The first college football bowl game, the Rose Bowl between Michigan and Stanford, is held in Pasadena, California on January 3, 1902. The Wolverines, a team that hadn’t yielded a point all season, shellacked the California team 49-0.
Meanwhile, in music that year, at least two very familiar songs.
Arkansaw Traveler – Len Spencer, 11 weeks at #1. This is a comedy record, with a background fiddle. At least one joke, the one about the roof, I’ve heard in some comedy routine a couple of decades ago.
Bill Bailey, Won’t You Please Come Home? – Arthur Collins, 8 weeks at #1. This is also considered a comedy. He was “one of the most prolific and beloved of pioneer recording artists, regarded in his day as ‘King of the Ragtime Singers’. Collins was in duos and quartets as well as a solo artist. He specialized in what were then called coon songs, popular African-American dialect numbers associated with vaudeville, and minstrel shows. Collins also utilized an array of vocal effects and caricature voices which gave the impression that there were multiple persons at the horn on his recordings, though it was just Collins.”
In The Good Old Summer Time In The Good Old Summer Time – J. W. Myers, 7 weeks at #1
On A Sunday Afternoon – J.W. Myers, 6 weeks at #1
Way Down In Old Indiana – J. W. Myers, 5 weeks at #1
Williams and Walker
Good Morning Carrie – Bert Williams and George Walker, 5 weeks at #1.
Williams “was a Bahamian-born American entertainer, one of the pre-eminent entertainers of the Vaudeville era and one of the most popular comedians for all audiences of his time. He is credited as being the first Black man to have the leading role in a film: Darktown Jubilee in 1914. He was by far the best-selling Black recording artist before 1920.
“Williams was a key figure in the development of African-American entertainment. In an age when racial inequality and stereotyping were commonplace, he became the first Black American to take a lead role on the Broadway stage, and did much to push back racial barriers during his three-decade-long career. Fellow vaudevillian W. C. Fields, who appeared in productions with Williams, described him as “the funniest man I ever saw—and the saddest man I ever knew.”
Walker was an American vaudevillian, actor, and producer. In 1893, in San Francisco, Walker at the age of 20 met Bert Williams, who was a year younger. The two young men became performing partners. Walker and Williams appeared in The Gold Bug (1895), Clorindy (1898), The Policy Player (1899), Sons of Ham (1900), In Dahomey (1903), Abyssinia (1906), and Bandanna Land (1907). Walker married dancer Ada Overton, who later also was a choreographer.
“The two men set up an agency, The Williams and Walker Company, to support African-American actors and other performers, create networking, and produce new works.”
The Mansion Of Aching Hearts – Harry Macdonough, 4 weeks at #1
The Mansion Of Aching Hearts – Byron Harlan, 3 weeks
Down in the jungles lived a maid
Of royal blood though dusky shade…
If you lak a me, lak I lak a you,
And we lak a both the same,
I lak a say, this very day,
I lak a change your name;
‘Cause I love a you and love a you true