Tag: music

T is for Talking Heads

The album Speaking in Tongues had come out only a couple months before the SPAC concert, featuring their only American Top 10 hit, Burning Down the House.

Frantz, Weymouth, Harrison, Byrne
Frantz, Weymouth, Harrison, Byrne

One of the two greatest concerts I ever saw was the August 1983 performance of Talking Heads at the Saratoga Performance Arts Center, which someone put online; actually, here’s another recording. It starts with David Byrne by himself on guitar and percussion. He’s joined by Chris Frantz and Tina Weymouth, who were married in 1977, on drums and bass, respectively, for a song or two, before Jerry Harrison joins on guitar. That was the core band, but then the additional players are added in; the process was so organic.

This is the same tour from which the classic Jonathan Demme film Stop Making Sense was taken, but this is the complete concert, not just a truncated show.

The album Speaking in Tongues had come out only a couple of months earlier, featuring their only American Top 10 hit, Burning Down the House. LISTEN to the whole album. I always associated that album, along with a few others of that period, as forerunners of the compact disc, for the versions of several songs on the CD, which I got a number of years later, were longer than the versions on the LP, which I had purchased soon after it came out.

The new wave band Tom Tom Club was founded in 1981 by Frantz and Weymouth as a side project. Their big hit Genius of Love [LISTEN], which is in the Talking Heads concert, has been sampled by several artists , including Mariah Carey on her hit single Fantasy.

LISTEN to Psycho Killer from Talking Heads ’77, and the parody Psycho Chicken by The Fools.

 

ABC Wednesday – Round 14

Patti LaBelle is 70

Also used for ABC Wednesday, Round 15. B is for Blue Belles.

pattilabelle_fullPatti LaBelle was born Patricia Holt, in Philadelphia. She formed a group the Blue-Belles, with Nona Hendryx, Sarah Dash, and Cindy Birdsong. The group had a Top Twenty single, “I Sold My Heart to the Junkman”, but it was actually sung by another group. (Most confusing.)

The redubbed Patti LaBelle and her Blue Belles had some minor hits, such as Down the Aisle (The Wedding Song) and You’ll Never Walk Alone. But then Cindy Birdsong left the group to replace Florence Ballard in The Supremes. They ended up musically adrift and got dropped by their record label.

The trio got a new record label, and changed its name to Labelle, with songs that “mixed harder-edged soul music with rock music elements”, to limited success. They had more luck singing with the late Laura Nyro. LISTEN to The Bells, and I Met Him on a Sunday, and You’ve Really Got a Hold on Me and It’s Gonna Take A Miracle.

Their big hit was Lady Marmalade, #1 in 1975. But within two years, the group broke up, and Patti went solo.

While she had a couple hits, notably New Attitude (#17 in 1985) and On My Own (with Michael McDonald, #1 in 1986), she continues to be a working artist, touring regularly, and putting out albums, with some success, especially on the R&B charts inspiring a whole generation, or two, with her voice. She put out a decent Christmas collection that is apparently out of print. She can even sing the alphabet.

Diagnosed with diabetes in 1995, she has been a spokesperson for awareness of the disease. Recently, she commented on the notion of the diva.

Bring back the bad weather!

The Daughter has almost exactly the same symptoms.

EMPACMother’s Day, May 10, was absolutely beautiful. Blue skies, decent temperatures, no rain, flowers in bloom. Had a nice dinner with an extended troupe of in-laws in Catskill, an hour south of Albany. Got home that evening, went to bed with a hacking cough, which led to a sore throat, in lieu of sleeping. This was not a cold or the flu; this was an allergy, to trees, and grass, and pollen. There are conflicting theories as to whether a long and harsh winter could lead to an equally irritating spring allergy season because it postpones the budding.

All I know is that I was miserable, despite getting injections every four weeks for several months. Now I’m on Fluticasone (nose spray), Advair (an inhaler), and am taking Zyrtec tablet (actually the OTC equivalent); the latter makes me tired, so I take it only at night. I’ve been sleeping sitting up for most of last week and a half. Oh, yeah, The Daughter has almost exactly the same symptoms.

Saturday night, The Wife and I went to the concert of the Albany Symphony Orchestra at The Curtis R. Priem Experimental Media and Performing Arts Center (EMPAC) at Rensselaer Polytechnic Institute (RPI) in nearby Troy. EMPAC is a technological marvel, but more than that, it is really cool. Inside the glass enclosure, it reminds one of a ship, in a good way.

I was so looking forward to the concert. ASO highlights living composers. But shortly after the beginning of the first piece, by John Harbison, I felt a coughing jag coming on. Since I was smack dab in the middle, I had to quickly climb past several people, and leave the theater. Couldn’t stop coughing for about ten minutes. Finally, the hacking subsided, and I caught, outside the doors, most of the second piece, also by Harbison.

But I was happy to sit in the back while catching Scattered, a “Concerto for Scat Singing, Piano & Orchestra,” written and performed by Clarice Assad. Here’s the second movement, performed a couple of years back; that section is much slower than the first or third movements.

After intermission, composer Joan Tower, who is quite funny, introduced her piece that featured famed percussionist Dame Evelyn Glennie in her return to the Albany Symphony; she played on the ASO’s Grammy-winning recording, awarded this year. Glennie, not incidentally, has been deaf since the age of twelve.

The concert was not a total bust, as I did to hear more than half of it. Still, I want this lousy feeling to GO AWAY.

Joe Cocker is 70

The Cocker version sounds sexy, whereas Randy Newman, who wrote it, makes it sound a tad sordid.

Joe_Cocker_-_The_EssentialNeed to note the significant birthday of Joe Cocker, a great UK interpreter of other people’s songs in an R&B style. He’s #97 on Rolling Stone’s list of Greatest Singers of All Time.

On my Top 10 roster of favorite songs by Cocker are three Beatles tunes. Most of the songs on this list, plus a ton more, are located HERE.

10. Cry Me A River, which you can hear HERE.
Like many of his great songs, it appears on the Mad Dogs & Englishmen album, the only one of his I own on vinyl.

9. You Can Leave Your Hat On – The Cocker version sounds sexy, whereas Randy Newman, who wrote it, makes it sound a tad sordid

8. Darlin’ Be Home Soon – Lovin’ Spoonful cover

7, Many Rivers To Cross – there’s a version that appears on a Coverville cover story at 94:15; the whole Joe Cocker section starts at 40:45.

6. Delta Lady – Leon Russell wrote this about Rita Coolidge; both appear with him on Mad Dogs

5. She Came In Through The Bathroom Window – took a snippet of a Beatles song from the second side of the Abbey Road LP and made it a real song

4. Feelin’ Alright – actually, the first version of this song I heard from Three Dog Night, but the original was by Traffic.

3. With A Little Help From My Friends – when they make lists of greatest covers, songs that are so transformative that you almost forget the original. One must consider this song from Sgt. Pepper, originally sung by Ringo. Like most people, I first became aware of Cocker’s version via the Woodstock movie and soundtrack album. It ranks so (relatively) low on this list from overexposure, including as the theme song to the TV program The Wonder Years.

2. The Letter – letting that Box Tops hit and letting it breathe

1. You’ve Got To Hide Your Love Away. I LOVE the background singers on this song from the movie Help! Here’s another link.

S is for the Staple Singers

This century, Mavis Staples, who was the primary voice on so many of the Staple Singers’ songs, has been putting out several well-received albums.

Staple-SingersA major competitor of Motown serving up black music in the United States in the 1960s and early 1970s was STAX Records, which I wrote about extensively HERE.

One of the great groups on the label was The Staple Singers, “an American gospel, soul, and R&B singing group. Roebuck “Pops” Staples (1914–2000), the patriarch of the family, formed the group with his children Cleotha (1934–2013), Pervis (b. 1935), Yvonne (b. 1936), and Mavis (b. 1939)… While the family surname is ‘Staples’, the group used the singular form for its name, ‘The Staple Singers’.”

They had appeared on other labels before joining STAX, releasing songs such as For What It’s Worth [LISTEN], a cover of the Buffalo Springfield hit, that went to #66 in 1967 on Epic Records.

LISTEN to:
When Will We Be Paid (1970 – a description of the song HERE)
Heavy Makes You Happy (Sha Na Boom Boom) (#27 in 1971)
Respect Yourself (#12 in 1971) – my favorite song of theirs
I’ll Take You There (#1 in 1972) – my second favorite
If You’re Ready (Come Go with Me) (#9 in 1973)
Let’s Do It Again (#1 in 1975) – their big hit on Curtis Mayfield’s Curtom label, after STAX’s demise
The Weight, with The Band, from the 1976 movie The Last Waltz

They were inducted into the Rock and Roll Hall of Fame in 1999.

This century, Mavis Staples, who was the primary voice on so many of the group’s songs, has been putting out several well-received albums. The first one I picked up was 2007’s We’ll Never Turn Back. “Produced by roots rock and blues musician Ry Cooder, it is a concept album with lyrical themes relating to the African-American Civil Rights Movement of the 1950s and 1960s. Upon its release, We’ll Never Turn Back received positive reviews from most music critics. It was also named one of the best albums of 2007 by several music writers and publications.”

LISTEN to:
99 and 1/2
I’ll Be Rested

“During a December 20, 2008 appearance on National Public Radio’s news show ‘Wait Wait…Don’t Tell Me,’ when Staples was asked about her past personal relationship with [Bob] Dylan, she admitted they ‘were good friends, yes indeed’ and that he had asked her father for her hand in marriage.” She ultimately said no, because the interracial relationship would have been too difficult back in that period.

Finally, LISTEN to a live version of Wrote a song for everyone, a tune from her 2010 album You Are Not Alone. That album was produced by Jeff Tweedy of the band Wilco.

 

ABC Wednesday – Round 14

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