The Act of Killing sounds AMAZING: “A documentary that challenges former Indonesian death squad leaders to reenact their real-life mass-killings in whichever cinematic genres they wish.”
For whatever strange reason, I’ve watched the Academy Awards for decades, more often on DVD or on tape than live in recent years, but still. It’s NOT to find out who won, because I can read THAT in the newspaper the next day; it’s what they say, and how they say it. The program will be on Sunday, March 2 this year; they’ve been bouncing around the date in recent years, in late March for a long time, then late February.
Oscar picks don’t always go to the BEST film or performance, but some other socio-political and popularity factors. I haven’t even seen all the films, but that never stopped me before from predicting the winners.
* Indicates I saw it
Is this the largest list of movies for which I need to make a parenthetical reference that it’s a movie? Gravity, Her, and Nebraska all make lousy indexing terms. (Here’s a futurist reviewing Her, and missing the point.)
Steve Coogan co-wrote the screenplay with Jeff Pope, based on Martin Sixsmith’s book, “The Lost Child of Philomena Lee.”
I was watching The Daily Show with Jon Stewart recently, and Steve Coogan was on talking about the movie Philomena. I must admit that I had no real idea who he was. When I was talking at work about the fact that The Wife and I gave the movie two thumbs up after we had seen it a couple weekends ago at the Spectrum Theatre in Albany, one of my colleagues said, “But doesn’t it star Steve Coogan?” After I confirmed this, she indicated that he always plays a real jerk in movies, particularly in some comedies I had never seen.
As “world-weary political journalist” Martin Sixsmith, Coogan’s character is more than a little arrogant as he lowers himself to investigate “the story of a woman’s search for her son, Continue reading “MOVIE REVIEW: Philomena”