music Archives - Page 176 of 265 - Ramblin' with Roger

October #1 rambling: recovery mode

The Oregon Shakespeare Festival will commission 36 playwrights to translate all of Shakespeare’s plays into modern English.

Still on the mend, wearing this band around my waist, until at least November 9. I will write about this eventually.

I’ve managed to watch more baseball in the past week and a half than I saw the entire regular season. Great to see former Met Rusty Staub after his heart attack. Rooting for the Mets, or if they get eliminated, the Cubs. Just realized that the World Series Game 5 would be November. If it’s the Dodgers in the Series, I’m rooting for the American League team.

ALSO, my office is moving this week. Note to self: do NOT pick up anything over 20 pounds.

Understanding Mass Incarceration and Bringing It Down: An Interview With James Kilgore.

John Oliver: rips GOP candidates for blaming gun violence on mental illness in absence of a plan, and Migrants and Refugees.

Color film was made for white people.

The War on Science, even in Canada.

Seth Meyers explains that ridiculous Congressional hearing over Planned Parenthood and Planned Parenthood’s “Government Funding”: The Same Kind Your Doctor Receives.

What the Speakership Battle is About.

Pope Francis met with an openly gay couple — and unlike Kim Davis, who ambushed him, he did so intentionally, and Was Pope Francis Actually Swindled into Meeting Kim Davis?

If we gotta honor a Christopher…

“Sick of hearing about the damn emails.”

Analysis Ranks Presidential Candidates By Their Supporters’ Grammar.

It costs you $43 every time you wait for the doctor.

What Happens When There’s No Internet. Presented By BuzzFeed & Hyundai – is it real?

Sweden is shifting to a 6-hour work day.

Shakespeare in Modern English? “The Oregon Shakespeare Festival… recently announced that over the next three years, it will commission 36 playwrights to translate all of Shakespeare’s plays into modern English.”

Chaz Ebert reviews the play BlackWhite Love, about Roger and Chaz Ebert.

How to Make a Sandwich. It only took 6 months and cost $1500.

K-Chuck Radio’s Sunshine Pop includes rare music from Mary Hopkin and Victor Garber.

New 2015 remix and video of Paul McCartney and Michael Jackson’s 1983 international smash hit single ‘Say Say Say’.

Van Morrison and the Thirty-One Songs about Nothing But a Bad Contract.

Mark Evanier continues to list the twenty top voice actors in American animated cartoons between 1928 and 1968, including Hans Conried (Snidely Whiplash), Don Messick (Scooby-Doo) Alan Reed (Fred Flintstone), Jack Mercer (Popeye), and Gary Owens (Space Ghost, Roger Ramjet).

GOOGLE ALERT (me)

It’s so very nice that Eddie the Renaissance Geek wished me well after my surgery, given the fact that he’s had much more serious health issues of his own.

Albany High hosts tours in advance of vote on improvements.

What’s the last comic book or graphic novel you picked up at a comic book store? Also, The Big Event effect.

SamuraiFrog: Ant-Man and the Book Light Lady.

Donna’s quote resonated.

GOOGLE ALERT (not me)

New national role for Biscovey head teacher. “Roger Green is one of 70 heads across the country…”

Sam Moore of Sam & Dave is 80 (tomorrow)

Sam Moore was blown away, and uttered “Play it, Steve” spontaneously.

Samuel David Moore (born October 12, 1935) and the late Dave Prater (May 9, 1937 – April 9, 1988) comprised, inarguably, the most successful and critically acclaimed soul-singing duo, Sam & Dave, from 1961 to 1981. They are members of the Rock & Roll Hall of Fame (1992) and the Vocal Group Hall of Fame. Sam Moore has continued his career as a solo performing and recording artist.

They had a complicated recording situation, signed to Atlantic Records, but leased to the soul label Stax for a time in order to get the Memphis feel. Their working relationship was also strange; “according to Moore, they did not speak to each other offstage for almost 13 years.”

A Place Nobody Can Find, written by David Porter, was their first STAX single, b/w Goodnight Baby (Isaac Hayes/Porter), both sides featured Dave Prater singing lead. It failed to chart. That would soon change.

Many of the song description narratives are from the great book Soulsville U.S.A.: The Story of STAX RECORDS by Rob Bowman. Links to all songs.

10. I Take What I Want (Hayes/Mabon Hodges/Porter), 1965 – another early song that failed to chart. Note that many of these songs were written by the team of Isaac Hayes (of “Shaft” fame), and David Porter, who also produced these and many future songs. They also wrote hits for other STAX artists.

9. You Got Me Hummin’ (Hayes/Porter), #77 pop, #7 r&b in 1967 – such nice rhythmic humming, it wasn’t the bawdy song that the writers had envisioned.

8. You Don’t Know Like I Know (Hayes/Porter), #90 pop, #7 r&b in 1965 – their first hit, due in no small part to the promotional skills of STAX’s Al Bell. It was inspired by the gospel song You Don’t Know Like I Know What the Lord Has Done for Me. Sam Moore hated the song, and about half the tunes presented to him at STAX because Hayes and Porter made him sing high in his vocal range. Dave sings the first verse, then they trade lines. Instead of a solo, Hayes and Porter put in a horn ensemble, inspired by Otis Redding’s In the Midnight Hour.

7. You Don’t Know What You Mean to Me (Eddie Floyd/Steve Cropper) #48 pop, #20 r&b in 1968 – I’m not a great fan of talking in pop songs. But when Sam & Dave do it – “Eddie FLOYD wrote the song” – it’s different. Steve Cropper is best known as the guitarist of the Stax Records house band, Booker T. & the M.G.’s.

6. Soothe Me (Sam Cooke), the live version went #56 pop, #16 r&b, #35 UK – smooth like Sam Cooke was.

5. Soul Man (Hayes/Porter), #2 pop for three weeks, #1 r&b for seven weeks, 24 UK in 1967. A Grammy Hall of Fame song. Isaac Hayes suggested Steve Cropper play a slide guitar lick, and Cropper, not having a proper slide, used a cigarette lighter. Sam Moore was blown away and uttered “Play it, Steve” spontaneously, which was kept in the mix. The success of the Blues Brothers’ cover, for some reason, made me irritable.

4. Wrap It Up (Hayes/Porter) – B-side of I Thank You, 1968. The lead vocals were recorded in Paris while the duo was on tour, because the label thought, correctly, that the A-side was going to be a big hit.

3. I Thank You (Hayes/Porter), #9 pop, #4 r&b, #34 UK in 1968 – more talk that works. Sam’s “I want everybody to get off your seat, And get your arms together, And your hands together, And give me some of that old soul clapping” sounded like church, especially the word “old.” Also love the clavinet, played by Hayes. It features background vocals by Ollie and the Nightingales.

2. Hold On, I’m Comin’ (Hayes/Porter), #21 pop, #1 r&b in 1966 – the first Sam & Dave song I was aware of. Hayes had yelled to Porter to hurry, and finish up in STAX’s washroom. Porter responded, “Hold on, man, I’m coming.” Sam is on lead vocals from the start. Little mistakes, such as Wayne Jackson missing a trumpet entrance, were left in. Often covered, never surpassed.

1. When Something is Wrong with My Baby (Hayes/Porter), #42 pop, #2 r&b in 1967 – this song, a rare ballad for the duo, is gorgeous. Inspired by Porter’s bad marriage and his fantasies about what would feel like to be in love. Sung primarily by Sam, with harmonies by Dave. Also covered a lot, notably by Linda Ronstadt and Aaron Neville.
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Coverville 1096: The Villes are alive with the sound of Covers. And Sam & Dave. And Indie Hodgepodge!

Music Throwback Saturday: Jackie Blue

Jackie Blue reached #3 on the Billboard Hot 100 in the U.S. and #10 in South Africa in 1975.

It was really annoying. One Saturday, I was listening to a radio being broadcast within some retail store or restaurant when I heard a song I recognize. I could identify it in three notes.

“That’s ‘Jackie Blue,'” I said aloud, to no one in particular. But then I was stumped. Who SANG it?

I even own the song on a CD compilation of Southern rock. This was maddening.

Obviously, I COULD look at the CD, or Google the song. Stubbornly, I refused to do so.

Then frankly, it slipped my mind… until the following Tuesday morning, when I woke up, and thought, “Ozark Mountain Daredevils,” an “American Southern rock/country rock band formed in 1972 in Springfield, Missouri.”

“Jackie Blue is a single by The Ozark Mountain Daredevils from their 1974 album, It’ll Shine When It Shines. The song reached #3 on the Billboard Hot 100 in the U.S. and #10 in South Africa in 1975. The song was sung by the group’s drummer, Larry Lee.”

LISTEN to Jackie Blue:
the album cut; also, here
the single version
a live version
the 45 rpm version played at 33 rpm, just because

John Lennon would have been 75

Both the first verse of the song The Word and the first verse of John, chapter 1, begin with the words, “in the beginning…”

My friend Dan sent me this article How did the Beatles Get Their Name? Any Beatles fan worth his or her salt has heard the Flaming Pie story:
Many people ask what are Beatles? Why Beatles? Ugh, Beatles, how did the name arrive? So we will tell you. It came in a vision–a man appeared in a flaming pie and said unto them “From this day on you are Beatles with an A.” “Thank you, Mister Man,” they said, thanking him.

Flaming Pie, not coincidentally, is the name of a 1997 Paul McCartney album.

In the book The Gospel according to the Beatles by Steven Turner, it’s clear that John, far more than any of his cohorts, grew up with religious training. He was living with his Aunt Mimi (Stanley) Smith, who grew up Anglican, though neither she nor her sisters attended church as adults.

Still, Mimi and her sisters made sure their children were sent to Sunday school. John was a chorister and member of a Bible class. “For a time, he was attending events at the church four days a week.”

It was that respectable, impersonal, “bourgeois” version of Christianity that John eventually rejected. Still, the lessons he heard seeped into his thinking. The structure of the flaming pie story, Turner opines, is based on Acts 10:11, and/or Genesis 17. John himself called the flaming pie story “imitation Biblical stuff.”

“Mimi’s religion could be summarized by a stanza she framed on her wall:
However black the clouds may be
In time they’ll pass away
Have faith and trust and you will see
God’s light make bright your day
Compare these to the lyrics from Tell Me What You See, from the UK version of the Help! album.

The first time I heard The Word, from Rubber Soul, it reminded me of the beginning verses of the Gospel according to John. Both the first verse of the song and the first verse of chapter 1 begin with the words, “in the beginning…” John acknowledged to Jann Wenner of Rolling Stone magazine that The Word was the first song he’d written to impart knowledge. (“This could be a Salvation Army song,” said Paul at the time.)

Girl, also from Rubber Soul, is a response to a book John read called Masochism in the Modern Man by Theodor Reil, who suggested that the command to love one’s enemies and pray for those who persecute us is masochistic. “In John’s hands, those ideas led him to question whether the ‘girl’ had been raised to believe ‘that pain would lead to pleasure…’ Did the girl believe those who told her “that a man must break his back to earn his day of leisure’?”

Turner said that The Beatles “were skeptical, even dismissive of the church, but yet many of the core beliefs… were secularized versions of Christian beliefs.” All You Need Is Love would be a prime example.

There’s a lot more in the book, both involving the Beatles’ philosophy as a group and individually, but this is enough for now.

John Lennon would have been 75 today. And his son Sean turns 40!

Tell Me What You See: Lyrics, and Song
The Word: Lyrics, and Song
Girl: Lyrics, and Song
All You Need Is Love: Lyrics, and Song

Music Throwback Saturday: Dominque by the Singing Nun

She yearned for the seclusion of her convent but the cloister she returned to was not the same as the one she had left.

Less than two months before the Beatles hit America, the number one song on the US Billboard charts, for four straight weeks, was Dominique, a “French language popular song, written and performed” by Sister Luc-Gabrielle, “better known as Sœur Sourire or The Singing Nun.”

The story is that back in 1961, another nun had asked the folks at the Brussels office of Philips Records if they could pay the label to press a few hundred copies of their songs, to be given away. Philips executives said no, but the nuns were persistent, and finally snagged a brief recording session the next year

Sister Luc-Gabrielle, accompanied by four other nuns, recorded over a dozen songs. The album became a hit in Europe but got little traction in the US until Dominque was released as a single. Not only did the single top the charts, so did the album. And the song and/or album was a smash in a dozen other countries.

She even appeared on the Ed Sullivan Show on January 5, 1964, from the convent. A 1966 movie was made, more or less about her, starring Debbie Reynolds

But life after success was hard.

She yearned for the seclusion of her convent but the cloister she returned to was not the same as the one she had left. She met jealousy and backbiting over her success. Meanwhile her exposure to the outside world had changed her more than she realised and she found it hard to adjust back to the restrictions of religious life…

She enrolled on a course at university, where she wore lipstick and was even spotted smoking. More dramatically, she fell in love with a novice nun she met there: French-born Annie, who was 11 years her junior.

Scandalously, as far as the rest of the nuns were concerned, Jeanine left the convent so they could set up home together. Despite the outrage they had caused to strict Catholic morality the two lovers remained deeply religious, building an altar in their flat and taking communion together…

More worrying was the problem of money. All the proceeds from her recordings had gone to the convent and as such was not taxable. But record-keeping had been poor and when the tax authorities started asking questions Jeanine [Deckers] could not produce receipts to prove her story.

Although Dominique had made some $100,000 in royalties for the convent and she had taken nothing herself Sister Smile now found herself facing a massive tax bill…

By now addicted to booze and painkillers she and Annie opened a home for autistic children in the Belgian town of Wavre in 1983 but it was forced to close for lack of funds.

Despair closed in and on March 29, 1985 the two women took their own lives.

LISTEN to Dominique HERE or HERE.