Lenten music Friday: Handel Messiah, Part II (continued)

George_Frideric_Handel_by_Balthasar_DennerHey, this year is the 430th anniversary of Georg Friedrich Händel’s birthday. He was born on February 23, 1685, in Halle, Germany.

All of the text of the next part of Messiah by Handel, Part II is from the book of the prophet Isaiah, mostly from chapter 53. Invariably, when any of the text of Messiah are part of the scripture reading during church, the musical iterations come rushing to mind.

(23) He was despised – air, alto
Isaiah 53:3 He was despised and rejected of men: a man of sorrows, and acquainted with grief. . . Isaiah 50:6 [He]gave [His] back to the smiters, and [His] cheeks to them that plucked off the hair: [He] hid not [His] face from shame and spitting.

Performance by ORQUESTA Y CORO AD LIBITUM, Cristina Faus, contralto

(24) Surely He hath borne our griefs – chorus
Isaiah 53:4,5 Surely he hath borne our griefs, and carried our sorrows. He was wounded for our transgressions, he was bruised for our iniquities:the chastisement of our peace was upon him,
(25) And with His stripes we are healed
Isaiah 53:5b …and with His stripes we are healed
(26) All we like sheep have gone astray
Isaiah 53:6 All we like sheep have gone astray; we have turned every one to his own way; and the Lord hath laid on him the iniquity of us all.

Performance by ORQUESTA Y CORO AD LIBITUM

Usually, I’m used to the fuller sound of a large chorale, rather than the dozen singers, but this is surprisingly effective.

Compare with:
The Emek Hefer Chamber Choir.

Lenten Music Friday: Fauré Requiem

Fauré’s Requiem is noted for its calm, serene and peaceful outlook.

Faure1907Of all the Requiems, and I have participated in the singing of quite a few, one of my two favorites, along with Mozart, is the Fauré. I know I sang this in both 2000 and 2002, and perhaps later.

He composed the Requiem between 1887 and 1890. From Classic FM:

Traditionally, at its heart, [a requiem] is a prayerful lament for the dead. Fauré’s Requiem was altogether different, though, because here was a composer who, unlike many of his contemporaries, had no clear religious beliefs.

By contrast, he was very much a doubter, described by his own son as ‘a sceptic’. In place of the sombre nature of many requiems that had gone before, Fauré’s is noted for its calm, serene and peaceful outlook.

The best recording may well be one I own, the iteration with Robert Shaw (Conductor), Atlanta Symphony Orchestra & Chorus (Orchestra), Judith Blegen (Soprano), James Morris (Baritone). It also contains the Duruflé Requiem. I bought that CD for my sister Leslie, who will be singing it in the San Diego area this Lenten season.

LISTEN to Gabriel Fauré’s Requiem, Op. 48
1. Introït et Kyrie (D minor) 0:00
2. Offertoire (B minor) 6:24
3. Sanctus (E-flat major) 14:36
4. Pie Jesu (B-flat major) 18:07
5. Agnus Dei et Lux Aeterna (F major) 21:48
6. Libera Me (D minor) 27:55
7. In Paradisum (D major) 32:16

A New York Newspapers State of Mind

With any recording, there are two copyrights: one for the song, the composition, and another for the performance of that song, the recording.

There’s a line in a classic Billy Joel song New York State of Mind:
“But now I need a little give and take
The New York Times, the Daily News.”

Back in the late 1970s and 1980s, I used to read those two New York City papers, even though I lived 150 miles away. The New York Times, “All The News That’s Fit To Print,” I’d read nearly every day. Even into the 1990s, I was at least devour the massive Sunday Times, which might take all week. In the earlier period, I also read the Daily News, a tabloid publication, on Sunday, mostly for the funnies and the sports.

I almost never read the other tabloid in New York City, the New York Post, which was terrible even before Rupert Murdock bought it in 1993. (Certainly, one of its low points was in 1980, when they showed a slain John Lennon in the morgue.)

It’s nice to see my old friends of the news IN the news:

nyt.selma

Former President George W. Bush and his wife Laura participated in the reenactment of the march 50 years ago in Selma, Alabama on March 7. They were on the front line, but do not appear in the photo above. The narrative from some is that they were cropped out.

But in viewing several pictures of the event, it was clear that the picture was not wide enough to include the Bushes without making the shot far too small to see from the newsstand.

Moreover, Times photographer Doug Mills notes: “As you can see, Bush was in the bright sunlight. I did not even send this frame because it’s very wide and super busy and Bush is super-overexposed because he was in the sun and Obama and the others are in the shade.”

Nevertheless, there will be people who will find political motivation in this.

There are some who thought Bush should have stayed home, since his Supreme Court justices have weakened the Voting Rights Act of 1965, the very law signed by President Lyndon Johnson as a direct result of the original march. I’m glad Bush was there.

Here’s a poignant Selma story.

traitors.newyorkdailynews.mar2015 A couple of days later, I was astonished to see THIS headline in the Daily News go viral, with the paper blasting the 47 US Senators for sending a letter to Iran.

As Vox.com puts it, “The mere act of senators contacting the leaders of a foreign nation to undermine and contradict their own president is an enormous breach of protocol. But this went much further: Republicans are telling Iran, and, by extension the world, that the American president no longer has the power to conduct foreign policy, and that foreign leaders should assume Congress could revoke American pledges at any moment.”

Now, Arthur explains this situation more than I’m inclined to. Read also links to several other newspaper editorials.

Whether the letter, signed by four men (Ted Cruz, Lindsay Graham, Rand Paul, Marco Rubio) who have suggested a desire to be the Republican nominee for President, is actually traitorous is open to debate. That it was a brazen, gratuitous, and plainly stupid action is pretty clear. And some Republicans agree.

Humorous responses: Iran has offered to mediate talks between congressional Republicans and President Obama and An Open Letter to 47 Republican Senators of the United States of America from Iran’s Hard-Liners.: “You have opened our eyes. We are brothers.”
***
In other news, Jurors hit Robin Thicke and Pharrell Williams with $7.4-million verdict over the song Blurred Lines.

I was surprised by the results. A couple of weeks ago, intellectual property lawyer/drummer Paul Rapp, a/k/a F. Lee Harvey Blotto, wrote this:

The…case, in which Marvin Gaye’s kids are trying to shake down Robin Thicke, Pharrell and TI, is…not going very well for Team Gaye. The judge knocked the stuffing out of the Gayes’ case last month by ruling that the jury would not be allowed to hear the Marvin Gaye recording of Got To Give It Up [LISTEN] the song allegedly infringed by Thicke & Co. in writing Blurred Lines.

Why, you ask? Well it’s like this. With any recording, there are two copyrights: one for the song, the composition, and another for the performance of that song, the recording. What constitutes the song is typically limited to the melody and lyrics, and sometimes a unique chord or song structure. Everything else is embodied in the performance.

Here’s a side-by-side snippet. Oh, and here’s the UNRATED, NSFW Blurred Lines video (don’t say I didn’t warn you.) Incidentally, I’m one of those people who found Blurred Lines’ suggestion of possibly non-consensual sex very creepy.

There is concern that the verdict could be bad for music, “possibly lowering the bar for what’s considered creative theft.” While I hear the similarities, I’ve found other songs, not litigated against, with far greater parallels. I think the decision was wrong, per this New Yorker article.

But after the “Blurred Lines” victory, the Gaye family takes another listen to “Happy”. They should take Stevie Wonder’s advice.

Since these things will get further litigated, it’s too early to know the final outcome. But my first thought was, “What will happen to the Weird Al Yankovic song, Word Crimes [LISTEN]? It’s credited to Williams, Thick, rapper TI and Yankovic.

Lenten music Friday: Behold the Lamb of God

John 1:29: “Behold the Lamb of God, that taketh away the sins of the world.”

George_Frideric_Handel_by_Balthasar_DennerI have sung the choruses of Part I of Handel’s Messiah several times over the years. This is the section that is associated with “the prophecy of the Messiah and his virgin birth… rendered in words by Isaiah,” and of course is generally performed in that period before Christmas called Advent.

Part II, which I have performed far less often, except for the last movement, deals with the events leading to the death of Jesus, culminating with the triumphant resurrection.

The first movement of Part II is a chorus piece from the Gospel according to John, chapter 1, verse 29: “Behold the Lamb of God, that taketh away the sins of the world.”

Here are performances by the London Philharmonic Orchestra and Chorus and by the Emek Hefer Chamber Choir.

The score.

An album I own and enjoy is called Handel’s Messiah: A Soulful Celebration, with this piece being reinterpreted as a jazz instrumental by a group called the Yellowjackets. I can’t find that online, but I did discover a cover version featuring Rich Christie on bass, Dave Sylvester on sax, Chris Williams on Drums, and Kenneth Reese on keyboards.

It WAS the Ninth Symphony

I’m standing in the bakery section when I hear this guy humming the very same thing we’d been trying to figure out.

Dvorak1It’s so embarrassing. I really like classical music, but sometimes I don’t remember what a recording is when I hear it on the radio, though it might be very familiar.

The new car has a feature whereby it identifies the songs on some of the radio stations. Huh, Nick Jonas has a single sans his brothers. Unfortunately, the feature doesn’t seem to work on the classical radio stations.

We’re listening to WMHT-FM, and the Wife and I are trying to identify the composer. It that Beethoven? No, it sounds too Russian, maybe Tchaikovsky. This is driving me crazy.

Since The Wife was baking that night, we needed eggs and a few other items from the Honest Weight Food Co-op. I’m standing in the bakery section when I hear this guy humming the very same thing we’d been trying to figure out.

I say to him excitedly, “What IS that you’re humming?”

“I was humming? Oh, I’m sorry.”

“No, no. WHAT are you humming?”

“Dvorak’s New World Symphony.”

D’oh. I love that thing, own it on CD, but I simply couldn’t place it.

“Were you listening to WMHT too?” I asked, knowing full well the answer was yes.

LISTEN to The Symphony No. 9 in E Minor “From the New World”, Op. 95, B. 178, popularly known as the New World Symphony, composed by Antonín Dvořák in 1893 during his visit to the United States from 1892 to 1895.

Here is another version.

A symphony guide from The Guardian.

Classical Notes.

Dec 16, 1893: Antonin Dvorak’s “New World Symphony” receives its world premiere in New York City.

Jaquandor insists No, John Williams did NOT rip off Dvorak.

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