music Archives - Page 236 of 264 - Ramblin' with Roger

February Rambling: Military Draft, Muppets and Graceland

“’Soul Train’ was the first and only television show to showcase and put a spotlight on black artists at a time when there were few African-Americans on television at all, and that was the great vision of Don.”

When I mentioned the military draft earlier in the month, I may not have been very clear. Think of a large goldfish bowl with 365 or 366 balls with every date for the year represented. The first date for a particular year pulled would be the first selected for military service, the second date pulled the second selected, etc. There would be a cutoff number, based on the need for the war effort. Check out this article and then this one.

The food stamp President; note that Arthur had this BEFORE MoveOn.com helped propel it viral. He also remembers the first anniversary of the Christchurch, New Zealand earthquake, the 50th anniversary of John Glenn’s flight aboard Friendship 7, and the 200th anniversary of the birth of Charles Dickens.

Rosa Parks Did Much More than Sit on a Bus

The Stories I Tell: “Like most of us I was raised to tell the truth and be honest. This can present a minor dilemma for resellers.”

How a mom used Star Wars to answer life’s questions

Marvel/Disney wages petty, vicious war against Ghost Rider creator. Yeah, there are two sides to this story, but Disney’s treatment of writer Gary Friedrich is still most unfortunate. Here’s a more nuanced piece that links to a donate to Gary site. Incidentally, in the comments to the former piece, someone was complaining that Friedrich was selling the art of Mike Ploog, penciler of Ghost Rider. I don’t know about the specifics of this case, but as former Marvel editor-in-chief Jim Shooter explained here and here, art pages, which previous to the 1970s were rarely returned at all by comic book companies, were distributed to various participants of the story; this included the writer, though they usually got last dibs. Shooter does explain Marvel’s likely point of view, and here’s a Marvel rebuttal.

I swear I had the same problem as Mitch O’Connell.

I read in Entertainment Weekly about this website that has the feature If 2012’s Oscar-nominated movie posters told the truth. This one riffing on The Help is funny, but so are several others.

I was saddened by the death of “Soul Train” host Don Cornelius of a self-inflicted gunshot wound. From the LA Times: “Don Cornelius’ legacy to music, especially black music, will be forever cemented in history,” said Clarence Avant, former chairman of Motown Records. “’Soul Train’ was the first and only television show to showcase and put a spotlight on black artists at a time when there were few African-Americans on television at all, and that was the great vision of Don.”
But I also remember tuning in when unlikely guests would show up, such as David Bowie performing Fame and Golden Years.

Read about comic book legend John Severin, who died at the age of 90, here and here and here.

The Wicker Muppet and A Muppet phenomenon and REALLY early Muppets.

The film trailer for “Under African Skies,” “the documentary from award-winning filmmaker Joe Berlinger. Paul Simon travels back to South Africa 25 years after his first visit, chronicling the creation and lasting influence of his groundbreaking album, Graceland. Simon revisits the making of the record, surveying from the vantage of history the turbulence and controversy surrounding the album’s genesis.”

HOW TO mix a grody-looking Alien Brain Hemorrhage cocktail
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ROGER AT OTHER BLOGS

Interestingly, on most of these, I don’t get many comments. But I DO get an occasional LIKE on Facebook or retweet on Twitter, so it’s all good. Oh, and speaking of Facebook, I now have but one Facebook account. So if you want to “friend” me, it needs to be this account, the one with the duck logo.

Obviously, we’re still working on that “change the world” thing – also noting Graham Nash’s 70th birthday.

The GIANTS WIN THE PENNANT! The GIANTS WIN THE PENNANT!

Secrets of the public bathroom

Caring about Multiple Things Simultaneously, which is less about Whitney Houston, and more about people who think other folks shouldn’t care about Whitney Houston’s death

Alan Moore’s Twilight Proposal. Flashmob Fridays’ final outing.

Even a Megaphone Might Have Helped: Albany’s Black History Month bit

Scott Ritter is…complicated

In the spirit of Woody Guthrie. Well, maybe funnier.

The City of Albany didn’t even know the sign was missing until someone – OK, I – pointed it out.

Requiem of the Week – Brahms German

Albert Wood, a member of my church choir, and a March Pisces, died on Ash Wednesday.

Nothing gets me in the Lenten mood like a bunch of Requiems (Requia?). I have sung several of them over the years. One I haven’t sung is Brahms’ A German Requiem, though I do have a recording of it. However, I have sung the 4th movement, in English, and it is known as How Lovely is thy dwelling place.

From the Wikipedia: A German Requiem, To Words of the Holy Scriptures, Op. 45 (German: Ein deutsches Requiem, nach Worten der heiligen Schrift) by Johannes Brahms, is a large-scale work for chorus, orchestra, and a soprano and a baritone soloist, composed between 1865 and 1868. It comprises seven movements, which together last 65 to 80 minutes, making this work Brahms’s longest composition.

A German Requiem is sacred but non-liturgical, and unlike a long tradition of the Latin Requiem, A German Requiem, as its title states, is a Requiem in the German language.

It is a standard for a number of choirs. I know of at least a couple of people who would love it to be performed at their funerals, and it is on my list of pieces to be considered for that purpose.

Here are:
How Lovely is thy dwelling place, in English, by the Exultate Festival Choir
The same movement, in German, by the UCLA Chorale
The whole requiem by the UC Davis University and Alumni Choruses and Symphony Orchestra; unfortunately, the vocals often sound a bit muddy, per the recording methodology, not the singers.
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A sad note: Albert Wood, a member of my church choir as well as other choral groups, and a March Pisces, died on Ash Wednesday. Stole this picture from someone’s Facebook page. On his LinkedIn page, a fellow choir member had written: “An incredibly talented, energetic and ethical individual, with considerable insight into the human and corporate condition.” Among other things, he was a very talented pianist.

Two songs for Valentine’s Day

It’s Love by the Rascals, back when they were still Young, features the flute by Hubert Laws. It’s the B-side of the single A Girl Like You, and is the last song on the Groovin’ album from 1967.

I know you romantics might have a difficult time believing this, but not everyone LOVES Valentine’s Day. The idea of romantic love is anathema to them. And I know, ’cause I’ve been there.

For you who hate the day, LISTEN to a song by Beck. This is the 1990s singer, not the 1960s guitarist. Oh, what’s the title? It starts with A, ends with HOLE, and has seven letters. I first came across it when it was covered by Tom Petty & the Heartbreakers for the soundtrack to the movie She’s The One. Petty’s version borrows heavily from the original. I love the juxtaposition of the pleasant harmonized melody with the depressing text:
She dangles carrots, makes you feel embarrassed
To be the fool you know you are
She’ll do anything
She’ll do anything
She’ll do anything to make you feel like an…

On the other side of the mood fence, LISTEN to It’s Love by the Rascals, back when they were still Young, featuring flute by Hubert Laws. It’s the B-side of the single A Girl Like You and is the last song on the Groovin’ album from 1967.

I actually bought the CD version of this album specifically for this song. I had it on vinyl – still do, actually – but the fancy new stereo record player that I bought in the late 1980s would automatically eject the side before the song was over. There was very little room between those outro grooves and the record label in the center on Side 2 of the album, and I could get only 3/4s of the way through It’s Love. Maddening. BTW, my OLD record player, which I had to junk, never gave me such problems.

Here’s another video of It’s Love, this one with the trippy lyrics:
“Oh, what a wild sensation
Multiple revelations”
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I was always partial to the Whitney Houston song How Will I Know. You’ll find it at this link, along with two dozen more of her songs. Dead at 48. Yikes.

Roberta Flack is 75

More than almost any other song, this reminds me of love lost, and it still has the capacity of making me quite sad.

I’m fairly sure Roberta Flack’s turning 75; while some sources have her listed as being born in 1939, her Facebook page and Wikipedia have her born in 1937. It’s likely it was my sister Leslie who turned me on to Roberta’s music. She owned the second album, Chapter Two, which she played rather constantly. I almost felt bad that Roberta achieved a modicum of commercial success; we thought Roberta was our little secret, known by the cognoscenti.

I had the pleasure of seeing her perform at First Night in Albany about a dozen years ago. She has been living in the Dakota building in NYC for a number of years, a neighbor of Yoko Ono.

Here’s a bunch of her songs that I like. Unfortunately, I didn’t always find them on YouTube or elsewhere, so you might only hear a snippet; it will be labeled as such:

11. Why Don’t You Move In With Me – my favorite part, the introductory piano, you don’t hear in this SNIPPET from the first song on the Blue Lights in the Basement album.

10. You’ve Got a Friend – featuring the great, lamented Donny Hathaway. Her first pop hit (#29 in 1971).

9. Compared to What – from the jazzy first album, First Take.

8. Killing Me Softly with His Song – hit single (#1 for 5 weeks in 1973).

7. Where Is the Love – another hit (#5 in 1972) with Donny Hathaway

6. Business Goes On As Usual – a great song from Chapter Two about war and money; a SNIPPET.

5. First Time Ever I Saw Your Face – though released on First Take back in 1969, popularized because of its inclusion in the movie Play Misty for Me. #1 for 6 weeks in 1972.

4. Go Up Moses – a great variation on the old spiritual Go Down Moses from her third album, Quiet Fire. A SNIPPET.

3. To Love Somebody – a soulful cover of the Bee Gees’ song, from Quiet Fire. A SNIPPET; a favorite song of my late friend Donna.

2. Reverend Lee – the word about this song from Chapter Two is venerous.

1. Gone Away – more than almost any other song, this reminds me of love lost, and it still has the capacity of making me quite sad.

Carole King is 70

Carole King was inducted into the Rock and Roll Hall of Fame as a composer of a slew of hit songs, many with her then-husband, Gerry Goffin. King, who inspired Neil Sedaka’s Oh, Carol, also put out an album, 1971’s Tapestry, that was in virtually every dorm room when I went to college. It held the “No.1 spot for 15 consecutive weeks, remained on the charts for nearly six years, sold 10 million copies in the United States, and 25 million worldwide. The album garnered four Grammy Awards including Album of the Year…”

Carole King made “three appearances as guest star on the TV series Gilmore Girls as Sophie, the owner of the Stars Hollow music store. King’s song ‘Where You Lead (I Will Follow)’ was also the theme song of the series, in a version sung with her daughter Louise” Goffin.

Thought I’d pick a dozen of her songs, my favorite interpretations thereof, with links to each.

12. Jazzman – Lisa Simpson with Bleeding Gums Murphy. Yes, it’s from the cartoon The Simpsons, early on.
11. Every Breath I Take – Gene Pitney. I think it was Fred Hembeck who turned me on to Pitney. Only got to #42 in 1961.
10. Chains – The Beatles. Covering a girl group called The Cookies, from their first album.
9. The Loco-motion – Little Eva. Goffin and King’s babysitter, who was, unfortunately, the inspiration for my LEAST favorite Goffin-King song, He Hit Me (It Felt Like A Kiss). Loco-Motion would go US Top 3 twice more, by Grand Funk Railroad (1974, #1) and Kylie Minogue (1988, #3)
8. One Fine Day – The Chiffons. #5 in 1963.
7. I’m Into Something Good – Herman’s Hermits. If I believed in guilty pleasures, one would be Herman’s Hermits. I got their first greatest hits album when I failed to return the response card from the Capitol Record Club. And I’m glad I did. #13 in 1964.
6. Up On The Roof – The Drifters. Also covered by Laura Nyro (1970), James Taylor (1979, #28), and a number of others, but I love the 1962 model, which went to #5.
5. You’ve Got A Friend – James Taylor, a post-Goffin tune, with King on backing vocals and piano, went to #1 in 1971. Taylor and King have toured a great deal together in recent years.
4. Pleasant Valley Sunday – The Monkees. How could I not love this song? “Mr. Green, he’s so serene, he’s got a TV in every room.” #3 in 1967.
3. Don’t Bring Me Down – The Animals. Great raw sound one doesn’t associate with a King song. Got to #12 in 1965.
2. (You Make Me Feel Like) A Natural Woman – Aretha Franklin. Hmm, this went only to #8 in 1967. It’s such an anthem, co-written by Jerry Wexler.
1. Will You Love Me Tomorrow – Carole King, with the Mitchell-Taylor Boy and Girl Chorus. This was a number #1 hit for the Shirelles in 1960, King’s first big hit as a songwriter, but I’ve always been partial to King’s version on Tapestry.

Happy birthday, Carole!