Movie: The Big Parade (1925)

World War I film

In the past decade, I’ve become very interested in films about World War I. Cole Haddon, on his Substack page, declares that “‘The Big Parade’ is one of the first great anti-war films in cinema, but also a perfect demonstration of what he calls ‘narrative mirroring’ in storytelling.”

The movie was directed by King Vidor in 1925. It’s, of course, a silent film and is black and white. It starts in many ways, like other WWI films I’ve watched, such as the 2018 Peter Jackson documentary They Shall Not Grow Old and the 2022 remake of All Quiet On The Western Front, showing a certain glorification of war. This is the Good Fight. Isn’t it going to be wonderful? Once you get down to the brass tacks—not until the last 60 minutes of this 2.5-hour film—does the fighting become the brutalizing event that war is.

Some of the earlier scenes with Jim (John Gilbert), his army buddies Bull (Tom O’Brien), and the expert spitter Slim (Karl Dane) are on the verge of slapstick. There’s a bit of romance involving Jim’s fiancee, Justyn (Claire Adams), and a young French woman Melisande (Renée Adorée). 

Big hit

Haddon writes that The Big Parade, a title with multiple meanings, was “MGM’s biggest moneymaker until Gone with the Wind was released in 1939. The reason I think it’s worth your time to consider what I have to say about it is twofold: 1) the film has been beautifully restored and is available to watch for free on YouTube (link)  and, more importantly, 2) the structure Vidor and his team of writers used.”

He notes: “Narrative mirroring involves repeating a story beat in a different context, an act of juxtaposition with the first that produces a new, deeper meaning…This repeated beat also tends to imbue similarly new, deeper meaning in the original story beat if/when the viewer returns to it. This happens consistently throughout The Big Parade.”

My fascination with WWI films is because, like most people, I understand World War I far less than the American Civil War or World War II.

Today is 11/11, the anniversary of the “war to end all wars,” which it didn’t.

Music and movie: Call Me

Al Green

Here’s another edition of The Titles Are The Same, But The Songs Are Different. The sentence Call Me can be taken at several levels of suggestiveness, as these tracks suggest.

Blondie, #1 pop in 1980. Interestingly, Blondie made other charts with different songs. The Tide Is High went to #3 on the adult contemporary charts, while Rapture went to #33 in the R&B charts in 1981.

Aretha Franklin, #13 pop, #1 RB for two weeks in 1970. Aretha wrote this.

Johnny Mathis, #21 pop in 1958. Mitch Miller produced the song. And if you know who Mitch Miller is, you’re likely of a certain vintage.

Chris Montez, #22 pop, #2 AC in 1966. Weird: I know this song, but not by this artist. The fact that it was written by Tony Hatch was a big hint. Petula Clark recorded it on an EP in 1965, but it failed to chart anywhere except Argentina.

Skyy, #26 pop, #1 RB for two weeks in 1982. Very dancable.

Tweet, #31 pop, #9 RB in 2002. Co-written by Missy Elliott, and produced by Timbaland.

Click, #35 pop in 1997. To my surprise, I had heard this before.

Go West, #54 in 1985. This is SO eighties!

Dennis DeYoung, #54 pop, #5 AC in 1986. Written and produced by the singer. This is ALSO so eighties.

Too Short and Lil’ Kim, #90 pop, #30 RB in 1997. This is the NON-explicit version? Er, ah…This is from the 1997 movie Booty Call starring Jamie Foxx.

Variations

There’s also Call Me (Come Back Home) by Al Green, #10 pop, #2 RB for two weeks,  which my Top Pop Singles book lists separately. No, he’s NOT my cousin, though I have made jokes to that effect.

Over a dozen other songs start with the words Call Me in the title. At least two reached the Top 10 in the rock and roll era,  Call Me When You’re Sober by Evanescence, #10 in 2006, and the ubiquitous Call Me Maybe by Carly Rae Jepsen, #1 in 2012.

In 1910, Ada Jones and the American Quartet hit #1 with Call Me Up Some Rainy Afternoon, written by Irving Berlin. Ben Selvin hit #9 with Call Me Darling (Call Me Sweetheart, Call Me Dear) in 1931; the billing notes The Cavaliers, and the vocalist is Orlando Roberson. 

The movie

There is a 1988 movie titled Call Me, directed by Sollace Mitchell, and starring Patricia Charbonneau, Stephen McHattie, and Boyd Gaines. Since there are over 900 movies and TV shows with the words Call Me in the title, I had to search for it by plugging in Boyd Gaines, who I vaguely remember from “a three-year (1981-84) stint as Mark Royer, the dental student who married Barbara Cooper (Valerie Bertinelli) on the long-running CBS sitcom ‘One Day at a Time.'” 

As for the film, “A journalist agrees to meet an obscene caller at a bar, and ends up witnessing a murder.” The tagline: “He knows everything she never knew about herself. He could be everything she ever wanted . . . or feared!” 

The IMDb is 5.3 On Rotten Tomatoes, there are two negative critics’ reviews, and the audience response was only 20% favorable. Still, some people sort of liked it. One viewer, giving it 2.5 stars out of five, acknowledged, “I am not entirely sure it completely makes sense, but it did keep me watching. ” One could rent or buy Call Me on Fandango at Home, Prime Video, or Apple TV, not that you should.

Sunday Stealing: blueberry muffins

Bonnie, Neil, Diana, and Mac

  1. Here’s another installment of Sunday Stealing, which is reason enough to have a picture of blueberry muffins. The first question is, What’s your guilty pleasure?  

I’ll list foods I should not eat but crave for this exercise. These tend to involve pastry with fruit, such as banana bread, blueberry muffins, and apple pastry. 

Which meal is your favorite: breakfast, lunch, or dinner?

Dinner, because it tends to be the most varied. Breakfast is almost always oatmeal. Lunch is whatever leftovers might be kicking around. Dinner tends to be the most interesting.

What do you do when you want to chill out after a long day?

It tends to be watching television, specifically the Evening News, which we record and fast-forward through the commercials. So, I’ve managed to miss the bulk of the political ads running. Then, my wife and I play the New York Times Connections together.

How would you spend your ideal weekend?

On Saturday, we usually attend some event: a concert, play, musical, movie, or social gathering. Sunday involves going to church and then talking to my sisters on Zoom.

MUSIC, of course 

Do you listen to podcasts, or mostly just music? What’s your favorite podcast?

I listen to a lot of music, usually seven CDs per day. Bonnie Raitt, Diana Krall, Dr. John, and Neil Young are currently heavily in the rotation. But not many podcasts because I can’t multitask. I have to listen intently. It’s the same reason I can’t listen to audiobooks and do something else, as some people, notably my wife, can. I am utterly incapable. I have to concentrate on the item. So, besides Arthur’s occasional AmeriNZ item, the only podcast I listen to regularly is Coverville, which is mostly music.

Brian Ibbott usually picks covers of artists whose birthdays are divisible by five. So in November, he might select Chris Difford (Squeeze), 70, on the 4th; Bryan Adams, 65, on the 5th; Corey Glover (Living Colour), 60, on the 6th; Rickkie Lee Jones, 70, on the 7th; Bonnie Raitt, 75 on the 7th, etc.
Do you prefer to go to the movies or watch movies at home?

Cinema, always. I saw many movies at home during COVID-19, but it wasn’t the same. I remember going to the Spectrum Theatre when the vaccine was available, but social distancing and masks were the norm, and it was such a treat to see the films on the big screen.

TeeVee

What was your favorite TV show growing up?

The Dick Van Dyke Show. Mark Evanier has linked to his ten favorite episodes. (His #2 may be my #1)

What’s your favorite TV show now?

CBS Sunday Morning, a magazine on the air since 1979.

How would you spend your birthday if money was no object? 

I’d rather throw a surprise party for Kelly with a few dozen of his closest friends and family in Washington, DC.

What’s your favorite season? What do you love most about it?

Spring. It could have snow or 86°F/30°C, but ultimately, it will have new life.

Do you prefer camping or going to the beach? 

I don’t like either. If I had to choose, I’d say go to the beach, but I’d need a huge umbrella to protect me from the sun.

Which phone app do you think you use the most?

I probably use Noom because it can track all my food consumption. After that, I’ll probably use Venmo to send money to my daughter and the CDTA navigator so I can get around on the bus in Albany.

Steppin’ Out

Would you instead cook, order delivery, or go out to eat? 

I would eat out almost every meal, every day. There’s something about other people preparing your food for you and then cleaning up afterward. It’d be different restaurants with a variety of levels of fanciness.

How do you drink your coffee?

I don’t drink coffee. I know it’s unAmerican.

If you could have any animal as a pet, what would you choose? 

I don’t want another pet. We had two cats this year; one of them died. It’s much easier to go away when you don’t have a creature depending on you. I liked having them and love our remaining cat, but I reckon we won’t have another one.

Movie review: The Wild Robot

say important things

Based on good word-of-mouth, I attended a Tuesday afternoon matinee showing of the animated film The Wild Robot at the Spectrum Theatre in Albany.

I didn’t know it was based on a children’s book until I saw the movie. The story begins with robots that are shipwrecked on the shore. One robot is stymied by the fact that our heroine has no people to serve.

(Hmm. Can robots HAVE gender? This and many other questions are addressed in author Peter Brown’s reflections on the writing of this book.)

Initially, Roz (voiced by  Lupita Nyong’o) confounds or terrifies the wildlife she sees. When she figures out the language of the woodland creatures, she, to her surprise, is not welcome. She inadvertently ends up parenting an orphaned baby goose, Brightbill (Kit Connor), assisted by a conflicted fox, Fink (Pedro Pascal).

I loved this movie. First, the DreamWorks film looks marvelous. But more importantly, it has a compelling storyline about making one’s way in a strange land. Some have compared it favorably with the movies E.T., the Iron Giant, and WALL-E, and I suppose there are hints of those.

“stunning visual feast but also a moving meditation”

However, I found it more reflective and deep about the complexities of life, yet it is still accessible to children. Several reviews (97% positive on Rotten Tomatoes) glommed onto the complexities of being a parent. Yet, at times, it was hysterically LOL funny.

Leonard Maltin wrote: “The Wild Robot is a genuinely beautiful movie, in every sense of that adjective. Its physical production is impressive, to say the least, but there are no weak links in its chain, from character design to its exquisitely rendered environment.”  Other critics used terms such as “unexpected emotional rollercoaster, “and “a moving meditation on life, friendship, and survival in an unforgiving environment,”

Some reviewers were even more taken by it. Courtney Lanning of Arkansas Public Radio wrote: “Everyone who watches ‘The Wild Robot’ can come away connecting with something, whether it’s an urge to help others, even if they’ve hurt you in the past, or learning to say important things to loved ones because you never know when it’ll be too late.” Hmm. She’s not wrong.

Right before the film, I attended a book review of The Eye of the Master: A Social History of Artificial Intelligence by Matteo Pasquinelli, reviewed by Lex Bhagat, former Executive Director of FFAPL, and currently a business librarian at NY SBDC, where I used to work. Two days later, I saw an episode of Law & Order: The founder of an AI-infused dating app is murdered. These got me thinking again about the nature of technology and how “real” Roz was. No answers, just musings.

Top/Favorite MOVIES

not boring

Drew from California asked:
Have you made your Top/Favorite MOVIES (so far in your life) list? If so, I’d love to get some good recommendations, as I feel rather “movie-watching deficient” in my lifetime. I do like Rom-Coms and intelligent conversations. Good adventure and sometimes good suspense are also fun to watch.

I find this extraordinarily difficult. For instance, I really liked EEAAO (Everything Everywhere All at Once). But will it stand up to the test of time? I dunno. I remember liking ALTERED STATES (1980) and Z, but they have faded from memory.

Likewise, I was a fan of Jules and Jim (Jules et Jim) (1962), a French film I saw in Binghamton in the late 1960s in a museum theater. It was my favorite foreign film, but I saw a lot of movies, such as Wild Strawberries, that I do not remember well.

That said, I tend to remember and enjoy movies I see in the cinema more than the ones I’ve seen on TV. Seeing a movie again is almost always revelatory. For instance, seeing The Wizard of Oz in 2022 on the big screen was way better than watching it several times on TV.

I like from coms. Is Groundhog Day a rom-com? You could try Love Actually.  I like lots of documentaries, but only one of them made this list.

Here’s a list; THE list may never exist.

Casablanca (1942) – saw outdoors at a screening in the late 1970s near Rochester, NY. A great film

Gaslight (1944), which I wrote about, and the word, here.

Rear Window (1954) – I saw it at the Spectrum Theatre in the 1980s. Most excellent and full of suspense.

12 Angry Men (1957) – I wrote about it here
Always on the list
West Side Story (1961) –Some of my favorite music is here. It’s not a great movie – it takes too long to get going, but it was the first grown-up movie I saw.

101 Dalmatians (1961). Possibly the first movie I ever saw in a theater. The lead male adult, Roger, gets to sing “Cruella DeVille.”

The Sound of Music (1965) —My mother had the soundtrack on LP, but I never saw it until the 21st century. It is far better than I expected.

Le Roi de cœur (King of Hearts – 1966) – it played approximately annually at a movie theater in New Paltz, where I went to college.

The Night They Raided Minsky’s (1968)- there is a story here.

Cabaret (1972) – I saw it when it first came out, then a half-century later, both in theaters. It holds up.

Young Frankenstein (1974) – Possibly the funniest movie I ever saw. I had an aisle seat, and I laughed so hard at one point that I was literally rolling in the aisle.

Annie Hall (1977) – I haven’t seen it this century, but I wrote about it in 2007 here.
Being There (1979) – I spent a lot of time defending this film from people who thought it was “boring” and that “nothing happens.”

Airplane! (1980) – It has a character named Roger, played by Kareen Addul-Jabbar. Oh, and other stuff, including the script based on an existing  dramatic film.

Who Framed Roger Rabbit (1988)? Well, of course. This was a remarkable technological feat and features a character named Roger.
Baseball
Field of Dreams (1989): I opted for this Kevin Costner baseball film rather than the fine Bull Durham (1988) because it’s sappier, and I totally buy into it.

Do the Right Thing (1989) – probably the first Spike Lee movie I saw.

Groundhog Day (1993)  was one of the first items I owned on VHS. It features JEOPARDY! to see annually.

THE IRON GIANT (1999) – I LOVE THIS animated MOVIE

Being John Malkovich (1999) – surreal

 Chicago (2002). An old-fashioned musical

Eternal Sunshine of the Spotless Mind (2004) is one of the few movies I have seen at home on the list.

 The Incredibles (2004): My favorite Pixar film, which I can tell, because it was later on NBC, with all those damn commercials, and I still enjoyed it.

INSIDE OUT (2015) – an emotionally honest film

13th (2016). Documentary about the 13TH Amendment

Hidden Figures  (2016) – I wrote about it here

Black Panther (2018) – I wrote about it here

Spider-Man: Into the Spider-Verse (2018) – I mention this here

I am frequently reminded of a line from the 1991 film Grand Canyon, in which the Steve Martin character says: “That’s part of your problem: you haven’t seen enough movies. All of life’s riddles are answered in the movies.” I’m convinced there is some truth to that.
Ramblin' with Roger
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