Tag: FantaCo

Another sighting

lookalike

Roger.cartoonThere was another sighting.

I was waiting for a bus on Northern Boulevard, across the street from Memorial Hospital. A guy comes up to the bus kiosk and sits next to me. I told him the #182 bus would arrive in about ten minutes.

We get into a conversation about the value of mass transit. He said something I’ve expressed to my wife, that he would HATE  being isolated outside of access to bus lines. I noted my support for public transportation.

It was a pleasant simpicato conversation. We both got off at Washington and Lark. He introduced himself, and I told him my first name. Then he said, “You look just like…” I get that a lot. It’s often a former teacher at Albany High School.

Bingo!

He said, “You look just like a guy who worked at a comic book store.” Ha! I said, “You mean the comic book store that was over there,” pointing in the general direction of 21 Central Avenue.

“I was around 12 when I went there!” He went to the store when Matt worked there, so in the 1983-1988 period. While I understand why people thought FantaCo was great, I’m surprised anyone remembers me. I only worked the front when the new comics arrived, the store was busy, or covering lunch periods. Mostly, I was in the back room doing the mail order, balancing the checkbook, or writing.

I conveyed this story to someone at choir rehearsal, where I was heading. “That can’t happen too often,” someone said. “You’d be surprised,” I replied.

About a year earlier, I was at the Readers’ Theater, sponsored by Wizard’s Wardrobe, taking place in the new Capital Repertory building.  A guy helping set up said, “You used to work at FantaCo!” This was not a question but a statement.

I suppose it helped that my hairline hasn’t appreciably changed. The picture of the duck represents my look in 1983.

It’s so weird. Pleasant but weird.

The Raoul Vezina Chronicles

I am calling these the Raoul Vezina Chronicles because these are bits and pieces about the life of Raoul Vezina. He worked at Crystal Cave on Main Street in New Paltz, NY which I frequented, in the mid-1970s. He was working on New Paltz Comix and other artistic and musical pursuits.

Then he worked at FantaCo at 21 Central Avenue in Albany, NY from 1978 until his untimely death in November 1983. He co-created Smilin’ Ed Comics, made the store signs, and other creative work. Not incidentally, you can find Smilin’ Ed Comics: da complete collection on Amazon.

I had sometimes a great notion of creating a Wikipedia page for Raoul, but I now realize, after a decade of trying on and off, that wasn’t going to happen soon, if ever.

Still, I have gathered a lot of material from several of his friends. In honor of Raoul’s passing 40 years ago, here are some bits, in no particular order except being the oldest in my email. There will be more pieces soon. I will try not to replicate what I wrote here or elsewhere. (Most of my links here still work.)

Here’s Naturalist At Large, a book by Don Rittner and Raoul.

Raoul created cover art and/or lettering for some records. here’s his comics bibliography.

Bio

The bulk of this will come from Raoul’s younger sister, Maria, the Chief Nursing Officer at a major hospital and a keeper of the Raoul flame.

Raoul Francis Vezina was born on January 12, 1948.

His father was Raoul E. Vezina MD (1913-1975), a General Practitioner physician in Troy NY. He grew up in Springfield, MA. He went to The College of The Holy Cross in Worcester, MA, and Tufts School of Medicine in Medford, MA. 

His mother was Elizabeth Pitaro Vezina (1912-1999) was born in Calabria, Italy and came to the United States when she was 12 years old, settling in Troy, New York. She graduated as an RN from the Samaritan School of Nursing in Troy, NY, in 1935.  [I really liked Betty.]

Raoul went to St. Peter’s Grammar  School, graduating in 1961, and Catholic Central High School in Troy, NY, graduating in 1965. He drew and sketched his way through school, always leaving behind many notebooks filled with original artwork rather than schoolwork. 

He attended Le Moyne  College in Syracuse, NY, in  1965 and then transferred to the  State University of New York at New Paltz, majoring in art. Raoul was a naturally born artist and musician who never formally trained in art or music. 

Art
Once the front of 279 Fair street in Kingston, NY, owned by the late Bruce Talbott, of New Paltz. Provided by Jim Abbott.

A natural born artist , as a young child, Raoul used to draw on the TV set at home during “Squiggle Time” for the rabbit Freddie Freihofer on the “Bedtime Stories” TV show hosted by Uncle Jim Fisk. Later, as an adult, Raoul drew advertisements for the Freihofer Bakery in Lansingburgh, the northern section of Troy, New York. In 1987, Friehofers was sold to General Foods. 

Raoul was fascinated by animal art and super heroes and science fiction early in life while composing many sketches of Mighty Mouse and Superman at a very young age. Never taking any art or music lessons, Raoul had a natural inborn talent for both art and music. 

Raoul’s art matured to cartoons and political satire, publishing “Naturalist at Large” environmental cartoon with Don Rittner. Raoul admired Lenny Bruce, a social critic and satirist. Watching That Was the Week That Was (TW3), Laugh-In, The Twilight Zone, and the Smothers Brothers in the 1960s became his weekly favorite TV shows.  Raoul’s early childhood exposure to animal art influenced his original creation of Smilin’ Ed Smiley, the rascal rodent who became the mascot for FantaCo.

Music

Raoul played electric piano and harmonica for several local bands in upstate New York, including Love’s Ice Cube with Paul “Piper” Rafter, John Randall, Paul Sadowski, and Gary Grimaldi. Original Art showcasing this band’s logo, designed by Raoul, was last seen in the River Street Beat Shop in Troy, New York.

He also performed with Witz End in New Paltz, NY, writing original music and jamming with many local musicians, again playing electric piano and harmonica. He became an early music aficionado of blues and rock n roll admiring Bob Dylan, The Band, The Byrds, Theolonius  Monk, Randy Newman, Paul Butterfield, Mopy Grape, Canned Heat, Spirit, and local upstate band -NRBQ, to name a few. 

Raoul tragically died of status asthmaticus, a severe acute asthma attack, on November 13, 1983. He was 35 years old.

Comic book poll re: writers, artists

FantaCo connection

06-RAW-7My buddy Greg Burgas commented on a comic book poll that ranked writers and artists. I’m not participating because I haven’t really followed comics since 1994, when I sold the bulk of my collection. There are several names I do not even recognize. I still have books such as the Marvel Masterworks, the Moore/Bissette  Swamp Thing, a couple of Will Eisner titles, and the original Dark Knight.

The post got me reflecting on some of the people I’ve interacted with, though.

 David Mazzucchelli and Denny O’Neill made a store appearance at FantaCo in 1985 during their Daredevil run. There’s a photo I lent to someone to digitize; it shows them, Matt, a couple of other people, and me in the store.

I never dealt directly with Bernie Wrightson except in short phone calls, but FantaCo published some of his work.  When he died too young, I wrote about him here because he was so talented and a sweet guy in even those brief interactions.

In his Wikipedia page, [Greg] “Capullo’s first comic work was a publication called Gore Shriek, which was picked up and published by a comic book store in Albany, New York, called Fantaco Enterprises. Gore Shriek was a horror comic book specifically labeled Not Intended for Children because of the violent and graphic nature of it.” FantaCo didn’t “pick it up,” but whatever. I knew Greg, though not well.

Barry Windsor-Smith appeared in FantaCo pubs, but my dealings with him were meager.

Frank Miller created the cover for FantaCo’s Daredevil Chronicles, edited by Mitch Cohn, and also did a centerspread and interview. When I was going to edit a Spider-Man Chronicles, Miller agreed to produce the cover. But he bailed at the last minute, causing me quite a lot of stress. 

Pre-Maus

Art Spiegelman used to come to FantaCo to personally deliver copies of Raw, the oversized and eclectic comics and graphics magazine he and his wife, Françoise Mouly, published in the 1980s. I remember hanging out with him during the 1988 San Diego Comic-Con; it’s probably recorded in my diary.

FantaCo was in discussion with Denis Kitchen about putting out a Kitchen Sink Enterprises Chronicles with a Will Eisner cover. I would have edited that issue; alas, it never happened. Except for asking him a question at a panel discussion during that ’88 Con, I never had any dealings with Eisner.

I bought a graphic novel from Jim Starlin at an Albany comics show in the 2010s. He autographed it, but he was very busy.

I told my Jack Kirby story here.

George Perez created the Avengers Chronicles cover for FantaCo, He was supposed to make the back cover for the Fantastic Four Chronicles but was problematically late.

John Byrne saved my bacon as an editor, not once but twice, as I noted here, re: Miller and Perez.

Fred Hembeck is 70

What the World Needs Now

Fred HembeckI first met Fred Hembeck at FantaCo, the comic book store at 21 Central Avenue in Albany, NY, in February 1980. That was about three months before I would work there.   The occasion was a signing for Hembeck 1980, published by FantaCo.

But I knew his work from the weekly strips that he did for the Buyer’s Guide to Comic Fandom.  Here’s a brief review by former Marvel editor Tom Brevoort, who nails what I liked about his work.

“Hembeck was great–he had an appealing style, he didn’t take the subject matter too seriously (and simultaneously took it very, very seriously, a dichotomy I could appreciate), and he was a like a comic book archaeologist, digging through old issues to find weird and forgotten stories to spotlight.”

Fred created seven Hembeck magazines with FantaCo, He also made some spot illos for other FantaCo pubs, including the three FantaCo Chronicles I edited. We also became friends. A few years later, he moved from Rensselaer County downstate, and we lost touch for a while.

Then in 2004 – and I’ve mentioned this before – our mutual friend Rocco asked if I had read Fred’s blog. I had never read ANYONE’S blog. But I devoured his writings going back to January 2003.

Eventually, I would send Fred blog ideas or questions, and my name started appearing in his columns, starting in January 2005.

Around the same time, we exchanged CD mixes. His were more eclectic than mine, featuring discs of Andy Williams, Robbie Williams, and Beatles covers. His discs of 1960s tunes were epic.

In time, I decided that I’d start my blog. Fred plugged it. Moreover, I visited his extensive blog roster, checked out some of those folks, and commented on their blogs. That’s how I “met” Lefty, Gordon, Eddie, and even Greg.

Visit

Then my family started being in his general neighborhood once each summer. So from 2006 to 2013, my wife, daughter, and I would visit his family, a grand time in which Fred and I would philosophically muse about media.

He tends to stay with television programs he started with to the end, whereas I will give up. We were both describing the same song but remembering different parts: What the World Needs Now/Abraham, Martin, and John by Tom Clay.

These days, I tend to see him at the Albany Comic Con when I can make it, which was impacted by COVID. I should note that Fred does NOT have squiggles where his elbows and knees should be, though his comic book persona does.

So now Fred is older than I am, for about five weeks. Happy birthday, effendi.

Needed cash

pointed the same way

It was a Sunday night. My wife needed cash for her hairdresser appointment early Monday morning. Either her bank doesn’t have an ATM, or she never bothered to get a card; I suspect the latter.

Conversely, I use the ATM of my bank, two blocks away, all of the time. As I’ve mentioned, during the pandemic, my bank figured out that its machines could be programmed to dispense not only $20s, which it did forever but also $10s and $5s. They must have decided that the investment in tweaking their money dispensers was better than having customers coming into the bank to break a $20.

My wife said, “I need two $5s, three $10s…” Wait a minute.. she’s giving it to me from the bottom up, not the top down? This confused me! To be fair to me, she said she would give me a check for $150 to deposit, and she’s already asked me for $40 back so far. No, she decided she only needed $100 in cash, so three $20s. Got it. Still, the ATM asks from the top denomination down, and my mind wants to do the same.

One useful thing

When I first moved to the Albany/Schenectady, NY, area, the first job I got was as a teller at the Albany Savings Bank in downtown Albany. I didn’t love it, and I quit in a month to take a job as a bookkeeper for the Schenectady Arts Council’s program. Not only was I making more money – $8200 instead of $6000 per year, but the latter job was far more interesting.

Still, there was one thing I learned at the bank. All the bills in the drawer should be in value order, from left to right. And the bills should all be face up and pointed the same way.

As the person who most often counted the drawer and made the bank deposits at FantaCo, the Albany comic book store I worked at from 1980 to 1988, I tried to enforce that one thing. It was easier to impose this on people who started at the store after me than those who started before, let’s just say.

Carrying cash

When I buy things at most chain stores or restaurants, I usually use my DISCOVER card for the cashback bonus. For small mom-and-pop operations, though, I prefer giving them cash because it helps with their profit margins. But the amount matters, too, because I rarely have more than $100 in cash on me.

Ramblin' with Roger
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