A young Phil Spector played the distinctive lead guitar solo on The Drifters’ recording.
I’ve been involved with an office JEOPARDY! game. A recent clue: “A hundred shouting signs shed down their bright fantastic glow” in Claude McKay’s “On” this NYC street. No idea, but because of a question I’d missed earlier, I take a guess, and it’s correct.
Here’s On Broadway by Claude McKay, a rather melancholy piece: Upon the merry crowd and lines
Of moving carriages below.
Oh wonderful is Broadway — only
My heart, my heart is lonely.
“Jerry Leiber and Mike Stoller liked the song but felt that it was not quite right [for the Drifters] and the four held an overnight brainstorming session which culminated in the better-known version of the song, now with a rock-oriented groove and with a more bluesy feel… A young Phil Spector played the distinctive lead guitar solo on The Drifters’ recording.”
“George Benson’s version… from his 1978 album Weekend in L.A…. won a Grammy Award for Best R&B Vocal Performance. The song appeared in the films Big Business and American Beauty, and… was used in the 1979 film All That Jazz in a sequence that featured dancers on stage auditioning for a musical similar to Chicago. George Benson also performed “On Broadway” with Clifford and the Rhythm Rats for the 1994 Muppet album Kermit Unpigged.”
GayProf noted Perry when he wrote: “Numerous songs en vogue right now celebrate women consuming alcohol to the point of blacking out, hooking up, or hurling (not always in that order). ”
Because I was out of town, I managed to miss a couple of significant cultural anniversaries. One was the 50th anniversary of the first real Marvel superhero comic, the Fantastic Four, by Stan Lee and Jack “King” Kirby. Mark Evanier explains why it had a November cover date. Check out this hour-long Kirby documentary. And here’s a link to the intro to the FF TV show.
The other was the 100th anniversary of the birth of Lucille Ball. I watched most, if not all, of the episodes of every single one of her ongoing series, from the seminal I Love Lucy (1951-1957; 8.9 out of 10 on the IMDB scale), which started before even TV Guide and I were born but lives through the clever concept known as the rerun; to the star-studded (and too long, in my recollection) episodes of The Lucy-Desi Comedy Hour (1957-1960; 8.6); to The Lucy Show (1962–1968; 7.3), which was the one with Lucy as Lucy Carmichael, Vivian Vance (Ethel Mertz in the earlier shows) as Viv, and Gale Gordon as Lucy’s testy boss, Mr. Mooney.
Then there was Here’s Lucy (1968–1974, 6.8), where “Lucy Carter, a widow with two teen children [played her real kids with Desi Arnaz, Lucie and Desi Jr.] takes a job as a secretary for her stuffy brother-in-law [Gale Gordon, again.] Finally, there was Life with Lucy (1986; 6.0) “Lucy Barker, now a grandmother living with her daughter’s family” Gale Gordon also appeared in this show.
They declined in quality somewhat – Life with Lucy was particularly bad, as I recall – but if I didn’t quite LOVE Lucy, I liked the woman from upstate New York (Jamestown) quite a bit.
On Star Trek: The Next Generation, Data could reproduce the voices of humans with perfect fidelity. Brent Spiner can do the same with the voice of Patrick Stewart. My new Kickstarter fave: Stripped is a documentary love letter to cartoonists and comic writers who’ve delighted newspaper readers for decades. Since 2008, 166 newspapers have shut down, leaving the future uncertain for many syndicated cartoonists. Amidst this industry upheaval, Stripped follows 60 cartoonists, including luminaries like Jim Davis, Scott McCloud, and Jeff Keane, as they navigate the uncharted waters of a new digital world.
Roger Green, the proprietor of Hair by Roger, said noise and vibrations from the work were spoiling the salon’s ‘peaceful environment’. A spokesperson from United Utilities said: “We are fully aware of the impact this scheme has had on the community…”