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The end of the world

The End of the World by Skeeter Davis, which came out in early 1963, is considered the most successful crossover hit ever

I’m rushing out to go to work last Friday when my eyeglasses break. This isn’t the screw coming out, for which I have tools for fixing the problem – assuming I can find the screw, and the tools. No, this break severed the screw. AND I can’t find the lens because I don’t have my glasses. The Wife comes to my aid.

I seek older pairs of my eyewear. Even days later, I discover: 1) the previous pair of glasses is MIA; 2) the pair before that is broken. I found a couple of eyeglasses cases that are empty. Discovered an old pair from, a decade ago? or longer? that The Daughter thinks are scary because they’re much larger on my face. If I had my photos in order, I could find a photo of me wearing them.

Got through the weekend with the ancient pair. Not so hard to use at the computer, but it’s a challenge reading music at church on Sunday, especially the offertory in 5/4. Fortunately, the anthem was “Come Thy Holy Spirit” by Pavel Tschesnokoff, which I first sang 45 YEARS AGO. (Lots of versions online as “Let Thy Holy Spirit“.)

In other words, breaking the glasses was not “The end of the world,” especially after I get them fixed Monday.
***
Sad news: Warren Olin died Sunday afternoon. He was the patriarch of the Olin clan, eldest of eight children, and the family genealogist who discovered his ninth generation ancestors John Olin and Susannah Spencer, and wrote the book – actually two books – about them and their descendants. Warren was the older brother of my mother-in-law, and my wife’s uncle.

Oddly, though, he didn’t want any funeral or public event, much to The Wife’s surprise. We’re sure all the branches of the clan would have wanted to acknowledge his passing. I can only gather that he didn’t want to be a bother.

(For my departure, you can make all the civilized ruckus you want. I’m requesting Chopin’s “Raindrop” Prelude in D flat Major, Op.28 No.15, which someone was playing after church this weekend.)
***
Some friend of my niece Alexandria was noting the passing of a huge asteroid by the Earth this past Sunday.

peaking about “The Beast”, [an expert] said: “This one would definitely be catastrophic if it hit the Earth…
“If it hit a city, it would definitely wipe out an entire metropolitan area.”
The explosion would unleash an explosion with a yield of about 2000 megatons.
“You’d end up with a crater about 4.8km (~3 miles) across… An event like that would break windows over 100 kilometres (~62 miles) away.”

Alex’s friend complained: “So why am I only finding out about this NOW?” The facts were known by astronomers two weeks ago. I wondered, “What would you do if you knew?”

Now if we knew this, or a subsequent large asteroid, WERE going to hit the earth, I wonder how we would live our lives differently?
***
All this, of course, had me thinking about music. I Googled End of the World music. Naturally, I got that REM song. But that wasn’t what I was wanted.

I had on my mind The End of the World by Skeeter Davis, which came out in early 1963. It is considered the most successful crossover hit ever, going to #2 on both the country and pop charts, #1 on the adult contemporary charts, and, surprisingly, #4 on the rhythm and blues charts, “making Davis one of the very few Caucasian female singers to have a top ten hit in that market.” I love the set on this live version.

V is for Van Halen

In that great musical debate about the preferred lead singer of Van Halen, I suppose I’m in the David Lee Roth camp, rather than the Sammy Hagar camp. It is only because my one and only VH album, 1982’s Diver Down, features Roth. “From 1974 until 1985 the band comprised guitarist Eddie Van Halen, vocalist David Lee Roth, drummer Alex Van Halen [Eddie’s brother] and bassist Michael Anthony.” That’s the group I remember watching in the early days of MTV.

Eddie played the blistering guitar solo on Michael Jackson’s hit single Beat It [LISTEN], #1 for three weeks in 1983.

LISTEN to: all charting info from the Billboard (US) charts.

From Van Halen II:
Dance The Night Away, #15 in 1979

From Diver Down:
Oh, Pretty Woman, #12 in 1982. This is one of five covers on the album, this one originally recorded and co-written by Roy Orbison.
Big Bad Bill Is Sweet William Now (Is Sweet William Now), which was written and first recorded in 1924. Jan Van Halen, Alex and Eddie’s father, plays the clarinet.
Happy Trails. The theme song of that singing cowboy of movies and television, Roy Rogers, written by his wife, Dale Evans.

From 1984:
Jump, #1 for five weeks in 1984.

When Michael Anthony left/was booted out of the band in 2006, coinciding with Roth’s second return, the new bassist was Wolfgang Van Halen, Eddie’s son with his former wife, actress Valerie Bertinelli (One Day at a Time, Hot in Cleveland).

Van Halen was inducted into the Rock and Roll Hall of Fame in 2007. But at the time of the induction ceremony, Eddie Van Halen was heading for rehab. As it turned out, only Sammy Hagar and Michael Anthony, both ex-members of the band, showed up.

ABC Wednesday – Round 14

What is the most influential song of all time?

What would YOU pick as the most influential song of all time, and why?

The June 2014 Atlantic asked the above as its Big Question. Naturally, it’s a patently absurd task to even try to answer. Of course, people did, as Oklahoma blogger Dustbury noted. Quite a few responses for We Shall Overcome, which is an understandable choice.

My off-the-cuff choice, without overthinking it, was among Ode To Joy, appropriated for Beethoven’s Ninth Symphony; This Land Is Your Land, Woody Guthrie’s American anthem; or She Loves You, the song with the “Yeah, yeah, yeah” that epitomized Beatlemania, and all it wrought.

What would YOU pick, and why?

U is for Unique: Sly & the Family Stone

(The second, and final, letter for which I couldn’t find a musical family group.)

Sylvester Stewart was a record producer and DJ in the San Francisco Bay Area; I have a very early Billy Preston produced by him. He changed his name to Sly Stone, and started a band, as did his brother Freddie. The groups merged in 1967 to become Sly & the Family Stone, with sister Vaetta as one of the background singers. The band was unique, in part, because it was racially mixed at a point when that just wasn’t done. Their songs, especially by their third album, Life, was infused with themes about unity and integration.

Sly’s music was so good that it would be sampled years later. At about 40 seconds into that great Fatboy Slim video featuring Christopher Walken, I hear echoes of Sly’s Into My Own Thing [LISTEN to both]. It was clear that the psychedelic soul of Motown, especially by the Temptations producer Norman Whitfield, came from the group’s sound, notably Larry Graham’s bass playing, and the shared lead vocals; George Clinton & Parliament/Funkadelic and many others would also be influenced.

Yet, except for the title song from the second album, Dance to the Music [LISTEN] (#8 US in 1968), the band was not having much commercial success, despite the addition of sister Rose on that second album.

Things changed with the fourth album, Stand!, which made my list of Top 25 favorite albums of the decade 1961-1970 [LISTEN TO ALL]:
I Want To Take You Higher, #60 US in 1969, #38 in 1970 when it was re-released after their legendary Woodstock appearance that I loved watching on the film
Sing A Simple Song, a B-side that got to #89 on the US charts on its own
Everyday People, #1 US for four weeks in 1969
You Can Make It If You Try
and the title track, #22 US in 1969

But the album I would have rather have put on the list, had it been permitted, was their greatest hits album, which featured these songs not found on other albums:
Hot Fun In The Summertime, #2 US in 1969 (“ooo, Lawd”)
Thank You (Falettinme Be Mice Elf Agin), #1 US in 1970 [this is a remake]
Everybody is a Star, its B-side

Unfortunately, members of the band, and especially Sly, got caught up in heavy drug use.

The last Sly album I bought, until considerably later, was the druggy There’s A Riot Going On, with two Top 40 singles in the US, Family Affair, #1 for three weeks in 1971, and Runnin’ Away, #23 US in 1972.

The group was inducted into the Rock and Roll Hall of Fame in 1993, with George Clinton as the presenter.

The Family Stone is still playing together in 2014, alas without Sly.

ABC Wednesday – Round 14

Keats writes the blues

“The blues is truth, truth the blues.”

My near-relative Arnold – he’s my late great-aunt Charlotte’s brother, sent a bunch of us three blues songs he posted on his website:

Insomnia Blues
Cigarette Blues
Statistician’s Blues

One of the recipients was his nephew Jonny Rosen, he of the band Annie and the Hedonists; Jonny is married to Annie. Got to see them perform their “eclectic mix of acoustic blues, vintage jazz and swing, and folk roots Americana.” Check ’em out if they come to your neighborhood. Here they are performing You Don’t Know.

Arnold wrote: “Truth is in the blues and the blues will set you free. Speaking of truth through the blues. wasn’t it Keats who wrote in Ode On A Grecian Urn:
‘The blues is truth, truth the blues,’ – that is all Ye know on earth, and all ye need to know. The Mississippi Delta blues singers well understood that.” See, for example, here.