Tag: music

Going on an information diet

John Green (no relation), one of the vlog brothers, recently noted that he wanted to go on an information diet. Specifically, he would spend far less time on Twitter. He noted this because it was this platform that helped him and his brother Hank to be more visible.

He said he was pulling away from it because it made him less pleasant as a human being. I certainly understand that feeling.

Quite often I read on Facebook about people quitting Facebook. I’m fine with that, although I wish people would do it more frequently, and announce it less often. I get the sense that the social media platform is so addictive to some, then they get annoyed by some response, or non-response, but then get sucked back in.

One guy in particular was complaining that “everybody” was talking about Lord Dampnut instead of talking about art, or the like. Maybe it was because the federal budget was going to zero out the budget for the arts?

Another fellow objected to me referring to Donnie as Orange, suggesting that I was judging him by the color of his skin rather than the content of his character. Having MLK Jr quoted to me is kind of funny. But, of course, this guy was just sealioning me.

And I felt compelled to correct a number of people who followed some meme that said it was Barack Obama’s birthday in March, which is actually August 4.

One fellow I know personally who actually gave up Facebook seems much happier. Another seemed satiated writing his observations to a select audience, instead of dealing with a lot of bs.
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On a podcast, someone mentioned musical groups with two people with the same first name, preferably founding or significant members. So Mick Jagger ad Mick Taylor of the Rolling Stones I wouldn’t necessarily count.

John Flansburgh and John Linnell of They Might Be Giants, for sure. The 2 Melanies in Spice Girls, Ronnie Lane and Ronnie Wood in the Faces. Also, Wings had a couple guys named Denny, Seiwell and Laine. Who else?
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I decided to record this new TV legal drama called Doubt, starring Katherine Heigl and Laverne Cox. But it took me a while to get to watch it. As it turned out, it was cancelled after only two episodes. I thought it had potential, but obviously CBS did not.
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Someone asked me, “Biweekly – Did you know this word means once every two weeks AND twice a week? How confusing!” Yes, I did. I noted that I used to sell comic books, and I needed to know which meaning the publishers were using; fortunately, it was the former.
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There was a gender-neutral pronoun in 1934, thon, and there were people pushing for it but it failed. Still, it’s the second definition of thon in the Urban Dictionary.

Delaware Avenue: Recalling the Early Days slideshow originally produced in the 1980s by Louise Krasniewicz for Albany Public Library and digitized in 2014 for APL’s digital collection on New York Heritage (nyheritage.org).

Elton John turns 70

“Sugar bear” reminded me of pre-sweetened cereal.

I saw Elton John in concert on 15 September 1998 with my coworkers Mary and Anne at what was then the Pepsi Arena, ne the Knickerbocker Arena, now the Times Union Center. We had what I had thought were not very good seats, in a balcony, practically stage left. But actually they turned out to be great; we could see him making entrances and exits, and what we couldn’t see, we could catch on nearby monitors.

It was a wonderful show. I don’t specifically remember the set list, though I doubt it was much different than what he played a month later at Madison Square Garden. What I do recall is that, even then, he had others sing the highest parts of what he managed to do on his own a quarter century earlier, which is no big deal.

Some years ago, my online buddy Johnny BacardiDavid Jones put together reviews of the Elton John songs that saw release on the 11 albums between 1969 and 1977, plus select singles. I was a big fan of this project. I’m not similarly motivated to replicate it, but I do notice that most of the songs I picked as my favorites primarily cover the same territory.

The Elton John (EJ) album, which I had thought at the time was his first album, I played a LOT. Tumbleweed Connection (TC), with this Wild West motif, is even more poignant now, since my father died. Madman Across the Water (MATW) was probably my favorite, though Goodbye Yellow Brick Road (GYBR) challenged it.

If memory serves, Captain Fantastic and the Brown Dirt Cowboy opened on the Billboard charts at #1 in 1975, and it wasn’t my favorite collection. The single, Someone Saved My Life Tonight I did not like. “Sugar bear” reminded me of pre-sweetened cereal. So my prime EJ period may be shorter, though I probably have more tolerance of the later Disney songs that David has.

Elton John made minor news recently when he walked into Vancouver record store and asked for gangster rap.

Here are 20 songs, my favorites roughly last. I could have picked 20 different ones.

Crocodile Rock (GYBR)
Come Down in Time (TC)
Honky Cat (Honky Chateau)
I’m Still Standing (Too Low for Zero)
Goodbye Yellow Brick Road (GYBR)

Border Song (EJ) – this, and Your Song, probably suffered from too many covers that wore on me
Saturday Night’s Alright for Fighting (GYBR)
Don’t Let the Sun (Caribou)
Mona Lisas and Mad Hatters (HC)
Your Song (EJ)

Where To Now St Peter (TC)
Tiny Dancer (MATW) – undoubtedly enhanced by its appearance in the movie Almost Famous
Funeral for a Friend/Love Lies Bleeding (GYBR)
Take Me To the Pilot (EJ)
Madman Across the Water (MATW)

Sorry Seems to be the Hardest Word (Blue Moves) – this seemed to have risen from a recent listening to his 2004 duet with Ray Charles
My Father’s Gun (TC)
Rocket Man (HC)
Daniel (GYBR)
Levon (MATW)

Bernie Wrightson; Chuck Berry

“Bernie was such a nice guy that he made me feel totally relaxed, even as he stood holding a butcher’s knife.”

When I was working at FantaCo, owner Tom Skulan had Bernie Wrightson do the covers for the FantaCon comic conventions in 1980 and 1981. (The artist was going as Berni at the time to distinguish himself from another person.) He was a guest at three shows, at least.

FantaCo also published a comic called Deja Vu in 1982, featuring a front cover by Bernie Wrightson and two 1971 stories, The Last Hunters and King of the Mountain, Man, plus works by others in the artistic pantheon, Michael Wm. Kaluta and Jeff Jones. That was edited by Mitch Cohn, so my dealing with Bernie was usually a hello before passing the phone on to Mitch, who felt as though he were in heaven.

But I’ve been even current comic professionals have expressed the same sensation. As my friend, illustrator Fred Hembeck put it:

“I found myself invited to the already annual Wrightson Halloween party in a nearby town. I’ll admit to being a bit overwhelmed at the prospect of rubbing elbows with Bernie and a passel of his highly accomplished peers–after all, I was just a guy who drew squiggles on character’s knees, and he was, well, he was Bernie Wrightson. But my nerves were soon soothed, as Bernie was such a nice guy that he made me feel totally relaxed, even as he stood holding a butcher’s knife while wearing a blood-spattered apron as we pleasantly chatted (it was a Halloween party, remember).

“Over the next decade or so, there were plenty more Wrightson shindigs, holiday-centric or not, as well as a weekly volleyball game attended by Bernie and a host of other local cartooning notables. After awhile, I almost got used to Bernie just being that nice guy I was trying to set up at the front of the net in hopes of scoring on a Wrightson spike. Almost. But I never quite shook the awe I had–and continue to have–for the work he did that so inspired me during key years when I was ramping up my own attempts to get published.”

EVERYONE I read online, including Elaine Lee and Wendy Pini, spoke about how nice Bernie Wrightson was. Some DID complain about his limited danceable music collection: “A little Blues Brothers can go a long way,” someone wrote, and made him mixed tapes.But even in my limited contact, I always knew him to be a sweet guy.

And generous, famous for encouraging younger talent, both artists and writers. Steve Bissette revealed that when “DC in its benevolence sent Bernie a bonus check out of the blue, Bernie would split that bonus check up and mail checks to Alan Moore, John Totleben, Rick Veitch, and me, and when asked what for, he laughed, saying ‘I didn’t earn this, I know this bonus was because of what you guys did on the character, but don’t tell anyone about this because you don’t want DC to have a reason not to send another check!'”

Unfortunately, the enormously talented artist Bernie Wrightson died March 19 of a brain tumor at the age of 68. Ugh, I had a friend die from that; not pleasant. Here’s the notification.

His artistry on Swamp Thing and the stuff at Warren Publications was legendary. Tom Skulan referred to him as “the greatest horror comic artist ever.” A fellow artist said, “That might be Wrightson’s greatest gift to us: no matter how terrible the image he portrayed, it was always captivatingly beautiful.” That’s why I was happy to do my part to keep Creepshow selling when its publisher had given up on it.
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Chuck Berry was 90 when he died, and I was filled with all sorts of contradictory feelings. On one hand, he is, to my mind, THE single person who had the greatest impact on creating rock and roll. He took the blues that wasn’t, in his words, blue enough, added some country chops, and voila. He was a charter member of the Rock and Roll Hall of Fame. The legendary duck walk, developed when he fell on stage and was getting up, was amazing. His music is literally in space.

He was an obvious influence on scores of artists, such as the Beatles, the Beach Boys and the Rolling Stones, with the former two as subjects of lawsuits by Berry. Here are
20 of his essential songs, and it doesn’t include his only #1 pop hit, 1972’s My Ding-a-Ling.

But he had his demons, which are touched upon in this article. There was the stuff with a 14-year-old girl back in the 1950s, though the use of the Mann Act to prosecute him, usually applied to high profile cases from boxer Jack Johnson to former governor Eliot Spitzer, was troubling. Much later, there were the bathroom cameras.

The article mentions, among other things, the 1987 concert movie about him, Hail! Hail! Rock and Roll, which I saw in the cinema at the time, and I found the musician, to my surprise, rather unlikable. He seemed glib in giving honorifics to almost everyone, he botched Robert Cray’s name, he made Julian Lennon look bad, he practically drooled over Linda Ronstadt.

He was to be kind, complicated.
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I was living in New York City during the summer of the Son of Sam killings, so of course I was reading Jimmy Breslin, from then and for probably a decade or more. But his most famous piece was much earlier: Digging JFK grave was his honor.

K is for kaleidoscopes (ABC Wednesday)

The World’s Largest Kaleidoscope is not all that far from where I live!

There are certain things, such as fireworks and kaleidoscopes, that are never as impressive in graphic representation than they are in real life.

If you read the definition, you get no idea just how wonderful kaleidoscopes can be: “An optical instrument with two or more reflecting surfaces inclined to each other in an angle, so that one or more (parts of) objects on one end of the mirrors are seen as a regular symmetrical pattern when viewed from the other end, due to repeated reflection.

“The reflectors (or mirrors) are usually enclosed in a tube, often containing on one end a cell with loose, colored pieces of glass or other transparent (and/or opaque) materials to be reflected into the viewed pattern. Rotation of the cell causes motion of the materials, resulting in an ever changing viewed pattern.”

I was reminded of this when I was helping The Daughter clean out her room recently. I came across one of my old kaleidoscopes which I either lent her or she “borrowed.” It was so much fun looking through it that I borrowed it back.

NASA has provided instructions on making a kaleidoscope, appropriate, since its Hubble looked into a cosmic kaleidoscope last year.

I’ve just discovered that the Guinness-certified World’s Largest Kaleidoscope is not all that far from where I live, on Route 28 in Mount Tremper, Ulster County, New York. It stands 56 feet tall and is 38 feet in diameter. The family NEEDS to go this year!

Of course, my first thought involving the word is to the song Lucy in the Sky with Diamonds by some Liverpudlian band on their Sgt. Pepper album, featuring the line “The girl with kaleidoscope eyes.” Apparently the reference is to one Yoko Ono.

Listen to Lucy in the Sky with Diamonds:
The Beatles, from the movie Yellow Submarine
Elton John, #1 in the US for 2 weeks in 1975, with the Reggae guitars of Dr. Winston O’Boogie.

Music Throwback Saturday: Revolver songs

“Daydream’ itself it was inspired by the Tamla beat.

beatles-revolverThe musically influential Beatles had their own sources of inspiration, both predecessors and peers. In reading Steve Turner’s “The Beatles: A Hard Day’s Write,” subtitled “the stories behind every song,” this becomes clear.

The members of the group were quite open about how a piece was transformed into their own creations. Sometimes when you know, you relisten to the Fab Four’s take, you say, “Oh, I hear that NOW,” almost never before that, which was their brilliance; they stole very well.

Sometimes they ripped off themselves.

Paperback Writer (snippet):

John called this ‘Son of ‘Day Tripper‘… The bass became the most prominent instrument on the track.

He suggests compare this to music of Wilson Pickett and Otis Redding. From the Wikipedia: John Lennon demanding to know why the bass on a certain Wilson Pickett record far exceeded the bass on any Beatles records.

In the Midnight Hour – Wilson Pickett
Respect – Otis Redding

The backgrounds harmonies were inspired by the Beach Boys’ album Pet Sounds. The Beatles can be heard singing Frère Jacques.

I always felt the Pleasant Valley Sunday by the Monkees had the same story-song feel.

Taxman: (a cover here)

It has been suggested that the theme music to the TV series Batman may have been an influence.

Now that it’s pointed out, I sorta kinda hear it.

Here, There and Everywhere (demo):

Paul had been particularly taken by the shimmering quality of ‘God Only Knows‘ and wanted to write a number that captured the same mood.

The Beach Boys/Beatles competition, of course, is legendary. This is a nice song, but score one for the Beach Boys.

Good Day Sunshine:

The specific song that inspired it was ‘‘Daydream’, the Lovin’ Spoonful’s first British hit. “Daydream’ itself it was inspired by the Tamla beat on songs such as ‘Where Did Our Love Go‘ and ‘Baby Love‘ that the Lovin’ Spoonful heard while touring America with the Supremes.

That John Sebastian of the Spoonful didn’t realize the theft shows how adept the Beatles were in blending different sources.

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