Easter taxi?

Officially, it reached 86F that day, though the bank clock we saw read 87, around 30C.

A good day to get married?

This relatively early Easter reminded me that back on March 30, 1986, it was Easter Sunday. It was also the wedding day of my friend Miriam Isaacs; she was Jewish, and evidently unaware of this Christian tradition. An hour and a half before the wedding, I called for a taxi for my then-girlfriend and me. The dispatcher said it’d be there in 15 minutes. Thirty minutes later, I called, and I was told a cab was coming in 15 minutes. Thirty more minutes later, we took off on foot.

Officially, it reached 86F that day, though the bank clock we saw read 87, around 30C. By the time we got there in our fancy garb, we were sweaty. Worse, we had missed the wedding, though we did make it to the reception.

This is just one of the reasons I avoid taxis in Albany.

I’ve long lost track of Miriam, who had moved to Israel some years ago. Happy anniversary, a day late, to her, I hope. To others of you, Happy Easter!
***
And please, would this Christ not rise from the dead. That is terribly disruptive. I agree with the original writer on some points, but I suspect I have a somewhat different theology overall.

SONG: He Was Eating and Drinking by Amy Barlow Liberatore

Scenes from the Judy Garland movie Easter Parade.

 

Hallelujah (Chorus)

And He shall reign forever and ever,
King of kings! and Lord of lords!

The Roches, 1982
Flash mob, November 2010
Mormon Tabernacle Choir, Christmas 2010

Though Hallelujah (Chorus) is technically in the Easter section of the Handel Messiah, it’s often sung at Christmas as well.

Hallelujah! Hallelujah! Hallelujah!
Hallelujah! Hallelujah!
For the Lord God Omnipotent reigneth.
Hallelujah! Hallelujah! Hallelujah! Hallelujah!

For the Lord God omnipotent reigneth.
Hallelujah! Hallelujah! Hallelujah! Hallelujah!
Hallelujah! Hallelujah! Hallelujah!

The kingdom of this world
Is become the kingdom of our Lord,
And of His Christ, and of His Christ;
And He shall reign forever and ever,
Forever and ever, forever and ever,

King of kings, and Lord of lords,
King of kings, and Lord of lords,
And Lord of lords,
And He shall reign,
And He shall reign forever and ever,
King of kings, forever and ever,
And Lord of lords,
Hallelujah! Hallelujah!

And He shall reign forever and ever,
King of kings! and Lord of lords!
And He shall reign forever and ever,
King of kings! and Lord of lords!
Hallelujah! Hallelujah! Hallelujah! Hallelujah!
Hallelujah!

Hallelujah

One of the songs on the album was Hallelujah from Christ on the Mount of Olives by Beethoven, and it was amazingly competent for 12- and 13-year-olds.

When I was in high school in Binghamton (upstate NY) in the late 1960s, my sister Leslie, another black teenage girl, and I were invited to visit the classroom of the junior high school in suburban Vestal. The reason, if I’m remembering correctly (and it was over 40 years ago) was that the only black teenagers they saw were ones on television, and in those days, that was mighty few.

Interestingly, the male teacher of this music class was black, who was likely the only one, and therefore one more than there was at the time at Binghamton Central HS.

We sat and talked and answered questions, and the session seemingly did what it was intended to do, i.e., to let the Vestal kids get to know us as people. This was neither the first nor the last time my sister and I were involved in such an ambassadorship.

What was most interesting to me, though, is that they had put out an album of music, pressed onto vinyl. It was mostly classical and public domain folk tunes. The cover, though, was blank. they gave us each a copy and I remember coloring it with a bunch of geometric designs. And while I’m not sure I still have my copy, my sister definitely has hers.

One of the songs on the album was Hallelujah from Christ on the Mount of Olives by Beethoven, and it was amazingly competent for 12- and 13-year-olds. I thought of that today because it’s one of the songs we are performing for Easter this morning.

Here are a few versions:
Piano and choir
With orchestra- soft (crank it up!)
With orchestra
Solo organ
More like we’ll sound like

 

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