music Archives - Page 102 of 268 - Ramblin' with Roger

Kenny Rogers and the First Edition

You better count your money

The first time I knew the name Kenny Rogers was as a member of a group called The First Edition. Several people, including Thelma Camacho, Mike Settle, and Terry Williams, split off from a folk-music troupe, The New Christy Minstrels.

They had a big hit, Just Dropped In (To See What My Condition My Condition Was In), which got all the way to #5 pop in March of 1968. It was a quasi-psychedelic track later covered by Tom Jones.

After a couple flops, they released But You Know I Love You. They performed it on some variety shows, because I remember the applause at the dead-stop false ending. It went to #19 in early 1969.

Their next hit was Ruby, Don’t Take Your Love to Town. By now, Kenny Rogers was receiving top billing. Read about the Mel Tillis song, which was not about the aftermath of the Vietnam war. It went to #6 pop and #39 country in mid-1969.

The follow-up, Reuben James, went to #26 pop, #46 country. The group had a few more hits, notably Something’s Burning (#11 pop). They even had their own syndicated show called Rollin’ in 1972. Kenny went solo in 1973. It took a while, but the hits eventually came.

His first country #1 was Lucille in 1977, which also went to #5 pop and went gold.

When the dealin’s done

If one knows only one Kenny Rogers song, it might be The Gambler. While it only went to #16 pop in 1979, it went to #1 for three weeks country. Moreover, there were at least three TV movies about it, starring Rogers. And it’s the only one of his songs ever quoted in this blog.

You’ve got to know when to hold ’em
Know when to fold ’em
Know when to walk away
And know when to run

In 1980, Kenny Rogers was the #1 pop artist, with massive crossover hits. Lady, written by Lionel Richie, for instance, was #1 for six weeks pop, #1 country, and #42 soul.

You probably have your own favorites, including duets with female artists. I count 20 #1 country hits among the 53 songs charting. His other #1 pop song was Islands in the Stream with Dolly Parton for two weeks in 1983.

He was a ubiquitous popular culture presence for decades, and I’m sorry about his passing.

Coverville 1302: The Kenny Rogers Tribute Cover Story.

Someone else’s list of music

some soul music

William DeVaughn Somewhere, maybe at church, I came across a pad with a list of music. Actually, several lists. They were handwritten, and they did not include artists. A few times I had difficulty reading the titles. There were time indicators on this particular roster, suggesting someone putting it together for a specific purpose.

Solid (As A Rock) – Ashford and Simpson. #1 for 3 weeks RB, 12 pop in 1984. I love this song. How is it that they are not in the Rock and Roll Hall of Fame, at least as songwriters? They’re in the Songwriters’ Hall of Fame.
Your Precious Love – Marvin Gaye & Tammi Terrell. #3 for five weeks RB, #5 pop in 1967.
Everybody Plays the Fool – The Main Ingredient. #2 for three weeks RB, #3 pop in 1972.
Kiss and Say Goodbye – The Manhattans. #1 RB, #1 for two weeks pop in 1976.
Shining Star – The Manhattans. #4 RB, #5 pop in 1980. The 4:33 running time helped me determine that it was this song, not EWF.

Misty Blue – Dorothy Moore. #2 for two weeks, #3 for four weeks pop in 1976.
Woman to Woman – Shirley Brown. #1 two weeks RB, #22 pop in 1974. There’s a 2012 song by Keyshia Cole, featuring Ashanti that is apparently a cover.
Never Knew Love Like This Before – Stephanie Mills. #12 RB, #6 pop in 1980. She has a Diana Ross quality to her voice.

NOT Curtis

Be Thankful for What You Got – William DeVaughn. #1 in RB, #4 pop in 1974. Here’s a longer version. Some people have understandably confused him with Curtis Mayfield.
Yearning for Your Love – The Gap Band. #5 RB, #60 pop in 1981.

Love Ballad – L.T.D. # 1 for two weeks RB, #20 pop in 1976. A great Jeffrey Osborne vocal.
Footsteps in the Dark – Isley Brothers, 1998.
Never Too Much – Luther Vandros. #1 for two weeks RB, #33 pop in 1981.
Stop in the Name of Love – Margie Joseph. #38 RB, #96 pop in 1971. The running time suggested that it wasn’t The Supremes version. I first heard this on a STAX/VOLT box set.

1920: Your non-alcoholic #1 hits

Volstead Act

Edith Day. From “A Century of Pop Music”: “America went dry on January 16, 1920, with the effective date of the Volstead Act barring beer, wine, and liquor…”

Oh, “except (as it turns out) from speakeasies and bootleggers.

“Also in 1920, women finally got the right to vote following ratification of the 19th Amendment to the Constitution…

“‘Crazy Blues’ by Mamie Smith in 1920 became the first authentic blues recording, paving the way for “the Empress of the Blues,” Bessie Smith.

The hits

Dardenella – Selvin’s Novelty Orchestra, #1 for 13 weeks, gold record (Victor). It’s a song that began life as a ballad with words by Fred Fisher, and put to the music written by Felix Bernard and Johnny S. Black in 1919.

Whispering – Paul Whiteman, #1 for 11 weeks, gold record, but in fact listed as a two million seller (Victor) – The undisputed king of dance bands.

Swanee – Al Jolson, #1 for 9 weeks, gold record (Columbia). One of Jolson’s signature songs. George’s Gershwin’s first hit song. “Swanee” was actually introduced by a singer named Muriel DeForrest in October 1919 but was not a success until Jolson performed it in December 1919 at a Winter Garden show. It was then added to the score of his show, “Sinbad”.

When My Baby Smiles At Me – Ted Lewis Jazz Band, #1 for 7 weeks (Columbia). Music by Bill Munro with words by Andrew B. Sterling and Ted Lewis.

The Love Nest – John Steel, #1 for 4 weeks (Victor). From the musical, “Mary”. Written by Louis A. Hirsch and Otto Harbach.

Hold Me – Art Hickman, #1 for 3 weeks (Columbia).

The “St. Louis Blues” – Marion Harris, #1 for 3 weeks (Columbia). She was the first widely known white singer to sing jazz and blues songs.

The Japanese Sandman – Paul Whiteman, #1 for 2 weeks (Victor). This also-popular flip side of Whiteman’s famous career-launching hit “Whispering”.

I’ve Got My Captain Working for Me Now – Al Jolson, #1 for 2 weeks (Columbia). A great revenge song.

The Love Nest – Art Hickman, #1 for 2 weeks (Columbia).

Alice Blue Gown – Edith Day, #1 for 1 week (Victor). From the 1919 musical “Irene”.

Musician Bobby McFerrin turns 70

a blackbird, a Martian, an operatic soprano, a small child, and a bebop trumpet

“There is something almost superhuman about the range and technique of Bobby McFerrin,” Newsweek noted. “He sounds, by turns, like a blackbird, a Martian, an operatic soprano, a small child, and a bebop trumpet.”

Back in the early 1980s, I had heard of this a capella singer who performed in the jazz mode, making near orchestral sounds with his voice and body, named Bobby McFerrin. I was familiar with him mostly because every album had a some pop music covers. [Here is a live cover version of the Beatles’ Blackbird.]

In the summer of 1988, I was in San Diego, riding in the car of my sister’s friend Donald, when I heard a song called “Don’t Worry, Be Happy” for the first time. I thought, “That could be a big hit in southern California, but I don’t know if anyone else will buy it.” Of course, it hit the national charts on July 30, and went to #1 for two weeks, starting on September 30. (Here’s one video, and this the video featuring McFerrin and Robin Williams.

Medicine Man

Skip to in 1989, when he formed a ten-person ‘Voicestra’ which he featured on his 1990 album Medicine Music. I happened to catch McFerrin and Voicestra one morning on NBC-TV’s Today show. After a couple songs, I recall that Bryant Gumbel, then the co-host of the show, made an observation. McFerrin had said in a previous interview that he would no longer perform “Don’t Worry, Be Happy”, his only #1 hit. Now Gumbel understood why.
Sweet in the Morning from Medicine Music, featuring Voicestra.
Discipline, Featuring Robert McFerrin & Voicestra

I bought about a half dozen copies of that album to give as Christmas presents in 1990.

I was watching that episode with our brand-new new church choir director, Eric. He was crashing at our apartment until he found a place of his own. A couple years later, he arranged the McFerrin version of the 23rd Psalm for three guys in the choir to sing. Bob, Tim, and with me performed it , with me singing the highest part, all falsetto. On the recording, McFerrin sings all three vocal tracks, overdubbed, himself, which you can hear HERE.

McFerrin has also worked in collaboration with instrumental performers including pianists Chick Corea, Herbie Hancock, and Joe Zawinul, drummer Tony Williams, and cellist Yo-Yo Ma. This is Ma and McFerrin’s version of Ave Maria.

SPAC

My wife and I had the great good fortune to see Bobby McFerrin live at the Saratoga Performing Arts Center on August 6, 1999. From the review, now apparently offline:

Whether conducting the classics, improvising on an original tune plucked from thin air or cavorting within the ranks of the Philadelphia Orchestra, the affable McFerrin charms all in his wake.

Finding descriptive labels for the multitalented McFerrin seems futile. His talent is so broad and diverse that there seems to be nothing he can’t do well, including stand-up comedy. There’s a serious side, too, as the wunderkind leads the likes of the Philly through compositions by major composers such as Sergei Prokofiev and Felix Mendelssohn.

McFerrin’s uncanny ability to do “voices” put the audience on the floor with
all the characters from “Oz,” the most memorable of which was Margaret Hamilton’s Wicked Witch line — “Come here, my little pretty!”
[This was HYSTERICAL.]

McFerrin invited singers in the audience who knew the Bach-Gounod “Ave Maria” to sing along. McFerrin sang every note of Bach’s rippling arpeggios for accompaniment, while several audience soloists sang Gounod’s wonderful melody over the top.
[This was absolutely extraordinary. One of the soloists was only a few rows in front of us.]

The Philly sang (yes, sang) the “William Tell Overture,” for encore.
[A hoot.]

Listen to CircleSong Six from the CircleSong album.

Eclectic

As an Amazon review says:
“Despite the undeniable uniqueness of his gift, Bobby’s music is always accessible and inviting. When he invites his fans to sing along, as he almost always does, few can resist. Inclusiveness, play, and the universality of voices raised together in song are at the heart of Bobby’s art.

“Bobby McFerrin was exposed to a multitude of musical genres during his youth–classical, R&B, jazz, pop and world musics. ‘When you grow up with that hodgepodge of music, it just comes out. It was like growing up in a multilingual house,’ he says.

“Bobby McFerrin continues to explore the musical universe, known and unknown.”

A Bobby McFerrin discography.

Bobby McFerrin turns 70 today.

Edited from a 2010 post.

Music. Birthday. Roger. Chaos. 67.

Annie Haslam, Judy Collins, Odetta

Roger.babe We have the convergence of Saturday, when I generally write about music, and March 7, which is my birthday. Save for the obvious, there is isn’t much I play every year.

Now there WAS a song I played on March 8, a lot. Have a Good Time from my favorite Paul Simon album.

Yesterday it was my birthday
I hung one more year on the line
I should be depressed
My life’s a mess
But I’m having a good time

I’ve been trying to remember what music I have received on my birthday. A couple years back, I received an album of Odetta singing Bob Dylan. A couple of those tracks appear here.

There was an album I got on my 16th birthday called Who Knows Where the Time Goes by Judy Collins. I wrote about it back in 2008, but somehow all the YouTube links got mucked up. So here it is again.

I was thinking about a particular song from the album, The Story of Isaac, written by Leonard Cohen. It’s because my Bible guys have been rereading the book of Genesis. Specifically Genesis 22, when Abraham is tested by God.

In 1977, I was in Charlotte, NC, crashing on my parents’ sofa. What I wanted for my birthday was the album Scheherazade & Other Stories by Renaissance. I played it. Don’t think my family appreciated as much as I did. So it goes.

Anyway, 67 suggests sixes and sevens. Chaos. Or at least that’s how I’ll remember how old I am.