The Lydster, Part 129: I Don’t Like Reggae

It went to #1 in the UK, but only to #44 in the US in 1978.

dreadlockholidayThis will surely shock some of you, but one day, I was singing a tune while sitting at the computer that just popped into my head. I couldn’t even really remember it, except for a chorus: “I don’t like reggae (oh, no), I love it (ooo yeah.)” Don’t own the recording, couldn’t even remember who performed it, and I may have misremembered the lyrics.

As it turns out, the song was called Dreadlock Holiday by a UK group called 10cc, which, in an earlier incarnation was the king of bubblegum music. The song has an interesting back story. It went to #1 in the UK, but only to #44 in the US in 1978. LISTEN HERE.

Though she has, to this day, heard no iteration of the song, save for mine, the Daughter started using it, plugging in all sorts of people and creatures:
“I don’t like Papa (oh, no), I love him (ooo yeah.)”
“I don’t like Mama (oh, no), I love her (ooo yeah.)”
She puts in the cats’ names, or her friends’, or even sports, like soccer, appropriate, since the original song mentions cricket.

The Wife suggests that the Daughter is becoming more and more like her (The Daughter’s) father. I could deny it, but it would be pointless.

Merry Christmas 2014

Joy to your world, for whatever reason.

Addams_family_XmasI think it was George Harrison, on one of those Beatles Christmas records, who quoted, or at least paraphrased, Eva Heller in Beim nächsten Mann wird alles anderswro: “We wish you everything you wish yourself.”

If you celebrate the birth of a baby born on the wrong side of the tracks, as I do, that’s great. (Yes, I know Jesus was almost certainly NOT born around this time; don’t get all Scroogey on me.)

But it’s a nice holiday, one that even atheists can appreciate. Or, perhaps, families divided by politics. And it can be true whether or not you’re with family.

Check out the guide the HRC has published, Coming Home to Faith, to Spirit, to Self, which offers ideas to LGBT people “for establishing and owning a faith identity, sharing your gifts, taking stock of your faith community, encouraging inclusion, and coming home or finding a new one.”

Hey, why WERE so many beloved Christmas songs written by Jewish musicians?

So joy to your world, for whatever reason, or for noel reason at all. Even, or maybe I should say especially, in Sierra Leone.

Jingle all the way into space!
***
R.O. Blechman CBS Christmas Message (1966)

The Compact Disc and me

I had these shiny objects, and nothing on which to play them.

One of my first CDs

While listening to the Coverville podcast about legendary music producer Phil Ramone, who died a while back – I wrote about him, briefly – host Brian Ibbott noted that Ramone produced the first album, Billy Joel’s 52nd Street, “to be commercially released on CD when it went on sale in Japan” in the fall of 1978.

This got me thinking about my love/hate relationship with compact discs. I had 1200 LPs in the early 1980s, and I was quite resistant to this new technology. The music industry was working hard to get consumers to embrace the CD.

The Police’s Synchronicity album had an extra song, Murder by Numbers; ditto, Peter Gabriel’s So with This Is the Picture (Excellent Birds). But I had the LPs and wasn’t going to buy the music again. More odd was the Talking Heads’ Remain in Light, which had extended versions of some of the songs; I finally DID buy that on CD this century.

The first four CDs I owned were given to me by my friend Broome in 1987; they were the first four British Beatles albums, which, not incidentally, did NOT have extra material, and ran about 35 minutes each. There was much talk at the time about how they SHOULD put extra material on them, the singles of that period, just because the CD had a capacity of more than twice that. Heck, I wouldn’t have objected to “From Me to You” added to an early compilation. But it was not to be; I mean, they ARE the Beatles and people were going to buy them.

So now I had these shiny objects, and nothing on which to play them, and Broome knew that. Reluctantly, I bought a simple CD player. But I couldn’t justify having the hardware without more software, so I went out and spent $50 on CDs. I didn’t want to buy what I already owned, so I bought greatest hits by Billy Joel (the 2-disc set) and Elton John. I also got Dire Straits’ Brothers in Arms and some others.

Eventually, I had lots of CDs, some fortunately provided to me gratis, and a five-CD player, which became my music player of choice, before it broke down; I tried to get it repaired, unsuccessfully.

One of the things I’ve realized is that because the artist, or the record company, CAN put more music on a CD, they DO. And some 14-song, 70-minute albums are just TOO LONG. It’s even more true on rereleases. I was listening to Who’s Next one morning – my family was obviously away – and I LOVE that album, but the rest of the “Lighthouse” project, save for “Pure and Easy” I could have done without. Lots of albums have alternative versions, which are historically interesting but do not enhance the listening enjoyment of the album; the second The Band album, which I also love, falls in that category.

Still, the library file cabinet, which I bought when the local branch was renovating a few seasons ago, was a cool place to store them, I thought, although, even getting a few more occasionally means a laborious shifting around. The Wife, though, decided that we needed furniture to store them in, or maybe she didn’t think having a file cabinet in the hallway was as much fun as I do, or, did. But the two pieces of furniture hold no more music. I made it clear we were doing this, not out of some need of mine but of hers. When I first had LPs, I used orange crates.

I’m likely to keep the discs I have, if only because I LOVE reading the liner notes. New acquisitions, though, will be few and far between.

John Lennon: #9 Dream

JohnLennon_tapeThis is the anniversary of John Lennon’s death, which I always remember. Obviously, he was taken by the number nine. He was born on the 9th of October (1940), as was his son Sean (1975).

Reportedly, The Beatles’ manager Brian Epstein first saw them perform on the 9th of December, 1961. “Beatles experts might dispute the actual date, but John Lennon recalled November 9, 1966 as the date when he first met Yoko Ono.”

He even died on the 9th, in British time. The owner of FantaCo, Tom Skulan, reminded me that, after I got the word – on Monday Night Football, no less – I called him, and others, with the sad news.

He included the number 9 in many of his songs, such as Revolution #9. LISTEN to #9 Dream from his 1974 album Walls and Bridges. The single coincidentally peaked at number 9 on the Billboard Hot 100 US charts.
***
Who Was the Walrus? Analyzing the Strangest Beatles Song, which you can LISTEN to.

The Vivaldi Gloria, part of First Friday at First Presbyterian

First Presbyterian First Friday: Concert at 6:00 pm, Gallery open from 5:30-8:30 pm

First Snowfall by David Hinchen
First Snowfall by David Hinchen

Each First Friday at First Presbyterian Church, 362 State Street in Albany, is an “Experience of Visual and Musical Art.”

Friday, December 5, listen to Antonio Vivaldi’s Gloria, featuring Deborah Rocco, soprano; Carla Fisk, soprano; Fiona McKinney, alto; and First Presbyterian Church Chancel Choir, with Michael Lister, director and Nancy Frank, organ.

Also: Music for the Season from the First Presbyterian Church Handbell Choir, Jack Holmes, director.

In the gallery: INSPIRED BY ALBANY’S WASHINGTON PARK
Group exhibition of paintings, photographs, mixed media, and prints by a wonderful selection of local artists.
A unique opportunity to find some great handmade holiday gifts.

Featured artists include:
Laura McCarthy, Keven Kuhne, Ray Henrikson, Ward Capeci, Gail Hinchen, Dan Gibbs, Diana Bangert-Drowns, Grace White, Tim Dumas, Duane Barker, Dorothea Osborn, David Hinchen, Helen vonBorstel

Concert at 6:00 pm
Gallery open from 5:30-8:30 pm
***
(Not incidentally, I’ll be singing in this concert.)

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