music Archives - Page 190 of 264 - Ramblin' with Roger

The first e-mail I ever wrote

I sent some e-mail to a few people, including my colleague who was sitting in his desk perhaps three meters away. The adviser thought this was daft.

Something I had forgotten:

When our work office was first going to get electronic mail, sometime c. 1995, it was all a bit mysterious as to what we would use it for. We all went to some computer lab, where it was explained what it was and how to send it. We were instructed to create messages. One of my colleagues wrote to me, “How did I get here?”, which is the first e-mail I ever received. I replied, “Same as it ever was.”

These, of course, are references to the Talking Heads song Once In A Lifetime, which was then stuck in my head, and now I’m going to stick in YOUR head. (If that link doesn’t work, try this one.)

Some things I remember:

I know we could NOT have gotten to the World Wide Web before January 1995 because our director at the time gave a talk about the Kobe, Japan earthquake, showing what was available on the web. I was annoyed that other offices in our building had email and web access before we did since we had what I felt was a more direct need.

Long before the e-mail etiquette has been codified – no SHOUTING, e.g. – there would be some unpleasantness about the “tone” of a message. There was a real learning curve, with some hurt feelings.

One of the business advisers from one of our outreach centers came to visit us in the central office, c. 1997. Their office did not yet have e-mail; given how ubiquitous it is now, I know that’s hard to believe, but was nevertheless true. I sent some e-mail to a few people, including my colleague who was sitting at his desk perhaps three meters away. The adviser thought this was daft. “He’s right here! Why don’t you just tell him?”
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I had a dream the night after the “forgotten” info was revealed to me, and it featured a song giving the days of the week:

It’s Sunday
Monday Tuesday
It’s Wednesday Thursday Friday
Saturday

I realized the tune was What You See Is What You Get by the Dramatics. Here’s the Soul Train rendition, which cuts off too soon, but is more fun to watch. I’m a sucker for the rolled tongue effect.

Not to be confused with WYSIWYG.

Smokey Robinson is 75

Interesting that two of my top three Smokey Robinson songs have the word “tears” in the title.

Usually, when a musical artist reached the age of 70, I would indicate my favorite songs that they recorded. For some reason, though, five years ago, I listed some of my favorite songs WRITTEN by Smokey Robinson. And his legendary songwriting, and producing, are worthy of note, and absolutely VITAL to the success of Motown Records.

A bit of Motown trivia: I Heard It Through the Grapevine, written by Norman Whitfield and Barrett Strong, was first recorded by Smokey Robinson & the Miracles [LISTEN], but Berry Gordy rejected it, and Marvin Gaye’s version as well. He allowed Gladys Knight and the Pips to release it, and they had a #2 hit. Then, the other versions were released, with Marvin having a massive hit.

I haven’t heard it yet, but the artist released a new album, “Smokey & Friends” on August 19, 2014, on Verve Records, a duets collection “with Contemporary and Classic Artists such as Elton John, James Taylor, Mary J. Blige, Aloe Blacc, Jessie J, Miguel, CeeLo, Ledisi and more. It was his highest-charting album in 33 years.

The “problem” with putting together this list is that I’ve far too often heard many of the songs by another artist first, before Smokey and the Miracles, and that tends to be my association. For instance, I’ll Try Something New (# 11 on the rhythm and blues/soul chart – listed as RB, #39 on the pop charts in 1962) I associate as a song by the Supremes and the Temptations on their Join album. So I’m ranking these by my favorites, as performed by Smokey, usually with the Miracles. LISTEN to all.

15. Who’s Lovin’ You (B-side of Shop Around) – I associate this more with a preternaturally old preteen Michael Jackson singing this on the Jackson 5’s first album.

14. What’s So Good About Good-by (16rb, 35 in 1962). That’s the spelling of “goodbye” in the Billboard books.

13. Baby Baby Don’t Cry (3rb, 8 in 1969)

12. Being with You (1rb for 5 weeks, 2 in 1981). Solo Smokey.

11. Got A Job (1958) a pre-Motown song recorded by Berry Gordy, an answer song to Get A Job by the Silhouettes.

10. The Love I Saw in You Was Just a Mirage (10rb, 20 in 1967)

9. You’ve Really Got A Hold On Me (1rb, 8 in 1963). I associate this with the Beatles, specifically the Beatles’ 2nd Album on Capitol, or With the Beatles in the civilised world.

8. Special Occasion (4rb, 26 in 1968)

7. Mickey’s Monkey (3rb, 8 in 1963). Possibly my favorite hook, “Lum de lum de la ey” (or however you spell it) from Holland-Dozier-Holland.

6. Shop Around (1 rb for 8 weeks, 2 in 1961). This song always sounded like it was from the 1950s. It was the first big Motown hit.

5. Ooo Baby Baby (4rb, 16 in 1965)

4. Goin’ To A Go-Go (2rb, 11 in 1966)

3. The Tracks of My Tears (2rb, 16 in 1965). Interesting that two of my top three have the word “tears” in the title.

2. I Second That Emotion (1rb, 4 in 1968). As is true with many great pop lyrics, this came from a mistake, with Smokey and a friend at a department store. One person said something and the other meant to say, “I second the motion,” but misspoke. This song Smokey covered with the Manhattan Transfer on the Tonin’ album features other artists doing their own songs (Let’s Hang On with Frankie Valli of the 4 Seasons, Groovin’ with Felix Cavaliere of the Rascals, et al.)

1. Tears of a Clown (1rb for 3 weeks, 1 for 2 weeks). From Wikipedia:

Stevie Wonder and his producer Hank Cosby wrote the music for the song, and Cosby produced the instrumental track recording. Wonder brought the instrumental track to the 1966 Motown Christmas party because he could not come up with a lyric to fit the instrumental. Wonder wanted to see what Robinson could come up with for the track. Robinson, who remarked that the song’s distinctive calliope motif “sounded like a circus,” provided lyrics that reflected his vision. In the song, his character, sad because he does not have a woman who loves him, compares himself to the characters in the opera Pagliacci, comedians/clowns who hide their hurt and anger behind empty smiles.

I’m also rather fond of the English Beat cover [LISTEN].

The song Strange Fruit, and lynching in America

My near-relative Arnold linked to several versions of Strange Fruit, including one by Billie Holiday,

I groaned when an Austin, TX public relations firm used “Strange Fruit” as part of its name before changing it last year. The headline said that “some say” was was “racially insensitive.” I’d say so.

As Wikipedia notes, the song Strange Fruit “protested American racism, particularly the lynching of African Americans.”

The Equal Justice Institute (EJI) released a report in February 2015 about lynching in the United States between 1877 to 1950.

Their research indicates that “hundreds more of African American men, women, and children were lynched during that time period than previously thought, bringing the number of victims to nearly 4,000.”

At some point, I may have linked to this 2012 story of the man behind the song. Here are the lyrics.

Annie Lennox did a cover of Strange Fruit which caused some controversy in 2014, though I was not bothered personally.

My near-relative Arnold linked to several versions, including one by Billie Holiday, with whom the song may be most associated. Listen also to Cassandra Wilson’s take.

Surely, the song The Hanging Tree, from the movie The Hunger Games: Mockingjay, borrows thematically from Strange Fruit.
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The EJI data fueled this New York Times map of 73 Years of Lynchings from 1877 to 1950 in 12 Southern states.

From the EJI report:

Lynching was a form of terrorism used against Blacks during that time period, where mobs of Whites would hang, burn, shoot, and beat Blacks to death as a form of intimidation and control.

One of those who lost their lives was soldier William Little.

An excerpt:

“The year 1919 was a time of resurgence by the Ku Klux Klan. Seventy-six Blacks lost their lives to mob violence in southern states that year. One of them, Private William Little of Blakely, Ga., was apparently lynched precisely because he was wearing his uniform.

“The accounts of the time state that a few days after being mustered out, he took a train home and was beaten by local Whites for wearing his uniform around town.

“The mob made him remove it.

“A couple of days later, he was caught wearing it again — Little protested that he had no other clothes — and was beaten to death and left at the end of town.”

The lynching and torture of blacks in the Jim Crow South weren’t just acts of racism. “They were religious rituals.”

A Black Mississippi Judge’s Breathtaking Speech To 3 White Murderers. The murder of “a 48-year-old black man named James Craig Anderson in a parking lot in Jackson, Miss., one night in 2011. They were part of a group that beat Anderson and then killed him by running over his body with a truck, yelling “white power” as they drove off.”

A tree-killing Valentine’s Day

No, I’m not sending The Wife an electronic card.

Last year at this time, New Republic published an article called Valentine’s Day Is an Environmental Travesty. It noted:

Sure, you could criticize on environmental grounds all manner of small pleasures, such as eating burgers, or driving gasoline-powered cars, or drinking frostily refrigerated beer… Yet sending a greeting card is worse as an example of personal carelessness, because its greener alternative is so painless and, indeed, so much more convenient. I don’t like veggie burgers, I can’t afford a Tesla, and I hate warm beer. But forsaking a paper greeting card for an emailed Valentine? I’m pretty sure I— as well as my family and you— could live with that.

Reason is no match for emotion, of course, so it’s no surprise that the dead-tree greeting-card industry continues to thrive.

Sentimental sap am I – guilty as charged. No, I’m not sending The Wife an electronic card. It feels too ephemeral. And if you’ve ever seen The Wife’s e-mail inbox – it had been over 1000 unread messages for a time, and is still over 800 – you might conclude that she might not even SEE my e-card.

So it’s the dead tree, carbon footprint Valentine. At least I walk to the store.

And NOT this.

Oh, I was reading the magazine Redbook in a waiting room. There’s an article in the December 2014 issue, “Things that (mostly) happy couples know” by Lisa Miller. LESSON #1: “Go looking for signs of relationship trouble in a self-help book and you’ll find them.” Makes sense to me.

Here are Top 50 ‘Love’ Songs of All Time, from Billboard magazine.

Here’s a 12-minute film Encore un Hiver.

Bob Marley would have been 70

Almost all of Bob Marley’s songs are message songs

It’s inevitable that people who die young are frozen in time so that when they hit some age almost twice what they were when they passed away, it’s difficult to imagine. Reggae music superstar Bob Marley was only 36 when he died in 1981 of cancer, but before that time, he brought a whole new sound to the world.

Since many of the Wailers songs were, for contractual as well as artistic reasons, recorded more than once, the versions below may not be the ones referred to in the description.

16. Rock, Roots, Reggae (1976) – oddly, this is the only Marley single to reach the Billboard (US) Hot 100 charts, peaking at #51.
15. Simmer Down (1963) – the first single released by The Wailers. It was the #1 hit in Jamaica in February 1964.
14. Waiting in Vain (1977) – from the great Exodus album, it reached #27 on the UK singles chart.
13. Exodus (1977) the title song of the album that Time magazine, in 1999, named the best album of the 20th century.

12. I Shot the Sheriff (1973) – probably the song that introduced most Americans to the music of Bob Marley, but not HIS version. Eric Clapton’s cover version was a massive international hit in 1974. LISTEN.
11. Redemption Song (1979) one of his last works, and one of his greatest, it’s a simple solo acoustic recording utilizing some of Marcus Garvey’s words. It has been heavily covered, including versions by Johnny Cash/Joe Strummer, and by Stevie Wonder, which I own.
10. No Woman, No Cry (1974) – I think the song’s history is as interesting as its performance. “Though Bob Marley may have written the song, or at least the melody, songwriter credits were given to Vincent Ford, a friend of Marley’s who ran a soup kitchen in Trenchtown, the ghetto of Kingston, Jamaica where Marley grew up. The royalty checks received by Ford ensured the survival and continual running of his soup kitchen.”
9. Could You Be Loved (1980)- as usual, it fared better on the charts in Europe (and New Zealand!) than in the US. “The song is considered by many reggae fans to be disco influenced.”

8. Lively Up Yourself (1974) – this is the first song on the Natty Dread album, the “first recorded without former bandmates Peter Tosh and Bunny Wailer. It is also the first album recorded with the I-Threes, a female vocal trio that included Bob’s wife, Rita Marley, along with Marcia Griffiths and Judy Mowatt.”
7. Buffalo Soldier (1983) – this was from Marley’s final recording sessions in 1980, not appearing on record until the 1983 posthumous release of the album Confrontation. “The title and lyrics refer to the black U.S. cavalry regiments, known as ‘Buffalo Soldiers’, that fought in the Indian Wars after 1866.”
6. Three Little Birds (1977) – I was watching some cartoon with The Daughter about five years ago, and it used this song, to great effect. It was released as a single in 1980, reaching #17 on the UK charts and “has been covered by numerous other artists.”
5. One Love/People Get Ready (1965, 1977) – it was first recorded by Marley’s original group, The Wailers, then rerecorded for the Exodus album. “The song contains an interpretation of The Impressions’ song ‘People Get Ready’ written by Curtis Mayfield.”

4. Is This Love (1978) – released on his 1978 album Kaya.
3. Get Up, Stand Up (1973)- almost all of Marley’s songs are message songs. This was the last song Marley ever performed on stage, “on September 23, 1980, at the Stanley Theater, now the Benedum Center in Pittsburgh, Pennsylvania.”
2. Jamming (1977). -the 1980 Stevie Wonder hit Master Blaster (Jammin’) (LISTEN) was a tribute to Bob Marley.
1. Stir It Up (1972) – I may have heard the 1973 Johnny Nash version (LISTEN) first, but prefer the Wailers.

Or you can listen to most of these songs HERE.
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Last two-thirds of Coverville cover story in honor of Bob Marley.