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Diana Ross is 70, tomorrow

Diana Ross’s first single, and its a waltz?

Also used for Round 15 of ABC Wednesday.

I suppose it was inevitable that when the billing went from The Supremes to Diana Ross and… that she would eventually leave the group, and she did. In many ways, I preferred the songs of those first two solo albums of hers, which I bought, to the Supremes albums that came out just before she left the group. Still, I never bought any of her other solo albums. Didn’t see her in any of her movies, not even the Oscar-nominated Lady Sings the Blues, though I did see snippets of The Wiz on television.

At some level, I thought that what felt like Berry Gordy’s favoritism towards her made me cranky. It wasn’t until much later, when I was watching the soap opera Another World in the late 1990s, and discovered actress Rhonda Ross was the biological daughter of Ross and Gordy, did I discover they had had a romantic relationship.

Of course, I watched her on the Kennedy Center Honors in 2007, and she was most deserving. I did hear her on the radio a lot, and, finally, bought her greatest hits collection, from which I am picking my favorites from her solo career. LISTEN to all.

7. Upside Down, from Diana, 1980. Some dance beat drivel that I found annoyingly infectious. Went to #1.

6. My Mistake (Was To Love You), from Diana & Marvin, 1973. Marvin was always good in those duets. Went to #19.

5. Touch Me In The Morning (from Touch Me in the Morning, 1973). Another #1 song. I don’t always like Diane’s voice, but I love it here.

4. I’m Coming Out, from Diana. I NEVER heard this song, I believe, until I bought the CD. Anthemic, and I understand she often starts her shows with this song.

3. Mahogany (Do You Know Where You’re Going To), from Diana Ross, 1976. Theme from the movie. I just noticed she had albums called Diana!, Ross, Diana, Ross, and TWO called Diana Ross; this is from the second one.

2. Ain’t No Mountain High Enough, from Diana Ross, 1970. The song was the motif for the Black History Month performance that my sister Leslie, a couple of others and I organized and performed for a high school assembly. It’s amazing how Diana took that tune, a hit for Marvin Gaye and Tammi Terrell, and made it her own #1 song.

1. Reach Out and Touch (Somebody’s Hand), from Diana Ross, 1970. The first single, and it’s a waltz? Went only to #20.

K is for the Kinks: Muswell Hillbilles

For WAY too long, I used to go around saying, “Why is life so COM-Plicated?”

The Kinks, commercially, went from being a rather successful rock band, to not so much, several times in its career arc. One of the latter was the 1971 album Muswell Hillbillies, “named after the Muswell Hill area of North London, where bandleader Ray Davies and guitarist Dave Davies [his younger brother] grew up and the band formed in the early 1960s.” I have alluded to this album so often I figured I must have written about it before, but I had not.

It was their ninth album, but their first for RCA. It was also the first one I ever bought. Even though it came from a particularly English POV, there was something quite universal about the feelings of alienation. It’s also sonically quite diverse.

Also in the band at that time were original drummer Mick Avory, bassist John Dalton (who had replaced Peter Quaife off and on for years), and pianist John Gosling, who joined the band in 1970, a year before the album’s release. Also new, the brass section, “The Mike Cotton Sound, which included Mike Cotton on trumpet, John Beecham on trombone and tuba, and Alan Holmes on clarinet.”

Side one starts with 20th Century Man [LISTEN], “I’m a 20th century man, but I don’t want to be here.” That’s followed by Acute Schizophrenia Paranoia Blues

But it’s five of the next six songs that really sold me. A more eclectic bunch of songs I’ve seldom heard: the out of time Holiday [LISTEN]; the swing of Skin and Bone [LISTEN] (“stay away from carbohydrates”); Alcohol [LISTEN] (a boozy “Oh, demon alcohol”); and Complicated Life [LISTEN]. For WAY too long, I used to go around saying, “Why is life so COM-plicated?”

Side two starts with Here Come the People in Grey, and that’s followed by the very proper-sounding Have a Cuppa Tea [LISTEN]; my sister sells teas currently, and that’s a bonus for my enjoyment. After Holloway Jail comes Oklahoma U.S.A., which I DID write about before. Then Uncle Son and the title song. The 1998 CD re-issue bonus tracks were Mountain Woman and Kentucky Moon, which did not particularly enhance the enjoyment for me.

There was a 2CD extended package that came out in 2013, which I won’t get because what I already have is just perfect.

More about the Kinks and some of the Kinks’ better-known songs around June 21, when Ray Davies turns 70.

ABC Wednesday – Round 14

J is for the Jackson 5ive

When the group moved from Motown to Columbia/Epic, Jermaine stayed at Motown, largely because he was married to Motown boss Berry Gordy’s daughter Hazel for a time. Little brother Randy replaced him as the group became The Jacksons.

L-R: Tito, Marlon, Michael, Jackie, Jermaine

My sister Leslie, who’s a little younger than I, had each of the first four non-Christmas LPs of the Jackson Five (or Jackson 5ive, as Motown sometimes cutely designated the group). I wanted to write them off as a silly piece of “bubblegum soul”. The problem with that was twofold:
1) I rather liked many of the songs, and
2) I discovered that my vocal range was quite compatible with Jermaine, who had the second lead on many of the songs (Tito sang low harmonies, Jackie high harmonies, and Marlon somewhere in the middle)

Oh, there was a third thing:
3) that preteen Michael was pretty darn good

The first album had I Want You Back [LISTEN], a #1 hit in 1970, but also Who’s Lovin’ You [LISTEN], a cover of a Smokey Robinson song that, when I listened to it, I thought, “How old IS this guy?” He was an old soul.

The second album included both ABC [LISTEN], the title song, and The Love You Save [LISTEN], both of which went to #1 for two weeks in 1970. The imaginatively titled Third Album contained I’ll Be There [LISTEN], #1 for FIVE weeks in 1970. I was always a sucker for Maybe Tomorrow [LISTEN], the title song from the fourth album, which only went to #20 in 1971. They had other hits, most notably Dancing Machine [LISTEN], #2 in 1974.

I won’t necessarily admit to having watched their animated series, which is now available on DVD.

Michael, who had done some solo work even with Motown, had some subsequent massive albums on his own, with Off the Wall, and Thriller. But the brothers, including Jermaine, got together for the 1984 Victory album and tour. Michael, of course, went on with his own career arc.

The group never broke up officially, but they haven’t recorded an album since 1989, though Tito, Jackie, Jermaine, and Marlon did appear in some bizarre reality show back in 2009, which ended up including their reactions to brother Michael’s death.

ABC Wednesday – Round 14

That damn song about ancestors

My parents are gone and have joined my ancestors, and there is no one else in an earlier generation in my lineage.

Right after I got back to Albany, after my mother’s funeral in February 2011 in Charlotte, NC, I attended the church service of my current congregation. It was Black History Month, and I had helped organize the events but did not participate much in them. I’m standing in the congregation, rather than singing in the choir when we got to do Lift Every Voice and Sing.

I’m singing it, as I’ve done dozens of times in the past. We get to the lyrics:
Out from the gloomy past,
Till now we stand at last

And I start sobbing uncontrollably. Don’t know if anyone, except The Wife, noticed, but I was unable to sing anymore.

I’m reminded of this because it’s always the last song we perform at my church in Black History Month, and I am still unable to get through the song without crying at some point, and that had not been an issue before 2011. I think it’s that “adult orphan” thing, that my parents are gone and have joined my ancestors, that there is no one else in an earlier generation in my lineage – my parents were both only children – and somehow I’ve become the eldest member of my tiny little tribe on earth, the children and grandchildren of Les and Trudy Green, who were married March 12, 1950, in Binghamton, NY.

LISTEN to Lift Every Voice and Sing.

I is for the Isley Brothers

You may not think you know the Isley Brothers, siblings out of Cincinnati, but it’s likely that you’ve heard at least some of their music, even if it was performed by someone else.

O’Kelly Jr., Rudolph, Ronald, and Vernon started out in gospel until Vernon’s early death from a bike accident. The remaining trio moved to the New York City area in the late 1950s. Their first significant song was Shout [LISTEN] in 1959, written by the brothers, which only went to #47, but eventually sold a million copies, and was heavily covered.

In a similar vein, Twist and Shout [LISTEN] got all the way to #17 in 1962. It was originally recorded by the Topnotes, and produced by Phil Spector, who was still learning his craft. The Isleys version spurred other covers, notably by a band from Liverpool, England.

The trio spent three or four years with Motown, but like other groups that weren’t developed in-house, such as the Spinners, they would fare better elsewhere. They did have one Top 40 hit, This Old Heart of Mine (Is Weak for You) [LISTEN], which went to #12 in 1966, but which would become a bigger hit for Rod Stewart, featuring Ronald Isley when it went to #10 in 1990.

Their biggest hit was It’s Your Thing [LISTEN] which soared to #2 in 1969. “By 1971, the Isleys’ younger brothers Ernie Isley and Marvin Isley and brother-in-law Chris Jasper started to add musical input to the band’s music.”

The big hit for them in 1975 was Fight the Power [LISTEN] which does, I should note, have an eight-letter word starting with bull contained therein.

After this, the brothers continued to perform in different combinations. Kelly succumbed to a heart attack in 1986, and Marvin died from diabetes in 2010.

They were inducted into the Rock and Roll Hall of Fame in 1992.
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Beastie Boys send copyright threat to toy company that remixed “Girls” However:
Before GoldieBlox, Beasties plundered the “Girls” melody (fair and square): “Here’s a timely (and fully rockin’) reminder that the Beastie Boys plundered the melody of The Isley Brothers’ ‘Shout’ for Girls.”

ABC Wednesday – Round 14