sections, held together by some strands. It was not just aesthetically unpleasing, it made the reading experience too much work. Not to mention a cost to the taxpayers.

Re: a comment on someone’s blog, no, I can’t use a book as a drink coaster, either!

3. Always read two books at once.

Depends. Generally, I get so engrossed in one book that I’ll just finish that one, then forget where I left off with the other, not physically, but emotionally.

4. No (or minimal) writing in books.

I tend to agree with this, except for some used textbooks I once had to buy back in my college days. Sometimes the previous owner even used a highlighter, and that was sometimes OK too. But in general, for most purposes, no.

5. Rereads must be earned because there are too many great books out there to read an okay one twice.

It’s been so long since I reread a book, can’t really speak to it. In my teens and twenties, I did all the time, and they weren’t necessarily “great” books, but ones that resonated with me. It’s more that I don’t have time to get through all the books I want to read, but that “earned” stuff seems like elitist snobbery to me.

Now, there are sections of books I’ll read. A Grimm fairy tale or a Shakespeare sonnet or a particularly nice passage But most of the books I have are comic books in hardcover form – Mr. Frog has been reviewing the early Marvels, BTW – or reference books on movies, TV, music, sports, and general knowledge, some of which I have NEVER read (though some histories of programs such as The Twilight Zone and The Dick Van Dyke Show, I have). In some ways, the vast majority of books I have I consider reference books, even if you would not.

6. Not finishing a book is OK.

I had a REALLY hard time with this for a LONG, LONG time. But after I passed 50, I got less driven about that. Too many books to worry about THAT one, even if I’M “supposed” to have read it to prove how well-rounded I am. Partly it’s that I don’t care to meet that amorphous expectation.

7. It is always better to take more books on a trip than you think you’ll possibly have time to read.

Seriously, it’s only in the last two years that I took ANY books on trips. It was usually periodicals I took because if they get lost/damaged, I don’t care as much. I once left a book at a motel, and to get it back, it cost more than it would have I just purchased it again. That said, I don’t get much reading of any type done on a trip, except in the car, and that HAS to be a magazine, where I can navigate and read at the same time.

8. Having a favorite genre is fine. Getting stuck in that genre is bad.

Meh. Several times I’ve tried to read fantasy, and most of the time, it just didn’t take. Indeed, most of what I read is non-fiction, and the only fiction I read last year, 11/22/63, was based on a real event. Yet, I read comic-related material for years. Maybe I like my fiction with pictures and my non-fiction without?

9. Reading on a tablet is still reading.

Well, sure. I mean I don’t do it, not likely to do it, have no interest in doing it, but I don’t find anything wrong with it. I’m more bothered that they are leasing the book to you, essentially, rather than you owning it, but that’s commerce and ownership issues, not reading issues. (Jaquandor answered this question of mine on this topic recently.)

I just listened to the Bat Segundo Show podcast with author Norman Rush. About 45 minutes in, Rush noted that what he likes to do when he visits people’s houses is to look at what’s on their bookshelves. That would be lost with the adoption of the tablet, though I suppose Good Reads, or other online reading lists, can be inadequate substitutes.

Books on tape are also reading, I decided. I mean, how else, save for braille, can the blind read? There’s REAL snobbery in this arena. If one is actively listening, as opposed to having on the background the way some people play music, then it’s reading. Love this short but sweet story.

What a Christian can learn from a Muslim about Jesus, by way of Dostoevsky

“The Church’s conception of Jesus is inextricable from the Church’s political, religious, and economic interests—that their Jesus may not be who Jesus actually was.”

I’ve got to read this book!

You may not know the name Reza Aslan, but you might have heard about the controversy about an interview that FOX News religion report Lauren Green did with him about his book Zealot, about the life of Jesus. She questioned how a Muslim could write about Jesus, and he kept repeating his extensive credentials as a religious scholar. The storm over her amateurish piece helped the sales of his book reach #1 on the New York Times bestseller list.

More interesting to me was this interview with John Oliver of The Daily Show. Aslan is addressing the Christian POV, though not focused on the Christ aspect of Jesus. Aslan disputes the notion of Jesus as a detached, celestial spirit, argues that the early Christian leaders never meant for the Gospel of Jesus to be taken literally, and attempts to answer the question of what Jesus would actually do were he alive in modern times. Aslan notes that if one knows nothing else about Jesus, knowing of the crucifixion is mighty informative since the cross was a punishment usually used on those the authorities considered trouble to the state.

The item that most intriguing me about him, though, was The Book That Changed Reza Aslan’s Mind About Jesus, an article in The Atlantic. The book in question was The Brothers Karamazov by Fyodor Dostoevsky, read when he was 16.

“I first read this book when I was a Christian: a firm, devout follower of Jesus. Someone whose impression of Jesus was wholly a result of what the church told me he was. When I read The Brothers Karamazov… my eyes were opened to the notion that the Church’s conception of Jesus is inextricable from the Church’s political, religious, and economic interests—that their Jesus may not be who Jesus actually was. This rocked my world, even back then. I could sense that I was never going to be the same…

“I think Dostoevsky is saying that we must never confuse faith with religion. We must never confuse the institutions that have arisen, these man-made institutions—and I mean that quite literally, because they’re all run by men—who have created languages to help people understand faith, with faith itself. I, as a person of faith, read the same story and did not see it as a repudiation of faith the way a lot of atheists do. I saw it as a challenge to always remember that those who claim to speak for Jesus are precisely the kind of people that Jesus fought against.

“One of the things that’s fascinating about Jesus is that he refused to recognize the power of the Jewish authorities to define the Jewish religion for him. In this time, the priests had a monopoly on the Jewish cult. They decided who can enter the presence of God, and who could not. Which means of course that the lame, the sick, the marginalized, the outcasts, the ‘sinners,’ were divorced from communing with God. And Jesus’ ministry was founded upon not just rejecting that idea, but claiming the absolute reverse: That the kingdom of god that he envisions is one in which the priests, the aristocracy, the wealthy, the powerful, would be removed. And in their place would be the weak, the powerless, the marginalized, and the dispossessed. This was a reversal of the social order. In other words, it’s not just about the meek inheriting the earth. It’s about the powerful disinheriting the earth.

“I think that, obviously, is an enormous threat to the power-holders whose authority came from—precisely as Dostoevsky says—from their ability to appease a man’s conscience. Pay us your dues, your tithes, bring us your sacrifices, submit to our authority, and in return, we will give you salvation. And Jesus’ challenge to that idea was based on the notion that the power for salvation does not rest in any outsider’s hand: that it rests within the individual.”

The Lydster, Part 110: vacation homework

In general, the hardest seems to be how to MAKE CONNECTIONS to her own life.

It’s been a LONG time since I was in school, but I don’t recall having homework in third grade at all. And I’m fairly certain that I didn’t have homework during school vacations. Things are different, however, for MY third grader.

These days, they gave to read chapters from a book, and then write a REVAMP. Revamp, of course, means to renovate, make new, patch up, redo.
Thus, she and her classmates must:
R READ a section of the text, note the page numbers
E ENCODE the text by telling the gist (main idea) of your reading in your words
V VISUALIZE the text by drawing a picture of your reading
A ANNOTATE the text by writing down important details, ideas, words, or quotes
M MAKE CONNECTIONS by telling your personal experience or what it reminds you of
P PONDER the text by asking questions, making inferences, or predictions

For the winter break, the Daughter procrastinated so much that we (and I do mean we, not just she) was working on it the Monday morning she returned to school, which is unsettling and exhausting for both of us.

During the spring break, she was to encode The Indian in the Cupboard. Also during that period, she and a friend went to the Kopernik Observatory & Science Center in Vestal, NY, two hours away; the Wife took them to this Girl Power science activity.

When they returned on Friday, they’d only done one REVAMP chapter of the book, though she’d read five chapters. Saturday, we did two more. The ENCODE is fairly easy, but the ANNOTATE is difficult, especially if you have to go back and remember the specific section. This means I, who did NOT read the book or see the movie, end up having to skim through the chapters myself.

But, in general, the hardest seems to be how to MAKE CONNECTIONS to her own life. I throw some possible examples out there – “Did you ever get hurt like the Indian did?” – which she will accept, or reject (mostly reject) until she finally comes up with one of her own.

Thus, the entire Sunday afternoon after church, we are doing homework, when I could be reading the paper, or vacuuming, or doing any number of things.

I HATE vacation homework, and it isn’t even MINE!

Ramblin' with Roger
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