Tag: music

TV Theme Song QUESTIONS

Then there’s the special cases of themes that are best known for whistling or finger snapping.

Ken Levine was ranting about the loss of the television theme song, about which I tend to agree. It so happened that as I was reading his piece, I was in the midst of listening to one of seven or eight CDs I have of TV theme songs. I was at work, so I didn’t have time to look to see what songs were playing. A number of songs I liked but couldn’t place.

This brings me to these questions, in honor of the Emmys this week:

1. What are your favorite TV theme songs?

I’m partial to the work of Mike Post and the late Earle Hagen.

2. What do you think are the most recognizable? I’m thinking that you could be listening to a bunch of soundtrack songs and instantly recognize the tune out of context. Perhaps one has to separate the instrumentals from the songs with lyrics. I think there have been some great, distinctive themes for shows that were once popular but aren’t seen that often anymore, as far as I know, such as Miami Vice, Hill Street Blues, St. Elsewhere, Taxi, and Barney Miller. Other shows seem to be in reruns forever. My guess, in more or less reverse order:

The Tonight Show with Johnny Carson – perhaps beginning to fade from memory, but those infomercials for the best of Carson are around. And it was on for 30 years.
Sanford & Son – that great Quincy Jones tune
Peter Gunn – was a big pop hit, and was covered by the Blues Brothers
MAS*H – very popular show, still in reruns
Law & Order – a 20-year show, just off the air, its spinoffs still on the air using variations on the theme, and it’s constantly on reruns
Hawaii 5-0 – another pop hit that shows up at sporting events, and now is going to be remade for a new series in the 2010 TV season on CBS

The ones with words are tougher, but I imagine Friends, Cheers, Gilligan’s Island, The Beverly Hillbillies, The Mary Tyler Moore Show, The Jeffersons and The Brady Bunch would be among them.

Then there are the special cases of themes that are best known for whistling (The Andy Griffith Show (here’s The Andy Griffith Show, really) or finger-snapping (The Addams Family).

What are your favorites, and which ones were most distinctive?
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Paste magazine’s 20 Best TV Theme Songs of All Time.

 

Eric Carmen and the Young Rascals?

There IS a Raspberries/Rascals link.

I was listening to one of my two favorite podcasters this week – yes, Arthur, you’re the other one – and he was giving the rock birthdays for August 11. He said, “1949, Eric Carmen, singer for The Young Rascals, The Raspberries, and a solo career.”

I’m not a big Eric Carmen fan, and I own none of his music. It’s not that I object to his songs such as the Raspberries’ Go All The Way or his All By Myself, where he nicks Rachmaninoff; it just didn’t reach the level of purchasing them.

Conversely, I own a LOT of the Young Rascals, who later became the Rascals. They had Top 10 hits such as Good Lovin’, Groovin’, A Girl Like You, How Can I Be Sure, A Beautiful Morning, and People Got To Be Free. At the moment the Beatles broke up, the Rascals were arguably my favorite active band. I have (present tense) at least eight of their albums on vinyl. And as an inveterate reader of liner notes, I had NO recollection of Eric Carmen with the Rascals.

So I checked with the podcaster, who pointed to the This Day In Music website that he always checks. The same info shows up in other sites, citing TDIM. But there is no evidence that this is actually true on any site dedicated to either artist or in any of my music reference books. So how did this mistake get made?

My theories abound:

1) The groups are alphabetically close. Perhaps the information about Carmen and the Raspberries got duplicated in the Rascals info in some database.

2) The stories about the namings of the groups are remarkably similar. According to this site, and confirmed elsewhere, the character Froggy in the Our Gang/Little Rascals comedies of the early 1920s, which later appeared on television, would often say, “Oh, raspberries!” Eric Carmen said it as a joke in a discussion about picking the band’s name, but the others thought it was the right selection. The Young Rascals also were named for the Little Rascals.

3) There IS a Raspberries/Rascals link. “The band Fotomaker was formed in 1978 by bassist Gene Cornish and drummer Dino Danelli, former members of the seminal 1960s power-pop group The Rascals (a/k/a “The Young Rascals”). Rounding out the group was guitarist Wally Bryson, formerly of power-pop hitmakers The Raspberries (which featured singer Eric Carmen)…”

Goodness knows one cannot “correct the Internet”, but in this narrow case, I’m compelled to try. Or if I’ve gotten it wrong, I’d like some proof.

MOVIE REVIEW: The Kids Are All Right

Metroland critic Laura Leon: “These are the kind of real-life stories that everybody deals with…”


After my wife and I had our almost weekly summer date and saw the movie The Kids Are All Right, she noted that it was, in many ways, a very conventional, slice-of-life, film about the travails of family life. And I realized, that, at the core, she was absolutely right.

It’s a story about a long-time committed couple. They deal with the universal rigors of relationship, which was described as a marathon, not a sprint. It also involves their teenage kids, a girl just turning 18, and a boy, 15, dealing with sexuality, bullying, alcohol, and identity, just like many people.

OK, so not every movie involves a lesbian couple who were each artificially inseminated by an anonymous donor, who becomes less than anonymous when the boy gets the girl to find out who their common father is. And gay men’s porn is not always a family talking point.

What makes this an intriguing story was the script and direction of Lisa Cholodenko, creator of High Art and Laurel Canyon. Like those two films, as film critic Mick LaSalle noted, features “somebody from a world a little less structured who seduces someone from a world a little more regimented.”

The film is also blessed by the casting of Annette Bening, as a Type A doctor, and Julianne Moore, as her more bohemian partner. Their “unexotic, unglamorous and totally routine” lives are upended by the bio-dad (Mark Ruffalo); how (and why) he changes the family dynamic is an important part of the tale. A few critics carped that, in the end, conventionality, of a sort, is restored, but I think that’s the point.

If you’re looking for non-stop, wall-to-wall action, do not see this film. But if you want to see an interesting look at basic truths of family dynamics, check this out. As Metroland critic Laura Leon put it: “It’s kind of ironic that, finally, a movie about how long-term relationships change and transform over time—in short, what happens to just about everybody—has come out and it’s very wonderful…these are the kind of real-life stories that everybody deals with, and why aren’t we seeing more of them, instead of Clash of the Cyborg Mutants in 3D, in cinemas?”

The movie trailer.
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The only downside to the movie: no music by the Who.

Last dance music QUESTION

The intricacies of singing in chicken may require a substitute.

I have this Facebook friend, who not only is an actual terrestrial friend but who I see regularly. Anyway, she sent around this list of disco songs from which she would like the music for her funeral.

Whereas I would like a nice dignified affair. But the last song ought to be done in chicken. Almost any tune can be done in chicken. Exhibit A: unfortunately, just a snippet of In The Mood by Henhouse Five Plus Too, which is the nom de cluck of singer Ray Stevens. I don’t know if I can overstate the significance this song has had on my life, ever since I heard it on some Warner Brothers Lost Leader over 30 years ago.


Of course, I wouldn’t necessarily want In The Mood. Bach can be done well in chicken, even in four-part harmony. And if one cannot master the intricacies of chicken, I suppose kazoo will do. I played a lot of kazoo, occasionally even professionally.

So what special music would you want at YOUR funeral?

30-Day Challenge: Day 14-Favorite Purchase Ever Made

This book has all the albums of all the group who had a Top 200 hit according to the Billboard charts, with brief bios of the artists, and a list of all the album cuts.

Favorite purchase EVER made, by me? As opposed to things purchased for me, which would an entirely different matter. Oh, dear, my library geekdom mind is showing; well, at least it has a pop culture bent.

All right, I have to pick something that has given me hours and hours of enjoyment. I first thought of the World Almanac, but I did not purchase my first half dozen almanacs, my parents did, for Christmas.

Certainly, a contender was going to be the first time I ever purchased The Complete Directory to Prime Time Network TV Shows by Tim Brooks and Earle Marsh, which allowed me to relive shows I remember, get details on shows I had forgotten, and provide useful, if trivial, information when television facts are at issue. Based on a recent blog post, I discovered that, in the Albany market in 1967, the Monkees were pre-empted by the syndicated Death Valley Days, and that I Dream of Jeannie was bumped by a local quiz show. I love that trivia stuff.

But I suppose, honestly, the correct answer to this question is the first time I got Top Pop Albums, which probably covered 1955 to 1995. I’m guessing because I’ve purchased subsequent additions. This book has all the albums of all the group who had a Top 200 hit according to the Billboard charts, with brief bios of the artists, and a list of all the album cuts, so one could find on which albums that particular song appeared. It allows me, in a visceral way, to re-experience artists I love or learn new things. I refer to it several times a week.

In fact, the newest iteration of this book, which goes up to 2009, has become so large that the album cuts now appear on a separate CD; necessary, given the number of records delineated, but I believe that the previous version, which went up to 2005, will probably be the one that I will find most useful on a day-to-day basis. 

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