W is for the Wilson Brothers of the Beach Boys

In 1974, Capitol Records issued Endless Summer, the Beach Boys’ first major pre-Pet Sounds greatest hits package. The record sleeve’s sunny, colorful graphics caught the mood of the nation and surged to the top of the Billboard album charts.

Carl, Dennis, Mike, Al, Brian
Carl, Dennis, Mike, Al, Brian

Murry Wilson was an entrepreneur, but he also had an interest in music, which he passed along to his sons, Brian, Dennis, and Carl, sharing his love of the tight harmonies of groups such as the Four Freshmen. He became their business manager, finagling for their group, which also included his nephew, Mike Love, and the brothers’ friend, Al Jardine (replaced briefly by David Marks), a recording contract with Capitol Records. He was a great motivator, though considered abusive.

But it was not the group, or Murry, who dubbed the group the Beach Boys. That was done by some record company employee, to capitalize on the band’s surf sound that was so popular. Ironic, since only Dennis knew how to surf.

Links to all songs; chart action is for US (Billboard).

Surfin’, #75 in 1962
Surfin’ Safari, #14 in 1962
Surfin’ USA, #3 in #1963
Surfer Girl #7 in 1963

They gained some big success, even after the British Invasion.

Dance, Dance, Dance, #9 in 1964

But Brian, arguably the creative force behind the band, tired of the road, preferring the safety of the studio. It was in this period the group put out the legendary Pet Sounds album:

Caroline, No, #32 in 1966 (billed as by Brian Wilson)
Sloop John B, #3 in 1966
Here’s the whole album.

Brian was replaced on the road, briefly by Glen Campbell, but more permanently by Bruce Johnston, who participated in the studio as well. Despite some decent albums, the group went into commercial decline by the end of the decade, with Brian’s participation spotty in the early 1970s, with his brothers and the others picking up the slack.

Long Promised Road, #89 in 1971

A funny thing happened in 1974: “Capitol Records issued Endless Summer, the band’s first major pre-Pet Sounds greatest hits package. The record sleeve’s sunny, colorful graphics caught the mood of the nation and surged to the top of the Billboard album charts. It was the group’s first multi-million selling record since ‘Good Vibrations’, and remained on the album chart for three years. The following year, Capitol released a second compilation, Spirit of America, which also sold well.” The new success of the old music brought Brian back to the fore and released some new music.

Rock and Roll Music, #5 in 1976

One of my favorite Beach Boys stories:

From 1980 through 1982, The Beach Boys and The Grass Roots separately performed at Independence Day concerts at the National Mall in Washington, D.C., attracting large crowds. In April 1983, [James Watt, Secretary of the Interior] banned the concerts, on the ground that the “rock bands”… had encouraged drug use and alcoholism, and had attracted “the wrong element”… Watt then announced that Las Vegas singer Wayne Newton, a friend and an endorser of President Reagan and a contributor to the Republican Party, would perform at the Independence Day celebration at the mall in 1983…. Vice President George H. W. Bush said of The Beach Boys, “They’re my friends, and I like their music”. Watt apologized to The Beach Boys after learning that President Reagan and First Lady Nancy Reagan were fans of the band. Nancy Reagan apologized for Watt. The White House staff gave Watt a plaster foot with a hole for his “having shot himself in the foot”.

Dennis Wilson drowned in 1983. Carl Wilson died in 1998; I was at the Rock and Roll Hall of Fame in May 1998 when it had a nice tribute to the Carls Perkins and Wilson; the band was inducted into the Rock Hall back in 1988.

The subsequent relationships within the group became more complicated than I need to explain here, but involving multiple bands. There was, though, a new album, featuring Love, Jardine, Marks, Johnston, and Brian Wilson in 2012, and a short-lived tour, the length of which Mike Love may (or may not) have been unfairly vilified.

I linked to a bunch of my favorite Beach Boys songs a couple of years ago, for Brian’s 70th birthday.

 


ABC Wednesday – Round 14

V is for Van Halen

Alex, Eddie, David, Michael
Alex, Eddie, David, Michael

In that great musical debate about the preferred lead singer of Van Halen, I suppose I’m in the David Lee Roth camp, rather than the Sammy Hagar camp. It is only because my one and only VH album, 1982’s Diver Down, features Roth. “From 1974 until 1985 the band comprised guitarist Eddie Van Halen, vocalist David Lee Roth, drummer Alex Van Halen [Eddie’s brother] and bassist Michael Anthony.” That’s the group I remember watching in the early days of MTV.

Eddie played the blistering guitar solo on Michael Jackson’s hit single Beat It [LISTEN], #1 for three weeks in 1983.

LISTEN to: all charting info from the Billboard (US) charts.

From Van Halen II:
Dance The Night Away, #15 in 1979

From Diver Down:
Oh, Pretty Woman, #12 in 1982. This is one of five covers on the album, this one originally recorded and co-written by Roy Orbison.
Big Bad Bill Is Sweet William Now (Is Sweet William Now), which was written and first recorded in 1924. Jan Van Halen, Alex and Eddie’s father, plays the clarinet.
Happy Trails. The theme song of that singing cowboy of movies and television, Roy Rogers, written by his wife, Dale Evans.

From 1984:
Jump, #1 for five weeks in 1984.

When Michael Anthony left/was booted out of the band in 2006, coinciding with Roth’s second return, the new bassist was Wolfgang Van Halen, Eddie’s son with his former wife, actress Valerie Bertinelli (One Day at a Time, Hot in Cleveland).

Van Halen was inducted into the Rock and Roll Hall of Fame in 2007. But at the time of the induction ceremony, Eddie Van Halen was heading for rehab. As it turned out, only Sammy Hagar and Michael Anthony, both ex-members of the band, showed up.

 


ABC Wednesday – Round 14

If I had a ballot for the Rock and Roll Hall of Fame

What I hope will happen is that they’ll pick the great guitarist Link Wray as an early influence, as they have done in the past with people who have shown up on the ballot, deserve to be enshrined, but who most people never even heard of.

From CNN: “Grunge groundbreakers Nirvana, disco dynamos Chic and the costume-clad, Gene Simmons-led pop metal band KISS are among 16 nominees up for election in the museum’s Class of 2014. The deep selection also includes ’70s and ’80s hitmakers Hall and Oates; college radio heroes the Replacements; New Orleans funkmeisters the Meters; sweet-voiced Linda Ronstadt; and pioneering gangsta rappers N.W.A.

“Completing the list: the Paul Butterfield Blues Band, Deep Purple, Peter Gabriel, LL Cool J, Cat Stevens, Link Wray, Yes and the Zombies.”

CBS News adds: “Nirvana, Linda Ronstadt, Peter Gabriel, Hall and Oates, and The Replacements are among first-time nominees to the Rock and Roll Hall of Fame.”

All eligible nominees released their first single or album at least 25 years before the year of nomination.

Fans can vote for up to five artists at rockhall.com and www.rollingstone.com and www.usatoday.com.

I’ve already made it clear that I would vote for Linda Ronstadt. Beyond that, there are probably seven artists for the other four slots. Pretty much a coin flip, my ballot would include:
Chic, which is newly chic, its sound still relevant.
Peter Gabriel, who was not only commercially successful in the 1980s, but put out great albums before that; if for the song Biko alone, which codified understanding of apartheid to the western world, he’d be deserving. I have a LOT of PG.
Hall & Oates, who not only had massive commercial success over a lengthy period – I am an unapologetic fan – but also are great proponents of music to this day. And though it ought not to matter in this context, I really love Daryl Hall’s solo album Sacred Songs.
Yes, in part as a paean to progressive rock, in hopes that King Crimson gets a nod next time out.

What I hope will happen is that they’ll pick the great guitarist Link Wray as an early influence, as they have done in the past with people who have shown up on the ballot, deserve to be enshrined, but who most people never even heard of.

The Meters, which helped beget The Neville Brothers, was essentially the house band for Allen Toussaint and played on a lot of other people’s albums, so I’m hoping that they’ll get picked in the sidemen category, as Leon Russell did a couple of years ago.

My other pick in these fan ballots was Butterfield, whose three Bs (Butterfield, Mike Bloomfield, Elvin Bishop) were also individually important in rock

Not picking Nirvana, on their first ballot, who will get in anyway. I like them well enough; have three or four of their albums and their sound defined the early 1990s.
Hope the Replacements get in someday – it was their first year as well.
I had quite a bit of Cat Stevens in the day, and I’d pick him if there weren’t people I preferred.
Have the greatest hits of the Zombies, and I’m just not sure a few hits plus one great album warrants the band’s inclusion.
I know N.W.A. is massively influential, despite its limited output, but not feeling it yet.
Never cared for KISS.
Loved the hits of Deep Purple, but guess I don’t know the oeuvre well enough to decide if they merit inclusion.
Know LL Cool J better as an actor than a musician.

Which five artists would YOU vote for?

Linda Ronstadt for the Rock and Roll Hall of Fame

Linda was as eclectic as musical shapeshifters like David Bowie and Neil Young, but because she didn’t write her own stuff, she’s been dismissed.

One of my friends, remembering her popularity in the late 1970s, both musically and visually – posters of her image were on more few dorm room walls – wrote: “Now that we know Linda Ronstadt is living with Parkinson’s, can we please finally put her in the Rock’n’Roll Hall of Fame?”

Not sure about whether induction there really matters; it certainly does not diminish her remarkable talent over decades. Still, I support the notion of her getting into the Hall, and if it takes a sympathy vote because she no longer can sing to achieve it, so be it. But I think she has enough bona fides to get there without pity.

She had tremendous commercial success in the folk-rock milieu in the 1970s, yet ventured off to do the Pirates of Penzance; two albums of music of her Mexican father, in Spanish; three albums of standards arranged by Nelson Riddle; some great duets with Aaron Neville and Emmylou Harris, among others; the Trio albums with Dolly Parton and Emmylou, and much more.

Linda was as eclectic as musical shapeshifters like David Bowie and Neil Young, but because she didn’t write her own stuff, she’s been dismissed. You’ll find her on albums as varied as Randy Newman’s Faust and Philip Glass’s Songs of Liquid Days; from the latter, here is Forgetting, also featuring the Roches and the Kronos String Quartet. She’s one of the great backup vocalists, with Neil Young on Heart of Gold, and Paul Simon on Under African Skies, e.g.

It’s also true that I like Linda Ronstadt – not personally – based on what I’ve heard about her. I hear she’s a big donator to repertory theater in Tucson, for instance. Her birthday is the same as my wife’s (Linda’s a bit older, though).

She inspired a buycott by me. A buycott, as described by Arthur, is “to go out of my way to support businesses that support the issues I care about instead of boycotting the ones that oppose those issues.” In 2004, she was escorted from a Las Vegas casino after she had dedicated a song to the filmmaker Michael Moore. Her ejection and the attitude of the audience annoyed me so much that I soon ordered from Amazon The Linda Ronstadt Box Set, which is great, especially discs three, “Collaborations, ” and four, “Rarities.” Though the collection ignores her hits such as Heat Wave, Tracks of My Tears, That’ll Be the Day, It’s So Easy, and most of the Hasten Down the Wind album, it was a very satisfying purchase.

Summer song: Summer, by War

Vocalist and founding member of War Howard Scott said that they were “cranking out gold records when” the Beastie Boys “were still in diapers.”

War was a long-running funk-rock band from southern California, who was commercially viable, at least into the 1990s. Eric Burdon, formerly of The Animals, was the lead vocalist on their first hit, Spill the Wine, back in 1970, but others took the reins shortly after that.

On the Billboard 100, the very peaceful tune called Summer, which was appropriately released on June 21, 1976, debuted on the chart on July 10 and spent 16 weeks there, eventually getting to #7. On the soul charts, it also started moving on July 10, and spent 14 weeks, reaching #4. It was declared a gold record, selling over 500,000 units.

Here is Summer, by War. The band “is not happy about being slighted for a spot in the Rock and Roll Hall of Fame. The band was nominated but lost out… War is most annoyed about losing a spot to The Beastie Boys.

“Vocalist and founding member of War Howard Scott told TMZ, ‘We were cranking out gold records when they were still in diapers. How could the Beastie Boys get in before us when they sampled War’s music on their first album?! I’ll eat their platinum records!’ and added, ‘Felt like I was kicked in the back of my britches.'”
***
Sad to read about the death, at the age of 68, of composer Marvin Hamlisch. Writer Mark Evanier said: “I can’t recall ever hearing a bad word about Marvin Hamlisch, not even from Theater People… He was the guy who wrote the tunes for A Chorus Line, after all. And so many other fine works. The first time I saw him or heard his name was when he was Groucho’s pianist for those sad one-Marx shows near the end of the comedian’s career.” To paraphrase a song of his: Nobody did it better.

 

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